Film review: ‘Oddity’ tells the story of Dani, the wife of a psychiatrist

DHAHRAN: Animation lovers attending the 11th Saudi Film Festival this week were treated to a masterclass by Oscar-nominated Japanese director Koji Yamamura.

Yamamura gave a masterclass titled “Giving Shape to Invisible Light” on Saturday.

While the Saudi Film Festival typically focuses on local and regional cinema, it also offers audiences a chance to engage with global voices. This year, Japan holds a special place in the lineup, with the festival running until April 23.

Masterclass attendees watched as Yamamura explained his process and shared several of his shorts, which he dissected, offering guidance and insight into his creative approach.

Yamamura, regarded as one of Japan’s most successful animation filmmakers, began creating films at just 13 years old. After six painstaking years and thousands of drawings, his 10-minute 2002 film “Mt. Head” earned him an Oscar nomination in the Best Short Film category.

The story follows a man who eats cherry pits to avoid waste, only to have a cherry tree sprout from his head. What begins as a nuisance quickly escalates into chaos as strangers flock to picnic and swim atop his head.

Narrated in the traditional rakugo style — with a single voice and sparse instrumentation — the work blends classical storytelling with modern themes. Beneath the dark humor lies a critique of isolationism, environmental degradation, and the illusion of control. The more the man tries to resist change, the more disorder he invites, leading to a haunting end.

Yamamura explained that many of his works were inspired by traditional tales that are over 150 years-old—stories where the beginning and end are already known — so the creative challenge lies in how he fills the space.

His work moves fluidly between absurdity and clarity, often occupying a Kafkaesque space that encourages the viewer to dive in until the narrative fully takes hold.

After the masterclass, he sat down to answer questions by moderator Naoures Rouissi of the Arab Film Festival Zurich, and the audience was invited to take part in a Q&A portion.

Abdulrahman Al-Qarzaee, a fluent Japanese speaker who is Saudi, translated.

“I’m very interested in Arabic culture. It is my first time in Saudi Arabia — I would like to sketch it. I think the landscape is very different from Japan,” Yamamura told Arab News after the session.

When Arab News asked if he might create a new work inspired by his visit to the Kingdom, he didn’t hesitate.

“Probably, yeah. This is a very special and different experience for me,” he concluded with a smile.

DUBAI: A sequel is already in the works for “Esaaf” (“Ambulance”), the new comedy starring Saudi actor and stand-up comedian Ibrahim Al-Hajjaj and directed by British filmmaker Colin Teague.

The film premiered on Tuesday, making history as the first Arabic-language movie to be released by Imax. 

The plot revolves around two Saudi paramedics who discover a briefcase containing holding SR2 million (around $533,300) and find themselves caught up in a dangerous kidnapping scheme.

The movie is written by Alberto Lopez and produced by Al-Hajjaj’s House of Comedy, Saudi producer Talal Anazi’s Black Light Operations and former MBC Studios chief Peter Smith in tandem with Saudi Media Company. 

The film marks Al-Hajjaj’s first major release since “Sattar,” the 2023 wrestling film which grossed over $30 million, primarily from Saudi audiences.