Skill meets heritage in initiative boosting Saudi handicrafts sector

Short Url
Updated 15 July 2024
Follow

Skill meets heritage in initiative boosting Saudi handicrafts sector

  • Saudi Artisanal Company is ‘leveraging the country’s cultural wealth to empower local artisans’

JEDDAH/RIYADH: The Saudi Artisanal Company is playing a central role in the development of Saudi Arabia’s flourishing handicrafts sector — a reminder of the Kingdom’s rich heritage and commitment to honoring its traditions.

According to the company’s acting CEO, Ibrahim Al-Dulaijan, the SAC is “leveraging the country’s cultural wealth to empower Saudi artisans, build sustainable partnerships, and deliver Saudi-crafted goods that are an integral part of the nation’s legacy.




Saudi Artisanal Company equips skilled local artisans with the latest technologies to create their pieces. (AN photos by Loai Al-Kellawy)

“The company not only supports its skilled local artisans but also equips them with the latest technologies to create their pieces blending heritage, tradition, and innovation.”

Al-Dulaijan told Arab News in a written statement: “Empowering local artisans and designers is a key element of the company’s operations. We have activated a strategic partnership with the Royal Institute of Traditional Arts, through which practical training is provided for artisans, offering them practical and profitable opportunities in the artisanal field.”

HIGHLIGHT

Saudi Artisanal Company’s strategic partnership with the Royal Institute of Traditional Arts provides practical training to artisans.

Part of the training includes extensive research on the history and cultural significance of various products.




Saudi Artisanal Company equips skilled local artisans with the latest technologies to create their pieces. (AN photos by Loai Al-Kellawy)

“The team believes in the importance of preserving heritage and reviving and empowering crafts approved by the Heritage Authority. This belief is reflected in the communication, implementation, and supervision processes with artisans and designers.” Al-Dulaijan added.

The resulting products “reflect genuine heritage” and “tell enriching stories,” he said.




Saudi Artisanal Company equips skilled local artisans with the latest technologies to create their pieces. (AN photos by Loai Al-Kellawy)

During a recent visit to the company’s studio in Riyadh’s JAX district, Arab News witnessed some of these skilled artisans at work. Each of them has dedicated years to perfecting their craft, whether working with wool, wicker, wood, plaster, or engraving.

Abeer Al-Rabiah, the product design manager at the company, spoke to Arab News about her background and approach to design.

We aim to enhance our culture, preserve our identity, and pass on our heritage to future generations.

Sadiq Al-Hajri, Artisan supervisor, Saudi Artisanal Company

Growing up in an artistic household, she was surrounded by art and design but also had a strong interest in science. Al-Rabiah felt torn between these passions until discovering industrial design, which combines elements of both.




The Saudi Khawlani coffee collection, a piece that celebrates Saudi coffee, was one of the award-winning products featured in their studio. (AN photo by Loai El-kellawy)

She emphasized that product design is not just about creating beautiful objects but also about considering their functionality and manufacturability.

Al-Rabiah highlighted the responsibility designers have toward the environment, especially when creating products for mass production.

“Handmade products are a lot more sustainable and eco-friendly than products designed in factories,” she said. “This is the main thing that drew me into the crafts field — the materials used, usually natural materials. You’re not using an entire factory that’s producing a lot of toxins into the environment.




Sadiq Al-Hajri, the artisan’s supervisor showcased the steadiness and intricate carving techniques perfected by the artisans. (AN photo by Loai El-kellawy)

“We do a lot of research before making every product and try to connect our history, culture, and heritage into the design,” she added. “Every product that we make either has a story or a meaning that is related to our heritage and culture. The fact that the products are handmade by Saudi hands, with crafts that have been in the region for years, also connects it to our heritage.

“We try to highlight parts of our heritage that are kind of forgotten or not widely talked about. A good example would be our Khawlani coffee collection. The Arabian Peninsula had a Golden Age when coffee was produced here and sent throughout the entire world.”




Many of the craftsman at the Saudi Artisan Company dedicate hours of their day carving, weaving, and designing products that highlight the Kingdoms culture and heritage. (AN photo by Loai El-kellawy)

The collection is an award-winning piece that celebrates Saudi coffee. The 3D-modeled cover and hand-crafted wooden box reflect the mountainous terrains of the coffee-producing regions of the Kingdom, specifically Mount Talan.

Inside the box sit two porcelain coffee cups inspired by coffee fruits, along with coffee capsules filled with a blend of espresso and Saudi Khawlani coffee.




Saudi Artisanal Company equips skilled local artisans with the latest technologies to create their pieces. (AN photos by Loai Al-Kellawy)

The Khawlani coffee collection won Best Luxury Item at the International Institute of Gastronomy, Culture, Arts and Tourism Awards earlier this year, while the dates bowls collection won Best Contemporary Interpretation and Design.

“It’s a global award that we’re very proud of,” Al-Rabiah added.




The craftsman at the Saudi Artisan Company dedicate their careers to preserving and showcasing the Saudi heritage through their handmade products. (AN photo by Loai El-kellawy)

The SAC also has an online store offering more than 100 products, with local and international shipping options available.

“The company also participates in certain seasons and events. For example, we displayed artisans’ products during this year’s Hajj season,” Al-Dulaijan said. “Additionally, we’ll be opening stores in several cities in the Kingdom to serve citizens, residents, and tourists by providing high-quality artisanal products, supporting local products, and empowering local artisans and designers.”

Fatima Al-Thubyani, production unit manager at the company’s workshop, has eight years of experience in the field of handicrafts and an academic background in fashion design.

Al-Thubyani told Arab News, “To support the emerging generation, we use modern materials paired with traditional heritage patterns, creating contemporary and innovative outcomes. This approach integrates designers and artisans, providing sustainable job opportunities.”

The company invites artisans and designers from all over the Kingdom to collaborate, whether by showcasing their products on various sales platforms, participating in training programs, or working on business opportunities together. This mutual collaboration provides sustainable income sources for them and is, the company says, “pivotal in driving a significant transformation in the artisanal sector.”

Sadiq Al-Hajri, the artisan’s supervisor, who has more than 14 years of experience in the field, said: “We aim to enhance our culture, preserve our identity, and pass on our heritage to future generations. We strive to convey what our ancestors were, what we have added, and what the next generation will add.

“My interest in handicraft industries began at a young age, specifically with wood carving. Through workshops, I aim to demonstrate to artisans how an artisan as an artist differs from an artisan as a producer. We work to value artisans by providing the necessary tools to achieve outstanding work.”

The SAC has participated in numerous local and international events and exhibitions, such as the Artigiano in Fiera exhibition in Italy and the Benan exhibition in the Kingdom. International participation is a “significant focus” for the near future, according to Al-Dulaijan, in order to “introduce Saudi heritage to the world.”

 


Saudi Arabia welcomes US-brokered peace agreement between Rwanda and DR Congo

Updated 28 June 2025
Follow

Saudi Arabia welcomes US-brokered peace agreement between Rwanda and DR Congo

  • Saudi Ministry of Foreign Affairs: Kingdom hopes accord would meet “the hopes and aspirations of two peoples for development and prosperity”

RIYADH: Saudi Arabia has welcomed the signing of a peace agreement between Rwanda and the Democratic Republic of the Congo, in a deal facilitated by the United States with support from Qatar, the Saudi Press Agency reported.

In a statement issued on Saturday, the Saudi Ministry of Foreign Affairs said the Kingdom hoped the accord would meet “the hopes and aspirations of the two peoples for development and prosperity,” and contribute to “regional and international security and peace.”

The ministry also praised “the diplomatic efforts and constructive role played by the United States of America and the State of Qatar in this regard.”

The agreement, finalized on Friday, aims to de-escalate long-running tensions between Rwanda and the DRC, which have intensified in recent years over accusations of mutual support for armed rebel groups operating along their shared border.

The most prominent of these is the M23 militia, which Kinshasa has accused Rwanda of backing — a charge Kigali denies.

Efforts to mediate between the two neighbours have gained urgency amid a worsening humanitarian crisis in eastern DRC, where conflict has displaced more than seven million people.

The US and Qatar have played key roles in recent months in bringing the two sides to the table for talks, culminating in the formal agreement to ease hostilities and commit to renewed dialogue.


Jeddah exhibition gives internet cafes an artistic reboot

Seventeen artists and collectives have had their work on display at ‘Internet Cafe,’ an exhibition inspired by the digital age.
Updated 29 June 2025
Follow

Jeddah exhibition gives internet cafes an artistic reboot

  • Local artists revive communal, quirky, deeply human qualities of early web era

JEDDAH: Internet cafes in Jeddah were once popular spots with pay-by-the-hour internet access; they have now provided the inspiration for the city’s latest exhibition.

In a collaboration between Kham Space and Estiraha, 17 artists and collectives have had their work on display at “Internet Cafe,” an eight-day exhibition which explored the concept of connection and intimacy in the digital age.

Asaad Badawi’s installation paid tribute to early programmer culture. (Supplied)

Abeer Sultan, who curated the exhibition alongside Mbarak Madhi and Fai Ahmed, spoke to Arab News about the early process in contemplating the theme.

The idea for the exhibition, which concluded on Saturday, stemmed from an exasperation over incessant scrolling, and the deluge of information that has usurped our daily lives.

HIGHLIGHTS

• The idea for the Jeddah exhibition stemmed from an exasperation over incessant scrolling, and the deluge of information that has usurped our daily lives.

• Some of the works were meant to act as ‘hyperlinks’ to connect ideas, as well as creating a communal space and mimicking the social space of a cafe.

She said: “We wanted to do something that is about us now, and maybe the future as well; not only going back to things for nostalgia or the good old days, as they say.

‘Closed eyes under a sunny sky I’ by Zahiyah Alraddadi. (Supplied)

“Maybe it has something that we can use today, especially now that there’s a movement of people trying to slow down, using dumbified devices throughout the internet.”

Instead of creating a literal internet cafe, the curators focused more on the nuances a cybercafe used to have.

"F.A.R." by Dalal Madhi's work. (Supplied)

Their approach to the space was categorized into three themes: “Disconnected Understanding, Linked Source,” “In the Shadow of a Doubt, Light My Screen,” and “Whirling Algorithms of a Distant Dream.”

Artist Zahiyah Alraddadi, who usually paints works focusing on the significance of the mundane, took oil to canvas to paint “Closed Eyes Under a Sunny Sky I” and “Familiar Features.”

The a piece by Ahaad Alamoudi, “Land of Dreams” takes a humorous approach. (Supplied)

Her work feels meditative and was intended to slow visitors down as they walked through the space — much like the feel of a buffering screen page.

Some of the works were meant to act as “hyperlinks” to connect ideas, as well as creating a communal space and mimicking the social space of a cafe.   

Studio bin Hattan, which is led by artist Elham Dawsari, displays “Cultural Override” derived from her father’s archives from the 80s, who was interested in computer graphics. (Supplied)

Anhar Salem’s work “After Now” was a curtain imprinted with thumbnails of YouTube videos. The artist conducted a survey asking people between the ages of 18 and 40 to share their YouTube video recommendations, making up a curtain of information overload.

Next to that, Tara O‛Conal’s video installation was a film sequence — but the catch is, nothing really happened. The film continued to load, glitch, and reload, perhaps suggesting commentary on our constant yearning for contact.

Hayfa Al-Gwaiz’s “Long Distance” is a painted form of FaceTime video calls. The work explores digital intimacy by centering not the callers’ faces, but the ceilings above them. (Supplied)

“Compared to Anhar’s work, (Tara’s) feels like a pond, in a way, to look at,” Sultan said.

Some works were inspired by computer graphics. Asaad Badawi paid tribute to early programmer culture via telephone-book-inspired art, and his father, who is a programmer.

Madhawi Al-Gwaiz's works are painted in a graphic style that is reminiscent of early 00s and '10s graphics styles. (Supplied)

Studio bin Hattan, which is led by artist Elham Dawsari, displayed “Cultural Override,” derived from her father’s archives from the 1980s. Madhawi Al-Gwaiz paints in a style that echoes digital graphics from the early 2000s.

Others took a more distanced approach. ThirdSpace’s “Untitled Table” was a physical object, but the research behind it was about keyboards that then shifted to Hijazi architecture, drawing on the iconography and architectural languages across the history of the region.  

Tara O‛conal’s video installation is a film sequence in nature—but the catch is, nothing really happens. The film continues to glitch and reload, perhaps suggesting commentary on our constant yearning for contact. (Supplied)

Hayfa Al-Gwaiz’s “Long Distance” was a painted form of facetime video calls. The work explored digital intimacy by showcasing not the callers’ faces, but the ceilings above them — a scene that’s familiar to anyone who has taken up a long-winded video call with a loved one and set down the phone to cater to life’s more immediate demands.

While the exhibition tackled the digital boom personified through cybercafes, it notably avoided artificial intelligence.

Sultan explained: “It is the idea of being fast and efficient, which is what we are resisting with AI …  It’s dominating the internet in a weird way, and we wanted a space where people customized things manually, going back to montadayat (domains) where people had to do things by themselves. There’s no template.”

The last piece was by Ahaad Alamoudi, and “Land of Dreams” took a humorous approach to directing audiences to their dreams. As you walked toward the work, in an outdoor area outside the confines of the exhibition space, visitors were met with vinyl boards of the iconic Emirati singer Ahlam.

Sultan said: “The work accentuates the fact that the dream land is a subjective experience or idea, and everyone would have their own imagination of what that is, whether it's Ahlam or something else.”

The “Internet Cafe” was a love letter to a new digital age — one that is sustainable, communal, and deliberately slow.  

“This is our way of keeping in touch with other people. An exhibition space is also a space where people meet, even if it’s for a moment, to have these conversations together, which is really important,” Sultan said.

 


Rooted in earth: Rafha’s mud structures tell a story of sustainability

Updated 28 June 2025
Follow

Rooted in earth: Rafha’s mud structures tell a story of sustainability

  • The buildings were constructed using indigenous methods and natural materials including mud, stone, wood, and palm fronds

RIYADH: In the heart of northern Saudi Arabia, the mud buildings of Rafha stand as “a vibrant narrative of traditional architecture, reflecting authenticity, creativity, and cultural identity,” the Saudi Press Agency said in an article on Saturday.

These structures tell the story of an ancient past, “embodying traditional architectural ingenuity that connects people to the land.”

Rafha’s historic mud structures are an appealing destination for anyone interested in history, heritage, and traditional craftsmanship. (SPA)

Located along one of the Kingdom’s most significant tourist routes, the buildings “integrate cultural heritage with the natural environment,” the SPA wrote, and “serve as living records of generational memory, preserved through architectural details.”

This makes them an appealing destination for anyone interested in history, heritage, and traditional craftsmanship.

FASTFACTS

• The buildings in Rafha were constructed using indigenous methods and natural materials including mud, stone, wood, and palm fronds.

• Local authorities are making efforts to restore and maintain these mud structures, preserving their historical and cultural value.

The buildings were constructed using indigenous methods and natural materials including mud, stone, wood, and palm fronds. Their design responds to the local environment, maintaining balanced indoor temperatures during scorching summers and cooler winters. Most feature an inner courtyard, surrounded by rooms arranged in a circular layout, reflecting a strong sense of community.

Rafha’s historic mud structures are an appealing destination for anyone interested in history, heritage, and traditional craftsmanship. (SPA)

These mud buildings illustrate “a deep harmony between humans and their environment,” the SPA wrote, adding that they also “reflect sustainable building principles that long predate modern green architecture.”

Local authorities are making efforts to restore and maintain these mud structures, preserving their historical and cultural value while promoting them as distinct parts of the Saudi tourism landscape.

 


Malaysia grants Saudi Hajj minister Al-Rabiah 'Hijra Personality of the Year' award

Updated 28 June 2025
Follow

Malaysia grants Saudi Hajj minister Al-Rabiah 'Hijra Personality of the Year' award

  • Tawfiq Al-Rabiah Al-Rabiah was presented with his award by Malaysian King Sultan Ibrahim

KUALA LUMPUR: Saudi Arabia’s Minister of Hajj and Umrah Tawfiq Al-Rabiah received the International Tokoh Ma’al Hijrah 2025 award in Malaysia on Friday, the Saudi Press Agency reported.

Malaysia grants the award — the name of which translates to Person of the Year for Hijrah — annually to an influential Muslim personality to recognize their contributions to Islamic causes.

Al-Rabiah won the award for his efforts in developing systems designed to make Hajj and Umrah run safely and smoothly for pilgrims.

Al-Rabiah was presented with his award by Malaysian King Sultan Ibrahim. Malaysian Prime Minister Anwar Ibrahim and Minister of Religious Affairs Mohammed Naeem bin Mukhtar were present at the ceremony.

The event was held in Kuala Lumpur on the occasion of Hijri New Year.

 


Muslim World League condemns Israeli attacks on civilians in Gaza, West Bank

Updated 28 June 2025
Follow

Muslim World League condemns Israeli attacks on civilians in Gaza, West Bank

  • Organization describes actions as part of wider pattern of settler aggression

RIYADH: The Muslim World League on Saturday strongly condemned recent Israeli attacks on civilian shelters and ongoing violence against Palestinians in the Gaza Strip and the West Bank, the Saudi Press Agency reported.

The MWL has described the actions as part of a wider pattern of settler aggression carried out with impunity under the protection of the Israeli occupation forces, the SPA added.

The MWL’s Secretary-General Dr. Mohammed bin Abdulkarim Al-Issa, who also chairs the Organization of Muslim Scholars, denounced in a statement issued by the MWL’s General Secretariat what he called “heinous crimes” committed against unarmed civilians, including recent attacks by settlers on the village of Kafr Malik, east of Ramallah.

He added that the “brutal assaults” were a “blatant violation of all human values as well as international laws and norms.”

He urged the international community to uphold its legal and moral responsibilities and take decisive action against what he described as the occupation government’s ongoing disregard for the rights and dignity of the Palestinian people.

Al-Issa also called for the immediate activation of international mechanisms to halt the violence and ensure accountability for those responsible for what he termed “horrific massacres.”

His comments came after Saudi Arabia’s Foreign Ministry issued a statement on Friday condemning the violence, denouncing “the continued violence perpetrated by Israeli settlers, under the protection of the occupation forces, against Palestinian civilians, including the attacks in the village of Kafr Malik.”