Recipes for success: Chef Alejandro Castro offers advice and a hearty pilau recipe

Chef Alejandro Castro heads up OSH Restaurant in Dubai’s La Mer development. (Supplied)
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Updated 28 November 2021
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Recipes for success: Chef Alejandro Castro offers advice and a hearty pilau recipe

DUBAI: An Ecuadorian chef might not be the obvious choice to lead a kitchen serving food inspired by the cuisine of former Soviet republics in Asia, but this is Dubai, after all. And if you’d expect to find that weird kind of cultural mix anywhere, it’s here. 

Chef Alejandro Castro — who heads up OSH Restaurant in Dubai’s La Mer development — says it came as something of a surprise to him when he was approached by OSH’s then-head chef to work as a sous-chef at the restaurant, which bills itself as serving “a modern twist of Central Asian and contemporary Uzbek cuisine.”

“Before OSH, I was working in a French restaurant in Dubai,” Castro says. “(The head chef of OSH) saw that I had the basics of French fine-dining, and he told me not to worry that I didn’t know Russian or Uzbek food. He just wanted a person who understood high standards in the kitchen.” 




Chicken shashlik. (Supplied)

A year or so later, Castro was promoted to head chef, and it’s fair to say he’s got a much better understanding of Uzbek food now. Although he admits he’s still not quite perfected the ‘plov’ that is a staple of Uzbek cuisine. 

“It takes a lot of training,” he says of the rice-based dish (which he’s provided a recipe for here). “The thing you have to get exactly right is the rice, but that goes through so many different cooking procedures in the same pot that you’ve got to get your timings perfect. We have some plov masters in the restaurant who’ve nailed it, and they’re training me now.”

It’s clear from our conversation just how passionate Castro is about his work. 

“The cooking world is so beautiful, so challenging, and so full of opportunities every day,” he says. “I hardly know anyone who’s regretted this career, and even those who have have learned so much that has helped them in whatever other career they’ve taken.”

What’s your go-to dish if you have to cook something quickly for yourself? 

It’s a very easy chicken sandwich, done with some grilled pineapple, jalapenos, pickled onions and some spicy mayo. Just mix it up, throw the chicken in the pan, and you’re done. Twenty minutes.

What’s your favorite dish to cook?

Many things. (Laughs.) Probably the one that needs the least preparation and that makes me very happy, and everyone else around me very happy — at least I’ve heard no complaints about it — is a shrimp ceviche. It’s got a lot of vitamin C, so it’s very good after a heavy night. No fats, just some of the natural cholesterol from the shrimps, but a lot of orange and lemon juice. Lots of vitamins from the tomatoes, onions and coriander too. And it’s done in a very short amount of time. 

What one ingredient can instantly improve any dish?

It’s unpopular nowadays because of some bad press in the Nineties, but it’s MSG. When you think something lacks flavor, that often means it lacks umami flavor and MSG is basically umami in powder form. 




Chef Castro says it came as something of a surprise to him when he was approached by OSH’s then-head chef to work as a sous-chef at the restaurant. (Supplied)

What customer behavior most annoys you?

It’s usually the modifiers. Not just for me, but for most cooks. I understand people have their own tastes and want something done a certain way, but the dishes are designed and tested. They work. When I get a complaint about a modified dish, it’s expected. A modified dish won’t be as good, or as thoroughly thought-out, as an original. At the end of the day, though, the guests are our bosses.

What’s the worst mistake you ever made in a kitchen?

Nothing. I’m perfect. (Laughs.) No… One of the biggest ones was when I was a commis-chef and I had a breakfast shift. My head chef always insisted we shouldn’t use the timer on the oven; we had to remember what’s what and how long it’s been there. I remember putting 80 croissants in the oven and forgetting about them. Once I’d remembered, I opened the oven, a lot of smoke came out and I had 80 perfect pieces of charcoal. It was horrible. I was mortified. I thought I’d be fired that day. But after you have a big mess-up like that, then never again. 

What are you like in the kitchen? Are you a shouter? Or are you quite chilled-out?

I’m both. On a normal day I’m quite laidback, I like to have music in the kitchen — my team can also choose the music; something that gets them into the rhythm of working. It’s such a stressful and physically demanding environment, so you need something that pulls you through the day. And I’ve found that, for me, that’s music. And my team know they can approach me with whatever issue they may have. We really get to know each other, and we hang outside of work even. We try to keep a peaceful environment — we joke around a lot — I can probably say I’m the main prankster in the kitchen. I might hide stuff from them, or tell jokes. In terms of discipline, though, they know that when it’s cooking time, it’s cooking time. We’re here for a purpose, and if that purpose isn’t met then we’re not doing our job. So there’s happy time most of the time, but sometimes, when it gets too relaxed, then there’s not-very-happy time. I love my team, but they know that when it’s showtime, it’s showtime.

Chef Alejandro’s Osh Pradznichny with Achichuk salad




Uzbek rice pilau and lamb with tomato salad. (Supplied)

INGREDIENTS
For the main dish

650 gm lazar or basmati rice

50 gm chickpeas

250 ml sunflower oil

750 gm lamb leg, boneless

250 gm white onion, sliced

850 gm yellow or baby carrot, cut into long pieces

1500 ml water

3 gm cumin seeds

12 gm salt

50 gm yellow raisins

5 quail eggs

For the salad:
500 gm tomato

350 gm red onion

25 ml olive oil

5 gm salt

1 gm pepper

1 gm basil

INSTRUCTIONS
1. Wash the rice in cool water and soak the chickpeas the night before.

2. Heat oil in a heavy-bottom pot or kazan (traditional Uzbek iron cast pot), until it begins to smoke, then cook the lamb leg in it until brown. Remove the lamb and add the onion. Repeat the process for the carrot. Finally, add the lamb and onions. After five minutes, add water, cumin and salt. Check the seasoning, then add rice. Add the raisins and the chickpeas. Cover and place on medium heat. 

3. Hard boil the quail eggs, then peel and halve.

4. Once the rice has absorbed all the liquid, give it a quick mix in the same pot, making sure everything is cooked al dente.

5. Serve on a big sharing platter with the halved quail eggs around the rice.
6. For the salad, slice tomato and onion. Toss with olive oil, salt, pepper and chopped basil. Serve on the side of the rice.


Fontaines DC display words ‘Israel is committing genocide’ on screen at London gig

Updated 07 July 2025
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Fontaines DC display words ‘Israel is committing genocide’ on screen at London gig

DUBAI: Irish post-punk band Fontaines DC played a sold-out concert in London’s Finsbury Park on Saturday night during which the words “Free Palestine” and “Israel is committing genocide” were projected onto screens. 

Lead singer Grian Chatten performed in front of the 45,000-strong crowd dressed in a kilt and a Sinead O’Connor t-shirt, the Independent reported. 

A piece of music equipment on the north London stage was wrapped in a Palestinian flag and “Israel is committing genocide. Use your voice” came up on the screens after the last song. 

The show comes after multiple artists voiced support for the people of Palestine at the Glastonbury music festival in June.

Last week, the US revoked entry visas for members of British punk-rap duo Bob Vylan following their Glastonbury Festival set, during which frontman Bobby Vylan led the crowd in a controversial chant against Israel’s military.

Performing on the festival’s West Holts Stage on Saturday, the artist shouted “Free, free Palestine” before encouraging the audience to chant, “Death, death to the IDF (Israel Defense Forces).” Video of the moment quickly spread online, sparking backlash.

Meanwhile, Irish rap group Kneecap drew one of the festival’s largest crowds at the West Holts Stage. Dozens of Palestinian flags flew in the crowd as the show opened with an audio montage of news clips referring to the band’s critics and legal woes.

Between high-energy numbers that had fans forming a large mosh pit, the band members — sporting keffiyehs — led the audience in chants of “Free Palestine” and “Free Mo Chara.” They also aimed an expletive-laden chant at UK Prime Minister Keir Starmer, who has said he didn’t think it was “appropriate” for Kneecap to play Glastonbury.

One member wore a T-shirt emblazoned with “We Are All Palestine Action,” referencing the direct-action network that targets arms factories supplying Israel.


The Open Crate: Meet the women protecting the Arab world’s artistic heritage

Updated 07 July 2025
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The Open Crate: Meet the women protecting the Arab world’s artistic heritage

BEIRUT: What’s the point of owning a beautiful collection — whether art or collectibles — if there’s no proper way to showcase or preserve it?

This question lies at the heart of The Open Crate, a platform designed to help collectors digitize and preserve their collections. Founded by art specialists Amina Debbiche and Nora Mansour, the company offers an inventory and archiving service that catalogs everything from fine art and furniture to watches, books, and pens.

“People know exactly which crypto they have in their portfolio. But when it comes to art, they don't even remember the name of the artist on the wall,” said Mansour, a Lebanese finance expert turned art curator.

Debbiche and Mansour noted the urgency of digitizing art catalogues — especially in the Arab world.

“The thing with art, especially in our region of the world, is that it’s mostly held in private hands,” said Debbiche, a Tunisian art aficionado.

The privatization of artwork in a region with hotspots of instability makes the act of documentation a deeply political one: a means of preserving the unspoken victims of war — art.

To explain this, Mansour gave Arab News a hypothetical example: think of a Palestinian family in Jerusalem whose house is looted — if their artwork is documented, there’s proof it existed. It’s a map of what you own.

“It’s like our child, you know — it’s like having a baby together,” Mansour joked.

The child they created, The Open Crate, boldly and indirectly addresses an unspoken issue that has long plagued the region. Like any child, it has the potential to grow and carve out a name that its ancestors, and future generations, can be proud of.

 


Pakistani films Nayab and Deemak win top honors at SCO Film Festival in China

Updated 07 July 2025
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Pakistani films Nayab and Deemak win top honors at SCO Film Festival in China

  • Nayab wins Jury Special Award, Deemak Best Editing Award at 2025 event
  • Pakistan’s film industry has seen a creative resurgence in recent years

ISLAMABAD: Two Pakistani films, Nayab and Deemak, have won major accolades at the Shanghai Cooperation Organization (SCO) Film Festival in China, state-run news agency APP reported on Monday. 

The festival showcased 27 films from SCO member states, including China, Russia, Pakistan, India, and Central Asian countries. Organized to foster regional cinematic exchange, the event featured screenings, industry forums, a film technology expo, and a gala concert, with awards presented in ten categories.

The SCO Film Festival first launched in 2018 and is a cultural initiative of the multilateral bloc to promote cooperation in cinema and the creative industries among member countries. 

“Pakistani film Nayab and Deemak received prestigious ‘Jury Special Award’ and ‘Best Editing Award’ respectively at the colorful concluding ceremony of SCO film festival held at Chongqing, China,” Associated Press of Pakistan reported.

Director of Pakistani movie, Nayab, Umair Nasir Ali (center) giving acceptance speech at the SCO Film Festival for the Jury Special award in China, in a picture shared by the director himself on social media on July 7, 2025. (Umair Nasir Ali/Instagram) 

Nayab, released in 2024, is a sports-drama centered on a young woman from Karachi, played by Yumna Zaidi, who aspires to become a professional cricketer despite intense family and societal opposition. The cast includes Fawad Khan, Javed Sheikh, and Adnan Siddiqui.

The film has previously won multiple awards, including Best Foreign Film and Best First-Time Filmmaker (Feature) at the World Film Festival in Cannes, and a Special Jury Diploma at the 30th Minsk International Film Festival.

“The cinema was packed, and what truly moved me was how deeply they engaged with the film,” Nayab’s director Umair Nasir Ali told APP after the film’s screen at the SCO festival. “They picked up on the layers, the emotional arcs and asked thoughtful, relevant questions that showed how closely they had followed the story.”

Deemak is a psychological horror film directed by Rafay Akbar Rashdi and starring Soniya Hussyn, Faysal Quraishi, Samina Peerzada, and Bushra Ansari. 

Screengrab of a reel showing director of Pakistani movie, Deemak, Rafay Akbar Rashdi (second left) receiving the best editing award for his movie Deemak at the SCO Film Festival held in China in a video shared on social media on July 7, 2025. (RafayRashidi/Instagram)

Set in an aging home haunted by unexplained phenomena, the film explores family tensions and mental trauma. It became Pakistan’s highest-grossing horror film when it released earlier this year, earning over Rs60 million [$211,173] in its opening week.

Pakistan’s film industry has seen a steady resurgence in recent years, with a new generation of filmmakers experimenting with genres from sports dramas to horror and social realism. 

Joyland (2022) became the first Pakistani feature to premiere at the Cannes Film Festival, where it won the Jury Prize in the Un Certain Regard section, and was later selected as Pakistan’s official entry to the Oscars. The country has also received two Academy Award wins in the documentary short category by filmmaker Sharmeen Obaid-Chinoy. 

Meanwhile, The Legend of Maula Jatt (2022) set new box office records, becoming Pakistan’s highest-grossing film to date and finding global audiences with its big-budget, Punjabi-language action storytelling.


Lena Mahfouf shows off vintage gown in Paris

Updated 07 July 2025
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Lena Mahfouf shows off vintage gown in Paris

DUBAI: French Algerian author and YouTube star Lena Mahfouf attended Le Bal d’Été at the Musée des Arts Décoratifs in Paris on Sunday in a vintage gown by Vivienne Westwood.

Other guests included Chanel ambassadors Keira Knightley, Kirsten Dunst, and Penélope Cruz.

Proceeds from the evening — an estimated $2 million — will go toward supporting the exhibition “1925–2025: One Hundred Years of Art Deco,” which opens on Oct. 22.

French Algerian author and YouTube star Lena Mahfouf attended Le Bal d’Été at the Musée des Arts Décoratifs in Paris on Sunday in a vintage gown by Vivienne Westwood. (Getty Images)

Sofia Coppola was the artistic director for this year’s edition of the ball and she told Vogue that she “wanted to keep the theme of a summer ball and bring the garden inside … and I approached it the same way I would a party scene in a movie.”

Legendary French hostess Countess Jacqueline de Ribes, who was captured in an iconic 1980s photograph, served as Coppola’s inspiration, with the director telling Vogue “I love the way hostesses did things then — big dresses, big flowers, color — while still being elegant and refined.

“I loved the idea of pale pink inspired by the Chanel archives — kind of Ginger Rogers — and I always loved Karl’s shirt dresses. I hope it feels personal, like a celebration of Paris and an occasion to dress up surrounded by beauty, art de vivre, and the great work of all the artisans who participated,” she added.

Sofia Coppola was the artistic director for this year’s edition of the ball. (Getty Images)

The event kicks off Paris Haute Couture Week, which this season will see provocative Georgian showman Demna take a final bow after 10 years at Balenciaga. The fashion week, which began on Monday, will also feature a debut for Maison Margiela's new chief creative.

Demna, known for his daring work as well as controversies during his decade-long stint at Kering-owned Balenciaga, will unveil his final collection on Wednesday in what is expected to be one of the highlights of the week.

Not to be confused with Paris Fashion Week, Haute Couture Week takes place exclusively in Paris - in January for spring-summer collections and July for autumn-winter.

It is a uniquely French event dedicated to handcrafted, one-of-a-kind creations made to wear at red carpets, galas, and other high-profile events.

As usual, Schiaparelli opened Couture Week, followed later in the day by shows from Iris Van Herpen as well as Lebanon’s Georges Hobeika, among other labels.


Malone Souliers designers talk Middle East ties and signature looks 

Updated 06 July 2025
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Malone Souliers designers talk Middle East ties and signature looks 

DUBAI: As luxury footwear brand Malone Souliers continues to evolve under new creative leadership, its designers open up about their connection to the Arab world, their design process and why wearability always comes first.

Since its creation in 2014 by Mary Alice Malone, footwear label Malone Souliers has built a cult following. From Beyonce sporting a bespoke pair of fringed boots during a performance to Jennifer Lawrence stepping out in their iconic “Maureen” pumps, the brand’s celebrity fanbase is long-standing and ever-growing.

Known for its distinctive silhouettes, rich colour palettes and sculptural lines, the brand has carved out a significant niche in the luxury footwear space. Under the creative direction of Coco Fong and Valerio Bava, the London-based label is evolving — staying true to its design roots while embracing new ideas and deepening its presence in the Middle East.

While both designers officially assumed their roles in 2023, their journey with the brand began much earlier.

“We’ve been part of the brand for a long time — I joined two years after it was founded. Now that we’re leading the creative, it feels like a natural continuation of something we’ve always helped shape,” Bava said.

Their aesthetic blends feminine silhouettes with subtle nods to nostalgia, drawing inspiration from vintage references, pop culture and personal memories. While rooted in storytelling, their designs remain grounded in practicality — shoes made to be worn, not just admired.

“I think at the end of the day, we’re both quite practical in how we think. That mindset naturally comes through in the shoes — we never want them to feel overly fussy or difficult to wear. I want to be able to slip them on easily, and I want my mum to feel the same. We design shoes that are meant to be lived in,” Fong said.

Craftsmanship is critical to the Malone Souliers approach. The brand’s shoes are made primarily in Italy, with a close relationship between the designers and the artisans who bring each prototype to life. From sketch to sample, wearability is considered at every stage.

“Even the most expressive designs go through rounds of testing to ensure they’re comfortable and durable. We take that process seriously,” Bava said.

In the brand’s journey, the Middle East has emerged as one of its most engaged markets. “The region has become one of our biggest champions,” Fong said. “We receive consistent feedback — from buyers, from clients — and that dialogue has helped shape the way we design. There’s a real openness and honesty from customers here, and that has made the relationship incredibly valuable.”

In 2022, the brand partnered with Arab designer Dima Ayad on an exclusive capsule facilitated by footwear department store Level Shoes. The collaboration highlighted Malone Souliers’ interest in working with regional creatives and marked the beginning of a more localised strategy.

“I think what really connected us was her love of color and materials, which aligns closely with what we value in our own designs,” Fong said. “The silhouettes were kept simple, but there was a strong focus on texture and detail — plisse, pleats, shimmer, lurex and mesh—all elements we naturally gravitate towards in our collections.”

Looking ahead, the brand is continuing to expand its product offering, including a growing accessories line. When asked to choose one style that encapsulates their joint creative direction, Fong and Bava point to the Roxanne — a mule with a new block heel, combining comfort and simplicity but equally cool.

“It’s the kind of shoe we’ve always aimed to create. It feels modern, feminine and very much in line with what Malone Souliers stands for today,” Bava said.