For intrepid travelers, the challenging terrain and mystical beauty of Saudi Arabia’s Empty Quarter beckon

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The vast, empty, undulating sand dunes of the Rub Al-Khali desert, the so-called Empty Quarter in the east of Saudi Arabia. (Shutterstock)
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Updated 12 May 2023
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For intrepid travelers, the challenging terrain and mystical beauty of Saudi Arabia’s Empty Quarter beckon

  • The Empty Quarter occupies an area of 650,000 sq km spread across Saudi Arabia, Oman, the UAE and Yemen
  • Modern-day adventurers have crossed the Empty Quarter on camels in an effort to preserve Saudi traditions

RIYADH: Known for its mystical beauty and seemingly endless horizons, the Empty Quarter, or Rub Al-Khali as it is translated in Arabic, has long been one of the great subjects of curiosity for the world’s most daring explorers.

The largest segment of the world’s biggest sand desert, which encompasses much of the southern third of the Arabian Peninsula, is located in Saudi Arabia, stretching to the south and east into Oman, the UAE and Yemen.

Throughout history men and women have been lured by the beauty of the Empty Quarter’s undulating dunes, punctuated by patches of lush vegetation and palms. However, it was not until the early 20th century that the first recorded voyages across this beautiful yet dangerously vast landscape were first published.

The Empty Quarter occupies a special place in the Saudi consciousness. It was in this vast desert that King Abdulaziz bin Abdulrahman Al-Saud, Saudi Arabia’s founder and first monarch, made camp before capturing Riyadh from the rival Al-Rashid family in 1902, thereby establishing supremacy over the Najd region of central Arabia.




A team led by Omani-based British explorer Mark Evans trekked across the world’s largest sand desert in 2016. (AFP)

In 1930, Omani Sheikh Saleh bin Khalut and English explorer Bertram Thomas made the first recorded crossing of the Rub Al-Khali. Then, about two years later, the great English explorer Harry St. John Philby crossed the Empty Quarter on camelback.

For 20 years he dreamed of the crossing. He described it to his wife Dora as “this beastly obsession which has so completely sidetracked me for the best years of my life.”

He recorded his journey with precision, noting not only the natural landscape and its geology but also the moments of physical and mental struggle that it took to cross this seemingly infinite terrain, which covers 650,000 sq km, an area roughly the size of France.

Philby popularized the name “Empty Quarter,” claiming this was the term used by the Bedouin who dwelled there, owing to its vast, largely empty terrain, devoid of human settlements besides the shelters of the roaming Bedouin tribes, who still inhabit the region today.

To this day, it is believed that entering this desert without a guide is akin to suicide.

The Rub Al-Khali is characterized by a scarcity of water resources, a maze of sand dunes where it is easy to lose one’s way, and extreme heat. As one local saying goes: “One who can exit it, must be born again, while those inside, remain missing.”

The ancients once believed the Empty Quarter held a lost city — Ubar — one that Philby set out to uncover. It is said to be buried in the sand, having been destroyed by a natural disaster or, as legend has it, by God, for its occupants’ wickedness.

T.E. Lawrence, the British army officer and writer renowned for his role in the Arab Revolt against the Ottoman Empire during World War I, called Ubar the “Atlantis of the Sands” — a city, he wrote, “of immeasurable wealth, destroyed by God for arrogance, swallowed forever in the sands of the Rub Al-Khali desert.”




Saudi Riyadh-based Hattan Baraqan‘s Empty Quarter journey in 2019 organized by the Camel Club of Saudi Arabia. (Supplied)

Both Philby and Thomas came to believe the city was nothing more than a myth. Unconvinced, however, British adventurer Sir Ranulph Fiennes co-led an expedition to find the lost city in 1991. Although the team uncovered evidence of a settlement in the vast waste, experts remain divided to this day over whether this was indeed the lost city of legend.

Now, as the Kingdom continues to open to the outside world, more excursions are taking place, guiding both Saudis and foreign travelers through this still largely unknown and challenging terrain.

While the Saudi Tourism Authority does not currently offer excursions to the area, a spokesperson told Arab News: “From historical mountain ranges to pristine beaches, Saudi has some of the most diverse landscapes, but perhaps none more iconic than its deserts.

“As one of the world’s largest deserts, it’s advised that the Empty Quarter is best visited with certified tour guides.”

However, for many locals who grew up on the edges of this forbidding expanse, the Empty Quarter is a place of tranquility.

“I miss the calmness and silence of the desert,” Mubarak Al-Hussain, from Sharurah, a town in Saudi Arabia’s Najran Province close to the Yemeni border, told Arab News.




US biker Jacb Argubright during the Stage 11 of the Dakar 2023, between Shaybah and Empty Quarter Marathon, in Saudi Arabia. (AFP)

“Every weekend my friends and family go to the desert.”

Al-Hussain, now based in Riyadh, where he works as the head of training at Arabius, one of the Kingdom’s premiere language and culture agencies, remembers fondly his hometown and the allure of the Rub’ Al-Khali.

He described how people from his town would go into the desert during the winter to find wood following a rain shower — an extremely rare occurrence. The trip would be arduous and dangerous and the wood would be heavy, adding extra weight to the car, making it more likely that they would become stuck in the sand.

Despite the challenges of the Rub Al-Khali, Al-Hussain speaks with passion about the beauty of his hometown and the spiritual richness of the desert. Indeed, the Empty Quarter has cast its spell on many.

In 2019, before the onset of the COVID-19 pandemic, an excursion led by the Saudi Camel Club took a group of men and women from various countries, including Australia, Germany, Japan and Colombia, and from across Saudi Arabia, on a journey across the Empty Quarter on camel back.

The club, established in 2017 by King Salman following the launch of the Kingdom’s social reform and economic diversification agenda, Vision 2030, is committed to preserving camel-riding as part of Saudi Arabia’s distinctive heritage.




Saudi Riyadh-based Hattan Baraqan‘s Empty Quarter journey in 2019 organized by the Camel Club of Saudi Arabia. (Supplied)

Crossing the Empty Quarter was one of the club’s initiatives — one that emulated traditional Bedouin culture while taking part in an endurance excursion through one of the most beautiful and mysterious natural wonders of the Kingdom.

Riyadh-based Saudi national Hattan Baraqan was among them. “I am an adventurous person and had always wanted to visit the Empty Quarter,” he told Arab News.

The group began its voyage in the southernmost part of the country — an area Baraqan had never been to before. Along with 80 others, he embarked on a crossing of the Empty Quarter that lasted 26 days.

“We went through a lot,” he said. “It was really, really extreme — more than we expected. I think it was also more than the organizers expected.”

The caravan finished with 67 riders, with 13 dropping out due to injuries and exhaustion.

“At times it was too hot during the day and at other times there were too many sandstorms,” Baraqan said. “At night and during the morning it was very cold. We would ride for eight or nine hours on a camel each day.”

It was during this journey that Baraqan came to appreciate the character and resilience of the camel. “A camel is a master of him or herself,” he said. “They are also very smart.”




US biker Howes Kyler (L) and French biker Adrien Van Beveren compete during the Stage 11 of the Dakar 2023, between Shaybah and Empty Quarter Marathon, in Saudi Arabia. (AFP)

At one point, Baraqan says that the group was very low in resources, especially food and water. “We had no technology, no distractions, just ourselves and the desert and the camels,” he said. “It was really tough, but never in my life have I breathed such clean air.

“It was a trip that allowed us to reflect on how human beings lived long ago. We gained a lot of wisdom and began to appreciate small things. We were surprised one morning to wake up and see butterflies.”

The journey through Rub Al-Khali, as Baraqan recounts, was filled with enriching moments of discovery. Once the group met a shepherd who lived in isolation. Other times they uncovered areas filled with greenery, wells and animals.

“It was more beautiful than I could have imagined,” he said. “It is a very peaceful place. The Empty Quarter is not empty at all. It is full of faith.”


Saudi artist preserves Al-Qatt Al-Asiri art over decades

Updated 17 sec ago
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Saudi artist preserves Al-Qatt Al-Asiri art over decades

  • Al-Qatt, Al-Katba, or Al-Zayan, received international reognition in 2017 when it was registered on the UNESCO list of Intangible Cultural Heritage

RIYADH: For more than three decades, Saudi visual artist Ibrahim Al-Almaai has devoted his time to documenting Al-Qatt Al-Asiri, a vibrant, centuries-old art form traditionally painted by women on the walls of homes across the Asir region.

In a statement to the Saudi Press Agency, Al-Almaai emphasized that for the past 33 years, not a week has passed without him visiting a village in the eastern, western, northern, or central parts of the Asir region.

His mission: to seek out the remnants of this heritage art in homes, many of which have been lost to time and weather.

Despite the challenges, he has documented more than 1,200 variations of Al-Qatt patterns and colors.

The traditional art, known as Al-Qatt, Al-Katba, or Al-Zayan, received international reognition in 2017 when it was registered on the UNESCO list of Intangible Cultural Heritage.

But long before, Al-Almaai had been tirelessly cataloging the artwork, oftenn navigating harsh conditions, including dilapidated buildings and the threat of snakes and poisonous insects, to reach the artworks.

Almost every visit revealed intricate designs made using natural pigments sourced from the surrounding environment.

He explained to SPA that there are four key components of a typical heritage home adorned with Al-Qatt. Al Shabaka (the Network) are single-colored, interlaced lines that create the structural foundation of the design.

Al-Hanash (the Snake) are serpent-like motifs inspired by the Coluber snake, winding rhythmically across the walls.

Al-Khatmah or Al-Akhtam (the Seal) are a form of visual closure at the end of a design.

Al-Qatt (the Lines) are the horizontal strokes layered beneath the primary art, referred to as Al-Katba (the Writing), Al-Naqsh (the Inscription), or Al-Zayan (the Adornment) depending on the local dialect.

Al-Almaai’s lifelong dedication underscores the importance of preserving Saudi Arabia’s artistic and cultural legacy — one painted wall at a time.


Saudi minister of state praises US decision to lift Syria sanctions

Updated 17 May 2025
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Saudi minister of state praises US decision to lift Syria sanctions

RIYADH: Saudi Minister of State for Foreign Affairs Adel al-Jubeir said Saturday the US decision to lift sanctions on Syria is a great opportunity for the country’s recovery. 

Al-Jubeir made the remarks as he delivered Saudi Arabia’s speech at the 34th Arab League Summit in Baghdad.  

He described the announcement made by US President Donald Trump in Riyadh last week, who promised to remove sanctions on Syria, “as a great opportunity that supports the recovery, development, reconstruction, and prosperity in Syria.” 

Arab leaders meeting at an annual summit in Baghdad were trying to reach a ceasefire between Israel and Hamas in the Gaza Strip and promised to contribute to the reconstruction of the territory once the war stops.

In his speech, Al-Jubeir stressed that Saudi Arabia supports Lebanon's efforts to restrict the ownership of weapons to the state. 

He also noted that the kingdom continues to exert efforts to achieve a complete ceasefire between the warring parties in Sudan.  

 


Saudi project turns heritage into virtual tourism

Updated 17 May 2025
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Saudi project turns heritage into virtual tourism

  • King Abdulaziz University drives innovation with geomatics technology in historic Jeddah

JEDDAH: King Abdulaziz University, through its Faculty of Architecture and Planning, has completed a virtual tourism project using geomatics technologies to deliver interactive tours of key tourist destinations.

The initiative enhances the visibility of cultural and heritage sites, and reflects the growing use of technologies to collect, analyze and interpret spatial data, the Saudi Press Agency reported.

Geomatics — an interdisciplinary field combining geography, engineering, geographic information systems and remote sensing — supports informed decision-making across various sectors.

The project uses virtual tourism to help position the Kingdom as a competitive global destination, according to the SPA.

It supports the digital transformation of the tourism sector in line with Vision 2030 by using advanced technologies to create immersive experiences that allow users to explore cultural and heritage landmarks remotely.

It also aligns with the Kingdom’s progress in virtual tourism, supported by the Ministry of Tourism’s digital strategy launched in February 2022.

The strategy includes nine programs and 31 initiatives aimed at improving the tourist experience through virtual and augmented reality technologies.

Rayan Sahahiri, a faculty member in the geomatics department and project supervisor, said the initiative enhances spatial analysis of historic buildings and provides an interactive platform for virtual exploration of architectural features along the Al-Alawi axis in historic Jeddah, known as Al-Balad.

He added that the project promotes cultural awareness and could help attract investment to the tourism sector, the SPA reported.

Sahahiri pointed to historic Jeddah as a fitting example, with its many heritage buildings recognized by UNESCO.

The project offers virtual tours of sites along the Al-Alawi axis, highlighting the details of traditional Islamic architecture.

Abdullah Al-Attas, also a faculty member in the geomatics department, expressed pride in the project, which was developed by Saudi geomatics graduates Abdulrahman Kateb and Mohammed Al-Marouei.

He said that beyond digital documentation, the project aims to build a comprehensive information network to support tourism investment.

It seeks to attract both local and international investors, and contribute to the development of a digital tourism ecosystem aligned with the Kingdom’s digital transformation goals.


The Garden brings adventure to Jeddah Season

Updated 17 May 2025
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The Garden brings adventure to Jeddah Season

JEDDAH: The Garden, a dynamic zone within City Walk, invites visitors of Jeddah Season on a journey where fun meets adventure.

This area features three vibrant activity stations — archery, car racing, and remote-controlled watercraft — set against a picturesque backdrop, the Saudi Press Agency reported.

Blending the thrill of competition with the charm of the outdoors, The Garden offers an exciting atmosphere for residents and visitors alike until June 14.

Each interactive space reflects modern entertainment trends, engaging visitors from the moment they arrive, the SPA reported.

Reimagined as a haven for family fun, The Garden delivers world-class entertainment tailored to visitors’ aspirations, with attention to detail enhancing the experience.

It boasts lush landscaping, flowing artificial rivers, and comfortable seating under tree-lined pathways, offering moments of tranquility amid the lively environment, according to the SPA.

Spanning more than 281,000 sq. meters, City Walk includes several themed areas, such as Cairo Nights, Wonder Wall, Adventure Land, and Horror Village.

It features 77 retail outlets, 65 restaurants and cafes, 81 games, 10 immersive experiences, and a lineup of theatrical and musical performances.

City Walk aims to showcase Jeddah’s cultural vibrancy through its culinary and entertainment offerings, reflecting the zone’s evolving identity as a leading destination for regional tourism.


KSA highlights Islamic heritage in Morocco

Updated 17 May 2025
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KSA highlights Islamic heritage in Morocco

RIYADH: The Ministry of Islamic Affairs showcased a treasure trove of rare Islamic manuscripts and publications at the Makkah Library pavilion in Morocco, reflecting Saudi Arabia’s cultural, historical, and scientific depth.

This was part of the ministry’s second Jusoor exhibition in Marrakech and the seventh globally, the Saudi Press Agency reported.

Organized in cooperation with the Moroccan Ministry of Endowments and Islamic Affairs, the exhibition began on May 10 and runs until May 19.

The pavilion features rare manuscripts and Islamic works marking key milestones in Islamic law and linguistics.

Notable items include a copy of the Holy Qur’an dated 1839 and a book on jurisprudence principles from 1326, the SPA reported.

Visitors expressed admiration for the manuscripts and Saudi Arabia’s distinguished scholarly efforts to preserve this intellectual heritage.

They praised the ministry’s commitment to documenting and preserving these treasures, making them accessible to modern generations while maintaining their authenticity and highlighting their scientific and historical value.

Meanwhile, the Kingdom’s technology pavilion has drawn visitors interested in technology and Dawah. It showcases the ministry’s use of modern tools to serve Islam and promote Dawah with a moderate and balanced approach.

The pavilion highlights key digital platforms and applications, including artificial intelligence-powered technologies, interactive reality, and smart solutions that expand global access to Qur’an and Dawah content tailored to diverse communities.

The King Fahd Glorious Qur’an Printing Complex in Madinah is also participating, underscoring the Kingdom’s efforts in Qur’an dissemination.

Its pavilion offers a comprehensive display of the complex’s publications in various sizes and editions, the SPA added.

It also presents approved translations of the Qur’an’s meanings in more than 78 languages, along with explanations of the rigorous review process and advanced printing technologies that set the complex apart.