Sheikha Hala Bint Mohammed Al-Khalifa: ‘Colors awaken something in my soul’

Sheikha Hala Bint Mohammed Al-Khalifa: ‘Colors awaken something in my soul’
CEO of the Nuwah Foundation Sheikha Hala bint Mohammed Al-Khalifa spoke to Sayidaty Magazine. (Courtesy: Sayidaty magazine/Photos by Ali Rifai)
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Updated 17 December 2024
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Sheikha Hala Bint Mohammed Al-Khalifa: ‘Colors awaken something in my soul’

Sheikha Hala Bint Mohammed Al-Khalifa: ‘Colors awaken something in my soul’
  • The Bahraini artist and politician talks creativity, culture, and colors

RIYADH: “Art is a driver for creativity and beauty,” Bahraini artist Sheikha Hala Bint Mohammed Al-Khalifa, CEO of the Nuwah Foundation, said in an interview with the region’s leading Arabic lifestyle magazine for women, Sayidaty, for its December cover story to mark Bahrain’s National Day. 

Among other topics, including her own artistic process, the conversation covered the role that cultural institutions can play in boosting knowledge, raising awareness of history, and stimulating creativity — all ways of assisting the advancement of society. Aside from her work with the Nuwah Foundation — which, according to its website, “empowers changemakers that illuminate our collective future … (to build) a creative, healthy and prosperous society in the Middle East and North Africa” — Sheikha Hala has also developed a wide range of programs, including “Food is Culture,” as well as documentaries as part of the Oral History Project. She also contributed to preserving intangible heritage and took part in Bahrain’s Artist in a School initiative. 




Sheikha Hala spoke about the role that cultural institutions can play in boosting knowledge. (Courtesy: Sayidaty magazine/Ali Rifai)

Sheikha Hala stated that her passion for the arts was inherited from her mother, Sheikha Mai bint Mohammed Al-Khalifa — a prominent figure in the regional cultural scene and the daughter of a senior member of the Bahraini royal family — who, she said, taught her that history fuels perceptions of the present and that historians can feed museums’ contemporary insights and the way societies are presented through their artistic heritage. 

“I belonged to the world of art from a young age; it has always been my inspiration and an integral part of who I am,” Sheikha Hala said. “Fine art and colors have the greatest impact in my heart — they awaken something in my soul. And culture is part of the vibrant fabric of any society. Our heritage — its beauty and diversity — constitutes all parts of my identity. 

“I am truly grateful for my family’s support — it is one of the most important foundations for building self-confidence and motivating people to pursue their dreams,” she continued. “My parents are my biggest supporters, and because of them I was able to study art at university. For the record, none of them objected to me entering this field.” 




Sheikha Hala advises young artists to draw inspiration from culture, local identity, and personal experiences. (Courtesy: Sayidaty magazine/Ali Rifai)

Art has always been a vital part of self-expression for Sheikha Hala. “Art, for me, translates the psychological state surrounding me. In many instances, it’s anxiety that generates an important painting,” she said. She elaborates on this thought on her website, where she has written: “While painting I am in a turbulent state of tension — the making of art has never been a harmonious exercise for me.” 

Sometimes, she told Sayidaty, the driving force behind a piece is a specific message. “In many of my works, there are distinct messages, such as the subject of the gargoor — a traditional fishing tool — which repeatedly appeared in many pieces I worked on. There’s also the theme of war, displacement, and the use of boats to transport people from one place to another in search of a better and safer life,” she said. The latter is seen particularly in her series “Fate.”  

Sheikha Hala is one of many women from prominent Gulf families patronizing and promoting the arts through various initiatives. “Gulf women have made an obvious mark on our society. In the artistic and cultural arena, for example, there are women who, through their education and passion, have started a clear renaissance and we are proud of their creativity,” she told Sayidaty. “I see in (today’s women) the continuity of their grandmothers’ and family’s past. I think modern Gulf women took the most beautiful legacy, and worked on communicating their countries’ identities to the world.” 




Sheikha Hala has worked on developing a wide range of programs, including “Food is Culture,” as well as documentaries as part of the Oral History Project. (Courtesy: Sayidaty magazine/Ali Rifai)

Part of this communication, she stressed, is informing the public about the region’s artistic and cultural history. “I believe that the Arab identity is present in the mind of this generation’s artists,” she said. “However, I regret to say that we tend to resort to foreign languages when we speak and write as an easier path to expression, and we forget the depth and importance of maintaining our identity through our Arabic language. I really hope that the new generation of artists will go back to this rich language and take pride in it, so it can withstand the challenges of globalization.” She cited the words of the great Egyptian poet Ahmed Shawqi when he wrote about Arabic: “He who filled languages with charms, instilled beauty and its secret into the Arabic language.” 

Sheikha Hala also offered further advice to young creatives. “Always open the door to knowledge, listen to every new idea, and draw inspiration from their culture, local identity, and personal experiences,” she said. “This ensures that the work is genuine and carries a part of who you are. Every artist has their own language of expression, but when presenting an art piece, their message must be profound and carry something unique to them. 

“The challenge faced by any artist is to be true to their art — to present work that stirs emotions and creates a unique imprint,” she continued. “This is the biggest challenge.” 

This article is based on a Q&A first published in Arabic in Sayidaty magazine on Dec. 15, 2024.


Yara Shahidi talks ‘The Optimist Project’ podcast

Yara Shahidi talks ‘The Optimist Project’ podcast
Updated 01 April 2025
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Yara Shahidi talks ‘The Optimist Project’ podcast

Yara Shahidi talks ‘The Optimist Project’ podcast

DUBAI: Actress and podcast host Yara Shahidi is part of National Geographic’s list of 33 “visionaries, creators, icons, and adventurers” from across the globe and she spoke to the publication about the project that landed her on the list.

In 1888, the National Geographic Society was founded by 33 pioneers in Washington. The “bold thinkers … aimed to reimagine how we encounter our world. Much has changed since then, but the mission that guided them — to expand knowledge and promote understanding—drives us still. In that spirit we introduce the National Geographic 33, a collection of visionaries, creators, icons, and adventurers from across the globe,” the publication explained of its new list.

Part-Middle Eastern star Shahidi, whose father is Iranian, was named on the list in the Creators subsection that celebrates “out-of-the-box thinkers developing innovative solutions.”

The “Black-ish” and “Grown-ish” actress was highlighted due to her podcast “The Optimist Project.”

Shahidi, 25, launched the podcast to explore how to live a more fulfilling life with various special guests hosted on each episode.

Shahidi, a Harvard graduate, says she was inspired by the dynamic conversations she has with members of her diverse family. The actress has two brothers — one is an actor and the other works in fashion — while her father Afshin Shahidi is a cinematographer. Meanwhile, her cousin is the rapper Nas and her grandfather was a Black Panther activist. Shahidi and her mother, Keri Shahidi, who together run their own media company called 7th Sun Productions, decided to take their musings to a wider audience with the podcast, which launched in 2024.

“We feel so fortunate to be having these conversations,” Keri, who is Shahidi’s co-producer, told National Geographic “But equally, we felt the drive to make sure other people had the opportunity to hear what we were hearing.” 

The podcast’s guests so far have included “Saturday Night Live” star Ego Nwodim, Tony award-winning actor Courtney B. Vance, and Laurie Santos, a psychology professor at Yale University. 

“Having to pour so much thought into basic survival doesn’t give your brain space to think about, Well, why are we living?” Shahidi said. “What would make me excited to wake up the next day?”

In her conversation with National Geographic, she went on to acknowledge that this is a challenge moment for the next generation of leaders. “It’s overwhelming to think about how broken some of these systems are, how imperfect some of our tools for change are … but with that comes an onslaught of very inspired, very motivated young people.”


REVIEW: ‘Stories from Sol: The Gun-Dog’ offers a gritty, narrative-driven adventure

REVIEW: ‘Stories from Sol: The Gun-Dog’ offers a gritty, narrative-driven adventure
Updated 31 March 2025
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REVIEW: ‘Stories from Sol: The Gun-Dog’ offers a gritty, narrative-driven adventure

REVIEW: ‘Stories from Sol: The Gun-Dog’ offers a gritty, narrative-driven adventure

LONDON: In an era in which retro gaming is somewhat mainstream with remakes, reboots and remastered games emerging on a daily basis, “Stories from Sol: The Gun-Dog” on Nintendo Switch takes things to the next level.

Going further back in time than most, it is a throwback to classic PC-9800 visual novels, blending deep storytelling with a minimalist approach to gameplay. If you enjoy immersive narratives and do not mind slow pacing, this game delivers a compelling experience — though it may not be for everyone.

“Gun-Dog” is all about story. Its deep, character-driven narrative demands patience, rewarding players willing to engage with a text-heavy experience. It starts by setting the scene of the Solar War and our protagonist being unable to prevent the loss of his crewmates. Four years later, they (you can choose your own name) are re-assigned to the Jovian patrol ship Gun-Dog which has orders to investigate mysterious signals coming from the edge of Jovian Space.

On board, the assortment of characters includes a love interest, a rival from the past and others who all seem to be hiding something. While choice is limited to movement, item interaction and conversation, the game excels at making you feel like your actions matter, especially when decisions come with a countdown clock to force your hand.

This is not an action-packed adventure. The game moves deliberately and offers little in the way of fast-paced mechanics. Exploration is limited, but the weight of each choice — especially in high-pressure moments — keeps engagement high. With sparse visuals and bit-crushed music, “Gun-Dog” leans into its retro inspirations. Interestingly, putting it on mute might give the best experience; the soundtrack can be more of a distraction than an enhancement.

“Gun-Dog” is a game for those who love slow-burn, text-heavy adventures with minimal gameplay distractions. If you are looking for deep lore, strong characters and a narrative experience, it is worth the time. Just be ready for a slower ride than that offered by most modern games.


Farshi Shalwar: Centuries-old staple of South Asian fashion makes Eid comeback in Pakistan

Farshi Shalwar: Centuries-old staple of South Asian fashion makes Eid comeback in Pakistan
Updated 31 March 2025
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Farshi Shalwar: Centuries-old staple of South Asian fashion makes Eid comeback in Pakistan

Farshi Shalwar: Centuries-old staple of South Asian fashion makes Eid comeback in Pakistan
  • Farshi shalwar is characterized by floor-length, flowing and wide, loose pants, creating a dramatic and graceful silhouette
  • Stylists say trend dates back to the 17th century and was popular among noblewomen and courtesans of the Mughal era

KARACHI: A centuries-old staple of South Asian closets, the farshi shalwar, is back in Pakistan and ruling fashion trends this Eid Al-Fitr. 

The word “farshi” comes from the Persian word “farsh,” meaning “floor,” and the farshi shalwar, particularly popular in Pakistan and northern India, is characterized by its floor-length, flowing and wide, loose pants, creating a dramatic and graceful silhouette. 

“Right now, it’s the hottest trend,” fashion stylist and director Tabesh Khoja, popularly known as Khoji, told Arab News, saying he first styled a farshi shalwar in 2023 for the fashion label of model and actress Sadaf Kanwal.

“I styled Sadaf Kanwal actually and after that I have seen every other designer doing a farshi shalwar version of their own,” Khoja said. 

The picture posted by Sadaf Kanwal Fashion on February 15, 2025, shows Pakistani model Sadaf Kanwal wearing farshi shalwar from her latest collection. (Sadaf Kanwal Fashion/Instagram)

No doubt, Kanwal seems to have played a key role in bringing the farshi shalwar back this Ramadan and Eid, with her label Sadaf Kanwal Fashion creating a number of outfits over the last two years featuring the baggy trousers. 

“Throughout the [last] year, I shot so many collections of so many designers and all of those designers at least used to have two farshi shalwars for sure in their collections,” Khoja said. “So it took us an entire year to make it a fashion trend.”

According to the stylist, the trend dated back to the 17th century and was popular among noble women in the Mughal era. Modeled after the flowing gowns worn by British noblewomen, the complete outfit consists of three basic parts: a kurta or a long shirt, dupatta or long stole, and the third and most important, the farshi shalwar or pajama, a flowing two-legged trouser held by drawstrings that falls straight to the ankles from where it starts flaring and flowing copiously onto the floor, trailing as one walks. 

In media, iconic movies such as Umrao Jaan (1981) and Shatranj Ke Khilari (1977) that depict Muslim culture of 19th-century Lucknow show noblewomen and royal courtesans wearing farshi shalwars. 

“They had a variety of silhouettes in terms of a kurta or a jacket on top, among other things. The outfit has been there, the silhouette has been there since the 17th century but how you make it relevant now is very important,” Khoja added.

The picture, posted on August 4, 2022, by the Instagram page " Purana Pakistan," shows Pakistani women wearing farshi shalwar in 1970s. (Hibah Najeeb via Purana Pakistan)

HOW TO STYLE A FARSHI SHALWAR?

According to Khoja, some of the popular ways to style the farshi shalwar include pairing it with a button down shirt and accessorizing it with different kinds of jewelry pieces and hairdos.

“You can dress it up or dress it down. Sadaf [Kanwal] uses big organza dupattas. You can do big shawls also like [actress] Mahira Khan wore [designer] Banto Kazmi’s when she got an award at the UK Parliament. So something of that sort also with a plain silhouette.”

The picture, posted on July 16, 2023, shows Pakistani models wearing farshi shalwar by designer Hussain Rehar. (Hussain Rehar)

Pakistani actress Tuba Anwar said celebrities had been wearing farshi shalwars since last year but the trend had “peaked” among the general public in recent months. For her, the fact that everyone would be wearing the baggy trousers this Eid reduced their appeal. 

“I was planning to wear farshi shalwar on this Eid and then when everybody started discussing it, I was like ‘No, this is not what I’m going to wear because I have to do something very different’.”

When she wore farshi shalwars at all, Anwar said she preferred them in solid colors.

“In terms of styling, I would like to wear it with solid colors, not a lot of embroidery going on, not a lot of things or abstract things going on in the clothes that I am going to wear,” she said.

Pakistani actor Tuba Anwar is seen wearing farshi shalwar. (Tuba Anwar)

The farshi shalwar craze is not limited to women alone. 

Actor and host Fahad Mustafa has donned the farshi shalwar look on his hit gaming show Jeeto Pakistan during Ramadan. Singer and songwriter Falak Shabbir has been seen in the outfit as well. 

“It’s certainly not limited to women. Fahad Mustafa was of course wearing it on Jeeto Pakistan. I am going to wear it on Eid,” Khoja said. “So, you will see a lot of people of different sorts, male and female, wearing it.”

Pakistani actor and host Fahad Mustafa r is seen wearing farshi shalwar. (Fahad Mustafa)

 


Review: Nicole Kidman’s ‘Holland’ is an underwhelming thriller

Review: Nicole Kidman’s ‘Holland’ is an underwhelming thriller
Updated 30 March 2025
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Review: Nicole Kidman’s ‘Holland’ is an underwhelming thriller

Review: Nicole Kidman’s ‘Holland’ is an underwhelming thriller

LONDON: If you think there’s something unnervingly familiar about “Holland,” then you’re in good company. In this new thriller from Prime Video, directed by Mimi Cave (2022’s excellent “Fresh”), Nicole Kidman plays a permanently frowning wife who just can’t quite shake the feeling that something about her picture-perfect life isn’t quite right – which, when you think about it, could also be the logline for the actor’s turns in “The Stepford Wives,” “Big Little Lies,” “Expats,” “The Perfect Couple” and probably a half dozen others.

This time, Kidman’s Nancy suspects that her optometrist husband Fred (Matthew Macfadyen) may be having an affair. We don’t really ever find out why she thinks this, beyond the fact that she has ‘a feeling’ and suffers from weird, surreal dreams in which the town they live in — the titular Holland, Michigan — merges with the model village Fred is building in their garage. So, despite having no obvious reason to do so, Nancy and her work colleague-turned-extramarital crush Dave (Gael García Bernal) decide to follow Fred to find out what he’s up to.

The setup for discovering Fred’s secret takes up the majority of the movie. Macfadyen, here simply playing a more homely version of his character in “Succession,” makes for an entertaining enough man of mystery while, for the most part, Kidman and García Bernal are fine as co-workers with an obvious attraction and a shared interest in what Fred is really up to. The main problem with “Holland” is eccentricity for eccentricity’s sake — Cave plays up the town’s Dutch colonial traditions seemingly because they just lend an air of unfamiliarity and weirdness, Nancy’s feelings of dread manifest in those surreal dreams, but none of it has any real-world relevance beyond making for some odd-looking visuals.

The twist, when it inevitably comes, feels disproportionate and overblown given the small-town buildup. Elements, such as Dave’s experience as the only immigrant in town, or Nancy’s issues with their babysitter, are mentioned once and never touched on again. The film suffers from too many vague ideas at the outset, before dumping most of them to make way for the most shocking story arc. Turns out, not only have we seen this film a bunch of times before, we’ve seen it done a lot better too.


Hollywood red carpets play host to Arab designs

Hollywood red carpets play host to Arab designs
Updated 30 March 2025
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Hollywood red carpets play host to Arab designs

Hollywood red carpets play host to Arab designs

DUBAI: Awards ceremonies in Hollywood played host to Arab designs over the weekend with celebrities Sophia Bush, Becky G and Jennie wearing looks from the Middle East.

US actress Bush showed off a scarlet gown by Lebanese designer Jean Pierre Khoury at the at the 36th Annual GLAAD Media Awards on Thursday, complete with a beaded bodice and separate form-fitting skirt. Bush’s ensemble was put together by Dani Charlton and Emma Rubenstein, the fashion styling duo known as Dani + Emma. 

US actress Sophia Bush showed off a scarlet gown by Lebanese designer Jean Pierre Khoury. (Getty Images)

Fast forward to Saturday night and singers Becky G and Jennie Kim, a member of K-Pop group Blackpink, both showed off looks by Lebanese designer Zuhair Murad.

Jennie, who goes by her first name, showed off a look from Zuhair Murad’s Fall/ Winter 2025 ready-to-wear collection. (Getty Images)

US singer-actress Becky G opted for an all-white dress from Murad’s pre-Fall 2025 collection at the 2025 Billboard Women In Music event, held at the YouTube Theater in Los Angeles.

The halter neck column gown boasted silver embellishments on the bodice.

Jennie, who goes by her first name, showed off a look from Murad’s Fall/ Winter 2025 ready-to-wear collection at the same event.

The form-fitting red dress featured a double slit with studs across the slits and sweetheart neckline. The look was completed with a pair of heels by Jordanian Romanian designer Amina Muaddi.

She took to the stage in the outfit to accept the Global Force Award, which is given to "singers, songwriters, instrumentalists and producers making groundbreaking contributions to the music industry" selected by Billboard publication around the world, according to Billboard.

“I’m inspired by all the women in this room — and around the globe who continue to break barriers and make their mark on the world stage,” Jennie said during her acceptance speech. “This award is dedicated to every woman who dares to dream and create and shape the world with her vision.” 

This year’s honorees also included Doechii as Woman of the Year; Erykah Badu, who received the Icon Award; Aespa as Group of the Year; and Ángela Aguilar, who won the Breakthrough Award, among others. Presenters included Becky G, Lauren Jauregui, Kali Uchis and Julia Michaels.

Performers included Ángela Aguilar, Aespa, Gracie Abrams, Megan Moroney, Muni Long, Tyla and Erykah Badu.

For her part, US Mexican singer Aguilar dedicated her moment on stage to immigrants. “I want to take this moment to raise my voice for the women whose voices are not always given a stage, for the women who leave behind everything they know crossing borders,” she said.