Recipes for success: Chef Gabriela Chamorro offers advice and a passion fruit ceviche recipe  

Recipes for success: Chef Gabriela Chamorro offers advice and a passion fruit ceviche recipe  
For Gabriela Chamorro, cooking is not about complexity; it’s about heart, intention and staying connected to her roots. (Supplied)
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Updated 22 May 2025
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Recipes for success: Chef Gabriela Chamorro offers advice and a passion fruit ceviche recipe  

Recipes for success: Chef Gabriela Chamorro offers advice and a passion fruit ceviche recipe  

 DUBAI: For Gabriela Chamorro, cooking is not about complexity; it’s about heart, intention and staying connected to her roots. 

As founder and executive chef of Girl & the Goose, Dubai’s first restaurant dedicated to central American cuisine, she offers a personal take on traditional dishes from Nicaragua, Costa Rica, Guatemala and Panama. 

Chamorro focuses on thoughtful cooking that highlights the essence of each ingredient. Whether it’s a humble tortilla or an intricate yuca gnocchi, every dish is designed to share a story and evoke a sense of home, she says.  

When you started out what was the most common mistake you made?  

I believed that complexity was the best way to showcase my skills: the more elements on the plate, the more impressive the dish. But over time, I’ve learned that simplicity, when executed with intention and love, is far more powerful. I used to overcomplicate dishes by adding too many elements or overthinking the presentation. Now, I find that true mastery lies in perfecting something humble, like a pipian verde, or a well-made guirila.  

What’s your top tip for amateur chefs? 

Recipes are helpful, but your intuition is your best tool. Taste as you go and let your senses lead the way. I see cooking as a conversation between you and your ingredients. It should feel like a warm embrace, not a stressful performance. Stay present and enjoy the process. And invest in a good set of sharp knives; they make everything easier — and safer — in the kitchen. 

What one ingredient can instantly improve any dish? 

Lime is a game-changer in central American cooking. Its bright, zesty acidity lifts and elevates flavors, adding a refreshing pop to any dish. It doesn’t just add flavor, it adds soul. Lime is the kind of ingredient that turns something good into something unforgettable.  

When you go out to eat, do you find yourself critiquing the food?  

I’m definitely someone who notices details, but when I dine out, I’m more focused on how the experience makes me feel overall. I look for warmth and a genuine sense of care, both in the food and in the service. You can taste when a dish is made with heart and intention, and you can feel the difference when hospitality goes beyond being just transactional. It’s that human touch that stays with you.  

What’s your favorite cuisine to order? 

I tend to gravitate toward Middle Eastern cuisine, perhaps because it evokes the same warmth, generosity and layered flavors that I associate with Latin hospitality. There’s something deeply comforting about a vibrant mezze spread or a slow-cooked lamb dish. They speak volumes without saying a word. 

What’s your go-to dish if you have to cook something quickly at home? 

I love making a simple dish, like a fresh tortilla with cheese, cream, scrambled eggs, gallopinto and a quick avocado salad. It’s the kind of meal that feels like a hug and transports me back home.  

What customer behavior most annoys you? 

When a customer treats one of my team members with less respect or kindness than they would offer me. I believe in mutual respect across all levels. The magic of hospitality only thrives when everyone — guests and employees alike — feels seen, valued and appreciated.  

What’s your favorite dish to cook and why? 

Fried fish with tomato sauce and rice, just like Mireya from Masachapa, Nicaragua (a major influence on Chamorro’s cooking) makes it, is my absolute favorite. It’s a nostalgic recipe that transports me back to the coastal breeze, the rhythm of the waves, and the warmth of a family keeping their traditions alive with love. Every time I prepare this dish, I feel deeply connected to my roots, to home, and to the simple joys of life. Cooking isn’t just about the food, it’s about preserving a piece of something timeless and meaningful. 

What’s the most difficult dish for you to get right?  

Our yuca gnocchi served with a rich, delicate lobster bisque demands precision and patience. Yuca can be unpredictable, and achieving the right texture for gnocchi requires a delicate balance: too soft and it falls apart, too firm and it loses its melt-in-your-mouth quality. Then there’s the bisque, which needs layers of flavors to develop, offering depth and elegance. But, when it all comes together, it is magic. It’s a dish that humbles me every time, reminding me of the importance of attention to detail and the heart put into each step. 

As a head chef, what are you like? Are you a disciplinarian? Or are you more laidback? 

I’m a very passionate chef who holds high standards, but I believe that the best kitchens are built on mutual respect, joy and collaboration. I lead with kindness and purpose because a great service should feel like a well-rehearsed dance with people you trust.  

 Chef Gabriela’s passion fruit ceviche 

Ingredients:  

500g organic seabass, diced into ½ inch pieces 

120g passion-fruit puree 

80g coconut cream 

50g red onions  

10g ginger 

15g garlic 

10g coriander stems 

10g celery 

3g salt 

Passion fruit coconut cream preparation:  

Peel and clean the onions, use only the hearts. 

Remove the leaves from the coriander, only use the stems. 

Peel garlic and ginger. 

Dice all the vegetables. 

Coarsely blend all the ingredients on medium speed along with the passion fruit puree.  

Strain through a fine mesh. 

Combine with the coconut cream and blend on medium speed. 

Refrigerate until ready to use.  

Plating:  

Place the raw fish in a serving bowl, pour the passion fruit coconut cream on top of it, and garnish according to taste. 


Saudi Arabia’s Prince Faisal bin Salman joins King Charles at Royal Ascot opening

Saudi Arabia’s Prince Faisal bin Salman joins King Charles at Royal Ascot opening
Updated 44 min 52 sec ago
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Saudi Arabia’s Prince Faisal bin Salman joins King Charles at Royal Ascot opening

Saudi Arabia’s Prince Faisal bin Salman joins King Charles at Royal Ascot opening

DUBAI: Saudi Arabia’s Prince Faisal bin Salman bin Abdulaziz Al-Saud joined the UK’s King Charles III and Queen Camilla at Royal Ascot, one of the most prestigious equestrian racing events in the world.

Prince Faisal appeared alongside the British royals in the lead royal carriage that opened the official procession. 

Lady Sarah Keswick also joined the lead carriage alongside Prince Faisal, King Charles III and Queen Camilla. A close friend of the Queen, she is a key member of the Queen’s Companions.

Following the royal procession, Prince Faisal joined the royal enclosure to watch the first day of races. (Getty Images)

Following the royal procession, Prince Faisal, a grandson of King Abdulaziz and son of King Salman, joined members of the British royal family, including Princess Beatrice and Zara Tindall, in the royal enclosure to watch the first day of races.

Royal Ascot remains a major fixture on the British social calendar, drawing global political and royal elites.

Arab royalty has played an increasingly visible role at the event in recent years. In 2024, Prince Salman bin Hamad Al-Khalifa of Bahrain — the crown prince and prime minister — attended the event as a guest of honor, representing Bahrain’s royal family.

Meanwhile, Sheikh Tamim bin Hamad Al-Thani, Emir of Qatar, has become a prominent figure in the racing world through his Wathnan Racing team. 

The organization has achieved notable success at Royal Ascot, including a win in the 2023 Gold Cup. 

Queen Camilla, King Charles III and Prince Saud bin Khalid Abdullah attended day 2 of Royal Ascot 2023 at Ascot Racecourse in Ascot, England. (Getty Images)

Prince Saud bin Khalid — son of the late Prince Khalid bin Abdullah Al-Saud, the legendary Saudi breeder behind Juddmonte Farms — was also seen attending the second day of the Royal Ascot in 2023, alongside King Charles III.


Designer Alina Anwar takes over Times Square

Designer Alina Anwar takes over Times Square
Updated 17 June 2025
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Designer Alina Anwar takes over Times Square

Designer Alina Anwar takes over Times Square

DUBAI: Dubai-based designer Alina Anwar, founder of Alina Anwar Couture, this week appeared on a digital billboard in Times Square, New York.

Well known for dressing celebrities in Hollywood and Bollywood, including Mariah Carey, Toni Braxton, Kareena Kapoor and Idina Menzel, Anwar has expanded her reach internationally with her gowns and suits.

The billboard featured Anwar, who is famous for her structured silhouettes and feminine designs, wearing a red sequined skirt from her own collection, accompanied by her brand’s statement: “My aim is to empower women through powerful dressing and to set them on a path of personal freedom and possibilities.”

In a statement she said: “I created this brand to empower women, to make them feel confident, unstoppable and seen. To have that vision now broadcast in Times Square is surreal, but it’s also just the beginning.”

Anwar’s brand is a luxury eveningwear label that creates gowns and tea-length dresses using contemporary couture techniques and French finishing. The brand’s pieces feature fine fabrics and detailed tailoring, and are made in the UAE.

In 2019, her work gained global attention when US singer Mariah Carey wore one of her designs in a remake of the “All I Want for Christmas Is You” music video, released to mark the song’s 25th anniversary. Carey wore a pine green, fully sequined, long-sleeved cocktail dress with a scooped neckline, designed by Anwar.

“I hope to see more and more Hollywood stars wear my brand and as a Dubai-based fashion label, I am so overwhelmed by the trust that they are giving me. I am here to advocate UAE-made products (that) are world-class,” Anwar said at the time.

Anwar is not the only regional figure to appear on a Times Square billboard.

Several Arab artists have featured in recent years.

Egyptian singer Amr Diab became the first Arab musical artist to appear on a Spotify billboard in Times Square in 2019.

Since then, others have followed, including Palestinian-Chilean singer Elyanna, who was featured in December as part of Spotify Arabia’s “EQUAL” campaign spotlighting female artists from the region.


British Lebanese actress Razane Jammal authors children’s book

British Lebanese actress Razane Jammal authors children’s book
Updated 16 June 2025
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British Lebanese actress Razane Jammal authors children’s book

British Lebanese actress Razane Jammal authors children’s book

DUBAI: British Lebanese actress Razane Jammal is set to release a children’s book titled “Lulu & Blu.”

The actress, famous for her roles in Netflix series “The Sandman” and “Paranormal,” took to social media on Sunday to share the news, writing: “What started as a little story I wrote seven years ago turned into a book for your little ones. I’ve poured my (heart) into this and I’m thrilled to invite you all to our first launch in Beirut.”

The launch event is scheduled to take place on June 25 at community space Minus 1 in the Lebanese capital. The actress will perform a reading of the children’s story, which tells the tale of a “vegetarian lioness, a friendly fish and their most unusual friendship,” according to the author.

Published by Turning Point Books, the story was illustrated by Sasha Haddad, a Lebanese illustrator who graduated from Cambridge School of Arts in 2014.

In the role that arguably shot her to stardom, Jammal played Lyta Hall in 2022’s “The Sandman,” based on the legendary graphic novels.

Her character dreams of her dead husband each night, slowly realizing that he is not a figment of her imagination but is hiding out in the dream world.

It is a part that Jammal managed to play truthfully with subtlety — a subtlety for which she credited her mother in a previous interview with Arab News.

“I’ve always been extra, and my mom was far more subtle than I am. I had to fine-tune myself to vibrate on her frequency, a frequency that was very sweet and very raw, and vulnerable and nurturing. I took that from her.

“I grew up having a simple, community-based life in a place where you have 500 mothers and everyone feeds you and you feel safe — even if it’s not safe at all. At the same time we went through so many traumas, from civil wars to assassinations to losing all our money in another financial crisis.”


Middle Eastern content creators unveil bold short films in collaboration with YouTube

Middle Eastern content creators unveil bold short films in collaboration with YouTube
Updated 17 June 2025
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Middle Eastern content creators unveil bold short films in collaboration with YouTube

Middle Eastern content creators unveil bold short films in collaboration with YouTube

DUBAI: Some of the region’s most celebrated content creators — including Bahrain’s Omar Farooq, the UAE’s Anas Bukhash, Morocco’s Taha Essou, Palestine’s Haifa Beseisso and Egypt’s Sherif Nabil — have premiered powerful short films in collaboration with YouTube to mark the platform’s 20th anniversary.

“For years, creating and distributing entertainment was limited to major studios. Today, we’re at an inflection point — YouTube creators are the entertainment industry’s new startups,” said Tarek Amin, YouTube’s regional director for the Middle East, Africa and Turkiye, during the premiere in Dubai this weekend.

These creators, who amass billions of views across their channels, showcased deeply personal stories that transcend borders and languages, highlighting YouTube’s role as a platform for emotional storytelling and global connection.

The shift reflects a wider trend across the region with YouTube creators across the Middle East and North Africa rapidly becoming entertainment startups.

Companies such as Telfaz11, which has offices in Saudi Arabia and the UAE, have scaled from popular YouTube series to successful feature films.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by #ABtalks (@abtalks)

Bukhash’s signature charm and curiosity is reflected in his film “ABtalks Diaries: Korea Edition.” The work follows him on a journey through South Korea where he interviews chefs, artists, and members of the public.

Despite a glaring language barrier, Bukhash draws out surprisingly intimate moments, proving that vulnerability is a universal language. “We did this because we realized Arabs are obsessed with K-Pop,” Bukhash joked on stage.

In “Into the Dark,” Beseisso documents her four-day stay in a darkness retreat. Blending humor and reflection, her film becomes a deeply personal meditation on silence, emotion and reconnection — with herself and others.

“I heard about the darkness retreat from a friend and was intrigued,” she told Arab News. “I went, closed my eyes for three days, and it turned out to be one of my favorite experiences.”

In “Into the Fire: Mount Ijen,” Nabil documents the harsh realities of sulfur miners working in Indonesia’s active volcanic mountain. He exposes the conditions these workers face and the generational impact of their labor.

“YouTube gives you that intimacy,” Nabil said. “It’s a challenge, but it’s rewarding.”

The connection between these filmmakers lies in their ability to confront discomfort, explore untold stories, and share them with candor.

“This event is not for us,” Bukhash reflected. “It’s for the people at home wondering if they should start, and need that extra push.”


Saudi artist Ahaad Alamoudi presents ‘The Social Health Club’ in Basel 

Saudi artist Ahaad Alamoudi presents ‘The Social Health Club’ in Basel 
Saudi artist  Ahaad Alamoudi presents ‘The Social Health Club’ in Basel 
Updated 15 June 2025
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Saudi artist Ahaad Alamoudi presents ‘The Social Health Club’ in Basel 

Saudi artist Ahaad Alamoudi presents ‘The Social Health Club’ in Basel 

RIYADH: This month, Saudi artist Ahaad Alamoudi is turning up the heat at Basel Social Club — which runs until June 21 in the Swiss city — with her latest installation, “The Social Health Club.” 

Freshly conceived, but rooted in the artist’s past works, the yellow-drenched installation offers a layered, sensory experience — and sharp cultural commentary — as well as a first for the artist: a live-performance element. 

Jeddah-based Alamoudi is known for creating immersive multimedia installations drawing from and exploring the complex dynamics of her evolving homeland. “The Social Health Club” is built around pieces found in Jeddah’s Haraj market in 2018 — a range of exercise equipment including a rowing machine.  

Ahaad Alamoudi. (Supplied)

“These are pieces I collected from thrifting. I like the fact that no instructions came with the machines — I don’t have their name or the source of where they came from or who made them. But they’ve become part of the urban landscape that I’ve been in. And I was trying to create fun within the space,” Alamoudi told Arab News. 

In “The Social Health Club,” the equipment, painted predominantly in vibrantly-saturated monochrome yellow, stands untouched, serving as symbols of a culture obsessed with self-optimization. At the core of the installation is a cameo from a yellow-painted iron previously featured in her 2020 video work “Makwah Man.” (Makwah means iron in Arabic.) 

 Part of Ahaad Alamoudi's 'The Social Health Club' at Basel Social Club. (Supplied)

“A lot of my pieces stem from a narrative I create within a video. In ‘Makwah Man,’ this man wearing a yellow thobe is ironing a long piece of yellow fabric in the middle of the desert. And as he’s ironing, he tells us how to live our lives. But in the process of him telling us how to live our lives, he also starts questioning his own in the process — understanding the role of power, understanding the pressure of change, adaptation,” Alamoudi explained. 

“The yellow exists within the video piece, but he’s also wearing yellow thobe in the video piece. And (in this iteration at Art Basel) there’s also a rack of yellow thobes twirling in the exhibition. For me, the yellow thobe is like a unifying symbol. I’m trying to say that we’re all experiencing this in different ways. So in the performance (for “The Social Health Club”) a man (a local body builder) in a yellow thobe will be performing on these machines. He has no rule book. He doesn’t know anything; he doesn’t know how to ‘properly’ use the equipment. He’s going to go into the space and do things with the machines. 

“The performance will be recorded. But I think it’s more like an activation,” she continued. “It’s not the piece itself. The piece itself exists as the machines.” 

“The Social Health Club” was shaped through close collaboration with curator Amal Khalaf, who combed Jeddah’s market with Alamoudi in search of “machines that were a little bit abnormal, like not your typical machines that people would directly know what it is in the gym,” Alamoudi said.  

“She’s quite incredible,” she continued. “And we really built the space together. Essentially, the main thing that I created was the video; everything else was built off of that. She really helped. She really looked at social change and how we navigate that. Our collaboration was perfect.” 

Yellow dominates every inch of the piece—deliberately and intensely. 

“I obsess over symbols within certain works I create. And with that also comes a color,” Alamoudi said. “I wanted to showcase something that was luxurious, colorful, almost like gold, but it’s not gold. It’s quite stark in its appearance.” 

Yellow is both invitation and warning. “I think that yellow is also quite deceptive. I like it as a color to get people excited to come closer and see what’s happening, but at the same time question what it is — it’s so aggressive that it becomes a bit uncomfortable.” 

 A still from Alamoudi's 2020 video work 'Makwah Man,' which is also part of 'The Social Health Club'. (Supplied)

The viewer’s interaction is critical to the piece’s meaning. 

“I think the machines represent something and they carry something, but they really are activated by the people — what people are doing with them,” Alamoudi said. “And that’s why I’m encouraging a lot of viewers to engage with and use the pieces, or try to use them without any instruction. A lot of people entering into the space (might) fear even touching or engaging with them. Having the performer there activating the structures is going to add another layer to the piece itself.” 

She hopes visitors feel free to explore, unburdened by expectations. 

“People are meant to use it any way that they want to use it. They can sit on it, stand on it, touch it — they can leave it alone,” she concluded with a laugh.