Hajj journey through time depicted in Jeddah airport mural

This undated photo shows a mural depicting the history of Muslim pilgrimage Hajj painted at Saudi Arabia’s King Abdul Aziz International Airport (KAIA) in Jeddah. (Supplied)
Short Url
Updated 05 July 2021
Follow

Hajj journey through time depicted in Jeddah airport mural

  • Artist Mohammed Al-Rabat says he was able to infuse some of the city’s old features and its unique architectural style

MAKKAH: For more than a millennia, pilgrims from around the world have flocked to the holy city of Makkah to perform the sacred ritual of Hajj. The pilgrimage has been depicted by artists throughout history, with the latest round of artwork being displayed at Saudi Arabia’s King Abdul Aziz International Airport (KAIA) in Jeddah.

The artwork, a mural spanning 36 meters, shows the journey of pilgrims throughout history, from land arrivals from the north that passed by AlUla, docking boats alongside the Red Sea’s port cities, to modern pilgrims arriving on planes at KAIA’s Hajj terminal with its large tent-like structures that can accommodate millions of people each year.
The mural, painted by Saudi artist Mohammed Al-Rabat, also showcases Jeddah’s old urban areas near the old port and old airports, some of the older Saudia aircraft fleet, the Grand Mosque’s features from various eras, along with images of civilization and prosperity captured within the Kingdom.
The mural is located in the airport’s arrival hall, where it can be viewed by both national and international travelers.
“I developed the idea after deciding to draw a mural at the new King Abdul Aziz International Airport when its construction started years ago. There were several ideas, but I chose to go with the Hajj journey and I worked on it for eight months inside my studio, where I represented the most significant stages of the Hajj journey, from the old Al-Bunt seaport to King Abdul Aziz Airport in Jeddah,” Al-Rabat told Arab News.
“In addition, I depicted the land Hajj journeys that were carried out by the caravans of pilgrims on the back of camels, which were drawn on the large canvas using acrylic colors along with stencil and silk screen printing techniques, among others,” he added.
“In various stages, I was able to infuse some of Jeddah’s old features and its unique architectural style, which was represented by some old Rowshan windows and the city’s gates, with some of the city’s modern features seen today. I then moved on to the transportation of pilgrims to the holy sites using old means of transport, then there was an old section of the Grand Mosque and a modern image representing the changes resulting from the new expansion.”
The artist told Arab News that the last stages of the project took time and effort to finalize. Transferring the work from canvas to colored glass spanning 3 meters in height and 36 meters in width was no easy feat, he said.

HIGHLIGHT

The mural, painted by Saudi artist Mohammed Al-Rabat, showcases Jeddah’s old urban areas near the old port and old airports, some of the older Saudia aircraft fleet, the Grand Mosque’s features from various eras, along with images of civilization and prosperity captured within the Kingdom.

Regarding the work’s philosophy, Al-Rabat added: “The work’s importance is not in its value, rather its historical value and the accomplishment that represents what the artist has reached after years of research, experimentation and practice.”
It is not the first time that a mural depicting the remarkable religious gathering has been put on display. Since the advent of Islam, Hajj has been seen as a wonder to many Western artists, with many searching to understand its spiritual and visual significance.
Significant works include “Abu Zayd on Hajj and the Caravan of Pilgrimage,” painted in 1237, Louis-Nicolas de Lespinasse’s detailed overview painting of Makkah in 1787, as well an extremely rare print showing a pilgrim procession carrying the Kaaba’s kiswa en route from Cairo to Makkah, drawn by Sheikh Yunus in the 13th century.
“Airports are among the essential facilities in all countries of the world. Their role is not limited to travelers arriving to the country or leaving it. Their role includes conveying an image that reflects the country’s culture,” said Al-Rabat.
Inspired by works of art showcased at Riyadh’s King Khalid International Airport 36 years ago, the artist said that he was inspired to come up with a concept that would fit his home city’s airport.
“These artworks were painted on different materials and spaces and showcased all the forms of life found in the Kingdom. The artworks came in addition to some traveling exhibitions that were organized at the airport. This is part of an integrated building that embodies a civilization and conveys an image of that country upon the visitor’s arrival, whether through the architectural style of these airports or through the internal facilities and various artworks they contain,” Al-Rabat added.
The journey, one that is close to the hearts of all Muslims, has and will always be a fascinating topic for artists to depict and document. From paintings, sketches and illustrations, to poetry, literature and photography, the descriptive works describing the inner spiritual journey and physical challenges can be depicted through several mediums, a window through which outsiders can observe Hajj.


Recognizing Palestinian state is a ‘strategic necessity’ Saudi Arabia tells UN

Updated 14 sec ago
Follow

Recognizing Palestinian state is a ‘strategic necessity’ Saudi Arabia tells UN

  • The Kingdom and France prepare to co-chair conference next month designed to hasten implementation of two-state solution
  • Foreign ministry’s Manal Radwan tells preparatory meeting recognizing Palestine would mark beginning of peace in the Middle East

LONDON: Recognizing the state of Palestine is a “strategic necessity” that would mark the beginning of peace in the Middle East, Saudi Arabia told a UN meeting on Friday.

The comments come as the Kingdom and France prepare to co-chair a global conference next month designed to hasten the implementation of a two-state solution to end decades of conflict between Israel and Palestinians.

The effort has gained further support this week as the devastating toll of Israel’s resumed assault on Gaza sparked further international anger.

Speaking at a UN General Assembly meeting in preparation for the conference, the co-chair Manal Radwan, counsellor at Saudi Arabia’s foreign ministry, said a just solution to the Palestinian question is not only a moral and legal imperative, but “the cornerstone of a new regional order based on mutual recognition and coexistence.”

“Regional peace begins with recognizing the state of Palestine, not as a symbolic gesture, but as a strategic necessity,” she said.

“It is the only way to eliminate the space exploited by non-state actors and replace despair with a political horizon, grounded in rights and sovereignty, ensuring, security, and dignity for all.”

Radwan described the meeting as a moment of “historic urgency” with Gaza “enduring unimaginable suffering” and civilians continue to pay the price of war “that must end immediately.”

She said Saudi Arabia was honored to stand with other nations committed to the diplomatic effort aiming to bring “real, irreversible, and transformative change, to ensure, once and for all, the peaceful settlement of the question of Palestine.”


King Salman orders hosting of 1,300 pilgrims from 100 nations for Hajj this year

Updated 23 May 2025
Follow

King Salman orders hosting of 1,300 pilgrims from 100 nations for Hajj this year

  • The program is overseen by the Ministry of Islamic Affairs, Dawah and Guidance

RIYADH: King Salman has issued a royal directive to host 1,300 male and female pilgrims from 100 countries to perform Hajj this year under the Custodian of the Two Holy Mosques’ Guests Program for Hajj, Umrah and Visitation.

The program is overseen by the Ministry of Islamic Affairs, Dawah and Guidance.

Saudi Minister of Islamic Affairs, Dawah and Guidance Abdullatif Al-Asheikh, who is general supervisor of the program, expressed his gratitude to King Salman and Crown Prince Mohammed bin Salman, and praised the directive as a testament to the leadership’s dedication to serving the causes of the Islamic nation and a reaffirmation of the Kingdom’s position in the Islamic world.

Al-Alsheikh said that following the royal directive, the ministry mobilized all of its resources and capabilities to deliver the highest quality services to guests. 

A comprehensive implementation plan has been prepared, encompassing faith-based, cultural and educational programs, the Saudi Press Agency reported. 

These include organized visits to key Islamic and historical landmarks in Makkah and Madinah, as well as meetings with prominent scholars and imams of the Two Holy Mosques, all aimed at enriching the pilgrims’ spiritual and intellectual experience.

Al-Alsheikh said that the Custodian of the Two Holy Mosques’ Guests Program for Hajj, Umrah and Visitation was designed to strengthen bonds with religious, scholarly and intellectual leaders across the Islamic world, while fostering cultural exchange and advocacy. 

Since its inception in 1996, the program has hosted about 65,000 pilgrims from 140 countries. 

The ministry has provided these guests with a range of logistical, religious, health and cultural services, from their nomination through to their return to their home countries after completing the Hajj rituals.

Al-Alsheikh said that this hosting initiative showed the Kingdom’s commitment to serving Islam and Muslims. 

The program aligns with the Kingdom’s vision to deepen its ties with Islamic nations and enhance its positive presence on the global stage, contributing to the achievement of Saudi Vision 2030’s Islamic and humanitarian goals.


‘Gulf Art Movements’ exhibition showcases history of Arab creatives

Updated 23 May 2025
Follow

‘Gulf Art Movements’ exhibition showcases history of Arab creatives

  • 50 artists from 1930s to 2000s at Jeddah’s Hayy Jameel
  • Curator Aisha Stoby highlights leadership role of artists

JEDDAH: Art Jameel launched the “Gulf Art Movements” exhibition on Thursday to trace the evolution of modern creatives in the Arabian Gulf from the 1930s to the early 2000s.

The exhibition at Hayy Jameel in Jeddah, titled “Redrawing the Boundaries: Art Movements and Collectives of the 20th Century Khaleej” opened on May 22 and runs until Oct. 15.

It features works by more than 50 artists, drawn from 20 state and private collections, and traces the evolution of modern art movements in the Arabian Gulf from the 1930s to the early 2000s.

The “Redrawing the Boundaries” show explores the emergence and development of key art movements across Bahrain, Kuwait, Oman, Qatar, Saudi Arabia, and the UAE.

It examines how artists responded to dramatic shifts in their urban environments and societies while engaging with themes including changing landscapes, public and private spheres, and the rise of formal art institutions.

The exhibition includes works from the Art Jameel Collection alongside loans from notable public and private collections, including Mathaf: Arab Museum of Modern Art, Barjeel Art Foundation, the Sultanate of Oman’s Ministry of Culture, Sports and Youth Collection, and the Sharjah Art Foundation.

Featuring over 80 works, the exhibition highlights a variety of influences —from local folklore and traditions to Western modernist movements, as well as Egyptian and South Asian visual cultures.

From the calligraphic abstraction of Hurufiyya, an artistic movement exploring the potential of Arabic script, to the experimental ethos of collectives such as The Five, The Circle, and the Shatta Collective, the exhibition captures the innovative spirit that defined a generation of artists.

These artists not only shaped national art movements but also worked collaboratively, founded institutions, and envisioned new futures for art in the Gulf.

The show builds on an earlier exhibition curated by Aisha Stoby titled “Khaleej Modern: Pioneers and Collectives from the Arabian Peninsula,” which was held at New York University Abu Dhabi Art Gallery in 2022.

In an exclusive interview with Arab News, Stoby elaborated on her curatorial approach.

“They were artists who were not just foundational figures within their practices, who are without question leaders of the art movements within their own countries, but were influential through all these criteria.”

“They were establishing institutions, mentoring, and building movements. So it was above and beyond the artwork.”

The exhibition is organized into four thematic sections: “The Landscape and Public Sphere,” “Identity and Private Space,” “Abstraction and Ephemerality,” and “The Conceptual New Wave.”

Stoby said: “For me what became very pronounced is if you look at the material thematically, with it comes chronologies and with it comes geographies.”

“It seemed eventually that the most natural way that these conversations could come out themselves was by putting it into a thematic structure,” she added.

The exhibition opens with a pairing of paintings in the first section, dedicated to landscape and public space. The two works, by Abdulkarim Al-Orrayed and Abdulhalim Radwi, set the tone for a dialogue between cities, histories, and artistic legacies.

Al-Orrayed, a seminal figure in Bahraini modern art and a founding force behind numerous art institutions and ateliers, presents a large painting capturing the development of Manama — its houses, buildings, and evolving urban identity.

In contrast, Radwi’s piece captures the vibrancy of Jeddah’s historic district, Al-Balad. His depiction of movement and bustle evokes the city’s rich cultural rhythm.

Displayed side by side, these works create one of Stoby’s favorite moments in the exhibition, “A conversation between two city centers,” reflecting shared regional experiences through local lenses.

The second section, features deeply emotional and historical pieces, including two evocative works by Kuwaiti artist Thuraya Al-Baqsami.

Created during the Gulf War, one of them is “Note to the Invasion” and “The Parting” of two people who are in love and being separated. It explores themes of separation, loss, migration and resilience.

“One piece reflects the devastation of conflict, while the other speaks to the aching tenderness of lovers pulled apart by war. These artworks do more than document — they humanize a collective trauma experienced across the Gulf,” said Stoby.

In the third section, themed around abstraction and ephemerality, another wall greets visitors with three interconnected works. Among them is a piece by Abdulhalim Radwi portraying the Hajj, sourced from the Mathaf: Arab Museum of Modern Art.

“It is an act of symbolic homecoming as the artwork returns to Jeddah, the city it represents. Beside it hangs ‘Worshippers Leaving the Mosque’ by Abdulrahman Al-Soliman.

“Together, these paintings resonate as a spiritual dialogue between two pioneering artists: one rooted in Jeddah, the other in Riyadh.

“The wall extends further with contributions from Khalifa Al-Qattan and Ali Al-Mahmeed, artists who reflect on the multifaceted ways religion is experienced in daily life across the region,” said Stoby.

Finally, on the upper floor — where conceptual and new media works take center stage — a deeply symbolic film by Omani artist Anwar Sonya stands out.

Known for his landscapes and cross-border artistic relationships, Sonya here turns his lens toward memory and myth. The work began as a documentary about a prominent woman who led an art institution in Kuwait.

During filming, a coffee cup reading foretold she would live a long and dynamic life, only for her to pass away shortly thereafter.

“The project transformed into an elegiac reflection on mortality, folklore, and the unseen threads that bind lives and legacies. It became an artwork looking at her memory,” said Stoby.

It portrays “our relationship to myth, what is real, and what meaning we can hold onto,” Stoby added.

Nora Razian, Art Jameel’s deputy director and head of exhibitions and programs, said that “Redrawing the Boundaries” offers “a compelling rethink of modernism.”

Razian added that it adds “significantly to the study and understanding of a distinct aesthetic that developed across the Khaleej with a focus on the 1930s through to the early 2000s, a time of state formation, nation building and social transformation.”

She added that the exhibition “foregrounds the critical and foundational roles artists played in shaping institutions and cultivating creative communities during times of transformation.”


Kingdom’s ambassador welcomes US counterpart to Saudi Pavilion at Osaka Expo

The visit between the representatives of Saudi Arabia and the US in Japan comes ten days after US President Donald Trump’s histo
Updated 23 May 2025
Follow

Kingdom’s ambassador welcomes US counterpart to Saudi Pavilion at Osaka Expo

  • Ghazi Faisal Binzagr holds talks with George Glass
  • Pavilion boosts US-Kingdom ties, says Saudi envoy

OSAKA: The Kingdom’s Ambassador to Japan Dr. Ghazi Faisal Binzagr welcomed his US counterpart George Glass to the Saudi Arabia Pavilion at the Osaka-Kansai Expo on Friday.

Binzagr said it was a pleasure to host Glass and his delegation from the US at the VIP reception.

“Saudi Arabia’s pavilion is not only an important cultural asset where we share our story with the world but also serves as a meeting place where global leaders can come together to deepen understanding of each other, while addressing some of our greatest challenges,” Binzagr said.

The visit between the representatives of Saudi Arabia and the US in Japan comes 10 days after US President Donald Trump’s historic state visit to Riyadh.

The visit reinforces the strategic long-term relationship between the Kingdom and the US and is important for potential future partnerships aimed at mutual growth.

Binzagr and Glass toured the pavilion which showcases Saudi Arabia’s rich cultural history, its transformation as a nation, and global influence on sustainability and innovation.

The US delegation enjoyed the Kingdom’s hospitality over a discussion on shared goals for the expo and the future before exchanging gifts in the Saudi Majlis.

Binzagr, the commissioner general of the Saudi Arabia Pavilion, said it was a productive and collaborative first meeting between the two ambassadors based in Japan.

The Saudi Arabia Pavilion hosts VIP delegations and business events that focus on the Kingdom’s impact on the world.

In addition to hosting over 700 events across the expo program which includes business and investment forums, visitors to the Saudi Arabia Pavilion will see daily dance and fashion shows.

In addition, they can explore seven immersive rooms and galleries, featuring evolving cities, sustainable seas, the potential of human capital and innovation.


Saudi Arabia seeing ‘significant changes’ in women’s advancement, says Tokyo governor

Tokyo Governor KOIKE Yuriko speaking at Fortune Magazine’s Most Powerful Women International Summit in Riyadh on May 23, 2025. (
Updated 23 May 2025
Follow

Saudi Arabia seeing ‘significant changes’ in women’s advancement, says Tokyo governor

RIYADH: There have been “significant changes” in women’s advancement in Saudi Arabia compared to her previous visits to the Kingdom, Tokyo Governor Yuriko Koike said on Friday.

Speaking at Fortune Magazine’s Most Powerful Women International Summit in Riyadh, Koike said: “Whatever the gender is, the Saudi Vision 2030 transformed the country and made it comfortable for everyone, including males, females, children and the handicapped.”

The governor has visited Riyadh three times previously but expressed her appreciation that women “can drive and travel alone now.”

Koike is the first elected Tokyo governor and has been appointed three times so far. She told the Fortune panel that her priority was to make “women’s dreams come true.”

She added that free childcare, including tuition and provision of school lunches, was also high on her agenda.

Despite her focus on Tokyo, Koike said the agenda for women’s advancement should be the same in all communities, from small villages to large cities.

“It’s a common agenda we have to face whether for education, industry and for vitalizing the economy,” she said.

After her election, Koike began organizing a network for female mayors and governors.

“When I first started the network with my colleague, we only had 39 female mayors and governors elected,” she said, adding that women should “not wait” until they were elected or appointed to join: “If you don’t a buy lottery ticket, you will not win.”

“The world is so turbulent,” Koike said, adding that women should take on its challenges and achieve whatever they want.

The theme of this year’s conference is “A New Era for Business: Partnering for Global Prosperity.” Other speakers included Nigeria’s former minister of Education, Dr. Obiageli “Oby” Ezekwesili, along with Prof. Hanan Abdulraheem Alahmadi, assistant speaker of The Shura Council of Saudi Arabia, and Farah Ismail, deputy minister of sectoral and regional development of the Saudi Ministry of Economy and Planning.