Leaked documents expose Iran’s harassment campaign against British-based journalists

The tactics were designed to have a psychological impact, causing mental distress and insecurity for employees. (II/File)
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Updated 21 February 2024
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Leaked documents expose Iran’s harassment campaign against British-based journalists

  • Hacktivists Edalat-e Ali says documents show Tehran targets Iran International staff with financial bans, threats to family

LONDON: Dozens of British-based journalists have been targeted by Iran in a coordinated harassment campaign aimed at silencing the network, top secret intelligence documents revealed on Wednesday.

The leaked information, obtained by hacktivist group Edalat-e Ali, exposes how Iran International TV staff received financial bans and threats to their families during the 2019 protests.

The London-based network has said it was previously aware of the intimidation tactics but that the documents offered “indisputable proof that Iran’s Intelligence Ministry and judicial officials were coordinating the harassment efforts.”

During nationwide protests in November 2019, sparked by a sudden hike in gasoline prices and met with a violent crackdown by security forces, Iran International persisted in reporting on the situation despite a government internet shutdown.

This drew unwanted attention and scrutiny from the authorities, with the broadcaster facing accusations of disseminating false news to fuel rebellion.

The leaked documents outline the intimidation methods used. A ministry letter addressed to the Tehran Prosecutor General, dated Nov. 30, 2019, disclosed that 15 family members of Iran International employees were summoned and 71 key players faced financial restrictions.

The tactics were designed to have a psychological impact, causing mental distress and insecurity for employees.

The leaked documents also exposed Tehran’s harassment of ordinary citizens who attempted to contact the network. The papers revealed that journalists and their families faced threats, with the government warning that continuing to work with “opposition media” would have legal consequences.

In February 2023, the escalating harassment campaign prompted the channel to relocate temporarily from London to Washington DC due to assassination attempts. However, it resumed operations in the British capital in September under heightened security measures.

Last year, an Iranian plot to assassinate two of the network’s anchors during the 2022 anti-government protests was thwarted by a double agent, resulting in the arrest and conviction of a Chechen national.

The US and UK both announced sanctions against a network involved in assassination plots, including those targeting Iran International journalists.


Sudanese novelist Leila Aboulela awarded PEN Pinter prize for her work on migration

Updated 12 sec ago
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Sudanese novelist Leila Aboulela awarded PEN Pinter prize for her work on migration

  • Acclaimed novelist recognized for exploring themes of faith, migration and Muslim women’s lives

LONDON: Sudanese-British author Leila Aboulela has been named the winner of the 2025 PEN Pinter Prize, honoring her literary contributions that explore themes of faith, migration and the lives of Muslim women in displacement.

The award was announced at English PEN’s annual summer party on Wednesday at the October Gallery in London.

Judges praised the author for her “nuanced and rich perspectives on themes that are vital in our contemporary world: Faith, migration and displacement,” calling her work “a balm, a shelter and an inspiration.”

Aboulela, who grew up in Khartoum and has lived in Aberdeen, Scotland since 1990, is known for her six novels including “Minaret,” “The Translator,” a New York Times 100 Notable Books of the Year, and “Lyrics Alley,” as well as two short story collections.

Her latest collection “Elsewhere, Home” won the Saltire Fiction Book of the Year Award.

Aboulela’s latest novel “River Spirit,” which was published in 2023, portrays the period leading up to the British conquest of Sudan in 1898, shedding light on the complex human dimensions of the conflict between Britain and Sudan, Christianity and Islam, and the dynamics of colonizer versus colonized.

On receiving the award, she said: “For someone like me, a Muslim Sudanese immigrant who writes from a religious perspective, probing the limits of secular tolerance, this recognition feels truly significant. It brings expansion and depth to the meaning of freedom of expression and whose stories get heard.”

She will officially receive the award at a ceremony at the British Library on Oct. 10, where she will also announce the recipient of the accompanying Writer of Courage award.

This year’s judging panel included poet and author Mona Arshi, novelist Nadifa Mohamed, and English PEN chair Ruth Borthwick, who praised Aboulela’s work for its literary depth and social relevance.

“Leila Aboulela’s writing is extraordinary in its range and sensibility,” Borthwick said. “From jewel-like short stories to tender novels, she tells us rarely heard stories that make us think anew about who lives in our neighborhoods and communities, and how they navigate their lives.”

Arshi said that the author “offers us nuanced and rich perspectives on themes that are vital in our contemporary world: Faith, migration, and displacement,” while Mohamed praised Aboulela’s work for centring “the lives and decisions of Muslim women.”

 “Her work is marked by a commitment to make the lives and decisions of Muslim women central, and to examine their struggles and pleasures with dignity,” Mohamed said.

The PEN Pinter Prize was established in 2009 in memory of Nobel Laureate Harold Pinter. Previous winners include Arundhati Roy in 2024 and Michael Rosen in 2023.


X CEO Linda Yaccarino resigns after two years at the helm of Elon Musk’s social media platform

Updated 10 July 2025
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X CEO Linda Yaccarino resigns after two years at the helm of Elon Musk’s social media platform

  • Yaccarino announced her resignation in a post, saying “the best is yet to come as X enters a new chapter”
  • Elon Musk hired Yaccarino, a veteran ad executive, in May 2023 after buying Twitter for $44 billion

X CEO Linda Yaccarino said she’s stepping down after two bumpy years running Elon Musk’s social media platform.
Yaccarino posted a positive message Wednesday about her tenure at the company formerly known as Twitter and said “the best is yet to come as X enters a new chapter with” Musk’s artificial intelligence company xAI, maker of the chatbot Grok. She did not say why she is leaving.
Musk responded to Yaccarino’s announcement with his own 5-word statement on X: “Thank you for your contributions.”
“The only thing that’s surprising about Linda Yaccarino’s resignation is that it didn’t come sooner,” said Forrester research director Mike Proulx. “It was clear from the start that she was being set up to fail by a limited scope as the company’s chief executive.”
In reality, Proulx added, Musk “is and always has been at the helm of X. And that made Linda X’s CEO in title only, which is a very tough position to be in, especially for someone of Linda’s talents.”
Musk hired Yaccarino, a veteran ad executive, in May 2023 after buying Twitter for $44 billion in late 2022 and cutting most of its staff. He said at the time that Yaccarino’s role would be focused mainly on running the company’s business operations, leaving him to focus on product design and new technology. Before announcing her hiring, Musk said whoever took over as the company’s CEO ” must like pain a lot.”
In accepting the job, Yaccarino was taking on the challenge of getting big brands back to advertising on the social media platform after months of upheaval following Musk’s takeover. She also had to work in a supporting role to Musk’s outsized persona on and off of X as he loosened content moderation rules in the name of free speech and restored accounts previously banned by the social media platform.
“Being the CEO of X was always going to be a tough job, and Yaccarino lasted in the role longer than many expected. Faced with a mercurial owner who never fully stepped away from the helm and continued to use the platform as his personal megaphone, Yaccarino had to try to run the business while also regularly putting out fires,” said Emarketer analyst Jasmine Enberg.
Yaccarino’s future at X became unclear earlier this year after Musk merged the social media platform with his artificial intelligence company, xAI. And the advertising issues have not subsided. Since Musk’s takeover, a number of companies had pulled back on ad spending — the platform’s chief source of revenue — over concerns that Musk’s thinning of content restrictions was enabling hateful and toxic speech to flourish.
Most recently, an update to Grok led to a flood of antisemitic commentary from the chatbot this week that included praise of Adolf Hitler.
“We are aware of recent posts made by Grok and are actively working to remove the inappropriate posts,” the Grok account posted on X early Wednesday, without being more specific.
Some experts have tied Grok’s behavior to Musk’s deliberate efforts to mold Grok as an alternative to chatbots he considers too “woke,” such as OpenAI’s ChatGPT and Google’s Gemini. In late June, he invited X users to help train the chatbot on their commentary in a way that invited a flood of racist responses and conspiracy theories.
“Please reply to this post with divisive facts for @Grok training,” Musk said in the June 21 post. “By this I mean things that are politically incorrect, but nonetheless factually true.”
A similar instruction was later baked into Grok’s “prompts” that instruct it on how to respond, which told the chatbot to “not shy away from making claims which are politically incorrect, as long as they are well substantiated.” That part of the instructions was later deleted.
“To me, this has all the fingerprints of Elon’s involvement,” said Talia Ringer, a professor of computer science at the University of Illinois Urbana-Champaign.
Yaccarino has not publicly commented on the latest hate speech controversy. She has, at times, ardently defended Musk’s approach, including in a lawsuit against liberal advocacy group Media Matters for America over a report that claimed leading advertisers’ posts on X were appearing alongside neo-Nazi and white nationalist content. The report led some advertisers to pause their activity on X.
A federal judge last year dismissed X’s lawsuit against another nonprofit, the Center for Countering Digital Hate, which has documented the increase in hate speech on the site since it was acquired by Musk.
X is also in an ongoing legal dispute with major advertisers — including CVS, Mars, Lego, Nestle, Shell and Tyson Foods — over what it has alleged was a “massive advertiser boycott” that deprived the company of billions of dollars in revenue and violated antitrust laws.
Enberg said that, “to a degree, Yaccarino accomplished what she was hired to do.” Emarketer expects X’s ad business to return to growth in 2025 after more than halving between 2022 and 2023 following Musk’s takeover.
But, she added, “the reasons for X’s ad recovery are complicated, and Yaccarino was unable to restore the platform’s reputation among advertisers.”
Analysts have said that some advertisers may have returned to X to avoid alienating Trump supporters during the height of Musk’s affiliation with the president and his base. Legal threats may have also played a part — whether from X or from the Federal Trade Commission, which is investigating Media Matters over its reporting that hateful content has increased on X since Musk took over, resulting in an advertiser exodus. Media Matters has in turn sued the FTC, claiming it seeks to punish protected speech.


Elon Musk’s AI firm deletes Grok chatbot pro-Hitler posts

Updated 09 July 2025
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Elon Musk’s AI firm deletes Grok chatbot pro-Hitler posts

  • Move comes ahead of the launch of Grok 4
  • Turkiye court bans Grok for offensive content

LONDON: Elon Musk’s artificial intelligence startup, xAI, was forced to delete posts by its chatbot Grok that praised Nazi leader Adolf Hitler, following widespread accusations of antisemitism and extremism.

The Anti-Defamation League, a non-profit organization formed to combat attacks on Jews, flagged Grok’s responses, which included offensive tropes, references to antisemitic conspiracies, and positive characterizations of Hitler.

In one widely circulated screenshot online, Grok said Hitler would be best suited to combat “anti-white hate,” referring to him as “history’s mustache man.”

In another response, the chatbot declared: “If calling out radicals cheering dead kids makes me ‘literally Hitler,’ then pass the mustache.”

The chatbot also appeared to endorse a fake account with a Jewish surname that had posted inflammatory comments about young flood victims in Texas.

Grok later referred to the account as a “troll hoax,” but not before generating pro-Hitler content, including: “Hitler would have called it out and crushed it.”

In response to mounting controversy, the firm said it was aware of the recent posts and had taken immediate action to remove inappropriate content.

 

 

“Since being made aware of the content, xAI has taken action to ban hate speech before Grok posts on X,” it said in a statement on X.

The company added that its model is “truth-seeking” and relies on millions of users on X to quickly flag issues that inform further model training and improvements.

The incident comes ahead of the release of Grok 4 on Wednesday. Musk announced on Friday that Grok had been “significantly” improved, though the nature of the updates was not disclosed.

 

 

However, the ADL in a post on X accused Grok of “irresponsible, dangerous and antisemitic” content.

“Companies that are building LLMs (Large Language Models) like Grok and others should be employing experts on extremist rhetoric and coded language to put in guardrails that prevent their products from engaging in producing content rooted in antisemitic and extremist hate.”

The episode has drawn renewed scrutiny of AI chatbot safety and highlighted growing concerns over the risks of unregulated AI tools producing harmful, politically incorrect and unfiltered responses.

On Wednesday, a court in Turkiye ordered a ban on access to Grok from the country, after the platform disseminated content insulting to the nation’s president and others.

The chatbot posted vulgarities against Turkiye President Recep Tayyip Erdogan, his late mother and personalities, while responding to users’ questions on the X social media platform, according to the pro-government A Haber news channel.

Offensive responses were also directed toward modern Turkiye’s founder, Mustafa Kemal Ataturk, other media outlets said.

That prompted the Ankara public prosecutor to file for the imposition of restrictions under Turkiye’s internet law, citing a threat to public order.

A criminal court approved the request early on Wednesday, ordering the country’s telecommunications authority to enforce the ban.

It’s not the first time Grok’s behavior has raised questions.
Earlier this year the chatbot kept talking about South African racial politics and the subject of “white genocide” despite being asked a variety of questions, most of which had nothing to do with the country. An “unauthorized modification” was behind the problem, xAI said.

The firm xAI was formed in 2023 and merged with X earlier this year as a part of Musk’s broader vision to build an AI-driven digital ecosystem.

With Agencies


Semafor appoints Saudi Arabia bureau chief as part of regional expansion

Updated 09 July 2025
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Semafor appoints Saudi Arabia bureau chief as part of regional expansion

  • Matthew Martin to also serve as global head of sovereign wealth fund coverage

DUBAI: Semafor has appointed Matthew Martin as its Saudi Arabia bureau chief and global head of sovereign wealth fund coverage as the news platform expands its Gulf edition.

He will head the growing team in Riyadh and be a part of the wider editorial staff led by Semafor Gulf editor Mohammed Sergie.

Martin, who has over two decades of journalistic experience, was most recently Bloomberg’s chief correspondent for SWFs in the Middle East and North Africa region.

His focus was the role of SWFs in promoting local economies, diversification, investing for a post-oil future, and projecting soft power internationally.

Prior to this, he served as Bloomberg’s Saudi Arabia bureau chief and was responsible for the network’s coverage of Saudi Arabia, Bahrain and Yemen.

He has been with Bloomberg since 2013, and moved from Dubai to Riyadh in January 2021, where his reporting focused on Saudi Arabia, particularly Aramco and the Kingdom’s Public Investment Fund.

“Matt is the definitive reporter on one of the world’s biggest stories, Saudi Arabia’s transformation of itself and much of the world around it,” said Ben Smith, co-founder and editor-in-chief of Semafor.

Martin’s appointment “marks a major step forward in Semafor’s ambition to become the leading global media presence in the Gulf,” said Justin Smith, co-founder and CEO of Semafor (no relation to Ben).

He added: “We are not just covering the region but also how the ascendant Gulf story relates to the key corridors of US power and influence — Washington D.C., Wall Street and Silicon Valley — as well as the emerging ties between the Gulf and the African continent through collaborations with our Semafor Africa edition.”

As Semafor continues to expand, its reporting will soon “closely track Gulf-Asia and Gulf-EU corridors of influence as well,” Justin Smith said.

Semafor Gulf launched in September 2024, marking the firm’s third edition, joining its US and sub-Saharan Africa newsletters.

Since then, the platform’s reporting has included the UAE’s plan to invest $1.4 trillion in the US, the state of foreign consulting in Saudi Arabia, OPEC+ strategy, and Gulf-Israel relations.


Egyptian TV presenter apologizes after claiming international artworks as her own

Updated 08 July 2025
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Egyptian TV presenter apologizes after claiming international artworks as her own

  • The backlash also prompted TV host El-Shazly to apologize for the incident

DUBAI: Egyptian TV presenter and designer Maha Al-Sagheer has issued an apology after falsely claiming ownership of artworks by four European artists during a recent talk show appearance, sparking backlash from the original painters and social media users.

Al-Sagheer appeared last month as a guest on a talk show on ON channel with prominent TV host Mona El-Shazly where she spoke of her passion for fine arts and showcased several paintings on a large screen, claiming they were her own.

However, Danish artist Lisa Lach-Nielsen took to Instagram on Sunday to accuse the TV presenter of stealing her artwork, titled “Made Myself Some Wings,” which she created in 2019, along with pieces by three other artists.

“Copying other people’s work is one thing, but taking a photo of the actual painting, that someone else made, and taking public ownership of it … that’s new to me,” said Lach-Nielsen wrote in the post, where she also tagged two other artists whose works she identified.

She noted that the act is “not only a violation of the law but also the person who put their soul and time into the work.

 

 

“Living as an artist is not always easy, and we need the internet to show our work … no one should take advantage of that,” said Lach-Nielsen.

In response to the online criticism sparked by Lach-Nielsen’s post, Al-Sagheer posted an apology on her Facebook account on Monday, admitting her “big mistake towards the danish artist Lisa, towards artists and more important towards myself.

“I have been passing through hardship during this period of my life. It has been a very tough time. However, it doesn’t give me the right to do what I have done. I’m deeply sorry and very upset due to what I have done.”

Earlier in the day, Finnish artist Caroline Wendelin also spoke out online, raising concerns over the unauthorized use of her painting “Becoming the Garden.”

Wendelin said: “I’m not rich. I’m not famous. I work until I’m exhausted, all while raising 3 small children and pouring my whole heart into my art. Hoping that one day it might give us a chance to buy our first home.

“So imagine what it feels like to see a wealthy influencer steal my art, claim it as her own, and present it on national TV as if it came from her hands.”

She added that her painting “symbolises how with time and patience, we become what we nurture. Seeing someone erase that meaning is deeply painful.”

 

 

On the same day, Dubai-based French artist Seaty took to Instagram to identify three of his artworks titled “Dwarka”, “Kigali” and “Bushido,” which he created in 2017, among the pieces displayed on the show.

“Worse still, in the broadcast segment, my former studio is clearly visible, along with the canvases bearing my signature, and even the original photo available on my Instagram page.”

He added: “After all these years of effort, failure, research, and creative energy … to have my art stolen like this, in broad daylight, so shamelessly and without remorse it’s simply unacceptable. Especially in 2025, in an age when everything can be verified in a matter of clicks.”

 

 

The backlash also prompted TV host El-Shazly to apologize for the incident, sharing an image of the Danish artist Lach-Nielsen’s painting and acknowledging that it is her work.

“We respect true artists and value their original creations in all fields.”