PHOENIX: They flaunted their participation in the Jan. 6 riot at the US Capitol on social media and then, apparently realizing they were in legal trouble, rushed to delete evidence of it, authorities say. Now their attempts to cover up their role in the deadly siege are likely to come back to haunt them in court.
An Associated Press review of court records has found that at least 49 defendants are accused of trying to erase incriminating photos, videos and texts from phones or social media accounts documenting their conduct as a pro-Donald Trump mob stormed Congress and briefly interrupted the certification of Democrat Joe Biden’s election victory.
Experts say the efforts to scrub the social media accounts reveal a desperate willingness to manipulate evidence once these people realized they were in hot water. And, they say, it can serve as powerful proof of people’s consciousness of guilt and can make it harder to negotiate plea deals and seek leniency at sentencing.
“It makes them look tricky, makes them look sneaky,” said Gabriel J. Chin, who teaches criminal law at the University of California, Davis.
One such defendant is James Breheny, a member of the Oath Keepers extremist group, who bragged in texts to others about being inside the Capitol during the insurrection, authorities say. An associate instructed Breheny, in an encrypted message two days after the riot, to “delete all pictures, messages and get a new phone,” according to court documents.
That same day, the FBI said, Breheny shut down his Facebook account, where he had photos that he taken during the riot and complained the government had grown tyrannical. “The People’s Duty is to replace that Government with one they agree with,” Breheny wrote on Facebook on Jan. 6 in an exchange about the riot. “I’m all ears. What’s our options???”
Breheney’s lawyer, Harley Breite, said his client never obstructed the riot investigation or destroyed evidence, and that Breheny didn’t know when he shut down account that his content would be considered evidence.
Breite rejected the notion that Breheny might have been able to recognize, in the days immediately after Jan. 6 when the riot dominated news coverage, that the attack was a serious situation that could put Breheny’s liberty at risk.
“You can’t delete evidence if you don’t know you are being charged with anything,” Breite said.
Other defendants who have not been accused of destroying evidence still engaged in exchanges with others about deleting content, according to court documents.
The FBI said one woman who posted video and comments showing she was inside the Capitol during the attack later decided not to restore her new phone with her iCloud content — a move that authorities suspect was aimed at preventing them from uncovering the material.
In another case, authorities say screenshots from a North Carolina man’s deleted Facebook posts contradicted his claim during an interview with an FBI agent that he didn’t intend on disrupting the Electoral College certification.
Erasing digital content isn’t as easy as deleting content from phones, removing social media posts or shutting down accounts. Investigators have been able to retrieve the digital content by requesting it from social media companies, even after accounts are shut down.
Posts made on Facebook, Instagram and other social media platforms are recoverable for a certain period of time, and authorities routinely ask those companies to preserve the records until they get court orders to view the posts, said Adam Scott Wandt, a public policy professor at John Jay College of Criminal Justice who trains law enforcement on cyber-based investigations.
Authorities also have other avenues for investigating whether someone has tried to delete evidence.
Even when a person removes content from an account, authorities may still get access to it if it had been backed up on a cloud server. People who aren’t involved in a crime yet were sent incriminating videos or photos may end up forwarding them to investigators. Also, metadata embedded in digital content can show whether it has been modified or deleted.
“You can’t do it,” said Joel Hirschhorn, a criminal defense lawyer in Miami who is not involved in Capitol riot cases. “The metadata will do them in every time.”
Only a handful of the more than 500 people across the US who have been arrested in the riot have actually been charged with tampering for deleting incriminating material from their phones or Facebook accounts.
They include several defendants in the sweeping case against members and associates of the Oath Keepers extremist group, who are accused of conspiring to block the certification of the vote. In one instance, a defendant instructed another to “make sure that all signal comms about the op has been deleted and burned,” authorities say.
But even if it does not result in more charges, deleting evidence will make it difficult for those defendants to get much benefit at sentencing for accepting responsibility for their actions, said Laurie Levenson, a professor at Loyola Law School.
Some lawyers might argue their clients removed the content to lessen the social impact that the attack had on their families and show they do not support what had occurred during the riot. But she said that argument has limits.
“The words ‘self-serving’ will come to mind,” Levenson said. “That’s what the prosecutors will argue — you removed it because all of a sudden, you have to face the consequences of your actions.”
Matthew Mark Wood, who acknowledged deleting content from his phone and Facebook account that showed presence in the Capitol during the riot, told an FBI agent that he did not intend on disrupting the Electoral College certification.
But investigators say screenshots of two of his deleted Facebook posts tell a different story.
In the posts, Wood reveled in rioters sending “those politicians running” and declared that he had stood up against a tyrannical government in the face of a stolen election, the FBI said in court records. “When diplomacy doesn’t work and your message has gone undelivered, it shouldn’t surprise you when we revolt,” Wood wrote. His lawyer did not return a call seeking comment.
Even though she is not accused of deleting content that showed she was inside the Capitol during the riot, one defendant told her father that she was not going to restore her new phone with her iCloud backup about three weeks after the riot, the FBI said.
“Stay off the clouds!” the father warned his daughter, according to authorities. “They are how they are screwing with us.”
US Capitol rioters accused of erasing content from social media, phones
https://arab.news/8w65h
US Capitol rioters accused of erasing content from social media, phones

- Experts say the efforts to scrub the social media accounts reveal a desperate willingness to manipulate evidence once these people realized they were in hot water
- Only a handful of the more than 500 people across the US who have been arrested in the riot have actually been charged
State of the Saudi media sector and investment opportunities it offers

RIYADH: The General Authority for Media Regulation has released a report, “The State of the Saudi Media Sector and Investment Opportunities for 2024,” which provides an overview of the media landscape in the Kingdom and highlights the significant transformations the sector is undergoing to keep pace with Saudi Vision 2030.
The report reflects promising investment opportunities, in addition to the technical and regulatory shifts that support the growth and sustainability of the sector. It also illustrates the magnitude of the boom in the Saudi media sector, which has achieved remarkable development driven by digital transformation and technological advance, improving the efficiency of media content and enhancing its global competitiveness.
The media authority’s estimates in the report indicate that the contribution of the media sector to the direct and indirect gross domestic product increased to 0.57 per cent in 2024, amounting to SAR16 billion ($4.26 billion), compared with 0.52 per cent in 2023.
The authority continues to work towards achieving its ambitious goals of raising this percentage to 0.8 percent by 2030. In terms of investment in human capital, job growth reached 67,000 jobs, with a rate of 22 percent by the end of 2024, with the aim of reaching 160,000 jobs by 2030.
The report also identified six key transformations in the media industry in the Kingdom, including the increasing demand for local content, developing media infrastructure, adopting modern technologies such as artificial intelligence and augmented reality, improving the regulatory environment, supporting national talents and competencies, and expanding investment opportunities.
The report confirms that the Kingdom has become a prominent destination for media investment, providing a flexible regulatory environment and mega-projects aimed at enhancing the media industry.
It also addressed the opportunities available to investors in content production, the development of electronic games, investment in media infrastructure, and international partnerships in the Saudi media market. In addition, the continued innovation and adoption of modern technologies to enhance the competitiveness of Saudi media globally is a crucial factor because the sector has elements that make it one of the main drivers of economic and cultural development in the Kingdom.
The report details the opportunities and challenges in the sector and covers the five media divisions supervised by the General Authority for Media Regulation: publishing; audio; visual; advertising; and games sectors.
The authority, through the report, hopes to improve understanding of the local media landscape and provide clear and accurate data to media entities and local and international investors, to highlight the promising opportunities in the sector.
The report is a comprehensive reference for the state of media in the Kingdom and is provides a guide for local and international investors and researchers in the sector. The authority urges interested partis to view the report on its website at https://gmedia.gov.sa/ar/media-status-report
Algerian TV channel suspended for racism against African migrants

- Since the start of April, Algeria has expelled some 5,000 Africans to neighbouring Niger, according to state television. About half were from Niger
ALGIERS: Algerian authorities on Friday suspended broadcasts by a television news channel for 10 days after it used a racist word on social media to describe African migrants.
Echorouk News TV used the derogatory word in a Facebook post after police raids in which migrants from sub-Saharan Africa were detained.
The ANIRA broadcasting authority called the publication "extremely serious".
The report contained "a racist and discriminatory term, an attack on human dignity, conveying hate speech against a category of people because of their race," said ANIRA which demanded that the channel's management make an official apology.
Tens of thousands of undocumented African migrants have used Algeria as a staging post to attempt to get to Europe. Many have sought jobs in the North African country.
Since the start of April, Algeria has expelled some 5,000 Africans to neighbouring Niger, according to state television. About half were from Niger.
Eurovision lifts ban on Palestinian flags as scrutiny of Israel’s participation grows

- Fans will now be allowed to bring and display any flag that does not contain racist content, hate symbols
- Iceland, Spain and Slovenia have all raised concerns about Israel’s participation at this year’s contest
LONDON: Organizers of the Eurovision Song Contest have lifted a ban on Palestinian flags for audience members, but maintained restrictions for participating artists, as pressure over Israel’s inclusion in this year’s event increased.
The change, confirmed by Danish broadcaster DR, marks a shift from the European Broadcasting Union’s longstanding rule prohibiting flags from non-competing countries and territories. That policy led to Palestinian flags being banned in previous years.
According to updated guidelines obtained by DR, fans will now be allowed to bring and display any flag that does not contain “racist and/or discriminatory content,” or symbols thought to incite hatred, violence, or linked to banned organizations.
In a statement to CNN, the EBU said the update seeks to “strike a balance to ensure that our audiences and artists can express their enthusiasm and identities,” while offering greater clarity for national delegations.
However, the relaxed policy applies only to the audience. Participating artists will still be restricted to displaying official national flags in all official Eurovision spaces, including the stage, green room, and Eurovision Village. Artists may show only the flag of the country they represent.
The revised policy comes amid growing criticism of Israel’s participation in this year’s contest to be held in Basel, Switzerland, with semifinals on May 13 and 15 and the final on May 17.
Officials in countries including Slovenia, Spain and Iceland have questioned Israel’s inclusion.
Icelandic Foreign Minister Porgerour Katrin Gunnarsdottir told a local outlet she found it “strange and actually unnatural that Israel is allowed to participate,” accusing the country of committing “war crimes” and “ethnic cleansing” in Gaza.
Despite these objections, the EBU has confirmed that Israel’s entry meets the competition’s rules. As with last year, large-scale protests are expected in Basel against Israel’s participation.
Despite pressure from pro-Israel organizations, Swiss authorities said demonstrations are permitted in principle, including those opposing Israel’s presence, provided they comply with public safety regulations.
Spotify, EA Sports test in-game music integration in Saudi Arabia

- Players in Kingdom can now link their account directly with video game
LONDON: Spotify and EA Sports have launched a pilot project that allows players to link their Spotify accounts directly with the EA Sports FC 25 video game.
The feature is being rolled out in Saudi Arabia and selected other markets.
The project, which was announced on Thursday, enables Spotify Premium users to log in via a new tab in the main game menu and control music playback during gameplay, including during team selection or from the pause menu.
The Swedish music platform said the partnership aimed at offering players more control over their in-game audio.
It said: “Long seen as the perfect companion to gaming, music boosts focus, amplifies adrenaline, and heightens the emotional highs of every match.
“Through this collaboration, players can now curate their perfect in-game soundtrack, listening to the artists they love.”
Podcast access and curated playlists will also be available.
The feature is currently accessible to Premium users playing EA Sports FC 25 on PlayStation 5 and Xbox Series X|S in Saudi Arabia and Australia.
The Kingdom has become a growing market for gaming and electronic sports, driven by a young and tech-savvy population.
Gaming now plays a prominent role in the Kingdom’s Vision 2030 diversification strategy, with plans for the sector to contribute more than $13 billion to the economy and create tens of thousands of jobs, according to Savvy Games Group.
Riyadh hosted the inaugural Esports World Cup last summer, a large-scale tournament featuring 23 events across major titles including Fortnite, Call of Duty, and EA Sports FC, with a record-setting prize pool of $62.5 million.
Jeddah communication conference explores anime’s digital evolution

- The session focused on anime’s shift from traditional television broadcasts and DVDs to digital platforms, including live streaming, instant subtitling and cloud-based production
RIYADH: The eighth session of the Digital Communication Conference, titled “Anime in the Digital Space,” explored the transformation of Japanese anime over the past two decades, highlighting the impact of digital innovation and the internet.
According to Saudi Press Agency, the session focused on anime’s shift from traditional television broadcasts and DVDs to digital platforms, including live streaming, instant subtitling and cloud-based production.
Streaming giants such as Netflix, Crunchyroll, and Funimation were highlighted as pivotal players in the transition, offering translated or dubbed episodes immediately upon release and funding original series such as “Devilman Crybaby” and “Cyberpunk: Edgerunners.”
Speakers in the session, including Manga Productions CEO Essam Bukhary, said that social media and online forums have opened the door to unprecedented engagement among fans, as well as community and cultural interaction, since audiences now take part in evaluating episodes.
Concerns were raised that heavy dependence on technology could erode the handcrafted aesthetic that defines traditional anime.
Saudi Arabia’s burgeoning interest in manga and anime, which dates back to the 1970s, is helping to usher in a revolution in cultural production.
Japanese art forms have captivated audiences of all ages, gaining significant popularity in recent years. Their ability to combine entertainment, culture and education has made them of great interest to Saudi society.
To support this interest, the General Entertainment Authority has hosted events like the Saudi Anime Expo, drawing international visitors.
In line with these efforts, the ministries of culture and education launched the Manga Education program to nurture student talent, as well as integrate arts and culture into public education.