ISLAMABAD: Pakistan’s first hand-drawn animated film “The Glassworker” is set to screen in the United States (US) after Watermelon Pictures acquired its distribution rights, the US-based film production and distribution company said this week.

The Glassworker, released in Pakistan in July last year, was storyboarded by young Pakistani animator, Usman Riaz, who also directed the movie that comprised 1,477 cuts and 2,500 individual drawings, bringing to life the coming-of-age tale of two people from disparate backgrounds: young Vincent who is an apprentice at his father’s glass workshop, and the talented violinist Alliz, the daughter of a military colonel.

Around them, a war threatens to upend their lives and the relationships between the children and parents are tested. A total of 250 people worked on the film including national and international cast and crew.

In a post on Instagram, Watermelon Pictures said they were proud to announce that their very first animated feature, The Glassworker, would soon be coming to US theaters.

“After being selected as Pakistan’s submission to the 2025 Academy Awards, #TheGlassworker took the animation world by storm as Pakistan’s first ever hand-drawn animated feature,” the distribution company said.

“An ode to Hayo Miyazaki’s dedication to telling beautiful stories frame by frame, The Glassworker is truly a work of art.”

The deal was closed during Cannes and negotiated by Hamza Ali for Watermelon Pictures and Hélène Espeisse on behalf of Charades, which is representing the film at this year’s Marché Du Film, US entertainment website DEADLINE reported.

“The Glassworker is a breathtaking, emotional story that will resonate deeply with audiences of all ages. We are honored to bring this cinematic gem to US theaters,” Watermelon Pictures co-founder Hamza Ali was quoted as saying.

Ali launched the film production and distribution company in April, 2024 along with his brother, Badie Ali, with Alana Hadid as creative director. The firm aims to amplify the voices of underrepresented filmmakers across the globe.

“We are thrilled that The Glassworker will be released theatrically in the United States by Watermelon Pictures. Their rapid growth and recent string of successful, meaningful films make them the perfect partner to bring our work to American audiences,” Khizer Riaz, the film’s producer, was quoted as saying.

“We couldn’t be more excited.”

GINGAL: Mohammad Younis Khan was among 40 residents seeking shelter in a cowshed when shelling began in Gingal, a scenic mountain village in north Kashmir on the Indian-administered side of the de facto border with Pakistan. Men, women and children sought refuge in the 3-meter-by-4.2 meter (10-feet-by-14 feet) space, which they felt offered greater safety than their brick and cement homes.

Huddled together, they heard the swoosh and thunder of the projectiles being fired from both sides of the border. When they heard a very loud sound from just outside the shelter, they held their breath and expected the worst. But the projectile had landed on soft earth and detonated a couple of feet below the ground sparing them.

Younis, who could tell the outgoing projectiles from the incoming ones by the sound they made, described the impact outside “as if a lightning bolt had struck the ground.” They all feared that India and Pakistan were at war and they would not survive the night.

“We were so scared that we didn’t dare go out to a water tap just four feet away from the door even when the children were crying of thirst,” Younis told The Associated Press.

Mohammad Shafi and four family members were having dinner in their kitchen when they heard explosions and ran outside. They had just managed to reach the road when they saw a blast damage the kitchen they had been dining in. They ran down a slope and hid among trees.

It was the night of May 8, and the shelling had intensified from the previous evening. Nasreena Begum rushed out, leaving her special-needs son behind as he was too heavy to be carried. She was tormented but was relieved to find him safe at home the following morning.

Most residents left Gingal for the town of Baramulla about 40 kilometers (25 miles) south, where some saw their homes destroyed on TV or social media.

Naseer Ahmad, a Jammu & Kashmir police officer posted in south Kashmir, learned via Facebook that shelling damaged his Paranpillan home, instantly recognizable by the surprisingly intact large walnut tree beside it.

Following the May 10 ceasefire, residents of Gingal returned to assess the damage, finding their homes riddled with shrapnel. Those with intact or livable houses sheltered neighbors who had lost theirs.

About 160 kilometers (100 miles) south, the usually bustling tourist spot of Pahalgam is now quiet, its residents facing a different challenge. It was here when, on April 22, militants killed 26 tourists in the worst assault in years targeting civilians in the restive region.

Pahalgam, usually lively with May holidaymakers, is now deserted. Businesses are shuttered and tourist attractions within a 30-kilometer (18-mile) radius of the assault site are closed to locals and visitors alike.

Back in Gingal, Younis prays for peace.

“Where will we go if the clashes continue? Drones can reach anywhere,” he said. “Those who want war have never experienced it.”