‘The climate crisis is the most important story for this generation,’ says CNN Academy director on second news simulation

A total of 110 aspiring journalists from 30 different nationalities participated in the simulation. (Supplied)
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Updated 20 December 2023
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‘The climate crisis is the most important story for this generation,’ says CNN Academy director on second news simulation

  • 110 aspiring journalists participated in the program
  • Simulation was set in a fictional country undergoing a climate disaster

DUBAI: CNN held its second reporting simulation as part of its academy training program last week.

A total of 110 aspiring journalists from 30 different nationalities participated in the simulation.

Of the participants this year, 14 marked the inaugural cohort of the new CNN Academy Global South Climate Storytelling program, funded by The Rockefeller Foundation. They were intentionally chosen to take part from the regions most impacted by climate change, which includes countries such as Colombia, Indonesia, Kenya and Vietnam.

Other participants included students from global CNN Academy initiatives, such as Hong Kong Chui Hai College, University College Dublin, Universidad Loyola Sevilla, University of Nottingham Malaysia, and CNN Academy Abu Dhabi.

This year’s news simulation focused on climate reporting.

“The climate crisis is the most important story for this generation,” said Alireza Haji Hosseini, director of the CNN Academy and deputy bureau chief of CNN Abu Dhabi.

“As we’ve seen, 2023 was the hottest year on record, (so) we wanted to focus this year’s news simulation on climate storytelling,” he told Arab News.

Held in a fictional country undergoing a climate disaster, the simulation required participants to gather news in the field, use a custom-built social media tool and attend mock press conferences and interviews.

Each team was tasked with writing, producing, reporting, filming and editing a news package using the facilities at twofour54’s Yas Creative Hub in Abu Dhabi.

“Covering the climate crisis is both vitally important and multifaceted so it provided a strong challenge for the participants,” Haji Hosseini said.

Each group was assigned a mentor to guide them through the week, thereby creating “a safe-to-fail environment,” so they could make mistakes that “they would not be afforded in real life,” he said.

The simulation was designed and planned by CNN, in collaboration with Prof. Rex Brynen of McGill University, Montreal, Canada, and Jim Wallman, director of game design company, Stone Paper Scissors. 

“We worked with them last year for CNN Academy’s first newsroom simulation, which was a great success, so it was a no-brainer to work together for this event,” Haji Hosseini said.

“We created a fast-paced environment, with volumes of information and sources to uncover, including red-herrings, conspiracy theories and even simultaneously occurring news events to replicate many challenges that journalists face every day,” he said.

The simulation was designed to test the skills students had learned in the CNN Academy, such as interview techniques, storytelling, ethics and verification.

They had to play multiple roles as reporters, photojournalists, writers, editors and producers, which tested their technical skills in capturing and editing audio and video, as well as soft skills such as strategic thinking, collaboration and diplomacy, Haji Hosseini said.

Participants also visited the COP28 conference in Dubai and attended talks at the UN Climate Change Conference.

Alongside the simulation, CNN held masterclasses on the power of pictures and storytelling during times of conflict, along with workshops on the importance of data management and archiving, and the complexity of gender reporting.

Glen Mulcahy, an expert in mobile journalism, hosted one session that focused on the use of smartphones in journalism, which covered topics such as lighting, using a tripod, and how to shoot b-roll and cutaways to film and edit packages professionally.

While the first simulation had a clear story line to be investigated, this year’s simulation featured more than 200 potential story angles, Haji Hosseini said.

He added: “As this year’s simulation was centered on the climate crisis there were many avenues to explore across technical and social aspects. There were more than 200 possible story angles spanning ecosystems and biodiversity to sustainability, activism and how climate change disproportionately impacts women.”

Therefore, “one of the main challenges this year was for participants to establish the angle they wanted to focus on and not be distracted by other potential stories or events,” he said.

“The experience was extraordinary and immersive because the simulation week not only pushed me beyond my usual circle but also led me to see the world through the eyes of a real journalist,” one participant, Reem Al-Mansoori, from CNN Academy Abu Dhabi, told Arab News.

For another participant, Sarah Al-Kaabi, the experience helped to hone her technical skills, such as shooting and editing videos and understanding scriptwriting. “It was a really helpful exercise for me when thinking about building the narrative for a visual presentation,” she said.

At the end of the week, a winning team was chosen for creating the best package, which included Lhekkah Sivaraja from University of Nottingham Malaysia, Esha Mitra from The Rockefeller Foundation Cohort, Daniela Torres Basila from Universidad Loyola Sevilla and Alia Al-Zaabi and Abdulrahman Al-Marzooqi from CNN Academy Abu Dhabi.

Haji Hosseini said that CNN “provided feedback on the work submitted and shared all the work on the CNN Academy hub, so everyone could view what was produced and understand why some packages were stronger than others.” 

CNN also conducted “listening sessions so that we as trainers got insight from the participants about what they enjoyed, what they found most challenging so we can adapt and adjust accordingly,” he said.


Israel strikes Iran’s state broadcaster building

Updated 16 June 2025
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Israel strikes Iran’s state broadcaster building

  • Online footage online shows IRIB’s Glass Building engulfed in flames after the attack

LONDON: Israel has launched an airstrike on the headquarters of Iran’s state broadcaster, the Islamic Republic of Iran Broadcasting, in central Tehran, according to numerous videos circulating on social media on Monday.

Footage shared online appeared to show the Glass Building of the IRIB engulfed in flames after the strike.

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One widely circulated clip shows the moment a missile hit the facility during a live broadcast — the presenter, Sahar Emami, is seen on-air before a loud explosion interrupts the feed.

Smoke and debris fill the room as the presenter takes cover and a man is heard shouting. Iran’s state-run media confirmed the attack, directly attributing it to Israel.

According to the first reports, there were several casualties although the exact number has not officially been released.

Videos posted online show significant damage to the building, which appeared to be on fire.

London-based news channel Iran International, reported that IRIB resumed broadcasting from another studio after the attack, with Emami joining the Khabar Network’s live broadcast.

The strike came shortly after Israeli Defense Minister Israel Katz warned on Monday that Iran’s state media outlets would soon be targeted.

“The Iranian propaganda and incitement megaphone is about to disappear,” he said in a statement earlier on Monday, adding that nearby residents had been urged to evacuate.

“In the coming hours, the (Israeli military) will operate in the area, as it has in recent days throughout Tehran, to strike military infrastructure of the Iranian regime,” the military said in a post in Persian on X.

The strike hit an upmarket district of Tehran, home to several diplomatic and international offices, including the embassies of Qatar, Oman, and Kuwait, as well as UN buildings and the Agence France-Presse bureau.

The area also contains major medical facilities and a large police headquarters, raising concerns over the broader impact of the strike.


Ex-Syrian commander claims Assad ordered execution of missing US journalist Tice: BBC

Updated 16 June 2025
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Ex-Syrian commander claims Assad ordered execution of missing US journalist Tice: BBC

  • Maj. Gen. Bassam al-Hassan said to have tried to dissuade former Syrian president but ultimately relayed order
  • BBC claims US officials met Hassan in Beirut at least three times, are investigating the uncorroborated account

LONDON: A former Syrian commander who allegedly oversaw the detention of missing American journalist Austin Tice claims that ex-President Bashar Assad personally ordered Tice’s execution, according to a BBC investigation released over the weekend.

The report centers on Maj. Gen. Bassam al-Hassan, a former commander in the elite Republican Guard and one of Assad’s most trusted advisers. According to the BBC, Hassan spoke to FBI and CIA officials about Tice’s fate during at least three meetings in Lebanon, one of which reportedly took place inside the US embassy compound.

Hassan, who also served as chief of staff of the National Defense Forces — a pro-regime paramilitary group previously linked by the BBC to Tice’s abduction — allegedly oversaw the facility where the journalist was held. Sources close to Hassan said that in 2013, following Tice’s brief escape attempt, he was instructed to execute him.

According to the sources, Hassan initially sought to dissuade Assad but ultimately relayed the order, which was then carried out. The detail of Tice’s escape attempt aligns with prior reports, including a Reuters investigation citing witnesses who recalled seeing “an American man, dressed in ragged clothing” attempting to escape through the streets of Damascus’ upscale Mazzeh neighborhood — believed to be Tice’s final sighting.

Tice disappeared in August 2012 while reporting on Syria’s civil war in the Damascus suburbs, just days after his 31st birthday. A former US Marine captain who had served in Iraq and Afghanistan, Tice was working as a freelance journalist while studying for a law degree at Georgetown University. He was abducted while preparing to leave the country to go to Lebanon.

For years, the Assad regime has denied any knowledge of Tice’s whereabouts or involvement in his disappearance. However, the BBC previously reported that classified documents obtained during its investigation supported long-standing suspicions by US authorities that Damascus was directly involved. The latest investigation suggests that Tice was held in the notorious Tahouneh prison, a regime-controlled facility in Damascus. Hassan is also said to have provided the US officials with possible locations for Tice’s remains, though efforts to verify his claims are ongoing.

“There is not anything, at least at this time, to corroborate what (Hassan) is saying,” a source familiar with the investigation told The Washington Post. “The flip side of it is, with his role in the regime, it’s hard to understand why he would want to lie about something like that.”

Despite the recent developments, skepticism persists. Western intelligence officials expressed doubt that Assad would have issued a direct kill order, noting that the Syrian president typically relies on intermediaries to insulate himself from such decisions.

Speaking to the BBC during a recent trip to Lebanon, Tice’s mother, Debra Tice, said she believed Hassan may have told US officials “a story they wanted to hear” to help close the case.

“I am his mother. I still believe that my son is alive and that he will walk free,” she said.

A former NDF member also told the BBC that Tice was viewed as a valuable bargaining chip for possible negotiations with Washington.

According to the report, Hassan fled to Iran following the collapse of the Syrian regime in December. He was later contacted by phone and invited to Lebanon to meet US officials, who assured him he would not be detained.

The BBC revelations come on the heels of an interview published by The Economist with Safwan Bahloul, a three-star general who previously served in Syria’s external intelligence agency and was tasked with interrogating Tice.

Bahloul, who speaks fluent English and has lived in Britain, said Hassan assigned him to question Tice and handed him the American’s iPhone. His mission was to determine whether Tice was “merely a journalist” or “an American spy.”

Bahloul also said Hassan orchestrated the recording of a video, released on YouTube in September 2012, that showed Tice blindfolded and surrounded by armed men. US intelligence later concluded that the video had been staged by the regime to suggest that Tice was being held by Islamic militants.


TikTok rolls out AI-powered tools to turn text into video ads

Updated 16 June 2025
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TikTok rolls out AI-powered tools to turn text into video ads

  • Advertisers will be able to upload an image or write a text prompt to generate five-second video clips
  • New features announced on Monday at the Cannes Lions advertising festival

LONDON: TikTok is rolling out new advertising tools powered by artificial intelligence that give marketers the ability to turn text or still images into AI-generated video ads.

The ByteDance-owned platform announced the new features on Monday during the Cannes Lions advertising festival in France.

The features, part of TikTok’s Symphony product suite, allow advertisers to upload an image or write a text prompt describing their desired ad. TikTok’s AI then generates five-second video clips that can be used as advertisements.

The text and image-to-video features build on similar AI-powered services introduced by TikTok in 2024, which allow marketers to use AI-generated avatars ­— AI-enhanced digital spokespeople — to promote and sell products on the platform.

AI-generated ads are the latest frontier for social media platforms, which have been investing heavily in AI to automate processes such as content moderation, misinformation detection, and content creation for advertisers and creators seeking more cost-effective ways to produce material for social media.

With such tools, platforms hope to attract marketers to expand their advertising budgets.

Recently, Facebook and Instagram parent company Meta announced it was testing new tools that allow advertisers to create marketing content, including images and messaging, using generative AI prompts.


Google says it has resolved global service outage impacting multiple platforms

Updated 13 June 2025
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Google says it has resolved global service outage impacting multiple platforms

Alphabet’s Google said on Thursday it had resolved a brief global service disruption on its platforms that affected multiple services such as music streamer Spotify and instant messaging provider Discord.

“The issue with Google Chat, Google Meet, Gmail, Google Calendar, Google Drive, Google Cloud Search, Google Tasks, Google Voice has been resolved for all affected users,” the company said.

“We will publish an analysis of this incident once we have completed our internal investigation.”

The outage disrupted services on platforms such as Spotify, Snapchat and Discord that rely on the tech giant’s cloud managed services and infrastructure.

Google Cloud’s dashboard said engineering teams were working to resolve a few services still seeing some residual impact.

The outage began around 1:50 p.m. ET and there were 14,729 reports of Google Cloud being down in the US around 2:32 p.m. ET, according to tracking website Downdetector.com.

At the peak of the disruption, there were about 46,000 outage reports on Spotify and 10,992 on Discord in the US As of 6:18 p.m. ET, Spotify showed a little over 1,000 reports, while Discord outages had come down to 200.

Downdetector’s numbers are based on user-submitted reports. The outage might have affected a larger number of users. (Reporting by Harshita Mary Varghese in Bengaluru; Editing by Sahal Muhammed)
 


Pilgrims through the lens: How photographers document scenes of faith during Hajj

Updated 13 June 2025
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Pilgrims through the lens: How photographers document scenes of faith during Hajj

MAKKAH: Every year, the holy lands transform into a unique visual spectacle pulsing with faith and human diversity, drawing the world’s eyes to Makkah, where millions of Muslims perform the pilgrimage of Hajj.

During this period of spiritual and human momentum, photographers stand as visual historians, conveying to the world unforgettable scenes through their lenses that capture moments of worship, tears, unity, mercy, and cultural diversity.

Photographer Anas Al-Harthi said: “When I carry my camera during Hajj season, I feel that I am not just documenting an event but painting a grand canvas of faith in human colors from every continent.”

He added: “A photographer during Hajj does not just take a picture — he moves with a deep sense that this shot may remain a witness to a moment that will never be repeated in the pilgrim’s life.”

Photo by Faisal Al-Thaqafi.

Al-Harthi pointed out that the greatest challenge is respecting the sanctity of the scene without interfering with it, which requires a high artistic sense and an appreciation of place, time and situation.

Photographer Anas Bakhsh said that the experience of photographing during Hajj places the photographer at the heart of human emotion.

“Thousands of faces pass before you, and each face carries a story, every tear bears a prayer, and every movement expresses longing and contentment. Sometimes I feel that the photo I took is an answered prayer for someone in a moment of complete submission to God.”

He said that the scene forever engraved in his memory is when crowds gather on the plain of Arafat at the same time, a majestic sight where differences between people dissolve and the sounds of Talbiyah and supplication rise.

Photographer Faisal Al-Thaqafi said that professional photography during Hajj is not only about technical skill, but also about cultural and religious awareness, and the ability to engage with the scene with the spirit of a believing photographer. “The photographer during Hajj is not just a professional holding a camera — he is an eye pulsing with faith, translating emotion into imagery.”

He added: “Sometimes you capture an image of an elderly pilgrim raising his hands to the sky, and you realize that this photo will remain in people’s hearts more than any commentary or report — because it is sincere, pure, and simple.”

The three photographers agree that the logistical challenges — crowds, heat, and problems involving mobility — do not stand in the way of their passion. Instead, they drive them to exert double the effort to document this unique event.

Bakhsh said: “Every season, I return home with thousands of photos, but I keep only one or two for myself — those images that I feel touched something inside me and perhaps touched the hearts of millions around the world.”

Photo by Faisal Al-Thaqafi.

Al-Thaqafi said that a successful photograph during Hajj is not only one of high visual quality, but one that conveys a genuine emotion. “The strongest images are those that do not need an explanation. You see a pilgrim smiling or crying, and you feel your heart tremble.”

Al-Harthi believes that a photograph can change the world’s perception of Hajj and bring this great ritual closer to non-Muslims as well, saying: “We are not working only for documentation — we are working to build a human bridge, where the spirit of Islam is shown through an honest and professional lens.”

With these sincere lenses, the Hajj season becomes an open exhibition of spirituality, where photos tell stories that words cannot express, and bear witness to the greatest annual human gathering, where everyone is equal in attire, and united in purpose: seeking mercy and forgiveness.

Amid this visual momentum created by photographers through their lenses, the impact of these images is also felt by the pilgrims themselves and by millions of followers on social media. Syrian pilgrim Omar Al-Kadeeb, from Deir Ezzor, said: “Photos of relatives who performed the pilgrimage in the holy sites and near the Kaaba reached my family and friends within minutes and spread widely. At that moment, we felt like we were part of their spiritual journey despite the distance.” He added: “I saw images taken of pilgrims from all nationalities, and I found myself moving emotionally through the scenes — from a father crying in prayer, to a child smiling in Arafat, to a woman raising her hands to the sky in a profoundly moving moment that cannot be described.”

Photos by Faisal Al-Thaqafi, center shot, and Anas Al-Harthi.

Al-Kadeeb said that the professional photos shared by photographers on platforms such as X, Instagram and TikTok enhance the status of Hajj in people’s hearts and make it feel more relatable and more meaningful to the viewer — even if they are not performing Hajj themselves.

“I believe every beautiful image from Hajj is an indirect invitation for people to dream of Hajj and to realize the greatness of this immense pillar,” Al-Kadeeb said.

He concluded with high praise for the photographers: “They are not just professionals — they are messengers of peace and beauty, delivering the message in today’s universal language: a photo.”