Warner Bros. Discovery to expand Mideast presence through partnerships

Perta said the company is committed to its partnership model and does not plan to launch any independent streaming platform. (AFP/File)
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Updated 25 August 2023
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Warner Bros. Discovery to expand Mideast presence through partnerships

  • ‘Standing out does not mean standing alone,’ says executive Francesco Perta
  • Tie-ups include with local and regional players SRMG, OSN, StarzPlay

DUBAI: Warner Bros. Discovery celebrated its 100th anniversary this year, and as part of its centennial campaigns plans to further expand its presence in the Middle East.

The company has only recently started investing in the Middle East. This includes the theme park Warner Bros. World Abu Dhabi that was launched in 2018, original content, and partnerships with local brands.

“We are dedicated to expanding our presence and offerings in the region,” Francesco Perta, vice president of business development and distribution, Warner Bros. Discovery, MENAT, told Arab News recently. He said the region is “home to immense diversity, and our equally diverse content portfolio aims to continue elevating entertainment experiences for all audiences.”

The company is focused on two key initiatives with regard to content, he added, which is investing in content localization through dubbing and subtitling, and original local productions.

He said local partnerships are crucial “in ensuring the authenticity of our storytelling while reaffirming our dedication to supporting Arab entertainment.” This was reflected in the positive reception of shows including “Khaymat Ramadan,” “Dare to Take Risks,” and “Escape Kitchen,” said Perta.

The regional adaptation of the popular reality show “Say Yes to the Dress” became one of the most streamed Discovery+ shows after its launch early last year, he added.

Warner Bros. Discovery is set to launch another local production in September, “Dr. Implant Master,” which will feature dentist Dr. Barbara Sobczak performing procedures on patients with different problems.

The series, which is filmed entirely in Dubai, will introduce a new patient in every episode “allowing audiences to witness some of Dubai’s residents’ lives transformed one smile at a time,” said Perta.

However, “great stories are nowhere without effective platforms,” and so, “we have adopted a unique distribution strategy in the Middle East” that is designed to reach audiences across various channels including linear TV, streaming and cinemas, he explained.

“I’ve always believed that standing out does not mean standing alone,” Perta said, referring to the company’s partnerships with streaming platforms OSN+, STARZPLAY, Shahid, TOD and STC TV; traditional networks and broadcasters OSN and beIN; and cable providers du, Etisalat, Ooredoo and stc.

Partnering with such homegrown platforms has allowed the company “to get a grasp of invaluable consumer insights in record time and establish instant brand awareness,” he said.

Perta said the company is committed to its partnership model and does not plan to launch any independent streaming platform.

Although “creative alignment, quality control, language barriers, and regulatory compliance are some of the aspects that need to be effectively managed between partners,” the model “has posed more pros to us than cons,” he said.

Since the onset of COVID-19, the entertainment industry has undergone massive shifts with companies focusing “on attracting and retaining subscribers by investing heavily in original content to stay competitive,” said Perta.

Warner Bros. Discovery’s approach to the competition was to “strategically leverage” its content libraries by combining Warner Bros.’ films and TV shows with Discovery’s reality content, he added.

As the “streaming revolution continues,” the company is mindful of not neglecting traditional or linear TV, which Perta believes “will persist, especially for news and sports.”

To this end, last year, Warner Bros. Discovery partnered with Saudi Research and Media Group, or SRMG, to launch a new free-to-air Arabic channel Asharq Discovery.

“This innovative channel is an authentic gateway, bridging Middle East and global viewers by offering compelling content, enriching experiences, and unforgettable stories from the Arab region,” said Perta.

The media behemoth is aware of the changing landscape “where consumers no longer passively watch content,” he added.

It is, therefore, taking “proactive measures to immerse viewers in the magic of our stories” not just globally but in the Middle East as well through initiatives like the theme park in Abu Dhabi and candlelight concerts in 100 cities around the world including Dubai.

“As we look to the future, our unwavering commitment to consumers and the Middle East remains at the heart of our strategy,” said Perta.

Inspired by the fast-paced growth of the region, Warner Bros. Discovery is dedicated to supporting local government initiatives such as the Saudi Vision 2030 plan, he added.

It has partnered with development company Saudi Entertainment Ventures or SEVEN, part of Saudi Arabia’s Public Investment Fund, to “bring purpose-built indoor adventure centers to the Kingdom, with the aim to contribute to its tourism goals,” Perta explained.

The attraction, which will first open in Riyadh, will feature Discovery content, marking a global first for the company.

Perta said: “By staying attuned to regional audience’s preferences and evolving tastes, we will continuously expand our diverse offerings that not only enthrall with world-class storytelling but also champion the Middle East’s entertainment industry.”


Russia deliberately hit journalists’ hotels in Ukraine: NGOs

Updated 30 sec ago
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Russia deliberately hit journalists’ hotels in Ukraine: NGOs

PARIS: Russia has deliberately targeted hotels used by journalists covering its war on Ukraine, the NGOs Reporters Without Borders (RSF) and Truth Hounds said on Friday, calling the strikes “war crimes.”
At least 31 Russian strikes hit 25 hotels from the start of Russia’s full-scale invasion in February 2022 to mid-March 2025, the two organizations said in a report.
One attack in August 2024 in the eastern city of Kramatorsk killed a safety adviser working with international news agency Reuters, Ryan Evans.
The hotels hit were mostly located near the front lines, the organizations said.
Just one was being used for military purposes.
“The others housed civilians, including journalists,” said RSF and Truth Hounds, a Ukrainian organization founded to document war crimes in the country.
“In total, 25 journalists and media professionals have found themselves under these hotel bombings, and at least seven have been injured,” they said.
At least 15 of the strikes were carried out with high-precision Iskander 9K720 missiles, they said, condemning “methodical and coordinated targeting.”
“The Russian strikes against hotels hosting journalists in Ukraine are neither accidental nor random,” Pauline Maufrais, RSF regional officer for Ukraine, said in a statement.
“These attacks are part of a larger strategy to sow terror and seek to reduce coverage of the war. By targeting civilian infrastructure, they violate international humanitarian law and constitute war crimes.”
RSF says 13 journalists have been killed covering Russia’s invasion, 12 of them on Ukrainian territory.
That includes AFP video journalist Arman Soldin, who was killed in a rocket attack near the eastern Ukrainian city of Bakmut on May 9, 2023. He was 32.

Omnicom Media Group consolidates influencer marketing services in Mideast

Updated 15 May 2025
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Omnicom Media Group consolidates influencer marketing services in Mideast

DUBAI: Omnicom Media Group has announced that it will consolidate its influencer marketing capabilities in the Middle East and North Africa region under influencer management agency Creo following a global directive last month.

The move “ensures our clients can harness the full potential of this communication channel” as digital consumption grows in the region and influencers play an “instrumental role in shaping brand perceptions,” said CEO Elda Choucair.

Creo will give the group’s clients “access to the same advanced tools, talent and technology we’ve developed globally, but adapted to our region’s unique landscape,” she added.

These include tools such as the Creo Influencer Agent, an AI-powered influencer selection tool; the Omni Creator Performance Predictor, which uses machine learning to predict the performance of content on Instagram; and the Creator Briefing Tool, which helps influencers create and get feedback on their content through Google’s AI chatbot Gemini.

The agency will also leverage exclusive partnerships with platforms such as Amazon, TikTok, Instagram and Snapchat in the region.

Anthony Nghayoui, head of social and influencer at Omnicom Media Group, has been appointed to lead Creo.


Aramco holds steady on Kantar’s most-valuable global brands list for 2025

Updated 15 May 2025
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Aramco holds steady on Kantar’s most-valuable global brands list for 2025

  • US brands dominate, comprising 82 percent of the value in top 100

DUBAI: Saudi Arabia’s Aramco continues to hold a place in the annual BrandZ Most Valuable Global Brands Report 2025 by marketing data and analytics company Kantar.

Although it dropped by eight places to No. 22, Aramco is the only brand from the Middle East to have a presence in the global ranking.

US brands dominate the list, comprising 82 percent of the total value of the top 100 brands.

However, the report signals changing times, with Chinese brands having doubled their value over the past 20 years, now making up 6 percent of the value of the top 100 brands.

European brands, on the other hand, have seen a decline. They now account for 7 percent — down from 26 percent in 2006 — of the top 100 brands.

The top five spots are taken by tech companies Apple, Google, Microsoft, Amazon and Nvidia.

“Innovators keeping up with consumer needs or redefining them entirely are the brands fundamentally reshaping the Global Top 100 over the past two decades,” said Martin Guerrieria, head of Kantar BrandZ.

The most successful brands, like Apple, Amazon, Google and Microsoft, have long moved away from their original product base, he added.

Apple retained its top position for the fourth year in a row with a brand value of $1.3 trillion, up 28 percent from 2024.

Google and Microsoft recorded a 25 percent and 24 percent increase in brand value this year compared to last year, while Amazon’s brand value rose by a massive 50 percent.

ChatGPT debuted on the list this year in 60th place, showing “how a brand can find fame and influence society to the extent that it changes our daily lives,” Guerrieria said.

He cautioned that as competition grows in the AI space, “OpenAI will need to invest in its brand to preserve its first-mover momentum.”

Despite controversies and concerns, Instagram and Meta saw significant growths of 101 percent and 80 percent, respectively, while TikTok grew by a modest 25 percent.

The success of brands like Apple and Instagram “underlines the power of a consistent brand experience that people can relate to and remember,” said Guerrieria.

He added: “In a world of digital saturation and tough consumer expectations, brands need to meet people’s needs, connect with them emotionally and offer something others don’t to succeed. They need to be not just different, but meaningfully so.”


UK to allow foreign states to own a 15 percent stake in newspapers

Updated 15 May 2025
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UK to allow foreign states to own a 15 percent stake in newspapers

  • Proposed media reforms could resolve the long-standing uncertainty surrounding the ownership of the Telegraph newspaper
  • In 2023, Abu Dhabi-backed RedBird IMI assumed control of the Telegraph titles and The Spectator by helping repay the Barclay family’s £1.2 billion debt

LONDON: Britain plans to allow foreign state-owned investors to own up to 15 percent of British newspaper publishers, the government said on Thursday, as part of media reforms that could end long-running uncertainty over ownership of the Telegraph newspaper.
The government will also expand its powers to scrutinize media mergers to include news websites and news magazines.
“These important, modernizing reforms are about protecting media plurality and reflect the changing ways in which people are consuming news,” Culture Secretary Lisa Nandy said.
“We are fully upholding the need to safeguard our news media from foreign state control whilst recognizing that news organizations must be able to raise vital funding.”
The ownership of the Telegraph, one of Britain’s best known newspapers, has raised questions about the independence of the media and foreign states buying political influence.
The government said “targeted exceptions” allowing certain sovereign wealth funds or pension funds to invest up to 15 percent in British newspaper and periodicals would help sustain the titles while also limiting any foreign influence in media.
The government does not plan to exempt debt financing, but warned that if a foreign power gains control through a default, it could trigger a ministerial intervention under existing rules.
Britain’s previous Conservative government last year banned foreign state investment in British newspapers, blocking RedBird IMI, run by former CNN boss Jeff Zucker and with the majority of its funding from Abu Dhabi, from owning the Telegraph.
Abu Dhabi-backed RedBird IMI took control of the Telegraph titles and the Spectator magazine in 2023 when it helped repay the Barclay family’s 1.2 billion pound ($1.6 billion) debt to Lloyds Bank.
It put the titles up for sale nearly a year ago. The Spectator was sold to hedge fund founder Paul Marshall in September, but the Telegraph has not found a buyer.
The 15 percent cap would allow Abu Dhabi to retain some ownership of the paper.


Israel’s presence still roils Eurovision a year after major protests over the war in Gaza

Updated 15 May 2025
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Israel’s presence still roils Eurovision a year after major protests over the war in Gaza

  • About 200 pro-Palestinian demonstrators marched Wednesday in the Swiss host city of Basel
  • Oddsmakers suggest Raphael is likely to secure a place in Saturday’s final with her song “New Day Will Rise”

BASEL: Most contestants at the Eurovision Song Contest are seeking as much publicity as possible.
Israel’s Yuval Raphael is keeping a low profile.
The 24-year-old singer has done few media interviews or appearances during Eurovision week, as Israel’s participation in the pan-continental pop music competition draws protests for a second year.
Raphael is due to perform Thursday in the second semifinal at the contest in the Swiss city of Basel. Oddsmakers suggest Raphael is likely to secure a place in Saturday’s final with her anthemic song “New Day Will Rise.”
Israel has competed in Eurovision for more than 50 years and won four times. But last year’s event in Sweden drew large demonstrations calling for Israel to be kicked out of the contest over its conduct in the war against Hamas in Gaza.
More than 52,800 people in Gaza have been killed in Israel’s military offensive, according to the territory’s health ministry.
About 200 people, many draped in Palestinian flags, protested in central Basel on Wednesday evening, demanding an end to Israel’s military offensive and the country’s expulsion from Eurovision. They marched in silence down a street noisy with music and Eurovision revelry.
Many noted that Russia was banned from Eurovision after its 2022 invasion of Ukraine.
“It should be a happy occasion that Eurovision is finally in Switzerland, but it’s not,” said Lea Kobler, from Zurich. “How can we rightfully exclude Russia but we’re still welcoming Israel?”
Last year, Israeli competitor Eden Golan received boos when she performed live at Eurovision. Raphael told the BBC that she expects the same and has rehearsed with background noise so she won’t be distracted.
“But we are here to sing and I’m going to sing my heart out for everyone,” she said.
Anti-Israel protests in Basel have been much smaller than last year in Malmo. Another protest is planned for Saturday in downtown Basel, 2 miles (3.2 kilometers) from the contest venue, St. Jakobshalle arena.
But concern by some Eurovision participants and broadcasters continues.
More than 70 former Eurovision contestants signed a letter calling for Israel to be excluded. Several of the national broadcasters that fund Eurovision, including those of Spain, Ireland and Iceland, have called for a discussion about Israel’s participation.
Swiss singer Nemo, who brought the competition to Switzerland by winning last year, told HuffPost UK that “Israel’s actions are fundamentally at odds with the values that Eurovision claims to uphold — peace, unity, and respect for human rights.”
At Wednesday’s protest, Basel resident Domenica Ott held a handmade sign saying “Nemo was right.”
She said the nonbinary singer was “very courageous.”
“If Russia couldn’t participate, why should Israel?” she said.
The European Broadcasting Union, which runs Eurovision, pointed out that Israel is represented by its public broadcaster, KAN, not the government. It has called on participants to respect Eurovision’s values of “universality, diversity, equality and inclusivity” and its political neutrality.