Focus on emerging filmmakers at 11th Showreel Effat International Student Film Festival

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Oscar-winning German director Thomas Stelmach talks to aspiring filmmakers at the film festival in Jeddah. (Supplied)
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Updated 25 April 2024
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Focus on emerging filmmakers at 11th Showreel Effat International Student Film Festival

  • The event included films by young Saudis and their peers from around the world, plus seminars and workshops presented by industry insiders

JEDDAH: Effat University’s School of Cinematic Arts in Jeddah welcomed aspiring filmmakers and cinephiles to the 11th Showreel Effat International Student Film Festival this week.

The theme for the three-day event, which concluded on Thursday, was “Behind the Seen,” reflecting the aim of organizers to shed light on the creative process and less-visible aspects of filmmaking. The program included a diverse range of cinematic offerings celebrating the work and talent of student filmmakers, not only those studying at the school but also their peers around the globe.

Mohammed Ghazala, head of the School of Cinema Arts, set the scene with an overview of the works featured during the festival, at the heart of which were films created by students and graduates of the school, which has been a pioneer in film and animation education in the Kingdom.

Alongside the home-grown talent, the festival provided a showcase for an impressive selection of international student films. These were carefully curated from a pool of 2,150 submissions from more than 115 countries, which were whittled down to a final selection of 57 exceptional works from 27 nations: Saudi Arabia, Egypt, Lebanon, Tunisia, Yemen, Morocco, Turkey, France, Belgium, Japan, Italy, Estonia, the Czech Republic, the US, China, New Zealand, Singapore, Canada, Taiwan, Russia, Greece, Spain, Poland, India, Indonesia, Mexico and Pakistan.

The chosen films competed for awards in seven categories, including Best Saudi Feature Film, Best International Animated Film, and the prestigious Audience Award.

In addition to providing a platform for emerging filmmakers to showcase their talent and creativity, organizers said the festival also aims to foster cultural exchanges and celebrate the art of cinema on a global scale.

Integral to this is a commitment to nurturing talent and encouraging dialogue within the industry, which was reflected in a series of seminars and workshops led by industry professionals. Effat University lecturer and festival coordinator Marina Ivanseva gave an overview of the sessions, which offered insights into a wide spectrum of topics key to the craft.

They included sessions on a creative cinematic post-production workshop supported by video-streaming service Netflix, cinematography workshops conducted by film camera manufacturer ARRI, and a visual effects workshop backed by specialist studio VFX Mojo.

They were presented by renowned figures and industry insiders such as Saudi artist Sarah Taibah, Oscar-winning German director Thomas Stelmach, British professor Rut Luxemburg, American visual effects artist Matt Beck, and cinematographer James Niehaus.

There were also lectures on animation and experimental film presented by the Royal College of Arts in London, while Stellmach offered insights into his professional journey that led to the Oscars. Saudi producer Nadia Malaika shared valuable career insights, Egyptian lawyer Khaled Al-Arabi discussed legal rights in filmmaking, and Mohammed Sobeih looked at the creation of animated films using Toon Boom software. The festival concluded with a session focusing on animated cinema presented by Synergy University.

“We were thrilled to welcome numerous local and international guests who shared their cinematic experiences with us … during the 11th Showreel Effat International Student Film Festival,” said Asmaa Ibrahim, the dean of Effat College of Architecture and Design.

“Students from Dar Alhekma, King Abdulaziz, and Princess Noura (universities) in Riyadh joined us in celebration. It was a delight to host guests from prestigious institutions such as the Royal College of Art, Netflix, Maflam, Film Association and VFX Mojo, who conducted exceptional workshops. The interactive discussions were engaging and we appreciate the participation of everyone.”

Karim Sahai, a visual effects professional from France, said: “I’m proud to have been a part of this incredible festival, with such a fantastic audience and remarkable guests from all over.

“The quality of their engagement and the depth of their questions during my workshop surpassed my expectations. I truly believe I’ll return to bask in this energy once more; it’s truly inspiring.”

Beyond artistic appreciation, organizers said another aim of the festival is to help forge academic and strategic partnerships, and Effat University has built alliances with institutions such as the University of Southern California and the Red Sea Film Festival Foundation with the goal of fostering collaboration and exchange of knowledge on a global scale.


Built by hand, rooted in history: National Historical Palace in Taif is one man’s tribute to Saudi heritage and Islamic history

Updated 11 May 2025
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Built by hand, rooted in history: National Historical Palace in Taif is one man’s tribute to Saudi heritage and Islamic history

  • Built by Majid Al-Thabiti, the site blends Islamic history with contemporary design, rooted in the symbolism of the number seven
  • Spanning 70,000 sq. meters, the palace features seven museums, seven facades, seven gates and almost 7 million stones cut and laid by the man himself

MAKKAH: In the heart of Wadi Qarn in Taif governorate, one man’s vision has resulted in one of Saudi Arabia’s most striking heritage landmarks: the National Historical Palace for Islamic Civilization.

Built by Majid Al-Thabiti, the site blends Islamic history with contemporary design, rooted in the symbolism of the number seven.

In an interview with Arab News, Al-Thabiti said: “The number symbolizes perfection and completeness in several Qur’anic verses, including the seven heavens, the seven earths and the seven shaded by God in his shadow, among others.”

The palace includes flooring adorned with colored stones and inspired by the historical art of Sadu, an intangible cultural heritage recognized by UNESCO.  (SPA)

The project was born out of Al-Thabiti’s strong will. He believed in his dream and devoted his effort, time and energy to bring it to life.

Spanning 70,000 sq. meters, the palace features seven museums, seven facades, seven gates and almost 7 million stones cut and laid by the man himself.

The museums offer distinct cultural and education experiences. Exhibits cover Islamic architecture, local heritage, plastic arts and sculpture, rare collections, astronomy, military history documenting the unification of the Kingdom and an agricultural museum featuring seeds mentioned in the Holy Qur’an.

The palace includes 600 square meters of flooring adorned with colored stones and inspired by the historical art of Sadu, an intangible cultural heritage recognized by UNESCO.

Al-Thabiti said that he personally cuts, shapes and stacks the stones himself. “The manual labor is what gives the project its true spirit, as every corner bears (my) imprint, effort and dedication,” he added.

He used seven types of stone sourced from across Saudi Arabia, including basalt, quartz and shale. His attention to detail is reflected in features such as hand-shaped facades, floor mosaics inspired by Sadu art and stonework colored in seven hues that mirror the Kingdom’s geological diversity.

Majid Al-Thabiti used seven types of stone sourced from across Saudi Arabia, including basalt, quartz and shale. (SPA)

Highlights at the palace include an Abbasid-style minaret with a water fountain in honor of Zubaida, the wife of Harun Al-Rashid; an observatory used to track the crescent moon; and stone engravings of Saudi megaprojects like NEOM and The Line.

The site also includes engravings on stone of the Kingdom’s military vehicles, such as a fighter jet and ship.

Al-Thabiti also built a 700-meter sports track along the banks of Qarn valley, a stable for purebred Arabian horses, as well as replicas of symbolic gates like Makkah Gate, Taif Gate and King Abdulaziz Islamic Gate, with stones from Mounts Al-Nur, Thawr and Uhud. Other exhibits, like Diriyah and Yawm Badina (The Day We Began), commemorate key moments in Saudi history.

According to Al-Thabiti, his goal is to transform the palace into a cultural and educational destination that celebrates the Kingdom’s history and heritage.

“We possess a great civilizational legacy and a deep-rooted history. It is our duty to present it to the world in the finest way. This palace is the beginning,” he said.
 


Ancient terrace farming technique shapes Asir’s agricultural heritage

Updated 11 May 2025
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Ancient terrace farming technique shapes Asir’s agricultural heritage

  • Together, the thumalah and mughayyid systems stand as a testament to early innovation sustaining life in one of Saudi Arabia’s most challenging landscapes

 

RIYADH: For centuries, the people of Saudi Arabia’s Asir region have cultivated food on steep mountain slopes using stone terracing systems.

They began with the construction of stone retaining walls known locally as “thamayil,” the Saudi Press Agency reported.

Each individual wall, called “thumalah,” is anchored into bedrock and can rise two to six meters in height.

They serve as critical infrastructure for mountain agriculture by creating level growing surfaces on otherwise impossible terrain.

Each individual wall, called “thumalah,” is anchored into bedrock and can rise two to six meters in height. (SPA)

“The thumalah represents a stone containment system designed to capture sloping mountain terrain,” Ahmed Al-Bariqi, an architectural heritage researcher, said in an interview with the SPA. “After building the stone barrier, the enclosed space is filled with a mixture of clay, soil and rocks to create a flat, arable surface suitable for both farming and habitation.”

Local builders adapted to their surroundings, often reinforcing these structures with juniper and sidr tree trunks, as well as massive stones to withstand the pressure of heavy seasonal rains.

Water management is equally sophisticated. The “mughayyid” regulates irrigation and controls flooding by channeling water flow between terraced fields.

The “mughayyid” regulates irrigation and controls flooding by channeling water flow between terraced fields. (SPA)

“Ancient builders displayed remarkable engineering precision in the mughayyid’s construction,” Al-Bariqi has said in his book “Antiquities and Heritage in Bariq Governorate.”

He added: “Square or elongated stones formed the base structure, while carefully polished flat stones were placed at the top, precisely leveled to allow water to flow at calculated rates between terraces.”

Positioned at strategic elevations, the mughayyid retains optimal water volumes while preventing destructive flooding that could compromise the entire terrace system.

Terraces were reinforced by stone retaining walls known locally as “thamayil.” (SPA)

These terraces do more than support agriculture. According to Dr. Ghaithan bin Jurais of King Khalid University, they reflect a deep-rooted civilization in Asir dating back thousands of years.

“These structures preserve soil resources, establish clear property boundaries between neighboring farms, and historically served as recognized markers of family and tribal land ownership,” he said.

Together, the thumalah and mughayyid systems stand as a testament to early innovation sustaining life in one of Saudi Arabia’s most challenging landscapes.
 


Saudi, British foreign ministers discuss regional and international developments

Updated 10 May 2025
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Saudi, British foreign ministers discuss regional and international developments

  • Two ministers also discussed Saudi-UK relations

RIYADH: Saudi Foreign Minister Prince Faisal bin Farhan on Saturday spoke with his British counterpart David Lammy, the Saudi Press Agency reported.

The two ministers discussed Saudi-UK relations, as well as regional and international developments and the efforts being made in this regard, SPA added.

The call came on the same day as Prince Faisal's meeting with Iranian foreign minister Abbas Araghchi in Jeddah.


Saudi minister meets with UNIDO director-general

Updated 11 May 2025
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Saudi minister meets with UNIDO director-general

During his official visit to Denmark this weekend, Saudi Minister of Industry and Mineral Resources Bandar Alkhorayef met with Gerd Muller, the director-general of the United Nations Industrial Development Organization.

The Saudi Press Agency reported that the two men “discussed ways to deepen the strategic partnership between the Kingdom and the organization in a way that supports the goals of sustainable industrial development.”

Alkhorayef also held bilateral meetings with leaders of several leading Danish companies in the industry and mining sectors, according to the SPA, to discuss “joint investment opportunities, as well as the incentives offered by the Kingdom to investors.”


Crown prince holds phone calls with King of Bahrain, Emir of Kuwait

Updated 10 May 2025
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Crown prince holds phone calls with King of Bahrain, Emir of Kuwait

RIYADH: Saudi Crown Prince Mohammed bin Salman spoke on the phone with King Hamad bin Isa Al-Khalifa of Bahrain and Kuwaiti Emir Sheikh Mishal Al-Ahmad Al-Jaber Al-Sabah on Saturday, the Saudi Press Agency reported.

During the calls, the crown prince reviewed relations between the Kingdom and Bahrain and Kuwait, SPA added. 

They also discussed a number of issues of common interest.