Jury finds former Hollywood producer Harvey Weinstein guilty of rape

In this file photo taken on October 4, 2022 former film producer Harvey Weinstein appears in court at the Clara Shortridge Foltz Criminal Justice Center in Los Angeles. (AFP)
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Updated 20 December 2022
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Jury finds former Hollywood producer Harvey Weinstein guilty of rape

  • Allegations against Weinstein helped fuel the #MeToo movement of women speaking out against sexual harassment and abuse by powerful men in media, politics and other industries
  • Weinstein had said all of his sexual encounters were consensual and had pleaded not guilty

LOS ANGELES: Former movie producer Harvey Weinstein was found guilty of rape in a trial in Los Angeles on Monday, the second conviction for the one-time Hollywood kingmaker who became the face of #MeToo sexual abuse allegations five years ago, according to the Los Angeles Superior Court.
The jury found Weinstein guilty of rape, forcible oral copulation and sexual penetration by foreign object involving one woman, but acquitted him of charges relating to a second alleged victim.
The jury could not reach a verdict on two allegations, including rape, by Jennifer Siebel Newsom, the wife of California’s Democratic Governor Gavin Newsom, and did not reach a verdict on charges relating to one other women.
Weinstein, 70, already is serving a 23-year prison sentence after being convicted of sexual misconduct in New York.
In Los Angeles, Weinstein faced seven counts of rape and sexual assault from four women for encounters between 2004 and 2013.
During five weeks of testimony in Los Angeles Superior Court, accusers including documentary filmmaker Siebel Newsom said Weinstein lured them to what they believed were business meetings.
Superior Court Judge Lisa Lench declared a mistrial on the counts where the jury could not reach a verdict, including the allegations made by Siebel Newsom.
The women had alleged during often-graphic testimony that the powerful producer of “Pulp Fiction” and “Shakespeare in Love” masturbated in front of them and groped or raped them.
Siebel Newsom and three other women offered testimony that provided the basis for the two counts of rape and five counts of sexual assault that Weinstein faced.
Four additional women offered similar stories to buttress the prosecution’s arguments that Weinstein routinely abused his position as a Hollywood power player to prey on women.
They said he promised help with securing an audition or a book deal, and then arranged meetings where staff disappeared and left them alone with him.
Weinstein had said all of his sexual encounters were consensual and had pleaded not guilty.
Defense attorneys argued that the women willingly had sex with Weinstein because they believed he would help their careers, part of what they said was a widespread “casting couch” culture in the film industry. In two of the cases, they said the sexual contact was fabricated.
They also highlighted that some of the accusers, including Siebel Newsom, kept in contact with Weinstein, which they argued did not make sense if he had attacked them.
Siebel Newsom attended a pre-Oscars party hosted by Weinstein with her husband, and sent Weinstein dozens of friendly emails over the years.
Weinstein was convicted of sexual misconduct in New York in February 2020. He was extradited from New York to a Los Angeles prison in July 2021.
In New York, Weinstein is appealing his conviction and prison sentence.
Allegations against Weinstein helped fuel the #MeToo movement of women speaking out against sexual harassment and abuse by powerful men in media, politics and other industries.

 


Marvel’s misfit superheroes find community in ‘Thunderbolts*’ 

Updated 01 May 2025
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Marvel’s misfit superheroes find community in ‘Thunderbolts*’ 

  • Stars Florence Pugh and David Harbour discuss the latest Marvel movie 

DUBAI: In the latest Marvel Cinematic Universe movie “Thunderbolts*,” directed by Jake Schreier, the focus isn’t just on larger-than-life action; it’s on the messy, complicated relationships between a team of misfits learning to trust each other. 

For stars David Harbour and Florence Pugh, that emotional core was the most important part of the process.  

“For me, most of the preparation was about really fleshing out these character arcs,” Harbour, who plays Soviet super soldier Red Guardian, told Arab News. “This movie sinks or swims not on its IP, but on its really complex relationships between these characters that you don’t know that much about. Our job was to infuse it with a lot of heart, humor, life and soul.” 

Pugh — who made her MCU debut in 2021’s “Black Widow” as the trained assassin Yelena Belova and is now headlining her first MCU movie — echoed that sentiment. 

“There was so much heart and pain already there,” she said. “When you’re playing large characters, you have to find ways to make it feel authentic, especially when you’re dealing with accents or heavy dialogue. A lot of our rehearsal process was about finding cleaner ways to get to the point — rewriting a few lines, making sure the characters said exactly what they needed to say to one another.” 

Florence Pugh and director Jake Schreier on set. (Supplied)

The cast spent two weeks in rehearsals, crafting scenes that highlighted the tangled emotions between their characters. “It was great fun, especially when you have a director who really wants you to be fully involved and make it your own,” Pugh said. 

The film follows a motley crew of anti-heroes — Yelena, Red Guardian, Bucky Barnes (Sebastian Stan), John Walker (Wyatt Russell), Taskmaster (Olga Kurylenko), Robert “Bob” Reynolds (Lewis Pullman), and Ghost (Hannah John-Kamen) — who must embark on a dangerous mission that will force them to confront the darkest corners of their pasts as they take down a common enemy. 

Beyond individual dynamics, the movie taps into deeper themes of isolation and the need for connection — what Harbour describes as the “epidemic of loneliness” in the modern world. 

“When these characters first come together, there’s a lot of lying about how they’re doing, a lot of pretending,” Harbour said. “People are afraid. They’re isolated. We feel connected because of these devices we carry, but they don’t really provide the sustenance we need as human beings.” 

Pugh elaborated on that point. “We’ve reached a point where so many people have so many insecurities, and they feel like they’re not right, and they feel like they’re not getting it right, and (what they see on social media) is making them feel like their life isn’t as beautiful or as colorful or as perfect as those posts,” she said. “And I think when we watch characters that have these immense flaws also trying to figure it out, it helps. Of course it helps.” 

Harbour believes the film captures the essence of personal salvation: finding strength in community.  

(From left) David Harbour, Hannah John-Kamen, Wyatt Russell and Florence Pugh in 'Thunderbolts'. (Supplied)

“I worry about that phrase ‘We have to save ourselves,’ because I actually think it’s that we have to save each other,” he said. “We have to not sit there alone going, like, ‘I gotta do something.’ I feel like that’s the anxiety that’s killing us. The vulnerability of, like, ‘Maybe I ask someone,’ or ‘I find a group of people who are willing to take me as I am and to see the good in me.’ That’s one of the most beautiful moments in this movie.” 

Schreier, director of the acclaimed 2023 comedy-drama series “Beef,” said Marvel president Kevin Fiege encouraged him to take a different approach to this particular superhero story. 

“One of the real lessons of ‘Beef’ was that stories about something that feels smaller, or about emptiness, are no longer niche. They are actually universal. I think everyone goes through some version of that at some point in their lives, maybe to different degrees. But it isn’t small to tell a story like that. And so, this was a chance — on the biggest level — to see if a story like that could resonate at scale. That felt like a really wonderful opportunity.”


Kef Hayyak? Seeing Saudi neighborhoods through the eyes of emerging filmmakers

Updated 30 April 2025
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Kef Hayyak? Seeing Saudi neighborhoods through the eyes of emerging filmmakers

JEDDAH: Eighteen aspiring filmmakers have taken to the streets of their neighborhoods armed with nothing but their phones and a vision for the grassroots documentary challenge, “Kef Hayyak?”

The project, initiated by Art Jameel in collaboration with the Red Sea International Film Festival, invited participants to reflect the spirit of their communities in short documentaries.

Months after the February 2025 open call, the winners have been announced, and their films will premiere as part of the Red Sea Documentary Days this May at Hayy Cinema.

The program, which began as a concept in 2021 and has since grown into an annual platform, continues to break down barriers in filmmaking by expanding access to wider creative communities across Saudi Arabia. For the first time, the 2025 event also welcomed participants from Makkah, with one of the city’s filmmakers making it to the jury-selected top three.

The initiative culminates in a public screening at Hayy Cinema, featuring the three jury-selected winners — Eyad Al-Zahrani’s “Between,” Asia Lajam & Nad’s “A World Between Buildings,” and Alisha Khan’s “Nam Ghar, Jeddah” — alongside two audience favorites, “Hay Alakaber” by Amal Al-Zahrani and Othoub Al-Bedaiwi, and “From the Olives to the Sea” by Haya Al-Bhaisi and Mohammed Khalid.

A jury, comprising head of Hayy Cinema, Zohra Ait El-Jamar, director and actress, Fatima Al-Banawi, and director and actress, Ophelie Legris — evaluated the films based on creativity, relevance and narrative strength.

El-Jamar told Arab News: “‘Kef Hayyak?’ draws its essence from the name of Hayy Jameel and reflects our ongoing mission to connect with new audiences in meaningful ways. The project was first imagined in 2021, and after the success of its first edition, it has grown into an annual platform that empowers emerging filmmakers.

“Through this short documentary film competition, we invite aspiring talents to explore their neighborhoods using just their phones. I created the concept with the vision of breaking down barriers in filmmaking and expanding access to a wider creative community. It’s also a powerful way to document the ever-changing urban fabric of Jeddah — and now Makkah.

“We see this as a powerful launchpad for emerging talent, and we’re actively working to expand the program with deeper mentorship and professional opportunities in the years to come,” she added.

Audience Choice Award winner, Al-Zahrani, who hails from Makkah, said: “The movie covers a neighborhood that lacks identity and how it affects me and the residents in our day-to-day lives. Winning was such a heartwarming experience, seeing my work acknowledged and the story of my people and neighborhood embraced and loved. I plan to keep improving my documentary skills and hope to release a movie about a lawyer later this year.”

Khan’s winning documentary explores the Musrefah neighborhood of Jeddah and its vibrant Desi (Pakistani and Indian) community.

“My film ‘Naam Ghar, Jeddah’ is a documentary film which acts as a time capsule for me to look back on not only my neighborhood but the people living in it, especially the often-overlooked Desi community in Jeddah, where even the people themselves think the outer world is not interested in them,” Khan said.

“It aims to explore their dreams, identities and quiet resilience through simple, human questions, like what is your favorite color or what gives you happiness.”

Khan believes in the power of cinema to humanize and connect communities, emphasizing how platforms such as Hayy Jameel empower storytellers like herself. Her goal is to keep documenting life in Jeddah, capturing its present for future generations.

Al-Bhaisi told Arab News: “‘From the Olives to the Sea’ is a short documentary that explores the contrast and emotional connection between two places — Jeddah, where I feel a deep sense of belonging, and Gaza, the place I’m originally from but never fully connected with.

“Winning the Audience Choice Award honestly means the world to us. It shows that people connected with our story, and that’s all we ever wanted — to be heard, and to make others feel something real.”


Image Nation Abu Dhabi, Timur Bekmambetov pick eight UAE stories to lead screenlife rollout

Updated 29 April 2025
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Image Nation Abu Dhabi, Timur Bekmambetov pick eight UAE stories to lead screenlife rollout

ABU DHABI: Ben Ross, CEO of Image Nation Abu Dhabi, joined Kazakh-Russian film director and producer Timur Bekmambetov on Tuesday at the Culture Summit Abu Dhabi to discuss screenlife, a pioneering format developed by Bekmambetov that is coming to the region for the first time.

Screenlife is a style of filmmaking where the entire story takes place on a digital screen — through text messages, video calls, social media and other everyday apps — reflecting how people communicate in today’s tech-driven world. Notable examples include the horror film “Unfriended” (2014) and the mystery thriller “Searching” (2018).

Ben Ross (L) and Timur Bekmambetov (R) at the Culture Summit Abu Dhabi. (AN Photo by Mohamed Fawzy)

In the session, Ross and Bekmambetov announced that they have selected eight stories from UAE filmmakers to bring to life after the launch of the Screenlife Program in June 2024, which aims to help UAE citizens and residents master this new format and create authentic narratives with global resonance.

“We were drawn to it because it is so innovative and so forward-thinking,” Ross told Arab News. “We enjoyed the screenlife movies, and it just felt like a natural step to evolve it into this region.”

Bekmambetov emphasized the universality of digital communication. “The digital world is the same universally. There is a different cultural element … but every family has a WhatsApp chat with hundreds of people on it. My family in Kazakhstan have one, and the internet in Abu Dhabi is the same,” he told Arab News.

He said that the format is “socially very impactful” and can give voice to those often left out of traditional cinema. “Because it costs nothing, you can tell stories about your individual life with no money. It will help us to engage very different storytellers.”

Ross noted that the selected projects reflect a wide range of stories. “Every story that we have chosen ... stood out in its own way. There’s a huge variety being told — it’s not formulaic.”

Bekmambetov also noted that Muslim women lead very different lifestyles, saying, “maybe screenlife will bring their stories to life,” to which Ross added that some of the stories currently in development already do.


Kehlani responds to concert cancellation over ‘anti-Israel sentiments’

Updated 29 April 2025
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Kehlani responds to concert cancellation over ‘anti-Israel sentiments’

DUBAI: US singer Kehlani has taken to social media after her appearance at Cornell University’s annual campus concert was cancelled due to her pro-Palestine stance.

Last week, Cornell President Michael Kotlikoff announced he was withdrawing the R&B singer’s invitation to perform at the event due to what he called “antisemitic, anti-Israel sentiments.”

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Kehlani (@kehlani)

“Unfortunately, although it was not the intention, the selection of Kehlani as this year’s headliner has injected division and discord into Slope Day,” Kotlikoff wrote last week, referring to the concert.

“For that reason, I am rescinding Kehlani’s invitation and expect a new lineup for a great 2025 Slope Day to be announced shortly.”

He continued: “In the days since Kehlani was announced, I have heard grave concerns from our community that many are angry, hurt, and confused that Slope Day would feature a performer who has espoused antisemitic, anti-Israel sentiments in performances, videos, and on social media. While any artist has the right in our country to express hateful views, Slope Day is about uniting our community, not dividing it.”

In a new Instagram video responding to the cancellation, Kehlani said: “I am being asked and called to clarify and make a statement yet again for the millionth time, that I am not antisemitic nor anti-Jew. I am anti-genocide, I am anti the actions of the Israeli government, I am anti an extermination of an entire people, I’m anti the bombing of innocent children, men women… that’s what I’m anti.”

The 30-year-old, a frequent collaborator with the Jewish Voice for Peace group, added a caption, stating: “I know you’ve seen Cornell University cancelled my show, and now there are attempts at other cancellations on top of the cancellations I’ve already experienced over the past year. If you want to cancel me from opportunity, stand on it being because of your Zionism. don’t make it anti-Jew. this a played out game. all this because we want people to stop dying. I hope this helps.”

 


‘Bridgerton’ star Nicola Coughlan talks Palestine support

Updated 29 April 2025
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‘Bridgerton’ star Nicola Coughlan talks Palestine support

DUBAI: Irish actress Nicola Coughlan – who rose to fame for her role in Netflix hit series “Bridgerton” – was awarded the Commitment Prize by French media company Konbini at Canneseries, where she also gave a career talk.

During the hour-long masterclass, Coughlan spoke in depth about not only her work on shows like “Derry Girls” and “Doctor Who,” but also her support of Palestine. 

“There is a factor of ‘it’s better if you say nothing’ because our job is to entertain you,” said the actor when asked about speaking in support of Palestine, according to a report by Variety. “My dad was in the Irish Army, which is a peacekeeping force. My family lived in Jerusalem and Syria in the 70s, so it’s something that is in my bones. We are talking about right or wrong, about children being bombed in their beds. I wouldn’t accept that anywhere in the world.”

The actor, who was given the award for being a “talent actively making a change well beyond television,” continued by highlighting how there has “always been a connection between Palestine and Ireland,” and that the two countries have “shared ideals and struggles.”

“Any country in the world that was facing this, I would talk about it. It’s not difficult. For me, the killing of innocent people is never right,” she said.

Coughlan just landed her first BAFTA nomination for her role in “Big Mood.”

“I never got to play anyone like her before, because she is quite cool, in a way. It’s a comedy that morphs into a drama. It bends the genre. She’s difficult, she’s funny.”