Middle East-inspired Eid night bazaar lights up Ramadan in Pakistani capital 

A woman applies henna on the hands of a customer at her stall during the annual fashion and lifestyle festival ahead of Eid Al-Fitr in Islamabad on April 8, 2023. (AN Photo)
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Updated 09 April 2023
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Middle East-inspired Eid night bazaar lights up Ramadan in Pakistani capital 

  • The Eid Bazaar was part of the annual Winter Fete that featured more than 60 brands, attracted up to 3,000 visitors
  • This year, the organisers were inspired to host 'suhoor night' similar to Dubai with many Eid-related brands showcasing

ISLAMABAD: With the month of Ramadan inching closer to the Muslim festival of Eid Al-Fitr, the traditional celebratory fever has taken over the Pakistani capital of Islamabad. On Friday evening, residents stepped out of their homes to attend the Winter Fete, or Eid Bazaar, saying such events helped bring people closer and spread love and happiness.

The Winter Fete, an annual fashion and lifestyle exhibition, this year brought more than 60 brands and up to 3,000 visitors under one roof, with traditional clothes, handicraft, jewelry, shoes, Eid-specific items, and scrumptious food on display, giving a festive vibe to the visitors. The event ran from 5pm to 2am in the morning.

Those who attended the colorful event said such festivals should be held more frequently to give people a much-needed break from their routine and provide them with a chance to socialize and have a great time.

“It’s a very good event because it [fosters] social connectivity because the residents of Islamabad are kind of deficient in that,” Imtenan Hayi, a lawyer who was invited to the event by his acquaintances, told Arab News. 

“We need this social connectivity in order to stay happy and motivated because after the 9-5 work routine and an economic crisis that we are [facing] in our country we need such gatherings to happen more often to bring us closer and to spread love, happiness, and togetherness among us.”

Hayi said Winter Fete coinciding with the month of Ramadan was a welcome change as people usually got “lazy after iftar.”

“Such events give energy to people to keep their enthusiasm alive, especially in Islamabad,” he added.




Women sit at their stall during the annual fashion and lifestyle festival ahead of Eid Al-Fitr in Islamabad on April 8, 2023. (AN Photo)

Sabeen Abdal, one of the organizers at the event, said she and her sister had been holding the annual festival since 2015, but this year, they wanted to have a Middle East-inspired event to celebrate the month of Ramadan.

“This time, for Ramadan, we thought it would be nice to have a Middle Eastern kind of suhoor night, just like the ones in Dubai which run from iftar (evening meal) till suhoor (morning meal before fasting), with all Eid-related brands showcasing,” she said.

Abdal said she started organizing the annual event at home to give a platform to businesses that didn’t have a stores.

“In 2015, we started off on a very small scale as we had only 15 stalls then. We thought we’d give it a shot as my mother and I also do clothes, and we didn’t have a platform where we could showcase,” she said.

“We thought why not get a couple of brands together and do it at home? So that’s how the idea started which eventually came down to promoting startups from across Pakistan under one roof."




Sabeen Abdal, the organizer of the annual fashion and lifestyle festival, sits at the ticket counter during the event in Islamabad on April 8, 2023. (AN Photo)

Abdal said up to 90 percent of the vendors at the exhibition were women entrepreneurs working from home, adding that the event provided them with just the required exposure.

“For them, under one roof and in one day, they get around 1,500 to 3,000 people visiting them and physically seeing their products, and even if [customers] don’t buy anything, they’d get to know about the brands and their products,” she explained.

The event saw participation from people belonging to all age groups and walks of life. Many of the visitors said they attended the fete to support their relatives and friends who had set up stalls there. 

“I think it’s a great social activity and Islamabad has very few such opportunities where citizens can come and interact with each other,” Pakistan’s information minister, Marriyum Aurangzeb, who came to the event with her kids, told Arab News.

“I am here because my cousin is here from America, she has a jewelry stall. I am here just to support her.” 

Aurangzeb said the event was less business-oriented and more like a family get-together.

“I can see other families also interacting [with each other], having food, and going around stalls, so I think it's a great opportunity and a great event,” she added.




A woman sets up jewelry pieces at her stall during the annual fashion and lifestyle festival ahead of Eid Al-Fitr in Islamabad on April 8, 2023. (AN Photo)

Noreen Sami Khan, one of the guests at the event, said she showed up to support her friend who organized the event. 

“It’s a very good idea because people have been starved of entertainment, and such events rarely take place in Islamabad,” Khan said. “A lot of people have come here after iftar with their children which they normally don’t, so it’s good.”

Vendors who set up stalls at the event told Arab News that such events give a boost to their businesses, so they should be held more often. 

“I am selling brownies here and I started this business during the COVID-19 lockdown,” said Rafay Alvi, who owns a small baking business. 

“I have been coming to these events for a while now, and Winter Fete is one of the best events in the twin cities as there is a good vibe here, and there are families here, so it’s a good audience for me to target.”




Rafay Alvi carries a box of brownies for customers at the annual fashion and lifestyle festival ahead of Eid Al-Fitr in Islamabad on April 8, 2023. (AN Photo)

Another entrepreneur, who had set up a stall for handmade dolls and puppets at the event, said the exhibition provided her with the chance to communicate with customers directly. 

“We make handmade dolls and puppets which are for kids and are part of our culture, but they have been replaced by imported toys from China,” said Ambreen Fatima, the owner of a handicraft business. 

She said the event allowed her to showcase her art that attracted a lot of attention from children, who would otherwise not be able to see these traditional toys in stores. 




A woman sits at her jewelry stall during the annual fashion and lifestyle festival ahead of Eid Al-Fitr in Islamabad on April 8, 2023. (AN Photo)

Some of the visitors to the Eid Bazaar said they decided to shop from there because it was conducted in a clean and safe environment.  

“Such events are very rare in Islamabad, especially for families,” Abid Hussain, a diplomat, told Arab News. “It’s a safe and clean environment, what else can you ask for? In the rest of the world, people properly celebrate Ramadan, so we should too.”




A man stands by his snacks stall at the annual fashion and lifestyle festival ahead of Eid Al-Fitr in Islamabad on April 8, 2023. (AN Photo)


Haifaa Al-Mansour hopes to show ‘fire and bravery’ of Saudi women in Nike campaign film

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Haifaa Al-Mansour hopes to show ‘fire and bravery’ of Saudi women in Nike campaign film

DUBAI: For Nike’s first Saudi campaign “What If You Can?” the US athletic brand collaborated with acclaimed Saudi filmmaker Haifaa Al-Mansour. 

Shot in Riyadh, the film aims to inspire young girls in the Kingdom to try sporting activities, and Al-Mansour brought a level of craft and authenticity deeply rooted in Saudi culture to the project, as she has done throughout her career. Her groundbreaking debut feature, 2012’s “Wadjda,” which premiered at the Venice Film Festival, was a love letter to the young girls of Saudi Arabia. 

“I really feel a responsibility to try and represent the world I grew up in as authentically as possible to audiences at home and abroad. I want to start conversations at home about issues that are important to us, while at the same time providing a window to our world to people who have never had access to it before,” Al-Mansour tells Arab News. 

“I think it is very important to make a film that shows international audiences what life is really like in Saudi Arabia, as there are very few opportunities for them to see it otherwise. Even with ‘Wadjda,’ I heard from a lot of foreign audiences that were surprised by how strong and sassy Saudi women actually are. There is this perception that we are weak and shy and afraid of the world, and that we are just victims, resigned to the limited, restrictive circumstances of our culture. It is so not true. Saudi women are so tough, feisty, funny, and way more savvy than most people realize. I hope this (Nike campaign) further captures the fire and bravery of women from my country. Telling their stories is the honor and privilege of my life.” 

Her work on the new campaign reminded Al-Mansour just how dramatic the changes in the Kingdom have been over the past decade. 

“It was incredibly difficult to make a film in 2011. People were still very hesitant to embrace any public form of artistic expression,” she says. “Film, especially, was seen as taboo, and the idea of opening theaters had become a red line that most of us thought would never be crossed. Of course, now everything is different. 

“For my first film I couldn’t work with the men in public, so I had to direct from a van,” she continues. “Being allowed to mix with my crew and be fully immersed in this production was amazing. It was also very exciting to have so many enthusiastic young Saudis working on the set. They are the future of the industry, and to see them giving their all was very special for me. We have a long way to go in building local expertise, but the enthusiasm is there. It’s an exciting time to be a Saudi filmmaker.” 

For Al-Mansour, the Nike ad campaign is a natural extension of her work as a filmmaker.   

 “It feels like a dream to shoot a commercial encouraging Saudi women to participate in sport, with an all-female cast, in Saudi Arabia. While I love working in the West, there is a much deeper sense of pride and emotion for me when taking on projects shot in KSA. I feel such a strong connection to this story and these issues, it is very emotional for me,” she says. 

Al-Mansour credits her parents for her creative spirit. “My father was a poet and philosopher who thought far beyond the borders of the tiny town he was from. And my mother is a free spirit. They never listened to people who criticized their way of life, and never limited opportunities for their children. It is incredibly brave to stand up for what you believe in, and neither of them ever backed down,” she says. 

As for her legacy, Al-Mansour hopes to “encourage women to always push boundaries and look for new opportunities. I want to make films that show people adjusting to change and struggling through it the way we all have to. It isn’t easy for anyone. If I hear that this project encouraged someone to go out and try a sport for the first time, not knowing if they would even be able to do it, that would be the most rewarding thing I can imagine.” 


Saudi Arabia’s Wadi AlFann Publications launches art books after Venice showcase

Updated 15 min 13 sec ago
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Saudi Arabia’s Wadi AlFann Publications launches art books after Venice showcase

DUBAI: AlUla-based Wadi AlFann Publications has launched two books — Saudi artist Manal AlDowayan’s “Oasis of Stories” and US artist Mark Dion’s “The Desert Field Guide.” 

“Oasis of Stories” showcases drawings collected from AlDowayan’s participatory workshops with communities throughout AlUla, engaging over 700 Saudi women, leading up to her participation as the Kingdom’s representative at this year’s Venice Biennale.  

The artworks, which were also displayed at the biennale, portray various aspects of the women’s lives, reflecting the rich tapestry of their culture and identity. 

Saudi artist Manal AlDowayan. (Supplied)

Dion’s book assists “visitors and locals in unlocking the vast natural history of (AlUla) as well as its growing status as a cultural site,” he told Arab News.  

“The deserts of AlUla are places of astonishing beauty and uncanny life forms,” Dion added. “The guide playfully, and at times mischievously, places Wadi AlFann in a global context, while highlighting unique life forms visitors might encounter. I am really trying to encourage a sense of wonder by emphasizing that the more you know about the desert, the more marvelous it becomes.” 

AlDowayan and Dion hosted a panel discussion at the biennale last month and delved into their new launches, exploring how participation is fundamental to their practice as well as delivering insights on the desert. 

Wadi AlFann’s Venice showcase featured the first five artists commissioned for the upcoming ‘cultural destination’ — AlDowayan, Agnes Denes, Michael Heizer, Ahmed Mater and James Turrell. They are producing artworks for eponymous AlUla valley, covering an area of 65 square kilometers. The project is scheduled to open its doors to visitors in late 2026. 

AlDowayan told Arab News: “The most beautiful thing I have realized (at the Venice Biennale) … is the humanity we share and the language that we are trying to bring, about care, about climate change, and about preserving our languages and not really looking to the Western canon of how we are defined.” 


Christie’s to stage retrospective of Saudi artist Ahmed Mater in London

Updated 26 min 23 sec ago
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Christie’s to stage retrospective of Saudi artist Ahmed Mater in London

DUBAI: Christie’s auction house has announced the first mid-career retrospective of Saudi artist Ahmed Mater.

The show, titled “Ahmed Mater: Chronicles” will take place at Christie’s headquarters in London, from July 17 – Aug. 22.

Curated by Dr. Ridha Moumni, Chairman, Christie’s Middle East and Africa, the exhibition will trace Ahmed Mater’s career and will include works across various mediums, including photography, videos, paintings, sculptures and installations. 

“It is especially poignant for me to exhibit in London almost 20 years after the first presentation of my work outside Saudi Arabia at the British Museum, in 2005. I am thrilled with the opportunity to reconnect with the city and its dynamic art community through this immersive and comprehensive exhibition of my practice,” the artist said in a released statement.

Moumni added: “His artistic responses to the swift transformations within Saudi Arabia’s complex social and cultural context invite us to discover fascinating narratives of an evolving land and reflect on its multifaceted identity.’”


Arab stars, designers steal the spotlight in Cannes 

Saudi influencer Yara Alnamlah posed on the red carpet. (Getty Images)
Updated 15 May 2024
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Arab stars, designers steal the spotlight in Cannes 

DUBAI: As the curtain rose on the 77th edition of the Cannes Film Festival, Arab stars and designers once again stole the spotlight in the glamorous French Riviera setting.

The festival kicked off with the premiere of the film “The Second Act,” but not before Saudi influencer Yara Alnamlah hit the red carpet in a look by designer Rami Kadi. She sported jewels by Chaumet, including the Wheat necklace from Le Jardin de Chaumet High Jewellery collection.

Saudi influencer Yara Alnamlah posed on the red carpet. (Getty Images)

Shanina Shaik, the Australian-born model of Saudi, Pakistani, and Lithuanian descent, graced the opening night red carpet in a head-turning scarlet dress by Lebanese couturier Zuhair Murad. Her strapless gown, featuring a sweetheart neckline and a dramatic overskirt, was from the designer’s ready-to-wear Fall 2024 collection.

Shanina Shaik, the Australian-born model of Saudi, Pakistani, and Lithuanian descent, graced the opening night red carpet in a head-turning scarlet dress by Lebanese couturier Zuhair Murad. Her strapless gown, featuring a sweetheart neckline and a dramatic overskirt, was from the designer’s ready-to-wear Fall 2024 collection.

Shaik was not the only star on the red carpet championing an Arab designer. 

US German model and TV host Heidi Klum stunned on the red carpet in a bold red gown by Lebanese designer Saiid Kobeisy. The dress gathered at the waist, revealing one leg, with silk fabric draping around her. 

Meanwhile, US actress Jane Fonda donned a black jumpsuit adorned with crystal embroidery from Lebanese designer Elie Saab’s Fall 2019 collection. Completing her look, she opted for a leopard-print overcoat.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by ELIE SAAB (@eliesaabworld)

“The Second Act” is a French comedy starring Lea Seydoux, Vincent Lindon, Louis Garrel and Raphaël Quenard. They play squabbling actors filming a movie directed by artificial intelligence.

The festival’s first lengthy standing ovation, though, went to Streep, who was awarded an honorary Palme d’Or during Tuesday’s opening ceremony. After Juliette Binoche introduced her, Streep shook her head, fanned herself and danced while the crowd thunderously cheered.

“I’m just so grateful that you haven’t gotten sick of my face and you haven’t gotten off of the train,” said Streep, who soon thereafter declared Cannes officially open with Binoche.


Saudi director Shahad Ameen’s ‘Hijra’ set to wrap filming

Updated 15 May 2024
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Saudi director Shahad Ameen’s ‘Hijra’ set to wrap filming

  • This is the director’s second movie following her debut feature film “Scales,” which premiered at the 76th edition of the Venice Film Festival
  • Once filming wraps, editing will take place in Paris under the guidance of Hervé de Luz

DUBAI: Saudi filmmaker Shahad Ameen is in the production phase of her latest film, “Hijra,” with the film set to be edited in Paris after filming wraps in May.  

This is the director’s second movie following her debut feature film “Scales,” which toured international festivals and premiered at the 76th edition of the Venice Film Festival, where it received the Verona Film Club Award. “Scales” was also submitted to the Best International Feature Film category by the Kingdom at the 93rd Academy Awards. 

Ameen began filming “Hijra” in March and is anticipated to wrap up shooting on May 24, according to a released statement.

A photograph taken on the set of 'Hijra.' (Supplied/ Ziyad Alzayer)

The shooting locations encompass eight cities in the Kingdom: Taif, Jeddah, Madinah, Wadi Al-Faraa, AlUla, Tabuk, NEOM, and Duba.

The film follows the journey of a grandmother with her two granddaughters from Taif to Makkah. When the eldest granddaughter goes missing, they embark on a quest to the north of the Kingdom.

The film stars Saudi talents Khairiya Nazmi, Nawaf Al-Dhufairi and Lamar Feddan. 

Once filming wraps, editing will take place in Paris under the guidance of Hervé de Luz, known for his work on “Jacques,” “Ghost Writer” and “The Pianist.” 

The film’s crew also includes Chilean cinematographer Miguel Littin Menz and British set designer Chris Richmond. 

In a released statement, Ameen said: “‘Hijra’ is one of the most difficult films I have worked on, and we are still halfway through. We are filming in eight different cities and remote areas. Still, the team and I fully believe in the importance of this story, which tells the story of Saudi women from different generations, and the conflict that ensues.

“All of this is in the plot of a road film that highlights the cultural and historical diversity of the Kingdom and stresses that the Kingdom was and still is a refuge for all people who sought safety in this holy land,” she added. 

For “Hijra,” Ameen is teaming up with Iraqi filmmaker Mohamed Al-Daradji, Biet Ameen Production, the Iraqi Independent Film Center, Ideation Studio by Saudi producer Faisal Baltyuor, veteran Egyptian Mohamed Hefzy, Abboud Ayyash, Sayed Abou Haidar, the Red Sea Fund and Film AlUla for the production of the movie. 

Hefzy said: “Having collaborated with Shahad on ‘Scales,’ we feel Shahad is onto something very special and more ambitious with ‘Hijra,’ and are only proud and eager to complete the journey with her and her producing team.” 

The film has also received support from the Daw Initiative Saudi Film Commission, Ithra and NEOM.