Review: Experience luxury living at Shebara on the Red Sea in Saudi Arabia

The Kingdom’s latest beach resort, Shebara, on the Red Sea, is breaking the mold with its futuristic designs. (Supplied)
Short Url
Updated 14 February 2025
Follow

Review: Experience luxury living at Shebara on the Red Sea in Saudi Arabia

  • Can the Kingdom’s latest beach resort live up to its eye-watering price tag? 

RED SEA: Overwater villa resorts continue to attract holiday goers around the world, but the Kingdom’s latest beach resort, Shebara, on the Red Sea, is breaking the mold with its futuristic designs. 

It’s rare that a resort’s architecture is seen as its biggest draw, but that is exactly what Killa Design, the studio behind Dubai’s iconic Museum of the Future, has managed to achieve, with its silver stainless-steel pods that dot the ocean in a necklace-like curve 25 kilometers off Saudi Arabia’s coastline. 




The silver stainless-steel pods dot the ocean in a necklace-like curve 25 kilometers off Saudi Arabia’s coastline. (Supplied)

Most visitors will arrive from elsewhere in the Kingdom via the Red Sea International Airport. Currently an efficient two-hall operation — until developers build a larger airport set to welcome international flights — beach-ready tourists arrive at Shebara via a 30-40-minute boat ride or a 30-minute seaplane flight that departs from nearby the airport, which currently serves domestic flights from Jeddah and Riyadh. 

Sunlight reflects off the resort’s 73 orb-like villas as guests approach, with the mirrored surface of each pod changing from sunlight to sunset. Both the Beach Villas and the Overwater Villas are available with one or two bedrooms. 

The resort, which is reportedly powered entirely by an on-site solar farm, has all the amenities you would expect for the SAR9,000 (just under $2,400) nightly price tag (for a one-bedroom Beach Villa), but, as we said, it’s the spacious living spaces themselves that are the highlight. The luxe spa, well-kitted out gym and water sport offerings are really just there to complement the rooms, both the exteriors and interiors of which are worthy of a Bond film. 




The interiors — by Studio Paolo Ferrari — are a masterclass in experiential living. (Supplied)

The interiors — by Studio Paolo Ferrari — are a masterclass in experiential living: steel curves, pops of burnt orange, and leather-clad curved walls may not be to everyone’s taste but it’s an experience — one that comes with a reflective button-operated bar that sits like a giant beetle near the living area. 

A fully equipped kitchenette is a plus point for guests keen to use the various Nespresso gadgets. Trek over to the bathroom — even the one-bed Overwater Villa is a roomy 188 sq. meters — and you’ll be treated to a free-standing bathtub and separate, curved shower room. 

From the lights to the air conditioning and patio doors, it’s all touch screen or button-controlled. Hitting a switch triggers a swoosh as the French doors open to reveal endless blue sea, with a small dipping pool and two outdoor seating areas on a marble-clad deck. For guests seeking a little extra privacy while taking a dip, it should be noted that the overwater villas’ deck pool and sea-skimming overwater hammock area are not shielded from view.  




While there are similar resorts the world over, the architecture and fresh take on beach living make Shebara well worth a visit. (Supplied)

Guests travelling in larger groups are able to reserve an entire islet — the Beachfront Crown Villas Ensemble option, which includes a three-bedroom villa and three one-bedroom villas. The Beachfront Royal Villas Ensemble on the separate Sheybarah Island, featuring a private dock, is also available. This option boasts a four-bedroom villa and three one-bedroom villas.  

Walk or catch a buggy through beautifully landscaped soft dunes to the spa and you’ll be treated to a menu of massage, facial and hammam options. The post-treatment relaxation area, with the usual sauna-and-steam room mod cons, is a little on the small side. 

Dining options include iki.roe, serving modern Japanese-Nikkei cuisine; Ariamare, led by restaurateur Chef Marco Garfagnini whose menu offers Mediterranean flavors; Lunara, an international brasserie; and Saria Pool Bar & Grill, a beachside venue specializing in Levantine cuisine. Solera, an adults-only pool bar, is the ideal spot to watch a spectacular sunset with a mocktail in hand. 




Solera, an adults-only pool bar, is the ideal spot to watch a spectacular sunset with a mocktail in hand. (Supplied)

All in all, it’s as luxurious as it gets. But it has to be said that sea resorts do have to contend with more than their fair share of wear and tear due to the weather conditions they face. It is perhaps unfair to expect the resort’s many glass and steel surfaces to be crystal clear and brilliant all the time, but if we were nitpicking — and at this price point, we surely must — more attention could be paid to the details in the public areas as it all feeds into the experience. That being said, the rooms themselves are pristine. 

While Mother Nature does battle with the resort’s maintenance staff on a daily basis, she’s also the source of one of Shebara’s most stunning offerings; the snorkeling at this resort is a must as the Red Sea is famous for its diverse marine life, clear blue-green waters and colorful coral. 

While there are similar resorts the world over, the architecture and fresh take on beach living make Shebara well worth a visit. 


Saudi artist Rana Alsaggaf: ‘I hope my work inspires people to explore these places’ 

Updated 20 March 2025
Follow

Saudi artist Rana Alsaggaf: ‘I hope my work inspires people to explore these places’ 

  • The Saudi artist’s sketches of landmarks from her homeland are on display at the Islamic Arts Biennale

JEDDAH: Rana Alsaggaf has carved her own space in the Saudi art scene with her intricate sketches of landmarks from across the Kingdom. With a background in interior design and master’s degrees in entrepreneurship and innovation as well as international art and culture management, her practice is deeply rooted in both technical knowledge and a passion for heritage. 

Rana Alsaggaf. (Supplied)

Recently, she had the honor of showcasing her work at the second Islamic Art Biennale in Jeddah, an experience she describes as both meaningful and humbling. 

“It’s an opportunity to present my work in a space that celebrates the intersection of faith, culture, and artistic expression,” she told Arab News. 

Alsaggaf is showcasing “Sacred Journeys” at the biennale, which runs until May 25. It is a collection of works that visually narrate the journey from Jeddah to Makkah, a path traveled by millions of pilgrims. It was installed at the Jeddah Airport Pilgrims Gateway, a setting that naturally resonated with the work. 

'Bab Al-Salam Gate.' (Supplied)  

“This route is more than just a road, it is a transition into a sacred experience,” Alsaggaf explained. “By sketching its key landmarks, I wanted to highlight the gateways that pilgrims pass through on their way to Makkah. I hope my work inspires people to explore these places and to connect with their history in a way that feels tangible and relevant today.” 

Alsaggaf’s artistic process always begins with firsthand exploration. She visits the sites, sketches on location whenever possible, and refines her compositions by focusing on perspective, architectural details, and the emotions these places evoke. Research also plays a key role in her work; she digs into the history of each landmark, uncovering stories that add depth to the experience. 

To enhance this connection, with each artwork she includes a card sharing insights about the location. By keeping her color palette minimal, she ensures the focus remains on the form, history, and character of each landmark. 

'Historic city wall of Jeddah' by Rana Alsaggaf. (Supplied)

Alsaggaf chose to highlight the pilgrimage gates because of their historical and functional significance, as well as their strong connection to the Islamic Art Biennale’s location. 

“These gates mark important entry points for travelers and pilgrims, making them both symbolic and relevant. Each one represents a threshold, a moment of arrival and transition on the journey to Makkah,” she said. 

Through her art, Alsaggaf hopes to spark curiosity and inspire people to visit these sites, experiencing their significance firsthand. “I want my sketches to create a sense of connection,” she stated. To enhance this connection, she draws from an eye-level perspective, making viewers feel as though they are standing right in front of the landmarks. Her illustrations act as a bridge between the past and present, preserving the spiritual and cultural heritage of the Hajj. 

“These places are not just remnants of the past; they continue to welcome travelers and pilgrims every day. Through my art, I want to ensure they remain part of our cultural dialogue,” Alsaggaf said. 

While her work is rooted in direct observation, Alsaggaf takes care to research each site’s historical context. However, rather than reconstructing what no longer exists, she prefers to depict landmarks as they stand today, emphasizing their continued presence and relevance. 

“The biggest challenge is capturing the depth of the experience in a way that feels immediate and real. I wanted my sketches to reflect the emotional weight of the journey while staying true to the landmarks’ current state,” she explained. “Balancing simplicity with meaning was key.” 

Jeddah’s Rawasheen, the intricately carved wooden balconies found on historic buildings, have been a recurring theme in Alsaggaf’s work. Beyond their striking appearance, they represent the layered history of Jeddah as a gateway for travelers and pilgrims. 

“For me, they are windows into the soul of the city, reflecting both its past and its living heritage,” she said. 

These ornate facades are a symbol of craftsmanship, cultural exchange, and architectural identity — elements that Alsaggaf is passionate about preserving through her sketches. 

'The Pilgrim's Gateway' by Rana Alsaggaf. (Supplied)

Alsaggaf uses her Instagram page, Wings Over Saudi, to share her art — which includes paintings as well as sketches — with a wider audience. The name was inspired by a legendary Jeddah folktale involving seagulls, and reflects her artistic vision of movement, exploration, and perspective. 

“It represents the way I approach my art, not just as static images, but as invitations to discover Saudi’s landscapes, cities, and cultural landmarks,” she explained. 

Her collection of paintings titled “Reflections of Jeddah” is a tribute to the coastal city’s historic streets. Created in her studio within Jeddah’s heritage district, the series captures the play of light, shadow, and intricate designs that define its acclaimed architecture. 

“Through these works, I aim to preserve Jeddah’s historic charm while celebrating its enduring cultural significance,” she said. 

Another series, “Sketchbook Journey,” highlights the wider Kingdom’s diverse architecture, from grand mosques to ancient alleyways.  

“Each piece in this series honors Saudi Arabia’s architectural legacy, preserving its beauty for future generations while encouraging a deeper appreciation for the artistry and heritage that define the Kingdom,” she said. 

Alsaggaf sees endless opportunities to continue exploring and documenting her homeland.  

“There are so many incredible landmarks still to capture,” she said. “I want to keep sketching, discovering, and sharing the beauty of these places with others.” 


High-end design with luxury service: The Jeddah Edition 

Updated 20 March 2025
Follow

High-end design with luxury service: The Jeddah Edition 

JEDDAH: With its sleek, contemporary design that combines modern luxury with understated elegance, it’s no surprise that the Jeddah Edition won Best Hotel Design at last month’s Saudi Commercial Interior Design Awards. 

The high-ceilinged lobby is gorgeous — its orange acrylic sphere, created by Vincent Leroy, really pops against the sunset and created such a perfect vibe as I walked in.  

The high-ceilinged lobby features an orange acrylic sphere created by Vincent Leroy. (Supplied)

The welcome was as impressive as the surroundings, with Saudi coffee and dates served before I’d even checked in. The check-in process was smooth and efficient, setting the tone for a relaxed and enjoyable stay, throughout which the staff were always friendly and quick to respond to any requests, ensuring visitors feel well taken care of. 

My spacious deluxe room, thoughtfully laid out, instantly made me feel at home. The beige-and-white color scheme, balanced by the perfect lighting, created a calm and comfortable environment, while the bathroom’s freestanding tub and signature Le Labo toiletries added a touch of luxury. 

In the evening, I headed down to the Lobby Bar to grab a light snack. The atmosphere was lively — there’s a snooker table and a selection of games for guests to enjoy — but cozy too, with blankets and shawls draped over the comfortable sofas. I sampled some of the delicious snacks, including vegetable spring rolls and zucchini chips paired with a brinjal sauce dip, before heading out for a stroll around the nearby art promenade.  

The beige-and-white color scheme, balanced by the perfect lighting, created a calm and comfortable environment. (Supplied)

While there are many excellent dining options within the hotel, its location near the Jeddah Yacht Club and Marina provides easy access to a variety of great spots, ideal for foodies. 

As night fell, I made my way to the poolside lounge on the Edition’s roof terrace. This quickly became one of my favorite spots, with its panoramic views of the marina and the Formula 1 racetrack. 

In the morning, I indulged myself with a relaxing massage at the hotel’s Aromatic Spa, an experience which began with a refreshing cup of lemon mint tea with a few drops of chamomile. The spa facilities were immaculate, with separate changing rooms and bathrooms. For couples, there’s a special treatment room that includes a private balcony. 

The food at the hotel was excellent. At the Maritime restaurant, which serves a contemporary French-Asian menu, there are breakfast and lunch buffets, while for dinner, the à la carte menu offers a selection of dishes designed for sharing. I was particularly impressed by the monkey bread, shrimp dumplings with lemongrass beurre blanc and caviar, lamb shank, and perfectly cooked beef short ribs. The restaurant’s terrace, framed by pink bougainvillea and 150-year-old olive trees, and with views of the Red Sea, provided an exceptional setting for dining. 

After eating, I headed to The Den, a cozy lounge perfect for those looking to unwind with a cigar or enjoy a light drink. With tufted teal velvet banquettes and a classic ambiance, The Den is an intimate setting that contrasts beautifully with the lively energy of the rest of the hotel. 

There were several other amenities I made use of, including a well-equipped gym and the rooftop pool. Sadly, the latter, while an excellent spot to relax under the warm Jeddah sun, isn’t really large enough for anyone wanting to get some proper swimming in.  

That was a minor gripe, however, and overall my stay at The Edition was an experience I would be happy to repeat. If you’re looking for a relaxing, luxurious stay in Jeddah, it’s hard to beat. 


REVIEW: Harrowing drama ‘Adolescence’ is already this year’s best TV

Updated 20 March 2025
Follow

REVIEW: Harrowing drama ‘Adolescence’ is already this year’s best TV

  • Netflix show stars Stephen Graham as the father of an accused school kid 

LONDON: It might only be March, but we’ve already been treated to the TV highlight of 2025. And I write this fully aware that shows including “Andor,” “A Knight of the Seven Kingdoms,” “The Bear,” “The Last of Us,” “Stranger Things,” and many more are still to come. None, though, will be better than “Adolescence,” created by actor Stephen Graham and writer Jack Thorne and directed by Philip Barantini. 

The four-part series tells the story of 13-year-old Jamie Miller, accused of the murder of a schoolmate. Each episode is shot in real time, in a single take, and follows a different aspect of the investigation and its fallout. Graham plays Jamie’s father Eddie, with Ashley Walters and Faye Marsay as investigating officers Bascombe and Frank, and Erin Doherty (recently seen opposite Graham in “A Thousand Blows”) as child psychologist Briony Ariston. Jamie is played by Owen Cooper, putting in a debut performance that is as astonishing as it is harrowing.  

“Adolescence” is not a whodunnit — Jamie’s guilt is made plain early. Rather, it’s a whydunnit, which also explores the impact it has on his family and friends. Thorne and Graham don’t hold back, hurling viewers into a world that picks at ideas of toxic masculinity (it’s no surprise Andrew Tate gets a namedrop), bullying, parental pressure, and teenage attitudes to dating. It’s a heady mix of horrifying revelations — about modern teenage pressure, about Jamie’s mindset and temper, about the effect it has on his parents as they try to come to terms with the shocking things their beloved son has done. 

Technically, “Adolescence” is a masterpiece. The balletic production processes that must have been involved are simply staggering, but they suck the audience in and refuse to let them go, demanding we share in every uncomfortable second. And the cast are even better. Cooper is terrifyingly convincing, and Graham is astonishing as a father trying to look with love at a son he no longer recognizes. But, across the board, the performances are staggeringly good. 

 “Adolescence” may be one of the most upsetting shows released this year — at times, it’s excruciating — but it is also a remarkable work of art.  


Gal Gadot’s Walk of Fame ceremony disrupted by protestors 

Updated 19 March 2025
Follow

Gal Gadot’s Walk of Fame ceremony disrupted by protestors 

DUBAI: Israeli actress Gal Gadot, known for her roles in Hollywood films like “Wonder Woman” and the upcoming live action “Snow White,” was honored with a star on the Hollywood Walk of Fame in a ceremony that was disrupted by both pro-Israeli and pro-Palestinian protesters.

The event took place on Tuesday near the El Capitan Theatre in Hollywood, on the same day Israel launched its most intense strikes on the Gaza Strip since a Jan. 19 ceasefire. Gadot was accompanied by family, friends, and colleagues, including "Fast & Furious" co-star Vin Diesel and "Wonder Woman" director Patty Jenkins.

The ceremony was disrupted by both pro-Israeli and pro-Palestinian protesters. (AFP)

Pro-Palestinian demonstrators held signs with messages such as "Heroes Fight Like Palestinians" and "Viva Viva Palestina," while chanting slogans like "Up up with liberation, down down with occupation." In contrast, pro-Israeli supporters displayed Israeli flags and expressed solidarity with Gadot. 

The protests led to a delay of approximately 15 minutes before the ceremony commenced. Tensions escalated when a pro-Palestinian protester seized an Israeli flag from a supporter, prompting a brief police chase. And while some protesters were detained, no arrests were reported, according to Variety.

Gadot, who served in the Israel Defense Forces, has been an outspoken supporter of Israel, particularly following the Oct. 7, 2023, attacks by Hamas. She has used her platform to advocate for the release of hostages. In her speech at the ceremony, Gadot chose to focus on her personal journey and achievements, stating, “I'm just a girl from a town in Israel. This star will remind me that with hard work, passion, and some faith, anything is possible.” 

The timing of the ceremony coincides with the upcoming release of Disney’s live-action “Snow White,” in which Gadot portrays the Evil Queen opposite Rachel Zegler’s Snow White. The film has been embroiled in controversy due to its modern reinterpretation of the classic tale, including the portrayal of the seven dwarfs and the casting choices. Additionally, the contrasting political views of its lead actresses have further fueled debates. Gadot's support for Israel stands in opposition to Zegler’s pro-Palestinian stance, leading to calls for boycotts from both sides.


Filmmakers sign open letter slamming Miami Beach mayor’s legal action over Palestinian-Israeli documentary 

Updated 19 March 2025
Follow

Filmmakers sign open letter slamming Miami Beach mayor’s legal action over Palestinian-Israeli documentary 

DUBAI: International filmmakers — including Oscar winners Michael Moore, Laura Poitras, Ezra Edelman and Alex Gibney — have signed an open letter to the city of Miami Beach after Miami Beach Mayor Steven Meiner sought to shut down the city’s nonprofit art house cinema, O Cinema, following screenings of the Oscar-winning documentary “No Other Land.”
“No Other Land” is a collaboration between Israeli and Palestinian filmmakers that follows activist Adra as he documents the destruction of his hometown, which Israeli soldiers are tearing down to use as a military training zone, at the southern edge of the West Bank.
On March 13, Miami Beach Mayor Meiner called the film “a false one-sided propaganda attack on the Jewish people that is not consistent with the values of our city and residents.” He introduced legislation to terminate the lease for the O Cinema, a city-owned property. Meiner is also asking the city to “immediately discontinue” approximately $40,000 in city grant funding. 
On Monday, 752 members of the international filmmaking community signed an open letter slamming what they said was “an attack on freedom of expression, the right of artists to tell their stories, and a violation of the First Amendment.”
Alfred Spellman, who co-founded Miami-based media studio Rakontur, signed the letter and spoke to Variety about his motivations for doing so. 
“This is a case that is definitional of what the First Amendment is supposed to protect against, which is government encroachment on speech,” Spellman told Variety. “The Mayor is trying to claim that the content of the documentary is anti-semitic, but that doesn’t matter. So long as it is not legally obscene, the mayor has no business interfering with what the O Cinema chooses to program.
“The problem here is that there is an attempt to shift the discussion to the merits or the demerits of the film and the filmmaking and the issues surrounding it,” said Spellman. “If you are a committed free speech advocate, none of that matters.” 
“This has come as a complete shock and surprise to us,” O Cinema co-founder and chair of the board of directors Kareem Tabsch told Variety. “In the organization’s nearly 15 years, we have never heard from an elected official who has questioned or challenged a film we have shown, and we’ve operated in multiple municipalities.”
Miami Beach commissioners will vote on Meiner’s O Cinema proposal on Wednesday.