Saudi surrealist filmmaker Meshal Al-Jaser talks AlUla, tasheer, and ‘Gunpowder’ 

A still from 'Gunpowder.' (Supplied)
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Updated 01 April 2025
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Saudi surrealist filmmaker Meshal Al-Jaser talks AlUla, tasheer, and ‘Gunpowder’ 

  • The Saudi filmmaker’s viral music video explores otherworldly landscapes and traditional dance

ALULA: For the video of the latest track from his electronic music project Arabian Alien, Saudi filmmaker Meshal Al-Jaser headed to the heart of AlUla’s dramatic desert landscape. “Gunpowder” blends striking visuals with Al-Jaser’s signature surrealist touch. 

The track, created with his bandmate Mohammed Alhamdan, explores themes of heartbreak and disillusion, using the raw beauty of AlUla to amplify its message. 

“It’s about tragedy,” Al-Jaser tells Arab News. “It’s about someone who’s trying to cope with getting his heart broken.” 




Meshal Al-Jaser. (Supplied)

The video has racked up more than 1.7 million YouTube views in the first month of its release, thanks to its arresting visuals, especially of the Hejazi war dance, tasheer, which involves firing rifles into the ground as the wielder jumps into the air, sending a dramatic display of fire and gunpowder under their feet. 

“I was always fascinated by tasheer, in terms of visuals,” says Al-Jaser. “A lot of the tribes in Hejaz practice it. And, like many other Saudi dances, it really originates from trying to intimidate the enemy. With time, it became more of a celebratory dance that they do at weddings and such. 

“For years, I really wanted to capture it the right way, because it requires a lot of elements to come together,” he continues. “What’s specifically fascinating about it for me is really the precision and the skills of the people that do it. You have to jump at the right time, point in the right direction, shoot at the right time and land at the right time. It’s not a simple dance. It requires a lot of skill.” 




Shooting the video for 'Gunpowder' in AlUla. (Supplied)

“Gunpowder,” is an extension of Al-Jaser’s mission to capture the true essence of Saudi culture. “I don’t want to change anything in it or bend it around, as much as I just want to capture it in the way I view it,” he says. 

Shooting against the towering sandstone cliffs and vast desert landscape of AlUla was also a treat. “I was really mindblown. It’s one of the most unique locations in the world. It’s very diverse. Every piece of it feels like a whole different world. So, when (Film AlUla) approached me (to shoot a video there), I already knew it was going to look good because of the environment,” Al-Jaser says. “One of the biggest challenges was that we only had two days to shoot it. We were just running around to really try to capture all the essence of the place, because it’s so different.” 

From viral YouTube sketches to acclaimed short films, Al-Jaser’s work has challenged cultural taboos and reimagined Saudi identity through a satirical lens. His storytelling often explores the tension between tradition and modernity, mixing absurdity with sharp cultural commentary. 




Al-Jaser's Arabian Alien bandmate Mohamed Alhamdan. (Supplied)

In 2023, Al-Jaser released his debut feature film, “Naga,” which boldly set out his signature style — provocative, surreal and unafraid to push cultural boundaries. The film, which premiered at the Toronto International Film Festival, is a thriller-horror hybrid set in a dystopian desert landscape. It follows a rebellious young woman named Sarah, who sneaks out to attend a secret party in defiance of her conservative father’s rules. But when she misses her curfew and tries to return home, her night takes a bizarre and terrifying turn. 

“My ultimate dream was always to become a filmmaker and make feature films. So this was just a small step towards that,” Al-Jaser says. “It was very interesting. Anyone you know who has shot a feature film would tell you that it’s the hardest thing they’ve done, because, especially with the first film, you kind of want to do so much with so little, and it’s a whole different experience. 

“I know it’s all directing and storytelling, but, really, the amount of effort it takes to make a feature film as opposed to a short film makes it feel like a whole different medium. So, my experience was very challenging, but at the same time, I also feel really privileged to have done my first feature with Netflix. It was nice for them to really believe in me. And for it to go to Toronto… I’m so thankful for that.” 

Al-Jaser hopes to make his big-screen start as a filmmaker soon. “Hopefully I will make my cinematic debut, because ‘Naga’ was a streaming film,” he says. “I’ve never experienced my film in a cinema and that’s something I’m really looking forward to. 

“I really am attempting to do the best I can. Of course, I feel the weight and the responsibility, since I’m one of the first generation of Saudi filmmakers, but I also feel the privilege of that,” he continues. “If I can stay focused — which is easier said than done — then hopefully everything will fall in the right place.” 


‘Theater Tour’ initiative celebrates local culture across Saudi Arabia

Updated 03 April 2025
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‘Theater Tour’ initiative celebrates local culture across Saudi Arabia

  • Award-winning play ‘Bahr’ debuts in Baha, with performances in Jubail, Dammam, Al-Ahsa to follow
  • New project boosts local theater, community engagement and cultural awareness nationwide

RIYADH: Saudi Arabia’s Theater and Performing Arts Commission launched the “Theater Tour” initiative on Thursday to bring exceptional theatrical performances to cities, governorates and villages across the Kingdom.

The project aims to promote the cultural and performing arts scene while encouraging community engagement, the Saudi Press Agency reported.

The first phase begins with the play “Bahr” (Sea), running from April 3 to May 3, the SPA added.

The production will debut in Baha from April 3-5 at the Prince Sultan bin Abdulaziz Theater in the Cultural Center, before moving to Jubail from April 17-19 at the Royal Commission’s Conference Hall in Al-Fanateer.

It will then continue in Dammam from April 24-26 at the Imam Abdulrahman bin Faisal University Theater, and conclude in Al-Ahsa from May 1-3 at the Society for Culture and Arts’ Theater.

The project is part of the commission’s broader efforts to raise awareness of the theater and performing arts sector, while ensuring that cultural services are accessible in underserved areas and to marginalized communities, according to the SPA.

It also aims to support local theater groups, boost theatrical production and strengthen the cultural sector’s contribution to the national gross domestic product.

Additionally, the initiative fosters investment opportunities and serves as a platform for discovering and nurturing emerging talent, the SPA reported.

The play “Bahr,” written by Abdulrahman Al-Marikhi and directed by Sultan Al-Nawa, has received critical acclaim, winning several prestigious awards, including for best actor, best script, and best overall production at the inaugural Riyadh Theater Festival, as well as best musical effects and best director at the 19th Gulf Theater Festival.


Art Week Riyadh: A ‘constellation of events’ that ‘pushes the boundaries’ 

Updated 03 April 2025
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Art Week Riyadh: A ‘constellation of events’ that ‘pushes the boundaries’ 

  • Curatorial team discuss the aims and intentions behind inaugural edition of AWR 

RIYADH: The inaugural Art Week Riyadh begins April 6 in the Kingdom’s capital. A non-commercial initiative, AWR builds on the city’s already thriving art community while inviting international artists and art lovers to join in. 

Princess Adwaa bint Yazeed bin Abdullah, head of Art Week Riyadh, explained the event’s inspirations and goals in a statement, writing: “Art Week Riyadh is born from a belief in the power of art to inspire, challenge, and connect us. Riyadh has long been a city of growth, and through this platform we hope to contribute to its cultural future — one that is open, dynamic and deeply rooted in both heritage and innovation.” 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

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Curator Vittoria Mataresse heads a team including associate curators Basma Harasani and Victoria Gandit-Lelandais and public program curator Shumon Basar who have worked tirelessly across multiple time zones over several months to bring the event to life. 

“It was very important for us to be playful and not have the kind of rigid structure or format we’re used to seeing. Art Week Riyadh sits in between an exhibition and an art fair. It’s really a constellation of events,” Matarrese tells Arab News. “Unlike major art events that often impose universal themes and rely on globally established artists, we wanted to work within the frame of a regional art ecosystem, embracing the textures, the urgencies, the sensibilities of the Arabian Peninsula. We are trying to retrace something which is very specific and, in this way, we propose a critical departure (from the normal) format.” 

Curator Vittoria Mataresse (pictured) heads a team including associate curators Basma Harasani and Victoria Gandit-Lelandais and public program curator Shumon Basar who have worked tirelessly across multiple time zones over several months to bring the event to life. (Supplied)

The theme of AWR’s inaugural edition is “At the Edge” and the event brings together more than 45 galleries from the Kingdom, the wider Arab world, and beyond. There are three main sub-themes: “Everyday Life,” “Landscapes,” and “Motifs.”  

JAX District in Diriyah will host three major exhibitions offering an expansive insight into Saudi Arabia’s cultural identity. A number of established Saudi artists whose studios are based in JAX will also be opening their doors to the public. Meanwhile, in central Riyadh, more than 15 galleries housed in the Al-Mousa Center will present exhibitions, and a wider program across the city will feature several talks and collaborations.  

Gandit-Lelandais, who has worked in the region for more than two decades focusing on contemporary Arab art, tells Arab News: “Art Week Riyadh really is different, because the market and the ecosystem is different. I think it’s about making people stop implementing the European and American formats into different places because they don’t have to fit — the format can be adapted.” 

The team have designed the event as “an umbrella for everyone to gather under,” Gandit-Lelandais says. “It is inclusive and it’s meant to be niche — it is for the public, and for the art enthusiasts and for the collectors. 

“With Riyadh growing so fast, the kind of dialogues that we have built are so important to bring people here, but not with a Western look at how art should be,” she adds. 

Harasani, the lone Saudi in the curatorial team, tells Arab News: “I’m really excited to link our local artists and our local scene (with the world). I think an educational foundation is super-exciting and super-necessary at this time for artists, art practitioners, young collectors and everyone that comes under that umbrella. We wanted to allow these generations of artists from Saudi Arabia to narrate themselves, beyond the usual framework.” 

Lamya Gargash, Lions, The Architect, Bath, UK, 2024, Archival pigment print, 90 x 120 cm, Edition of 3, 1AP. (Courtesy of the artist and The Third Line, Dubai)

While none of the curators live in Riyadh, they all offer a nuanced and sensitive take on the capital.  

“I’ve been working in Riyadh so much that it does feel like a second home,” Harasani says. “Riyadh is culturally different from Jeddah, where I’m from, and it was interesting to delve into the art scene. I thought it would be similar to the Hajazi scene, but it’s completely different. It was a massive learning experience for me to see that — given that we’re all from Saudi — there are so many different ways of working, ways of producing, ways of communicating.” 

Maha Malluh, Sky Clouds, 2009-2015, 100 black polyester gloves filled with polyester and desert sands, praying rugs. (Courtesy of Galerie Krinzinger and Maha Malluh)

Riyadh’s rapid expansion, both physically and culturally, over the past decade contributes to the richness and diversity on show at AWR, the curators say. 

“That’s the beauty of the Middle East, 10 years here is 100 years elsewhere,” Matarrese says. “I think what’s really smart about what Saudi is doing right now is they’ve learned from other people’s mistakes and they’re looking at how to navigate this in a better way. 

“There’s one thing that is important in the DNA of what we are doing,” she continues. “Our visitors are not going to know what to expect. We really pushed the boundaries of what this could be showing; we are trying to deconstruct the conventional display models, to experiment with something else and re-articulate the dialogue between the different parts of the art world.” 

For Harasani, the event is another marker of the artistic progress that has been made in the Kingdom in recent years. 

“This did not exist when I was growing up,” she says. “The fact that we can see our dreams come to fruition now — and (see) bigger projects like Art Week Riyadh — I feel very lucky and privileged to be a part of that.” 


REVIEW: Seth Rogen sends up Hollywood in ‘The Studio’ 

Updated 03 April 2025
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REVIEW: Seth Rogen sends up Hollywood in ‘The Studio’ 

  • Apple’s star-studded new comedy takes aim at the movie business 

LONDON: At a time when the movie industry is constantly being forced to pivot and evolve to counter the influence of streaming networks, it’s something of a surprise to see a show come out about the inner workings of the Hollywood machine — and even more of a shock that said show is being made by one of the aforementioned streamers. 

But then, perhaps that’s why “The Studio” works so well. Apple TV’s new satirical comedy stars Seth Rogen as Matt Remick, the newly appointed head of a major Hollywood studio who wants, above all else, to return the production house to its halcyon days of making amazing movies. Trouble is, he’s also got a boss who cares only about making money, a former boss who blames him for taking her job, a roster of actors and directors all wanting to manipulate him, and a team around him who each seem to embody the very worst Tinseltown stereotypes. 

So even though “The Studio” is a TV show about the movie business, it still manages to skewer both industries. At every turn, Matt is confronted by the inherent silliness of the movie business, and we get to watch it in a series of episodic, bingeable installments, each bursting with cameos and a satirical swipe at everything from celebrity culture to pretentious auteur filmmakers. 

Rogen’s affable exec has to do the majority of the show’s heavy lifting, but the actor is more than up to it — his trademark calamitous buffoonery has perhaps never been better suited to a role. Among the extensive supporting cast, Bryan Cranston and Kathryn Hahn stand out, but everything is pretty much pitch perfect, from the whipsmart cameos to some carefully choreographed, good ol’ fashioned slapstick humor.  

There are enough industry deep-dive references to appease ardent movie buffs and enough zip about the episodes (two of which are available at launch) to keep casual viewers entertained. That, coupled with the depth of Apple’s production pockets in pulling in those cameos — Martin Scorsese, Charlize Theron, Steve Buscemi, Paul Dano and Peter Berg for the first episode alone — means “The Studio” has something for everyone. Here’s hoping for a sequel or three. 


Saudi model Roz on her homecoming: ‘It feels emotional in the best way’ 

Updated 03 April 2025
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Saudi model Roz on her homecoming: ‘It feels emotional in the best way’ 

  • The Saudi model recently returned to the Kingdom for the first time in years 

DUBAI: Roz — famed for being the first Saudi female model to work internationally, and for recently starring in the reality show “Dubai Bling” — has returned to Saudi Arabia after a decade abroad, marking a pivotal moment in her career and personal journey. 

Roz shot to fame in 2019 when she modelled for a Victoria’s Secret’s Pink campaign. 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by (@model_roz)

She had moved to the US in 2013 to pursue a degree in interior design, but her modelling soon took over. Her Instagram feed (she has more than 15 million followers) is littered with photographs of her various advertising campaigns, as well as visits to many a product launch party — from NYX Cosmetics events to TikTok gatherings.  

 Roz’s homecoming reflects both her cultural pride and her desire to reconnect with her roots. 

“It feels emotional in the best way,” she told Arab News. “I’m not moving back just yet, but I’ll be visiting more often to show the world how beautiful my country truly is. Being back on Saudi soil after so long brought back so many memories. There’s a deep sense of pride in seeing how much the country has evolved — and experiencing that change in person is really special.” 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by (@model_roz)

The model, who has been working on the international fashion circuit for years, says she has seen a remarkable transformation in the Kingdom’s fashion scene.  

According to Roz, the country is now fostering a new generation of creatives who are pushing boundaries and embracing self-expression through fashion. This shift is not only inspiring but also deeply personal to Roz, who sees it as a celebration of identity that she had long hoped to see. 

“The transformation is incredible,” she said. “There’s a whole new generation of creatives pushing boundaries and telling their own stories through fashion. What excites me most is seeing that self-expression is finally being celebrated, and I’m honored to witness it during my visit.” 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by (@model_roz)

One of the key motivations behind Roz’s visit was her desire to be part of the dynamic changes unfolding in the region, especially in fashion and entertainment. 

“It’s my country, and I’ve always wanted to come back, but I was stuck in the US due to visa issues,” she said. “Once I finally sorted that out, I knew it was time to visit and reconnect. With everything happening in the region and how quickly things are progressing in fashion and entertainment, I wanted to be present, show support, and be part of this exciting moment in some way.” 

Roz’s career journey to date has been far from easy, she said. 

“There were so many (challenges). I faced judgment, stereotypes, and a lack of representation. But I kept going because I knew I was paving a path that didn’t exist yet,” she said. “Every step was about proving that a Saudi woman can take over the international stage and still stay true to who she is.” 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by (@model_roz)

Her role on “Dubai Bling” has also significantly impacted her celebrity status. “It definitely opened me up to a broader audience — people may have only seen me through fashion campaigns before. It also showed a more personal side, which helped people relate to me,” she said. “It came with more eyes, more opinions, but also more love and support than I ever imagined.” 

Roz sees fashion as a form of self-expression, and embraces her roots as a strength that makes her style unique. 

“To me, fashion is all about storytelling. I love merging global trends with elements of my identity, whether in how I carry myself or the brands I choose to represent. Staying true to my roots is never a limitation; it’s actually what makes my style stand out,” she said. 

Roz is keeping her upcoming projects under wraps, but says her focus is on staying authentic and using her platform to inspire young Saudi women. (AFP) 

Roz is keeping her upcoming projects under wraps, but says her focus is on staying authentic and using her platform to inspire young Saudi women. 

“I hope they see that there’s no mold they have to fit into. You can be proudly Saudi, proudly creative, and take up space in any industry,” she said. “I hope my journey shows what is possible, and that their stories deserve to be told on a global scale.” 


New York Arab Festival returns with diverse lineup

Updated 02 April 2025
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New York Arab Festival returns with diverse lineup

  • The New York-based dance music collective showcases beats from the Arab, Asian, and Pan-African diasporas

DUBAI: The fourth edition of the New York Arab Festival (NYAF) runs from April 1- May 30, with headlining acts including DJ duo Haza Party.

The New York-based dance music collective showcases beats from the Arab, Asian, and Pan-African diasporas. The festival will play host to a special version of the collective’s signature “Haza Souk” event, featuring a lineup of DJ sets, merchandise outlets and food.

On April 8, Palestinian poet Ahmad Almallah will present his latest book “Wrong Winds” while April 13 will see Palestinian rockstar, singer and songwriter Rasha Nahas perform at Brooklyn Art Haus.

A double bill dedicated to the centennial of dancer Samia Gamal will take place at the Jalopy Theatre on April 16, with New York based choreographers and dancers Angie Assal and Soumaya MaRose celebrating the history of the late Egyptian choreographer.

Meanwhile, the NYAF Arab Shorts Film Program at the Bartos Screening will feature the work of filmmakers including Alia Haju and Khaled Jarrar.

From May 1-4, NYAF will collaborate with experimental theater club La MaMa ETC for a “festival within a festival” celebrating Arab artists in four multidisciplinary “happenings” featuring spoken word performances based on texts by the late poets Etel Adnan and Joyce Mansour, dance, music and multimedia visuals. Performers include Andrew Riad, Nadia Khyrallah, Sarah Brahim, and Amr Kotb, among others. 

On May 14,  Lebanese American singer-songwriter H.Sinno’s “Poems of Consumption” — which turns Amazon customer reviews into pop songs — will be presented.

NYAF was established in 2022 to commemorate Arab American Heritage Month and “fight the erasure of Arab and Arab American identities from NYC, a place Arabs have called home for over three centuries,” the festival said in a released statement.