New AlUla archaeological and conservation research institute to help ‘unfold Arabia’s contribution to humanity’

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Updated 30 April 2021
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New AlUla archaeological and conservation research institute to help ‘unfold Arabia’s contribution to humanity’

  • Royal Commission of AlUla’s Kingdom’s Institute set to become an international destination for the study of archaeology and conservation

DUBAI: To be located in AlUla amid the ruins of the ancient North Arabian Kingdom of Dadan and as if to bring back to life the dazzling past of this still enigmatic civilization, the recently announced Kingdom’s Institute, established under the auspices of the Royal Commission for AlUla (RCU), is marked to become AlUla’s global hub for archaeological and conservation research. 

Its most prominent buildings are destined to be carved themselves into the mountains opposite the archaeological site of Dadan while the design of the remaining edifices will be inspired by the archaeological structures uncovered pertaining to the Dadan civilization.

“Inspired by the crown prince’s vision for AlUla to protect 200,000 years of history, AlUla’s cultural legacy continues with the Kingdom’s Institute,” Prince Badr bin Abdullah, the Saudi minister of culture and RCU governor, told Arab News.

“It will be a global hub for knowledge, research and collaboration, exploring the frontiers of archaeology and unlocking new careers for our community. The Institute will be a place for discovery and celebration as we unfold Arabia’s contribution to humanity.”

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Dadan, a civilization that dates back more than 2,700 years and pre-dates the Nabataean civilization as well as the Roman presence in the Arabian Peninsula, was once the capital for the Dadan and Lihyan Kingdoms and is considered to be one of the most developed 1st-millennium BCE cities of the Arabian Peninsula.

“The ‘era of the kingdoms’ — the time of the Dadan, Lihyan and Nabataean Kingdoms circa 1000 BCE to 106 CE — will be an area of special emphasis for the institute and indeed gives it its name,” said Munirah Almushawh, the archaeology survey lead of the Kingdom’s Institute. 

Almushawh is also the first female archaeologist to co-direct an archaeological project in Saudi Arabia. She is working on the Khaybar Long-Duree Archaeological Project, a major archaeological project southwest of AlUla, which is being developed with the French National Centre for Scientific Research.

“In deference to the architectural style of the district, the institute’s permanent home will be a red sandstone structure echoing the monumental works of the Dadan civilization,” Almushawh said.




The design of the Kingdoms Institute will be inspired by the works of the Dadan civilisation with the most prominent buildings carved into the mountains opposite the archaeological site of Dadan. (Supplied)

The institute, which is part of AlUla’s recently announced “The Journey Through Time: a masterplan for preserving and sustainably developing Saudi Arabia’s ancient AlUla,” is expected to complete its first phase of construction by 2023 and open to visitors by 2030, which is also the year of the Saudi Vision 2030. It forecasts a visitation of 838,000 people by 2035.

“In a spirit of co-construction and co-development of research with its partner French Agency for Alula Development (AFALULA), specialized and original research programs have been set up with the best experts in the region in order to write the history from the Neolithic to today of this unique heritage jewel in the world,” Ingrid Perisse, AFALULA’s head of archaeological and cultural heritage projects, told Arab News.

“The interdisciplinary research teams that take turns on the different sites have made AlUla the most important archaeological hub in the Arabian Peninsula.”




The design of the Kingdoms Institute will be inspired by the works of the Dadan civilisation with the most prominent buildings carved into the mountains opposite the archaeological site of Dadan. (Supplied)

Perisse said the scientific community will come together for this project.

“Historians, geo-archaeologists, ceramologists, numismatists and other specialists of this scientific community bring their knowledge and know-how to participate in the training of the next generation of Saudi archaeologists,” she said.

History and heritage are at the heart of the Dadan district and its upcoming Kingdom’s Institute. With its enduring sense of mystery, perpetuated by its magnetic red rocks, the institute intends to pay homage to Saudi Arabia’s past as well as the role AlUla will play in the future of the Kingdom.

The Kingdom’s Institute will be built on a 28,857 square-meter site. Inside will be a multidisciplinary and innovative scientific center where visitors and residents can study from seven core archaeological programs, including rock art conservation and preservation, inscriptions and languages, prehistoric and historic agriculture and sustainability, connectivity and the archaeological record, in addition to seven major disciplines, from research to fieldwork, publishing and exhibition management.




Extensive aerial surveys of AlUla, conducted by a University of Western Australia team, are providing a fuller picture of its rich archaeological heritage, including this tomb in Sharaan. (Supplied)

The Institute will provide access to the study of 200,000 years of history and prehistory amid a survey of 22,675 square meters. Already, the Institute has begun preparing 15 research and conservation missions.

One example is the recent discovery of mustatils, fence-like structures built by people thousands of years ago in what is now Saudi Arabia by piling rocks to form low walls that were then formed in the shape of rectangles.

While the existence of the mustatils was previously known, the more than 1,000 mustatils that the RCU-commissioned team recently recorded, are approximately twice as many as were previously identified and constituted the largest study of mustatils to date.

“We have only begun to tell the hidden story of the ancient kingdoms of North Arabia,” RCU Archaeology, Heritage Research and Conservation Executive Director José Ignacio Gallego Revilla told Arab News. 

“There is much more to come as we reveal the depth and breadth of the area’s archaeological heritage, which for decades has been underrepresented, but which will finally have the showcase it deserves in the Kingdom’s Institute.”


Haifaa Al-Mansour appointed to Academy of Motion Picture Arts and Sciences’ Board of Governors

Updated 24 June 2025
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Haifaa Al-Mansour appointed to Academy of Motion Picture Arts and Sciences’ Board of Governors

DUBAI: Pioneering Saudi filmmaker Haifaa Al-Mansour has been appointed to the Academy of Motion Picture Arts and Sciences’ Board of Governors, the Red Sea Film Foundation announced on Instagram.

“As one of three newly named governors-at-large, Al-Mansour will represent the Directors Branch and bring her singular voice, vision, and global perspective to the Academy’s leadership for the 2025–2026 term and beyond,” they captioned the post.

“An incredible milestone for one of Saudi Arabia’s most celebrated filmmakers. We’re proud to see her continue shaping the future of cinema on a global stage.”
In 2012, Al-Mansour made history as she released her first feature film “Wadjda.” It was the first feature film shot entirely in the Kingdom and the first feature-length film made by a female Saudi director.

Over the years, Al-Mansour has also become one of the most in-demand television directors in Hollywood, helming episodes of hit series including “Archive 81,” “City of Fire,” “Tales of the Walking Dead,” and “Bosch: Legacy.”

In 2019, Al-Mansour’s feature film “The Perfect Candidate” was submitted as Saudi Arabia’s official entry for the International Feature Film Award at the 92nd Academy Awards, but it was not nominated.


Rachel Brosnahan dons Zuhair Murad gown at ‘Superman’ premiere

Updated 24 June 2025
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Rachel Brosnahan dons Zuhair Murad gown at ‘Superman’ premiere

DUBAI: US actress Rachel Brosnahan attended the premiere of “Superman” in Rio de Janeiro this week wearing a gown by Lebanese designer Zuhair Murad.

She wore a floor-length dress crafted from sheer navy blue fabric, adorned with geometric beadwork and sequins. The design featured a structured, plunging neckline with wide shoulder straps. The fitted bodice extended into a subtly flared mermaid-style skirt. 

Brosnahan takes on the role of Lois Lane in the upcoming film, directed by James Gunn. 

David Corenswet attended the premiere. (Getty Images) 

The movie follows a young Clark Kent as he navigates his dual identity as Superman and a journalist at the Daily Planet, striving to reconcile his Kryptonian heritage with his human upbringing.

Set to release on July 11, “Superman” stars David Corenswet in the titular role, with Brosnahan portraying the iconic reporter and central figure in Clark Kent’s personal and professional life. 

The eponymous hero has been described by producer Peter Safran as “the embodiment of truth, justice and the American way.”

The premiere was attended by Brosnahan, Corenswet and Gunn. 

Since founding his brand in 1997, Murad has gained international attention. His creations have been worn by celebrities such as Jennifer Lopez, Beyonce, Priyanka Chopra Jonas, Taylor Swift, Celine Dion, Sofia Vergara, Kristen Stewart and Scarlett Johansson on major red carpets.

He is one of a handful of Arab designers on the official Paris Fashion Week and Paris Haute Couture Week calendars.

Murad was recently championed by British Lebanese actress Razane Jammal, who wore a black ruched gown featuring a plunging neckline and tie detail at the waist from the designer’s ready-to-wear Pre-Fall 2025 collection to the launch of the Panthère de Cartier collection in Istanbul this week. 

In April, American actress Blake Lively and singer songwriter Nicole Scherzinger both wore Zuhair Murad designs to the 2025 Time 100 Gala.

Lively opted for a pink taffeta off-the-shoulder gown with a corseted bodice and train detail from Murad’s Spring 2025 ready-to-wear collection. Scherzinger chose a black off-the-shoulder sequined gown from the designer’s Pre-Fall 2025 ready-to-wear collection.


Lebanese dance troupe Mayyas take to the stage with Beyonce

Updated 24 June 2025
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Lebanese dance troupe Mayyas take to the stage with Beyonce

DUBAI: Lebanese dance group Mayyas, winners of Season 17 of “America’s Got Talent,” once again shared the stage with US singing sensation Beyonce for her Paris show of the “Cowboy Carter Tour.” The troupe performed alongside her during “Protector,” stepping in for her usual dancers.

“Honored to share the stage for the second time with the Queen,” posted the group on Instagram after the show on the weekend.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by The Mayyas (@mayyasofficial)

Choreographer Nadim Cherfan also took to Instagram to talk about the significance of the show.

“Proud to witness my choreographies come to life on the world tour of the biggest star of the century - @Beyonce - a dream turned reality on the global stage. During the darkest days of war in Lebanon, when everything around us felt like it was falling apart, we turned to creation. In silence and uncertainty, I poured my soul into these choreographies — never knowing they would one day shine on the biggest stage in the world.

“To the incredible dancers @mayyasofficial who stood by me through the chaos, your dedication and strength are etched into every step. This is our victory,” he added.

The Mayyas previously performed alongside Beyonce at the opening of Atlantis The Royal in Dubai in 2023.

“Beyonce has been my dream since I was a child,” Cherfan said in an earlier interview with Arab News. “She is the artist of my life, and working with her made my dream come true. Since then, it has been really hard to work with any other artist because, as we all know, the queen has set the standard really high. It was an experience I will never forget.”


Review: Toronto Arab Film Festival screens searing ‘Arze’

Updated 24 June 2025
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Review: Toronto Arab Film Festival screens searing ‘Arze’

DUBAI: The Toronto Arab Film Festival, running from June 20- 29, screened the scathing yet poignant Lebanese film “Arze,” directed by Mira Shabib.

The ambitious “Arze” — which means "cedar" in Arabic — follows the story of Arze, a single mother supporting her teenage son and love-struck sister through a homemade pie delivery business. In an effort to improve their lives, she steals and sells her sister’s jewelry to buy a scooter for her son to use for deliveries. But when the scooter is stolen, mother and son embark on a frantic journey across Beirut to recover it.

 

 

On the surface, “Arze” tells a story that resonates deeply with many Lebanese families caught in financial limbo. It explores the emotional toll of such hardship, with questions arising as to whether one should leave the country or give up remnants of a once-comfortable life to survive Lebanon’s shifting socio-economic landscape.

Beneath the family drama lies sharp satire. Even the film’s title that references the cedar tree, a national symbol of Lebanese identity, carries layered meaning. Like the character herself, that identity appears fragmented, constantly lost amid the country’s sectarian divides. This is where the film truly shines: Arze, portrayed with emotional depth by Diamand Abou Abboud, dons various religious symbols and disguises to navigate Beirut’s fractured neighborhoods.

 

 

Shabib excels in exposing the farce of sectarianism, insinuating that Lebanon’s religious divisions are not deeply rooted but socially constructed and performative. Arze’s ability to blend into different communities simply by changing her appearance highlights how fragile and superficial these boundaries truly are.

In this sense, the film excels in its portrayal of a fourth main character: Beirut itself. Through Shabib’s lens, we are taken on a tour of a city so diverse it borders on overwhelming. Yet this diversity, rather than being a source of division, becomes a stage for a pointed critique, one that targets society’s fixation on appearances and its preference for the performative over lived reality.


Michelin Guide to launch first-ever Saudi edition

Updated 24 June 2025
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Michelin Guide to launch first-ever Saudi edition

RIYADH: The Michelin Guide is set to launch in Saudi Arabia, marking a major milestone in the Kingdom’s evolving culinary landscape.

Organized in partnership with the Culinary Arts Commission, a subsidiary of Saudi Arabia’s Ministry of Culture, the “new selection will focus on the bustling cities of Riyadh and Jeddah, while also beginning to explore the diverse regions of the Kingdom, including Khobar, AlUla, and many more,” according to the Michelin Guide. 

Gwendal Poullennec is the international director of the Michelin Guide. (AN/ Huda Bashatah)

Gwendal Poullennec, international director of the Michelin Guide, spoke to Arab News in Riyadh on Tuesday and explained that the ultimate aim is to “(explore), gradually, the regions to unearth all the culinary gems and to make sure that we are letting no stone go unturned.

“I think you have the heritage, you have the dynamism, you have young talents,” he added of the Kingdom.

According to the organization, Michelin inspectors “are already in the field.” The selection will be made according to the Michelin Guide’s criteria: “The quality of the ingredients, the mastery of cooking techniques, the harmony of flavors, the personality of the cuisine and the consistency both over time and through the menu as a whole,” according to a released statement.

Poullennec spoke to Arab News in Riyadh on Tuesday and explained that the ultimate aim is to “(explore), gradually, the regions to unearth all the culinary gems and to make sure that we are letting no stone go unturned. (AN/ Huda Bashatah)

One Michelin star is awarded to restaurants for “high-quality cooking that is worth a stop,” two stars for “excellent cooking that is worth a detour,” and three stars for “exceptional cuisine that is worth a special journey.”

Alongside the coveted star ratings, the selection also includes the popular Bib Gourmand category, a distinction awarded to restaurants that provide good quality food at a moderate price.

Aside from impacting the country’s F&B scene, Poullennec also touched on the Michelin Guide’s effect on the local economy.

Mayada Badr is the CEO of the Saudi Culinary Arts Commission. (AN/ Huda Bashatah)

“I have to say that, beyond the selection, beyond the stars, there are also a lot of ripple effects throughout the food chain. For example, impacting the products and the farmers (who) will find a demand for local high-quality products in a region,” he said.

The restaurant selection for the inaugural edition will be unveiled toward the end of 2025.

The guide currently operates in Dubai, Abu Dhabi and Qatar.

The guide is organized in partnership with the Culinary Arts Commission, a subsidiary of Saudi Arabia’s Ministry of Culture. (AN/ Huda Bashatah)

The prestigious French guide began as a handy guidebook for Michelin tire customers in France in 1900. It was the brainchild of the Michelin brothers, who sought to “provide motorists traveling through France with all the useful information to supply their automobile, to fix it, where to sleep and eat, and which means exist to communicate, by mail, telegraph or telephone,” according to Christie’s auction house, which put a set of guides under the hammer in 2016.

The first edition saw almost 35,000 copies printed and contained useful information for motorists, including a list of hotels, groceries, bakeries, hardware stores and instructions on how to fix and change tires.

In 1931, ratings featured the current system of three stars for the first time, with the definitions becoming clear and definitive in 1933.

Although production of the guide was suspended during both world wars, the 1939 edition of the guide was reprinted by the US military in 1943, just before the June 6 invasion of Normandy the following year, as it was deemed the most up-to-date map available to the armed forces.

The push eastward is relatively recent, as until 2006, Michelin’s country guides only covered Europe.