How AI is transforming music and preserving legends — but raising ethical concerns

Special How AI is transforming music and preserving legends — but raising ethical concerns
AI in music depends on various advanced technologies, including machine learning, voice synthesis, and generative adversarial networks. (Supplied)
Short Url
Updated 13 February 2025
Follow

How AI is transforming music and preserving legends — but raising ethical concerns

How AI is transforming music and preserving legends — but raising ethical concerns
  • AI is revolutionizing music by composing, recreating voices, and enhancing collaboration between artists and technology
  • Experts say its future depends on balancing innovation with ethical considerations of ownership and artistic integrity

RIYADH: Artificial intelligence is redefining music, opening up new opportunities to create, innovate, and preserve cultural legacies. From composing new melodies to recreating the voices of late artists, AI sits at the intersection of technology and artistry.

According to Alice Eldridge, Thor Magnusson, and Chris Kiefer in their paper, “Artificial intelligence in music and performance: A subjective art-research inquiry,” AI leverages machine learning to analyze patterns in music, enabling it to compose, mimic, or adapt musical styles.

Technologies such as generative adversarial networks refine outputs to make them more lifelike, while natural language processing aids in creating lyrics and melodies. The researchers say these tools are integral to interactive music systems, where AI becomes a collaborative partner in the creative process.

Musician Atheer Al-Amoudi views AI’s creative potential as revolutionary. “AI is becoming unstoppable in various fields, and the outcomes are undeniably mind-blowing,” Al-Amoudi told Arab News.

“Its limitlessness makes the wildest thoughts of creativity easier to actually produce. If an artist wished to collaborate with another artist but they were unreachable, they can use AI to bring this to life.”

Although such technological leaps are transformative for the production of music, they do throw up concerns about plagiarism and copyright infringement. “There must be a form of consent or at least a disclaimer stating that the actual artist has been replicated,” Al-Amoudi said.

Indeed, while AI can spark creativity, its potential for misuse is concerning. “AI could become a shortcut for lazy artists, where they sell their voice input and let editors produce whatever music they want,” Al-Amoudi said.

“It’s not as authentic, but the shortcut has its benefits for certain projects.”

One especially powerful application in AI-generated music is when it is used to recreate the voices of late singers by drawing upon their body of work.

“The only aspect where AI can create deep emotional music is when it uses the vocals of a deceased singer,” Al-Amoudi said. “It’s really moving, and you can’t help but wonder how that singer would feel about it, and if they would sing it the same way AI is doing it.”

AI in music depends on various advanced technologies, including machine learning, voice synthesis, and generative adversarial networks. These systems analyze and recreate everything from rhythm and harmony to unique vocal traits.




Voice synthesis and cloning, for example, involve training AI on recordings of an artist’s voice to replicate their tone, pitch, and intonation. (Supplied)

Voice synthesis and cloning, for example, involve training AI on recordings of an artist’s voice to replicate their tone, pitch, and intonation. Models like generative adversarial networks refine these replications, ensuring they sound natural and authentic.

This integration of AI technologies was recently used to recreate the voice of Saudi musician and composer Talal Maddah for his daughter Nagham’s wedding — a project that demonstrated the ability of AI to preserve and honor cultural heritage.

“Initially, when I met with the bride, she hadn’t even considered the idea of using one of her father’s songs for her wedding,” music designer Nasser Al-Ojan told Arab News.




How a generative adversarial network works. (Wikimedia Commons)

“She was only planning to walk down the aisle to instrumental music. I suggested that her father should somehow be present with her at this special moment. She asked, ‘How?’ That’s when the idea of using AI came to me.”

The process was both technical and deeply emotional. “Creating such a precise outcome is one of the most challenging tasks,” Al-Ojan said. “First, we used 59 songs by Talal Maddah to isolate his voice across all the vocal ranges he had sung in. This was necessary to replicate his vocal signature accurately.

“The process involved extracting his voice from these songs at various pitches, so when the software works on highs or lows, it mimics the way the artist’s voice naturally flows. This level of precision required a lot of effort and professionalism. The process takes exactly 48 hours to achieve this level of perfection.”




AI leverages machine learning to analyze patterns in music, enabling it to compose, mimic, or adapt musical styles. (Supplied)

The final result was a rendition of one of Maddah’s songs personalized with Nagham’s name, bringing his voice back to life for a deeply personal and moving moment.

Noor Al-Faraj, a data AI and automation expert at IBM and winner of the Saudi Authority for Data and Artificial Intelligence’s Enjaz Hackathon, sees AI as a tool that could push music beyond traditional boundaries.

“AI can help generate melodies, experiment with different sounds, or even mix genres in ways we might not think of,” Al-Faraj told Arab News. “It’s making music creation more accessible, too — you don’t have to be a professional to use these tools and make something amazing.”

However, Al-Faraj highlights the ethical concerns surrounding the technology. “Since AI is trained on existing music, there’s always a chance it could accidentally copy something too closely.




Noor Al-Faraj

“And then there’s the question of ownership — if an AI tool creates a song, who owns it? The person using the tool? The company that made the AI? It’s a gray area that we’re still figuring out.”

AI’s role should complement human creativity rather than replace it, she said. “The goal isn’t to replace what humans create but to complement it with something different, something we’ve never heard before.”

AI is revolutionizing the music industry, offering tools to preserve the legacy of artistic greats like Maddah and push the boundaries of creativity.

From Al-Amoudi’s enthusiasm for AI’s potential to Al-Ojan’s emotionally charged recreation of Maddah’s voice for his daughter, these stories illustrate the transformative power of AI in music.
 

 


Forecast of higher temperatures, rainfall in July and August in Saudi

Forecast of higher temperatures, rainfall in July and August in Saudi
Updated 26 June 2025
Follow

Forecast of higher temperatures, rainfall in July and August in Saudi

Forecast of higher temperatures, rainfall in July and August in Saudi
  • 1 C rise in central, northern and eastern regions
  • Above-normal rain in south, west regions forecast 

JEDDAH: Higher temperatures are expected in July and August in the central, northern and eastern parts of Saudi Arabia, the National Center for Meteorology has announced.

In a seasonal forecast carried by the Saudi Press Agency on Wednesday, the meteorology authority expects a rise of 1 degree Celsius in parts of Riyadh, Qassim and Hail, as well as the eastern and Northern Borders regions.

It is expected to peak in August with a rise of 1.2 degrees Celsius in Jouf, Tabuk, Qassim, Hail and the eastern regions.

The NCM has also forecast higher-than-normal rainfall in Najran, Jazan, Al-Baha, Asir, parts of Makkah and Madinah, southern Riyadh and the eastern regions, particularly in July and August.

The rest of the Kingdom is expected to have normal rainfall.

The Summer 2025 forecast, covering the months of June to August, is based on climatic conditions from 1991 to 2020, the SPA stated.

According to the report, the highest temperature was recorded in Jeddah in June 2010 at 52 degrees Celsius, while Al-Ahsa recorded 51.3 in July 2024.

Dammam and Al-Qaisumah in the eastern part of the Kingdom recorded August highs of 51 in 1998 and 2021.

For rainfall, the southwestern region of Jazan recorded the highest daily amount in August 2024 at 113 millimeters. It also held the record for July at 67.6 in 1995.

For the month of June, Sharurah, in the southern province of Najran, recorded the highest daily amount in June 1996 at 53.8.


Governor of Qassim praises heritage center for preserving region’s culture and history

Governor of Qassim praises heritage center for preserving region’s culture and history
Updated 26 June 2025
Follow

Governor of Qassim praises heritage center for preserving region’s culture and history

Governor of Qassim praises heritage center for preserving region’s culture and history
  • Prince Faisal bin Mishaal highlights the ways in which the Cultural Heritage Center helps boost national pride in the Kingdom’s historical and cultural identity
  • He tours exhibits that showcase the region’s various historical eras and feature a wide range of treasures, including prehistoric and pre-Islamic artifacts

RIYADH: The governor of Qassim, Prince Faisal bin Mishaal, praised a cultural center on Wednesday for the work it is doing to preserve and showcase the region’s rich history and heritage.

During a tour of the Cultural Heritage Center in Qassim he saw displays devoted to various historical eras and learned about the methods used to preserve the region’s historical and cultural assets, the Saudi Press Agency reported.

The prince highlighted the important role the facility plays in shining a light on the region’s cultural heritage, and showcasing key historical artifacts dating back as far as ancient times from sites closely linked to the history and evolution of the Saudi state.

The center, which is part of the regional branch of the Saudi Heritage Commission, has displays that showcase the different historical eras of the region and feature a wide range of exhibits, including prehistoric artifacts and pre-Islamic treasures.

One exhibition is dedicated to Islamic-era Qassim, others to historic pilgrimage routes, architectural heritage sites, and the region’s intangible cultural heritage. There is also an interactive room for children, and a handicrafts section.

Prince Faisal praised the work of the Heritage Commission and highlighted the ways in which its efforts contribute to national pride in the Kingdom’s heritage and its historical identity.

He was accompanied during his visit by Ibrahim Al-Mushaikih, director of the commission’s regional branch, and other officials.

Al-Mushaikih said the governor’s visit represented a significant step in the development of the facility. He invited people from all parts of Saudi society to pay a visit and see for themselves the comprehensive information it offers about Qassim’s archaeological and heritage sites through enjoyable experiences and interactive displays.


Saudi UN envoy demands global action to protect children in conflict zones, condemns Gaza violence

Saudi UN envoy demands global action to protect children in conflict zones, condemns Gaza violence
Updated 48 min 26 sec ago
Follow

Saudi UN envoy demands global action to protect children in conflict zones, condemns Gaza violence

Saudi UN envoy demands global action to protect children in conflict zones, condemns Gaza violence
  • Abdulaziz Alwasil denounces Israeli military operations in Gaza as ‘flagrant violation of international humanitarian law’
  • He emphasizes Kingdom’s commitment to application of international legal instruments, including Convention on the Rights of the Child and its optional protocols

NEW YORK CITY: Saudi Arabia’s permanent representative to the UN, Abdulaziz Alwasil, called on Wednesday for urgent international action to protect children in conflict zones, warning that failure to do so would undermine efforts to build more stable and prosperous societies.

Speaking at a UN Security Council meeting convened to discuss the effects of armed conflicts on youngsters, Alwasil emphasized the importance of protecting children, describing it as a legal obligation and moral responsibility, particularly in nations affected by prolonged violence.

During the session, UN officials detailed an unprecedented surge in the number of grave violations against children during armed conflicts worldwide.

The meeting followed the publication of a devastating annual report by the UN secretary-general’s special representative for children and armed conflict, Virginia Gamba. It documented 41,370 grave violations against children during 2024, a 25 percent increase compared with the previous year, and the highest number since the UN’s Monitoring and Reporting Mechanism was established in 2005.

The verified abuses of children spanned 25 countries and included killings, maiming, recruitment, abductions, sexual violence, attacks on schools and hospitals, and denial of access to humanitarian assistance.

“This year marked a devastating new record,” Gamba told council members. “Behind these numbers are the shattered stories, dreams and futures of over 22,000 children.”

She cited a sharp increase in “compounded violations,” in which children were abducted, recruited and sexually abused, often simultaneously, in the context of deteriorating humanitarian crises.

Israel was responsible for the highest number of violations by a single country against children in 2024, the report stated.

Alwasil said: “As we approach the 20th anniversary of Resolution 1612, which established mechanisms for monitoring violations against children in armed conflict, the international community must focus on two priorities: We must break the cycle of violence and create an environment that rejects extremism and fosters resilience.”

The envoy expressed appreciation for Gamba’s work, and emphasized the Kingdom’s commitment to the application of international legal instruments, including the Convention on the Rights of the Child and its optional protocols. He stressed the shared responsibility of all parties for the protection of children and for efforts to address the root causes of armed violence.

Turning to the crisis in Gaza in particular, Alwasil sharply rebuked Israeli authorities over their military operations in the territory.

“What is happening in Gaza now is a flagrant violation of international humanitarian law and humanitarian values,” he said.

“Civilians live under constant bombardment and a suffocating blockade, facing systematic aggression by Israeli armed forces. This has led to the deaths of 55,000 Palestinians, most of them women and children.”

The war has deprived more than 1 million children in Gaza of basic necessities, including food and medicine, Alwasil said. He called for immediate international action to end the conflict, protect vulnerable populations and hold accountable those responsible for violations.

“The Kingdom affirms that the protection of children in areas of armed conflict is a legal duty that cannot be shirked, and a moral responsibility that cannot be ignored,” he concluded.

“Saudi Arabia supports all UN efforts aimed at protecting civilians, and enhancing international cooperation to respond to the suffering of children affected by war, wherever they may be.”


Replacement of the kiswa that covers Holy Kaaba at Grand Mosque in Makkah begins

The annual ceremony to replace the Kiswa of the Holy Kaaba started on Wednesday. (SPA)
The annual ceremony to replace the Kiswa of the Holy Kaaba started on Wednesday. (SPA)
Updated 26 June 2025
Follow

Replacement of the kiswa that covers Holy Kaaba at Grand Mosque in Makkah begins

The annual ceremony to replace the Kiswa of the Holy Kaaba started on Wednesday. (SPA)
  • A team of 154 skilled Saudi craftsmen will remove the old kiswa, detach its gilded elements, and install its replacement
  • The cover is made up of 47 black-silk panels embroidered with 68 Quranic verses using 24-karat gold-plated silver threads, and weighs 1,415 kg

RIYADH: The annual ceremony to replace the kiswa, the embroidered, black-and-gold silk cloth that covers the Holy Kaaba at the Grand Mosque in Makkah, began on Wednesday evening. It is a tradition that dates back more than a century.

The carefully coordinated process began with the removal of a section of the cloth measuring 6.35 meters by 3.33 meters that covered the Kaaba door.

The new kiswa is on its way to the Grand Mosque, accompanied by a comprehensive system of logistical and operational support, the Saudi Press Agency reported. A team of 154 skilled Saudi craftsmen will remove the old kiswa, detach its gilded elements, and install its replacement.

The cover is made up of 47 black-silk panels, intricately embroidered with 68 Quranic verses using 24-karat gold-plated silver threads. It weighs approximately 1,415 kilograms.

A total of 825 kilograms of silk, 410 kilograms of raw cotton, 120 kilograms of gold-plated silver thread and 60 kilograms of pure silver were used in the creation of the new kiswa. In addition, 54 gilded pieces were produced using eight specialized weaving machines at the King Abdulaziz Complex for the Holy Kaaba Kiswa.


Franco-Saudi music week unites cultures in Jeddah

Franco-Saudi music week unites cultures in Jeddah
Updated 25 June 2025
Follow

Franco-Saudi music week unites cultures in Jeddah

Franco-Saudi music week unites cultures in Jeddah
  • French musicians and artists descend on the Kingdom’s second city
  • Week-long festivities kicked off coinciding with World Music Day

JEDDAH: A week-long music festival is celebrating the rich artistic ties between France and Saudi Arabia through a series of talks, musical performances and jam sessions in Jeddah.

Having kicked off on World Music Day – June 21 – the Music Week in Jeddah: A Franco-Saudi Celebration runs until June 27 and is hosted by the French Embassy and consulate in Jeddah in partnership with the Alliance Francaise, Art Jameel, Call of Culture, Music Home, Sout Albalad and Siddharta Lounge.

One of the featured events was a DJ session by French artist SONGE at Siddharta Lounge by Buddha Bar on Tuesday. She told Arab News that through her music she aims “to break boundaries and create inclusive spaces where diverse voices and energies can connect.”

GUITARRAMA, the Ninth Artistic Music and Music Education Forum, hosted at Music Home on Monday, brought together a number of artists and experts.

It was spearheaded by Anouar Kablaoui, instructor at Music Home Higher Institute and founder of the forum.

Kablaoui said: “This ninth edition explores how the guitar, a traditionally Western instrument, is being reimagined within Arabic musical aesthetics, jazz vocabularies and local creative industries.”

The forum also featured Saudi jazz guitarist Aqeel Hussein, who reflected on his personal journey with jazz, beginning at an American university and continuing with his efforts to bring the genre into the Saudi musical landscape since 2004.

“This forum was an opportunity to share my story and the passion that drives me to keep performing and educating through jazz. It’s about showing how music can evolve when it crosses borders, while staying true to its roots,” Hussein told Arab News.

A performance by the student band Zakharef, formed by students of the University of Business and Technology, captured the spirit of the night. The band’s musical debut was a tribute to the Hijazi heritage and the historical charm of Jeddah’s Al-Balad, forming an emotional and lasting moment for both the performers and the audience.

Hayy Jameel is set to host an open jam session with French-Moroccan artist Karimouche on Thursday in collaboration with Hayy Sounds.

The performance promises a dynamic fusion of Eastern melodies, hip-hop, spoken word and beatbox — blending tradition and modernity in a truly global dialogue of sound.

Karimouche, the stage name of French Moroccan artist Karima Amarouche, told Arab News: “It’s an honor for me to participate in the emancipation of women in music here.”

She is known for fusing rap, spoken word, and North African rhythms in songs that explore themes of identity and resistance. She revealed that her Hayy Jameel performance will feature songs from both her latest album “Folies Berberes” and earlier works.

She also shared how her collaboration with Saudi artist Roaa Lam began: “I saw her on Instagram. I listened and thought, ‘Wow, I love this artist. She’s amazing’.”

Karimouche is deeply committed to working with women in music, both in France and abroad. “It’s important for me. There’s a sense of female solidarity. It’s an honor for me to participate in the emancipation of women in music here, and to witness the growing freedom year after year. God willing, I hope to return every year.”

Reflecting on her time in Saudi Arabia so far, she said: “The music scene here is very rich. The collaboration with the all-female band Siham in Riyadh was magical. We created new pieces together and blended our styles. Now, the same is happening here with Roaa.”

Kosh spoke to Arab News about how he imitates instruments with his unique style of beatboxing.

He explained that his journey began in childhood: “When I was a kid, I played with toy cars and made sounds … that evolved into beatboxing.”

Over the years, his talents have taken him to major venues, including the Montreux Festival in France. He now mixes beatboxing with humor, spoken word and live music.

Roaa Lam, the Saudi oud player, told Arab News about how she perceives oud and music: “For me, it’s not composition — it’s emotional storytelling”

Representing Saudi Arabia in the international collaboration, Lam is a self-taught oud player, singer, and composer who brings authenticity and deep emotion to her music.

“I compose music and collaborate with other artists,” she said.

Lam spoke about one of her most meaningful projects: A piece called Kurd Al-Tha’alib (Kurd of the Foxes), which she composed using field recordings of women’s voices in a public garden in Jeddah, before their neighborhood was demolished.

“I used the musical mode ‘Kurd’ and named the piece after the neighborhood that was called Al-Tha’alib before it was torn down,” she said.

The piece was performed at the Feminist Festival in Berlin — a milestone in her growing international presence.

She also reflected on her musical journey: “I’ve been playing oud for about six years. I taught myself. I never studied in a music school — it’s all self-expression. That’s what music is to me.”

Music Week in Jeddah is a creative crossroads. Through the voices of artists, the festival highlights the richness of cultural exchange and the transformative power of music to build empathy, connection and beauty.

As Karimouche put it: “My heart is full. The people here are respectful, kind and creative. I’ve learned so much from the Saudi artists.”

The celebration will conclude on Friday with an energetic Open Mic Night at Hayy Jameel, hosted by Slow Moe and spotlighting the emerging Saudi rap scene. This finale aims to showcase the voices of local youth and their growing impact on the global hip-hop scene.

Reflecting on the celebrations, Larry Lamartiniere, managing director of Alliance Francaise de Djeddah, said: “Alliance Francaise de Djeddah is thrilled to celebrate La fete de la musique alongside its partners. It is an event that transcends borders and brings people together through the universal language of music.”

Mohammed Nehad, consul general of France in Jeddah, said the event is a “powerful symbol of the deepening friendship and cultural cooperation between France and Saudi Arabia,” adding that he hopes it will continue to “energize the local cultural scene in Jeddah.”