How AI is unlocking the creative potential of Saudi Arabia’s burgeoning fashion industry

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Updated 26 July 2024
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How AI is unlocking the creative potential of Saudi Arabia’s burgeoning fashion industry

  • Midjourney, Luma Labs and Krea AI are just some of the programs that are transforming how fashion designers work
  • As with many creative industries, there are anxieties about just how involved AI ought to be in the design process

RIYADH: Saudi Arabia has witnessed a remarkable transformation in its fashion industry in recent years, emerging as a vibrant and dynamic regional hub of creativity. Now, thanks to the power of artificial intelligence, more opportunities are fast emerging.

With a blend of traditional influences and modern innovation, Saudi designers have been captivating global audiences, redefining cultural norms, and showcasing the Kingdom’s rich heritage through contemporary fashion.

The establishment of the Fashion Commission in 2020 has led to the launch of showstopper events such as Riyadh Fashion Week. One particularly innovative event that took place alongside October’s fashion week was the Tasawar exhibition.

Created by social media platform Snapchat, Tasawar — or “to imagine” in Arabic — welcomed visitors to explore a virtual reality gallery showcasing the creations of five Saudi designers and allowed guests to virtually try on clothing. 

Abdullah Al-Hammadi, the managing director of Snapchat in Saudi Arabia, said that the exhibition was the first of its kind in the Middle East combining technology with the world of fashion.

“In the Tasawar exhibition, visitors can visit five rooms of Saudi designers where they will learn about their stories and the use of different augmented reality technologies in each room,” Al-Hammadi told Arab News.

By adjusting the filter in a room, the theme could be altered to help immerse visitors in the worlds of the various designers and their sources of inspiration.

Among the five designers who took part in the exhibit was Mohammed Khoja, owner of the fashion brand Hindamme, who praised the exhibit’s inventive use of AI. “Tasawar by Snapchat is the best example of how AI can be used in fashion effectively,” Khoja told Arab News.

“We created a universe for Hindamme and immersed users both in the digital as well as physical space. We created a mirror where users could try on digital pieces from Hindamme as well as special filters and lenses that take users on experiential journeys.”




File photo showing participants in the Tawasar xhibition held in October 2-23 at the King Abdullah Financial District, as part of Riyadh Fashion Week. (Supplied)

However, as with other creative industries, there are anxieties about how just involved AI ought to be in the design process and what its encroachment could mean for fashion brands and culture more generally.

Although Khoja believes AI can be a valuable tool for research, he says that it should not be used as a primary design tool, as it may “handicap the designer’s own authentic identity and creativity.”

“AI is primarily a search tool that predicts what you want to see,” he said. “So when you search different themes, you get a mashup of what AI creates for you.

“Suggestions from AI are interesting, but they don’t come from your emotions. That is why I think AI will never truly replace our natural creativity as designers.

“AI is great, however, when used as a tool to perform routine functions and can save us a lot of time and energy in that respect.”




Riyadh Fashion Week collaborated with Snapchat to showcase the creations of five Saudi Arabian designers at the Tasawar exhibition, which uses augmented reality and AI to bridge the physical and digital realms. (AN photo by Rahaf Jambi)

Dalia Darweesh, a personal stylist and editor of List Magazine, also views AI as a useful tool for creating mood boards and looks for clients based on their body shape, saving a significant amount of time.

“When it comes to fashion brands, AI can help analyze trends and customers preferences for future products,” she told Arab News. “In some cases, fashion brands can offer virtual fittings, making online shopping a seamless experience.”

She added: “One of my favorite businesses that utilizes AI is Taffi Inc., an online platform offering personalized styling services through an AI assistant in addition to professional stylists as well.

“I dislike the idea of AI taking over the world, especially within the creative industry. Yet, if it helps in assisting and delegating tasks, then it is essential to use.”

Fashion journalist Mohammed Yousif is likewise cautious about the applications of AI in the industry. “AI can significantly help reduce the number of errors,” he told Arab News. “It also can help sustainable brands to achieve a better result from their eco-friendly and ethical systems.”




Riyadh Fashion Week collaborated with Snapchat to showcase the creations of five Saudi Arabian designers at the Tasawar exhibition, which uses augmented reality and AI to bridge the physical and digital realms. (AN photo by Rahaf Jambi)

However, he added: “Regarding the creative process, I think this is where designers might lose the core of their job. It’s for the designers to come up with ideas, pick fabrics and colors. That’s what makes them different from each other and that’s simply what creates an identity for the brand.

“I also believe that creativity is a human trait. Even if AI can be creative, it won’t be as authentic and influential as humans.”

Asked whether AI could allow top fashion designers to create a lasting “digital legacy” even after their passing, Yousif was skeptical. “I don’t think programming fashion is a smart idea, because fashion breaks itself when it becomes repetitive,” he said.

“Keeping an identity is important, but I imagine if Christian Dior had done this. I don’t think we would enjoy the work of John Galliano today. Same thing goes with Coco Chanel and Karl Lagerfeld. They both kept the founders’ style in a way that fits what’s new in fashion and at the same time allowed them to bring their own creativity. 

“So why would any designer decide the future of their brand when you can never predict the future of fashion? Maybe your style won’t work later. Many of the brands we know today would’ve been forgotten if they hadn’t hired designers with a new style. Think of Gucci and Tom Ford.”




Riyadh Fashion Week collaborated with Snapchat to showcase the creations of five Saudi Arabian designers at the Tasawar exhibition, which uses augmented reality and AI to bridge the physical and digital realms. (AN photo by Rahaf Jambi)

This has not stopped emerging and established fashion designers from experimenting with the technology and incorporating it into aspects of their work.

At the WWD (Women’s Wear Daily) Global Fashion Summit held in Riyadh on June 6, US fashion designer Norma Kamali said that her brand will release a full collection this October that was created with the help of AI, experimenting with how it interprets past Kamali designs.

“It’s not like a copy of Norma Kamali: It’s something new, and I can tweak it, I can play with it,” she said. “But ultimately, I do plan to live to 120, so when I have to pass on the baton, my team will be trained to be able to use it, too.”

She added: “I’m teaching it to think the way I do, to behave the way I do, to kind of use what I think about when I’m creating a collection.”

However, Kamali also has her reservations. “AI is not a creative person, and that’s something that’s hard to replace,” she said. “AI can support a creative person, can extend a creative person’s possibilities, and the creative person can use AI as a tool.”

Many designers seem to agree that AI’s greatest strength when applied to the fashion industry is its role as a research assistant. Rakan Al-Shehri, brand and design lead at Adhlal, believes one major benefit of AI is the acceleration of the creative process

“In the past, creatives often depended on platforms like Pinterest, Shutterstock, Pexels, and social media to create mood boards and visuals across different design disciplines,” he told Arab News. “With AI, you can now create highly precise visual references in the early stages of your creative process.

“For example, if I’m designing a brand identity for a fashion retailer that specializes in menswear, I want to transform the brand narrative into cohesive visual instruments for marketing campaigns, social media, websites, and more.

“With the story ready, I can simply go to Midjourney (AI generator) and write a prompt that generates numerous visual references. This allows me to gather inspiration and create a mood board in a matter of minutes instead of spending hours searching through vast visual libraries for inspiration.”

Al-Shehri said that another significant benefit “is cost efficiency.”

“As a freelance designer, external tools and stock imagery websites can be expensive and often exceed project budgets,” he said. “With AI, you have access to unlimited visual elements that are either free or fairly priced.”

One program Al-Shehri is particularly fond of is Midjourney — a generative AI that creates images from natural language descriptions similar to OpenAI’s DALL-E. “Midjourney is, in my opinion, the best AI visual-generating platform available,” he said.

“It has multiple functionalities that are easy to use. One of my favorites is the ‘/blend’ feature, which allows me to blend old visual styles with modern work to quickly generate new styles for exploration.

“I use Midjourney almost daily and highly recommend it to anyone in the creative industry.




Photos created by AI. (Supplied)

Another generative AI that is proving popular among fashion designers is Krea.ai. “Krea builds amazing art-driven web-based tools that offer more control over the generated visuals, making it ideal for visual arts rather than commercial graphics,” said Al-Shehri. “I spend many hours experimenting with it.”

Luma Labs and its “Dream Machine,” which makes high quality, realistic videos from text and images, has also transformed the creative process.

“Luma Labs specialize in video and motion generation, and some of my favorite photographers and art directors use it extensively,” said Al-Shehri. “It’s an extremely beneficial tool for fashion photographers.”

For now, at least, fashion designers should not fear being replaced by an AI-Armani or Robo-Rabanne. Instead, says Al-Shehri, they can use these tools to streamline and accelerate their work.

“Overall, AI in its current state is an incredible tool that elevates the creative process for artists and designers,” he said.
 

 


KSA registers 2,748 new urban heritage sites

Updated 9 sec ago
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KSA registers 2,748 new urban heritage sites

RIYADH: Saudi Arabia’s Heritage Commission has registered 2,748 new sites in the National Urban Heritage Register, bringing the total to 36,919, the Saudi Press Agency reported.

The newly registered sites span several regions of the Kingdom, including 1,729 in Asir, 635 in Makkah, 340 in Baha, 35 in the Northern Borders, eight in the Eastern Province, and one in Hail.

The commission said that this step is part of its strategic plan to expand legal protection for heritage sites, support their rehabilitation, encourage investment in them, and highlight their historical and urban significance.

It urged the public to support its efforts to identify and document heritage sites by reporting them through the Archeological Report service, via its official social media channels, or by calling the Unified Security Operations Center at 911.


Saudi Arabia’s Yemen redevelopment program, World Bank explore partnerships

Updated 57 sec ago
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Saudi Arabia’s Yemen redevelopment program, World Bank explore partnerships

RIYADH: The Saudi Development and Reconstruction Program for Yemen and the World Bank held discussions on Tuesday on expanding their development cooperation to support vital sectors in Yemen, the Saudi Press Agency reported.

SDRPY Supervisor-General Mohammed bin Saeed Al-Jaber met with a World Bank delegation led by Stephane Gimbert, regional director for Egypt, Yemen, and Djibouti, at the program’s headquarters in Riyadh.

The meeting was also attended by Dina Abu Ghida, director of the World Bank’s office in Yemen, along with senior staff from both sides.

The talks formed part of a two-day series of meetings focused on enhancing joint efforts, reviewing progress on existing initiatives, and identifying new areas for collaboration.

Among the projects highlighted was the Lifeline Project, a flagship partnership to boost the transportation sector in Yemen.

The program, in cooperation with the World Bank, is currently implementing the Al-Abr Road Expansion and Rehabilitation Project and the Haijat Al-Abd Road Rehabilitation Project.

These initiatives aim to improve infrastructure, increase road safety, enhance social and economic connectivity, and create new job opportunities, the SPA report said.

Al-Jaber and the delegation also discussed potential partnerships across key sectors to help improve daily life in Yemen, underscoring a shared commitment to broadening the scope of joint development projects and strengthening essential services.

To date, SDRPY has delivered 265 projects and initiatives across eight sectors: education, health, water, energy, transportation, agriculture and fisheries, government capacity-building, and wider development programs, covering regions throughout Yemen.


FedEx expands Saudi presence, highlighting Kingdom’s trade growth

Updated 02 September 2025
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FedEx expands Saudi presence, highlighting Kingdom’s trade growth

  • New regional hub at King Salman International Airport, direct flights
  • Aligns with Vision 2030, FedEx’s Kami Viswanathan tells Arab News

RIYADH: The Federal Express Corp. announced on Tuesday that it will expand its operations in Saudi Arabia with direct and other services, highlighting the Kingdom’s significant trade growth in recent years.

FedEx, the global logistics and transportation company, will also have its first dedicated flight to Saudi Arabia, the establishment of a regional hub at King Salman International Airport, and the extension of its freight-forwarding operations.

Kami Viswanathan, president of FedEx Middle East, Indian subcontinent and Africa, said the company connects 220 countries.

It has a fleet of 700 aircraft and over 200,000 vehicles, which enables them to have an expansive global air and ground network and process 17 million packages a day, she added.

These efforts enhance capacity, create new jobs, and support Vision 2030 objectives for economic diversification and deeper integration into global trade, she said. FedEx is aiming to employ up to 2,000 workers.

“With the push and focused efforts towards diversification, with the development of the Kingdom as the distribution hub, and greater integration of the global economy, what we are already starting to see is export growth,” said Viswanathan.

Viswanathan said trade has grown significantly.

She was referring to Saudi Arabia in Q1 2025 reportedly recording a trade surplus of $16.8 billion (SR63 billion), a 52 percent increase compared to Q4 2024, reflecting strong export performance and rising demand for a well-established logistics infrastructure.

“We are also seeing progress towards improving the known exports as a percentage of GDP (gross domestic product) from 19 to the targeted 50 percent of GDP by 2030.”

The event in Diriyah was attended by General Transport Authority Acting President and Vice Minister Rumaih Al-Rumaih, Minister of Transport and Logistics Services Saleh Al-Jasser, and FedEx President and CEO Raj Subramaniam.

“FedEx’s strengthened presence reflects the Kingdom’s growing appeal as a premier destination for logistics and global investment. Saudi Arabia’s rising influence as a key global logistics hub and a strategic gateway for trade and transport services is clear,” said Al-Jasser

He added: “The increasing number of leading global logistics and courier companies establishing direct operations in the Kingdom demonstrates the strength of Saudi Arabia’s logistics sector and its pro-investment environment, as well as the global confidence in the Kingdom’s transformation journey.”

During a roundtable, Viswanathan told Arab News that FedEx’s services in Saudi Arabia align with the country’s Vision 2030 plan.

The company will focus on strengthening connectivity and reducing transit times by one to two days. The target is to reach Riyadh within 48 hours, from both the US and Europe.

FedEx’s inaugural nonstop flight connecting Riyadh with the US and Europe reportedly began operations on Sept. 2. The service will soon operate six times a week.


Saudi Arabia unveils global digital inclusion roadmap at telecom summit

Updated 02 September 2025
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Saudi Arabia unveils global digital inclusion roadmap at telecom summit

RIYADH: Saudi Arabia launched the Global Symposium for Regulators, GSR-25, at the King Abdulaziz International Conference Centre, convening over 190 nations to address the digital divide affecting 2.6 billion people.

The International Telecommunication Union and Saudi Arabia’s Communications, Space and Technology Commission co-host the summit through Sept. 3.

RIYADH: Speaking at the opening ceremony on Monday, Haitham Al-Ohaly, CST governor and GSR-25 chair, said, “Today, we have a golden opportunity to shape humanity’s future for the next 160 years.

“Therefore, we announce a new roadmap with the ITU to connect humanity through affordable AI-era solutions,” he said.

Al-Ohaly stated that, despite progress, 2.6 billion people remain excluded from the digital world, highlighting disparities in regulations and access costs.

Citing a Saudi-ITU study presented at the ceremony, the governor said, “The world requires $1.7 trillion just for connectivity infrastructure — triple prior estimates. Closing all digital gaps demands up to $2.8 trillion across infrastructure, skills, affordability, and regulation.”

On the sidelines of the summit, Saudi Minister of Communications and Information Technology Abdullah Al-Swaha met with ITU Secretary-General Doreen Bogdan-Martin.

Al-Ohaly attended the meeting, where both sides discussed enhancing digital economy growth, developing digital skills, enabling digital entrepreneurship, and Saudi Arabia’s initiatives for human empowerment and environmental protection.

The event continues with technology exhibitions showcasing Saudi Arabia’s Vision 2030 digital leadership and policy workshops advancing the new inclusion framework.

It comes as Saudi Arabia aims to become a global digital leader following its appointment to the UN’s ITU digital regulation network board. Internet use in the Kingdom reached 99 percent in 2024.

GSR-25 will close with a resolution outlining regulatory principles for the post-digital era, based on participants’ insights and session recommendations.


Mobile exhibition in Buraidah brings regional heritage to life

Updated 02 September 2025
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Mobile exhibition in Buraidah brings regional heritage to life

  • The title “Our Saudi Story” reflects the brand identity of the regional museums

RIYADH: The Museums Commission launched the first phase of the mobile interactive exhibition “Our Saudi Story: A Window into Museums,” the first of its kind in the Kingdom to showcase regional museum collections through modern technology.

The exhibition began its tour in Buraidah, Qassim region, coinciding with the Buraidah Dates Carnival, and will run until Sept. 13, offering visitors a sensory, visual, and auditory experience.

The title “Our Saudi Story” reflects the brand identity of the regional museums the commission plans to inaugurate in phases over the coming years, according to a Saudi Press Agency report.

Together, these 11 museums will present the cultural and civilizational heritage of Saudi Arabia’s regions, with each museum highlighting a distinct story within a shared narrative of national pride.

The exhibition opened to visitors with 11 selected artifacts digitally reimagined and presented through motion design and sound effects, allowing direct interaction with the Kingdom’s heritage.

The commission said that the exhibition aims to provide modern cultural experiences that enhance public awareness of heritage, showing how technology can preserve national identity and engage new generations.