Oscars adds ‘fan favorite’ prize voted by Twitter

Movie fans can vote up to 20 times per day until March 3, and three randomly selected winners will be invited to present an Oscar next year. (File/AFP)
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Updated 15 February 2022
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Oscars adds ‘fan favorite’ prize voted by Twitter

  • The upcoming Oscars will include a new "fan favorite" prize for the year’s most popular film as voted for by Twitter users

LOS ANGELES: Next month’s Oscars will include a new “fan favorite” prize for the year’s most popular film as voted for by Twitter users, organizers said Monday seeking to lure viewers back to a ceremony that has seen audiences plummet.
The announcement — which will be made during the 94th Academy Awards telecast on March 27 — comes after several crowd-pleasing blockbusters including “Spider-Man: No Way Home” and “No Time To Die” failed to earn Oscar nominations in major categories, including best picture.
Their omission raised fears that many movie fans will skip the show. But any film released in 2021 can be voted for in the new category using the Twitter hashtag #OscarsFanFavorite or via the Academy’s website, raising the chances of a blockbuster being honored on the night.
Television ratings for the Oscars have dramatically declined in recent years. Last year’s edition, which honored mainly smaller, arthouse movies such as best picture winner “Nomadland,” was watched by just over 10 million viewers — a 56 percent decline from 2020, which was already a record low.
As Oscars voters have increasingly drifted away from more mainstream fare, the Academy of Motion Picture Arts and Sciences has toyed with various reforms to boost the ceremony’s popularity.
In 2018, organizers proposed a “popular film” Oscar to honor blockbuster movies such as Star War films or Marvel superhero films that rake in millions at the box office.
But it swiftly shelved those plans after critics ridiculed the move, and the new “fan favorite” award will not be a formal Oscar category.
Meryl Johnson, the Academy’s vice president of digital marketing, said the move would “help build an engaged and excited digital audience leading up to this year’s ceremony” and allow fans to “engage with the show in real-time, find a community and be a part of the experience in ways they’ve never been able to before.”
Twitter’s Sarah Rosen said the collaboration was “an exciting way to further engage movie fans and celebrate their love and passion for the films released this year.”

Movie fans can vote up to 20 times per day until March 3, and three randomly selected winners will be invited to present an Oscar at next year’s ceremony.
A separate poll will ask voters to chose their favorite “movie cheer moment.” The five most popular choices — billed as scenes where “audiences couldn’t help but erupt into cheers in theaters” — will be shown during the Oscars.
Meanwhile, reports emerged Monday in the Hollywood trade press about the possible identities of this year’s Oscars hosts.
Variety and Deadline both reported that actors Amy Schumer, Regina Hall and Wanda Sykes will share hosting duties.
The Academy did not comment on the reports.
Broadcaster ABC last month confirmed the Oscars will have a host for the first time since 2018, when Jimmy Kimmel last took the stage for Tinseltown’s most important prize-giving event.
The following year’s hostless format drew praise and was even emulated by other awards shows such as the Emmys, but subsequent Oscar ceremonies have been criticized for lacking focus and humor.
Next month’s Oscars will return to the ceremony’s traditional Dolby Theatre venue in Hollywood, after the pandemic-affected 2021 Academy Awards were held at a Los Angeles train station.
They are being held later than usual, reportedly to avoid clashing with February’s Winter Olympics and Sunday’s Super Bowl in Los Angeles.


Taliban warn journalists and experts against cooperating with Afghanistan International TV

Updated 10 May 2024
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Taliban warn journalists and experts against cooperating with Afghanistan International TV

  • Cooperating with the London-based media outfit is a crime, says Taliban information ministry
  • During their previous rule in the late 1990s, the Taliban barred most TV, radio and newspapers

KABUL, Afghanistan: The Taliban on Thursday warned journalists and experts against working with Afghanistan International TV, saying they would be committing a crime if they cooperated with the station. It’s the first time they have told people not to cooperate with a specific outlet.

Afghanistan International TV, which is headquartered in London, is accessible through satellite, cable and social media.
A spokesman for the Taliban-controlled Ministry of Information and Culture alleged the station was committing professional violations and violating moral and legal boundaries.

Taliban security personnel sit along a street in Faryab province on March 10, 2024. (AFP)

The Media Violations Commission wanted all journalists and experts in Afghanistan to cease their collaboration with the station, said ministry spokesman Habib Ghofran.
“At the commission’s meeting held yesterday (Wednesday), it was decided that participating in discussions and facilitating the broadcast of this media outlet in public places is prohibited,” added Ghofran.
The deputy minister for broadcasting Zia ul Haq Haqmal said people would be committing a crime if they cooperated with the station.
He cited 10 reasons to avoid working with Afghanistan International TV, including its alleged distortion or falsification of information and campaigning against the ruling system.
“If someone does not cooperate on the basis of all these 10 reasons, then it’s the court’s job to give a punishment,” said Haqmal.

 

The director of Afghanistan International TV, Harun Najafizada, said the commission’s decision would not affect the channel because it had no employees or freelancers in the country.
“We don’t have anyone on the ground and rely on the reporting of Afghan citizens,” said Najafizada. “That’s more challenging, but we have tough verification. It’s a threat to free media, to other media, and to put pressure on us to forgo our professional standards. It’s not going to work.”
Afghanistan fares abysmally in terms of press freedom. The latest index from Reporters without Borders ranked the country 178 out of 180. It ranked 152 last year.
The organization said three radio reporters were arrested in April for broadcasting music and receiving calls from female listeners during shows. Local authorities weren’t available to confirm the arrests.
Also last month, the Taliban suspended two TV stations for failing to “consider national and Islamic values.”
The director for one of the suspended stations, Barya TV, rejected the Taliban’s allegations. The station is still off air.
Latif Sadiq said the station wasn’t informed about the suspension. “The reports that they repeatedly warned (Barya) are absolute lies,” Sadiq said Thursday. “They have decided on their own that (Barya) television is off, broadcasting is off, and they said the case will go to court.”
Many journalists lost their jobs after the Taliban takeover in 2021, with media outlets closing over a lack of funds or because their staff left the country. Women journalists face additional hardships because of work bans and travel restrictions.
During their previous rule in the late 1990s, the Taliban barred most television, radio and newspapers.


170 speakers and 1,000+ delegates gather for Gulf Creatives Conference at Harvard University

Updated 10 May 2024
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170 speakers and 1,000+ delegates gather for Gulf Creatives Conference at Harvard University

  • The 3-day event aims to be ‘the premier gathering for creative minds from the Gulf in the US,’ and to ‘empower, inspire and support Gulf creatives to drive positive change’
  • It is organized by The Diwan, a student-run organization intended to provide a platform for discussion of topics relevant to the Arab world, and particularly the Gulf region

BOSTON: A Gulf Creatives Conference will begin on May 10 at Harvard University, bringing together more than 170 speakers and over 1,000 delegates from sectors such as arts and culture, business and innovation, nonprofits and public policy, healthcare, and science and technology.

The three-day event is organized by The Diwan, a student-run organization at the university in Cambridge, Massachusetts.

Abdulla Almarzooqi, chairperson of the organization’s UAE Committee, and a graduate student at Harvard, told Arab News the aim is for the conference to “become the premier gathering for creative minds from the Gulf in the US,” and to “empower, inspire and support Gulf creatives to drive positive change.”

The Diwan was founded in the fall of 2023 as a platform for experts, academics, policymakers and students to discuss topics relevant to the Arab world, and particularly the Gulf region, including entrepreneurship, the empowerment of women and young people, and education, he added.

It organized a conference in November last year titled “Shaping the Arab World: Navigating Opportunities and Challenges” that addressed the geopolitics of the region and the ongoing war in Gaza. Almarzooqi said it was the largest gathering of Arab ambassadors in the history of Harvard University.

Now the organization is hosting the Gulf Creatives Conference, at a time when emotions are running high on many college campuses in the US amid protests against the conflict in Gaza by students and, in some cases, faculty members. However, the Harvard event will focus on “creativity and showcasing the region’s most promising talents,” said Almarzooqi.

“Amid the rising tensions on US college campuses, we believe firmly in the power of creativity and the arts in healing wounds and bridging divides,” he added.

The conference will include 24 discussion sessions and five workshops, covering topics such as public policy, innovation strategies, and the future of healthcare, in which all delegates are encouraged to actively participate, organizers said.

The speakers include prominent figures such as: Dr. Mahmoud Al-Yamany, sector head of health and well-being at the NEOM urban development megaproject in Saudi Arabia; Majid Ibrahim Al-Fayyadh, CEO of the King Faisal Specialist Hospital and Research Center in Riyadh; and Deemah Al-Yahya, secretary-general of the Digital Cooperation Organization.

The Gulf Creatives Conference will take place from May 10 to 12 at Harvard University.


‘Vision 2030 has set a blueprint for the future of the Kingdom,’ says TBWA\RAAD’s Saudi MD

Updated 09 May 2024
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‘Vision 2030 has set a blueprint for the future of the Kingdom,’ says TBWA\RAAD’s Saudi MD

  • Ad agency’s new Riyadh office to serve as a central hub for local, regional, global brands looking to succeed in Saudi Arabia

DUBAI: Advertising agency TBWA\RAAD appointed Dan Leach as its managing director for operations in Saudi Arabia following the establishment of a new office in Riyadh earlier this year. It is now bidding to cement its presence in the Kingdom.

The agency has been working with clients such as KFC, NEOM, and Nissan in the Kingdom for 20 years and now, with its new office, it aims to strengthen and serve as “a central hub for local, regional, and global brands looking to make their mark in the country,” Leach said.

He told Arab News: “The Middle East is renowned for its leadership and bold ambition, and Saudi Arabia exemplifies these qualities. But what I believe makes the Kingdom stand out further is its single-minded approach to disrupting the status quo … of everything.

“From building the largest vertical city in the world in NEOM; redefining luxury in the Red Sea; bringing the world’s sporting events to the country and more, there is no blueprint for what Saudi Arabia is doing.”

Staffing the new office is a “critical aspect of our expansion strategy” and the company is currently focusing on making “strategic hires,” including a new local senior management team, with the objective of ensuring “we have the right talent in place to meet the dynamic needs of our clients, driving our success not only in Riyadh, but across Saudi as a whole,” Leach said.

Saudi’s Vision 2030 has accelerated the growth of multiple industries, as well as technology and innovation, presenting new opportunities for advertising agencies like TBWA\RAAD.

Leach added: “Saudi’s story now belongs on the world stage, which implies that storytelling must be characterized by award-winning strategic and creative thinking.”

The country’s ambition to be at the forefront of technology such as artificial intelligence aligns with the agency’s vision.

Leach said: “We need to keep pace with the ambition of the Kingdom in this area and ensure our clients are benefiting from transformative innovation that can reach new customers.”

This ambition is evident in the growth of the creative and media industry, which is already seeing an “influx of bold award-winning campaigns fueling the emergence of incredible, young creative talent that will see the sector thrive for years to come,” he added.

Contrary to the common belief that Saudi lacks creative talent, Leach’s experience has been quite the opposite.

He said: “I have had a number of discussions with young creatives, and there is a genuine passion and hunger from this next generation to be at the forefront of the industry.”

He believes it is important for the industry to foster this talent in order to bolster the growth of the industry. The agency is therefore working with local universities to implement a graduate and internship program to help identify and support creative talent in the Kingdom.

Saudi Arabia’s growth and vision have attracted global attention and investment, with brands stepping up their game in the Kingdom. Leach, however, cautions brands against entering the market with a copy-and-paste approach.

He said: “We’re seeing a lot of brands come into the Kingdom with the approach of simply localizing copy and thinking that is enough to win; it’s not.”

He explained that Saudi consumers are savvy and can distinguish between brands that are being opportunistic and those truly embracing local culture.

Brands can also find success in aligning their story with that of the Kingdom and its leadership, Leach said.

He added: “Brands are entering a country that has near unlimited ambition — they need to match that energy.”

They do so by embracing new technology and aiming big, he said, and this also means brands should experiment and do things differently.

He said: “The Kingdom is an incredibly exciting place where there is room and opportunity to challenge the status quo.”

TBWA\RAAD, for example, has made significant advances in adopting AI — such as partnering with Core42 last year to harness the potential of Arabic large-language model Jais in the creative sector and launching its own ChatGPT-based tool Co-Pirate — to support clients. 

The agency is also working on bringing new products to the Kingdom, including dedicated social media programs, retail initiatives and internal communications platforms.

Leach said: “Our ambition is not to be the largest agency in the Kingdom but creatively the most exciting, and Saudi Arabia presents the perfect canvas upon which we can deliver that ambition.”


TikTok to label AI-generated images, video from OpenAI and elsewhere

Updated 09 May 2024
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TikTok to label AI-generated images, video from OpenAI and elsewhere

  • Content Credentials technology denotes how images were created and edited
  • For the system to work, both AI maker and platform must adhere to use the industry standard

LONDON: TikTok said on Thursday it would start using a technology aimed at helping it label images and video generated by artificial intelligence and uploaded to the video sharing service.

TikTok said it would adopt “Content Credentials,” a digital watermark that denotes how images were created and edited. The Content Credential technology was spearheaded by Adobe but is open for other companies to use and already has been adopted by companies such as ChatGPT creator OpenAI.

Researchers have expressed concerned that AI-generated content could be used as misinformation in an attempt to interfere with US elections this fall. TikTok was already among a group of 20 tech companies that earlier this year signed an accord pledging to fight it.

YouTube, owned by Alphabet’s Google, as well as Meta Platforms, which owns Instagram and Facebook, have also said they plan to use Content Credentials.

For the system to work, both the maker of the generative AI tool used to make content and the platform used to distribute the contents must both agree to use the industry standard.

If a person uses OpenAI’s Dall-E tool to generate an image, for example, OpenAI attaches a watermark to the resulting image. If that marked image is then uploaded to TikTok, it will be automatically labeled as AI-generated.

TikTok, which is owned by China’s ByteDance, has 170 million users in the United States, which recently passed a law requiring ByteDance to divest TikTok or face a ban. TikTok and ByteDance have sued to block the law, arguing it violates the First Amendment.

TikTok already labels AI-generated content made with tools inside the app but the latest move would apply a label to content generated outside of the service.

“We also have policies that prohibit realistic AI that is not labeled, so if realistic AI (generated contents) appears on the platform, then we will remove it as violating our community guidelines,” Adam Presser, head of operations and trust and safety at TikTok, said in an interview.


Arab League affirms its solidarity with Palestinian journalists

Updated 09 May 2024
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Arab League affirms its solidarity with Palestinian journalists

  • Ahmed Rashid Khattabi urges global organizations to support freedom of the press
  • Khattabi criticized the Israeli authorities for closing down Al Jazeera in Israel and confiscating its equipment

CAIRO: The League of Arab States has expressed solidarity with Palestinian journalists in Gaza, the West Bank, and East Jerusalem, and called for their protection.

May 11 has been designated a day of global solidarity with the Palestinian media as it marks two years since the Israeli occupation forces’ assassination of journalist Shireen Abu Akleh while she was carrying out her duties with the Al Jazeera Media Network.

Ambassador Ahmed Rashid Khattabi, the league’s assistant secretary-general and supervisor of the Media and Communication Sector, said the move “symbolizes a powerful demonstration of solidarity with the Palestinian media community.”

This support is particularly significant given the plight of the Palestinians and the continued Israeli aggression in the Gaza Strip.

The aggression has resulted in the deaths of more than 34,000 people, including 142 journalists, since October.

This figure exceeds the number of journalists who lost their lives in areas of armed conflict worldwide in 2023, a total of 99, according to the US Committee to Protect Journalists.

Khattabi urged global organizations to support the freedom of the press and protect Palestinian journalists covering the conflict.

Khattabi said it was imperative to ensure journalists’ safety under the principles of international humanitarian law, given the grave conditions in which they work.

He criticized the Israeli authorities for closing down Al Jazeera in Israel and confiscating its equipment, viewing these actions as illegal measures against the Palestinian media and other media institutions, and constituting a blatant violation of international conventions.

He added that it was unacceptable to violate fundamental rights as enshrined in the Universal Declaration of Human Rights and other international declarations promoting freedom of opinion and access to information.

These violations acted against the UN Plan of Action on the Safety of Journalists and the  International Federation of Journalists’ declaration, he said.