At Art Dubai, Pakistani artists find the space missing at home

Artist Sana Arjumand finishes her painting ‘The Perfect Mirror’ at her studio in Lahore, Pakistan in 2024, ahead of display at Art Dubai 2025. (Photo courtesy: Handout/Sana Arjumand Studio)
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Updated 19 April 2025
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At Art Dubai, Pakistani artists find the space missing at home

  • The Middle East’s leading art fair draws galleries and collectors from around the world
  • Pakistani artists say global interest is rising in their work, bringing international recognition

KARACHI: Pakistani artists have been receiving increasing international recognition, but many still grapple with limited opportunities and visibility at home, a participant at a major Gulf art fair said this week.
Her comments coincided with Art Dubai 2025, the Middle East’s leading contemporary art fair, where 10 Pakistani artists are exhibiting their work this year.
The event, running since 2007, draws galleries and collectors from across the globe and has become a vital platform for people with creative abilities in places like Pakistan.
“It’s wonderful that we as artists who have been invisible because of the greater struggles of [our] country are visible through this platform in the Gulf,” said Faiza Butt, a London-based Pakistani artist currently attending the fair, told Arab News over the phone.




Artist Faiza Butt poses against the backdrop of her artwork ‘The Male Figure’ during the Art Dubai 2025 preview at Madinat Jumeirah in Dubai on April 17, 2025. (Photo courtesy: Handout/Grosvenor Gallery)

“It’s really a matter of pride that despite all the odds, Pakistani artists continue to appear, and work and make themselves visible, especially female artists.”
Butt maintained Pakistani artists are shaped by the country’s complex realities, adding that is what gives their work its depth.
“Our social and political struggles really feed the artists’ imagination,” she said. “Art doesn’t come from a happy place. So one of the reasons our artists are so strong is because our country has gone through a great deal of strife.”
She also credited the country’s mature art education institutions, such as the National College of Arts in Lahore and the Indus Valley School of Arts in Karachi, for nurturing generations of artists despite systemic challenges.




Artwork ‘The Male Figure’ by Pakistani artists Anwar Saeed and Faiza Butt on display by Grosvenor Gallery during the Art Dubai 2025 at Madinat Jumeirah in Dubai. (Photo courtesy: Handout/Grosvenor Gallery)

Karachi-based visual artist Sana Arjumand, who is also exhibiting at the fair, echoed similar views.
“There is now more and more interest coming into Pakistani art because we are really making very good art,” she said.
“Because of so many different experiences here [in Pakistan], we have that informed kind of making of art. It’s more vibrant and alive. It stands out as well — that is why more and more interest is coming here.”
Arjumand, who studied painting at NCA, said her early work focused on self-reflection but has since evolved to include themes of Sufism, mysticism and human interconnectedness with nature.
Her new work, presented at the fair, explores the idea that human behavior mirrors elements in the natural world.
“It’s for everyone,” she said. “It has a storyline that anybody can relate to.”
A total of ten Pakistani artists, including one posthumously, are featured in the fair’s Contemporary Art section. Among them is the late Sadequain, whose pioneering calligraphy and figurative works helped define Pakistan’s post-Partition art movement and continue to influence generations of artists.




Sana Arjumand’s painting ‘The Perfect Mirror’ on display by Aicon Gallery at Booth E5 as they set up for the Art Dubai 2025 preview at Madinat Jumeirah in Dubai on April 16, 2025. (Photo courtesy: Handout/Sana Arjumand Studio)

Also exhibiting are Rasheed Araeen, a Karachi-born conceptualist known internationally for his contributions to British minimalist and postcolonial art, and Imran Qureshi, whose fusion of classical Mughal miniature techniques with contemporary themes has earned him acclaim worldwide.
Other featured names include Anwar Saeed, celebrated for his explorations of identity and sexuality, and Shezad Dawood, a London-based multidisciplinary artist with Pakistani and Indian heritage.
Butt is being represented by Grosvenor Gallery in London, which is exhibiting her work alongside that of Anwar Saeed under a shared curatorial concept focused on representations of the male form.
“The female figure is represented enough in the arts,” said Butt. “Anwar and I both discuss the male form but with our own unique politics based on our unique ethnography. But we are both Pakistanis, and there are overlaps in our concerns.”
She will also deliver a talk on behalf of Saeed, reflecting on his practice and political engagement through art.
Despite global attention, Butt stressed that Pakistan lacks the institutional and financial infrastructure to support a thriving art scene.
“Art is a very priced project, and Pakistan cannot afford having art fairs or a very established art market,” she said. “Pakistani artists get absorbed by galleries from other countries.”
She described Art Dubai as a great opportunity for artists in her country.
“Dubai is a very stable financial hub of the Gulf region,” she continued. “It has welcomed a great deal of migration from India and Pakistan. You get a diverse audience. It’s a beautiful coming together, in a positive way, of ideas, culture and exchange of thought.”


Man badly hurt by falling palm tree at Cannes film festival

Updated 17 May 2025
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Man badly hurt by falling palm tree at Cannes film festival

  • The Asian man, believed to have been attending the festival, was badly injured
  • A sudden gust of wind brought the tree down

CANNES: A man was seriously hurt after a palm tree fell onto him at the Cannes film festival on Saturday.

The Asian man, believed to have been attending the festival, was badly injured, firemen who treated him at the scene said.

A sudden gust of wind brought the tree down near the Palais des Festivals on the Croisette esplanade overlooking the Mediterranean, an AFP journalist at the scene said.


The accident happened as the American movie “Eddington,” starring Joaquin Phoenix, Emma Stone and Pedro Pascal was being shown.

The Croisette was crowded with festivalgoers when the tree fell, witnesses said.

“There was a terrible gust of wind and I heard a cry,” said Marthy Fink from Luxembourg.


Amal Clooney stuns in black at Cannes Film Festival

Updated 17 May 2025
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Amal Clooney stuns in black at Cannes Film Festival

DUBAI: Lebanese British human rights lawyer Amal Clooney made a head-turning appearance at the 78th Cannes Film Festival this week, wearing a black gown by British designer John Galliano.

Clooney attended the premiere of “Bono: Stories of Surrender” in a sleek, off-the-shoulder dress featuring a fitted bodice with subtle draping and a floor-length skirt with a gentle train. She completed the look with a black clutch and Cartier statement earrings, styling her hair in soft, voluminous waves.

On the red carpet, Clooney was joined by U2 guitarist the Edge and frontman Bono, the subject of “Bono: Stories of Surrender.”

Amal Clooney made a head-turning appearance at the 78th Cannes Film Festival. (Getty Images)

The black-and-white film, directed by Andrew Dominik, adapts Bono’s 2022 memoir “Surrender: 40 Songs, One Story” and his one-man stage show of the same name.

Set to some of U2’s most iconic tracks, Bono opens up about the tragedy that marked his childhood, with his mother Iris collapsing and dying at her own father’s funeral when the singer was 14.

His father, Brendan “Bob” Hewson, already a man of few words, retreated into shock, anger and depression.

Clooney was joined by U2 guitarist the Edge (L) and frontman Bono (R) on the red carpet. (Getty Images)

The film is also a love letter to the singer’s wife, Ali Hewson, who he met when they were both 15, the same fateful day U2 was formed in a Dublin school. The film streams on Apple TV+ from May 30.

Bono, who has spent decades fighting for more aid to Africa and to lift the debt burden from poor countries, told the audience at the premiere that the world is again being threatened by fascism as it was when the festival was set up in 1939.

“Mussolini and the little man with a moustache, and his mate Goebbels had taken over the Venice Film Festival, so this festival was set up to fight fascism,” the singer said.

“It took it until 1946 (for the festival to get going) but it stands for that freedom now.”

He said that Hollywood star Sean Penn — a vocal advocate for Ukraine — had “brought us some friends from the actual trenches, from the front line in Ukraine, and they’re here tonight.

“I just want to thank you because you’re keeping us free,” Bono added to loud cheers.


Guerlain names Mohammed Hindash first Middle East makeup ambassador

Updated 17 May 2025
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Guerlain names Mohammed Hindash first Middle East makeup ambassador

DUBAI: French beauty house Guerlain this week appointed Dubai-based celebrity makeup artist and entrepreneur Mohammed Hindash as its first-ever regional makeup ambassador for the Middle East.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by hindash (@hindash)

Hindash, founder of the makeup brand Hindash Cosmetics, has worked with a roster of international and regional celebrities. His clientele includes Naomi Campbell, Lindsay Lohan, Chanel Iman, Natalia Vodianova, Rahma Riadh, Yusra Mardini, Nancy Ajram, Mona Zaki, Dana Hourani and Mona Kattan. He also did Queen Rania of Jordan’s makeup for the royal wedding of Crown Prince Hussein and Princess Rajwa in 2023.

He took to Instagram to write: “My chapter with @guerlain represents more than just beauty, it embodies timeless innovation rooted in heritage.

“I’m beyond thrilled to be announced as their first makeup ambassador in the Middle East as I showcase Guerlain through my lens and artistry,” he added. “I have immersed myself in the rich history of the Maison, and I can’t wait to narrate the story on my models’ faces.”


Musician charged with Chris Brown in alleged London nightclub assault

Updated 17 May 2025
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Musician charged with Chris Brown in alleged London nightclub assault

LONDON: A fellow musician and friend of Chris Brown has been charged alongside the Grammy-winning singer on allegations they beat and seriously injured a music producer at a London nightclub in 2023, police said Saturday.
Omolulu Akinlolu, 38, who performs under the name “Hoody Baby,” was due to appear in Manchester Magistrates’ Court on a charge of causing grievous bodily harm with intent.
Brown, 36, was jailed without bail on the same charge Friday, throwing his upcoming tour into question. He is scheduled to appear at Southwark Crown Court in London on June 13, which is the third day of his world tour.
Akinlolu is a rapper from Dallas, Texas, who has collaborated with Brown and Lil Wayne. He also goes by the names “Fat Leopard” and “Super Hood.”
Police gave no details on what role Akinlolu played in the alleged assault but said he was charged in connection with the same incident as Brown.
Brown was on tour in the UK in February 2023 when he launched an unprovoked attack on producer Abe Diaw, striking him several times with a bottle at the Tape nightclub in the swanky Mayfair neighborhood in London, prosecutor Hannah Nicholls said in court Friday.
Brown then chased Diaw and punched and kicked him in an attack caught on surveillance camera in front of a club full of people, she said.
Brown did not enter a plea and only spoke to confirm his name, birth date and gave his address as the Lowry Hotel, where he was arrested in Manchester early Thursday and taken into custody.
Brown’s representative has not responded to multiple requests for comment from The Associated Press.
Brown, often called by his nickname Breezy, burst onto the music scene as a teen in 2005 and has become a major hitmaker over the years with notable songs such as “Run It,” “Kiss Kiss” and “Without You.”
He won his first Grammy for best R&B album in 2011 for “F.A.M.E.” and then earned his second gold trophy in the same category for “11:11 (Deluxe)” earlier this year.
He is scheduled to launch an international tour next month with artists Jhene Aiko, Summer Walker and Bryson Tiller, opening with a European leg on June 8 in Amsterdam before starting North America shows in July.


Pakistani animated film ‘The Glassworker’ heads to US theaters with Watermelon Pictures

Updated 17 May 2025
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Pakistani animated film ‘The Glassworker’ heads to US theaters with Watermelon Pictures

  • The Pakistani animated film revolves around two people from disparate backgrounds, a glassblower and a violinist
  • The movie, selected as Pakistan’s submission to the 2025 Academy Awards, took the animation world by storm in 2024

ISLAMABAD: Pakistan’s first hand-drawn animated film “The Glassworker” is set to screen in the United States (US) after Watermelon Pictures acquired its distribution rights, the US-based film production and distribution company said this week.

The Glassworker, released in Pakistan in July last year, was storyboarded by young Pakistani animator, Usman Riaz, who also directed the movie that comprised 1,477 cuts and 2,500 individual drawings, bringing to life the coming-of-age tale of two people from disparate backgrounds: young Vincent who is an apprentice at his father’s glass workshop, and the talented violinist Alliz, the daughter of a military colonel.

Around them, a war threatens to upend their lives and the relationships between the children and parents are tested. A total of 250 people worked on the film including national and international cast and crew.

In a post on Instagram, Watermelon Pictures said they were proud to announce that their very first animated feature, The Glassworker, would soon be coming to US theaters.

“After being selected as Pakistan’s submission to the 2025 Academy Awards, #TheGlassworker took the animation world by storm as Pakistan’s first ever hand-drawn animated feature,” the distribution company said.

“An ode to Hayo Miyazaki’s dedication to telling beautiful stories frame by frame, The Glassworker is truly a work of art.”

The deal was closed during Cannes and negotiated by Hamza Ali for Watermelon Pictures and Hélène Espeisse on behalf of Charades, which is representing the film at this year’s Marché Du Film, US entertainment website DEADLINE reported.

“The Glassworker is a breathtaking, emotional story that will resonate deeply with audiences of all ages. We are honored to bring this cinematic gem to US theaters,” Watermelon Pictures co-founder Hamza Ali was quoted as saying.

Ali launched the film production and distribution company in April, 2024 along with his brother, Badie Ali, with Alana Hadid as creative director. The firm aims to amplify the voices of underrepresented filmmakers across the globe.

“We are thrilled that The Glassworker will be released theatrically in the United States by Watermelon Pictures. Their rapid growth and recent string of successful, meaningful films make them the perfect partner to bring our work to American audiences,” Khizer Riaz, the film’s producer, was quoted as saying.

“We couldn’t be more excited.”