Gwyneth Paltrow, Halle Berry and Baz Luhrmann talk careers, inspiration at RSIFF

Gwyneth Paltrow cut a business chic look as she headlined three high-profile In Conversation panels. (Getty)
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Updated 07 December 2023
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Gwyneth Paltrow, Halle Berry and Baz Luhrmann talk careers, inspiration at RSIFF

JEDDAH: Academy Award-winner and Goop founder Gwyneth Paltrow cut a business chic look as she headlined three high-profile In Conversation panels that took place at the Red Sea International Film Festival on Wednesday night, with Australian director Baz Luhrmann and US actress Halle Berry taking part in panels on the same day. 

Taking part in a retrospective conversation moderated by Saudi Research and Media Group (SRMG) CEO Jomana Al-Rashed – who introduced Paltrow as a personal role model – the latter looked back on her career as a successful movie star as well as an entrepreneur, recently celebrating 15 years of her wellness company, Goop.   

“Entrepreneurship and acting are very similar. Both require the same kind of energy,” said Paltrow of her decision to launch Goop.  




Paltrow went into some detail about the first ever MCU film she shot, 2008’s “Iron Man,” starring Robert Downey Jr. in his famous titular role. (Getty)

“I’m really happy I did it because I’ve learned so much through the process of growing this company and working with this team and all of the challenges, whether it be inventory management or Excel. I never thought in a million years I would have to learn how to read a P&L. It’s been so thrilling to build this business and still do what I love to do.”   

On the topic of films, Paltrow was asked by an audience member about how she felt about working in the Marvel Cinematic Universe, to which she said she stopped watching the films at some point, having also never watched “Avengers: Endgame,” in which she has a significant role.  

Paltrow did, however, go into some detail about the first ever MCU film she shot, 2008’s “Iron Man,” starring Robert Downey Jr. in his famous titular role.   

“The first film we did was very different from the rest because the studio didn’t think it was going to be a big hit,” she said. “They hired Jon Favreau to direct who was great. And they hired Robert Downey Jr., who was un-hireable at the time. His career was at a very low point. 




Paltrow with Mohammed Al-Turki and Jumana Al-Rashed. (Getty)

“And then I remember they called me one day and said, ‘Come do this thing with us.’ And I said, ‘I’m not going to be in a superhero movie.’ And then they said, ‘No, but it’s going to be like doing an indie film. We’re going to have fun and, you know, you don’t have to be in too much of the action part anyway.’”   

“And so I thought, ‘Oh, okay.’ And we had such a good time. We improvised almost every scene of that movie. We would write it in the morning in Jon’s trailer, and it was like doing an independent film. Then, the movie was such a huge hit that then we didn’t make them like that anymore. But it was fun. It was a fun ride,” she added.  

Paltrow, whose last onscreen role was Netflix’s “The Politician,” was also asked whether she saw herself returning to Hollywood.  

“I never say never. I’m really happy and busy doing what I’m doing. But again, I can never know what the future will hold,” she said.  

Here’s a look at what Luhrmann and Berry had to say at their respective In Conversation panels:  

Halle Berry talks Oscars and inspiration  




US actress Halle Berry took part in the panel. (Getty)

US actress Halle Berry, the first and only African-American actress to win the Academy Award for Best Actress, spoke about empowering herself as an actress, filmmaker and producer as she delved into topics like the creation of her production house, upcoming projects and possibly shooting parts of her next movie in Jeddah.   

Berry, revealed to huge applause, that inspiration struck her on her flight to Jeddah for a new story she wants to direct.  

“Finally on the plane coming here I saw a story, I saw what’s in my heart, and realised what I wanted to share,” said Berry, who recently launched production company HalleHolly with former WME partner Holly Jeter.   

Asked by moderator and Lebanese presenter Raya Abirached to elaborate, Berry said, “It’s a love story at its core, but it deals with the supernatural and time travel and the future. It’s taken me the last few years to figure this out.”   

Berry also spoke about her famous Oscar win in 2002 for her devastating role in Marc Forster’s “Monster’s Ball,” also starring Billy Bob Thornton.   

About her win and speech, Berry said, “I don’t remember any of it and here’s why. I didn’t expect to win. I don’t know if anybody ever expects to win. Back in those days, usually whoever won the Golden Globe, would win the Oscars. So, any hopes I had were dashed when I lost to Siccy Spacek for the Golden Globe.  

“And it was in that moment that I thought this was a good run. Look how far I got. I dared to take a chance and I took the role of ‘Monster’s Ball’ and all of my agents and everybody around me said this would be the end of my career.   




Halle Berry spoke about empowering herself as an actress, filmmaker and producer. (Getty)

“So, knowing all that, I didn’t write a speech. I just wanted to go and have fun and sort of bask in the moment of this achievement, being at the Academy Awards and being nominated. So, I was not prepared. So, when I went up there when they called my name, I absolutely went blank. And all I remember was Russell Crowe. Walking up there and seeing his face and hearing him say, ‘Breathe, mate.’ And I remember taking a big breath turning around and then it’s kind of a blur. And the next memory I really have is backstage, and realizing, ‘Oh! An Oscar!’ I think I saw it for the first time backstage.”  

Berry also talked about her upcoming collaboration with Angelina Jolie for the action-comedy film “Maude v Maude,” which the two actresses are co-producing.   

“I’m just thrilled to just work with another woman and craft a story from our sensibility, from our point of view. So many times, we’re characterised in movies, and the writers are usually men, so we’re portrayed from their perspective. And, so, there’s a female director, Angelina and I are there, and we can tell a story from our point of view.”  

She also said the Warner Bros. film is a big action movie that will shoot around the world: “And maybe we’ll come back here (to Jeddah). When I was looking around the old town today, I was thinking about what we can get in here.”   

Baz Luhrmann reflects on his biggest hits  

Australian auteur Baz Luhrmann, known for films like “Romeo + Juliet,” “Moulin Rouge,” “The Great Gatsby” and “Elvis,” sat down with Raya Abirached to look back on his 30-year-long career, reflecting on his biggest hits.  

Talking about his hit biographical film “Elvis,” starring Austin Butler in the lead role, Luhrmann went into some detail about losing hope on the film when COVID-19 hit. However, Butler never gave up, he said.  

“Austin carried a very precious secret with him that he didn’t tell me about until much later in the process, and that is that he had lost his mother at exactly the same age that Elvis did. And it affected him profoundly because she was the one who would go with him to auditions and you know helped him start out. His work ethic was like… Denzel Washington rang me out of the blue. I didn’t know Denzel at the time. He said, ‘Look, you’re about to meet Austin Butler.’ Austin was doing a play with Denzel on stage and he said he’s never seen a young actor work as hard as he was. ‘You’ll be all over him,’ said Denzel. And I was,” said Luhrmann.  

“And then the movie went away. I told everyone to go home from Australia. But Austin wouldn’t leave. He said, ‘I’m not leaving.’ We would see him walking up and down the beach and people would think he was mad because he’d be yelling his ‘Elvis’ lines into the ocean,” he added, laughing.  

Luhrmann, in an offhand comment, also said he’s considering retiring while talking about how he picks the projects he works on.  

“I’ve always got so many pieces in my mind and I’ll never make all of them. It’s just so much noise out there and not to criticize anyone but there’s just so much stuff out there. I would rather retire – which I am considering doing – and not put more noise out there. If I can’t put something that’s actually useful and can be worthy of someone’s incredibly precious two-and-a-half hours when you invite them into a darkened room with strangers to look at something that they can’t walk out and either be uplifted or moved or something… It’s got to be worthwhile to do it. That’s all they care about. And if I can believe I can do that, then I would do it,” he said.


Ahaad Alamoudi presents ‘The Social Health Club’ in Basel 

Updated 19 June 2025
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Ahaad Alamoudi presents ‘The Social Health Club’ in Basel 

  • The Saudi artist discusses her new work for the Swiss city’s Social Club art fair 

RIYADH: This month, Saudi artist Ahaad Alamoudi is turning up the heat at Basel Social Club — which runs until June 21 in the Swiss city — with her latest installation, “The Social Health Club.” 

Freshly conceived, but rooted in the artist’s past works, the yellow-drenched installation offers a layered, sensory experience — and sharp cultural commentary — as well as a first for the artist: a live-performance element. 

Jeddah-based Alamoudi is known for creating immersive multimedia installations drawing from and exploring the complex dynamics of her evolving homeland. “The Social Health Club” is built around pieces found in Jeddah’s Haraj market in 2018 — a range of exercise equipment including a rowing machine.  

“These are pieces I collected from thrifting. I like the fact that no instructions came with the machines — I don’t have their name or the source of where they came from or who made them. But they’ve become part of the urban landscape that I’ve been in. And I was trying to create fun within the space,” Alamoudi told Arab News. 

“The Social Health Club” is built around pieces found in Jeddah’s Haraj market in 2018 — a range of exercise equipment including a rowing machine. (Supplied)

In “The Social Health Club,” the equipment, painted predominantly in vibrantly-saturated monochrome yellow, stands untouched, serving as symbols of a culture obsessed with self-optimization. At the core of the installation is a cameo from a yellow-painted iron previously featured in her 2020 video work “Makwah Man.” (Makwah means iron in Arabic.) 

“A lot of my pieces stem from a narrative I create within a video. In ‘Makwah Man,’ this man wearing a yellow thobe is ironing a long piece of yellow fabric in the middle of the desert. And as he’s ironing, he tells us how to live our lives. But in the process of him telling us how to live our lives, he also starts questioning his own in the process — understanding the role of power, understanding the pressure of change, adaptation,” Alamoudi explained. 

“The yellow exists within the video piece, but he’s also wearing yellow thobe in the video piece. And (in this iteration at Art Basel) there’s also a rack of yellow thobes twirling in the exhibition. For me, the yellow thobe is like a unifying symbol. I’m trying to say that we’re all experiencing this in different ways. So in the performance (for “The Social Health Club”) a man (a local body builder) in a yellow thobe will be performing on these machines. He has no rule book. He doesn’t know anything; he doesn’t know how to ‘properly’ use the equipment. He’s going to go into the space and do things with the machines. 

“The performance will be recorded. But I think it’s more like an activation,” she continued. “It’s not the piece itself. The piece itself exists as the machines.” 

A still from Alamoudi's 2020 video work 'Makwah Man,' which is also part of 'The Social Health Club.' (Supplied)

“The Social Health Club” was shaped through close collaboration with curator Amal Khalaf, who combed Jeddah’s market with Alamoudi in search of “machines that were a little bit abnormal, like not your typical machines that people would directly know what it is in the gym,” Alamoudi said.  

“She’s quite incredible,” she continued. “And we really built the space together. Essentially, the main thing that I created was the video; everything else was built off of that. She really helped. She really looked at social change and how we navigate that. Our collaboration was perfect.” 

Yellow dominates every inch of the piece—deliberately and intensely. 

“I obsess over symbols within certain works I create. And with that also comes a color,” Alamoudi said. “I wanted to showcase something that was luxurious, colorful, almost like gold, but it’s not gold. It’s quite stark in its appearance.” 

Yellow is both invitation and warning. “I think that yellow is also quite deceptive. I like it as a color to get people excited to come closer and see what’s happening, but at the same time question what it is — it’s so aggressive that it becomes a bit uncomfortable.” 

The viewer’s interaction is critical to the piece’s meaning. 

“I think the machines represent something and they carry something, but they really are activated by the people — what people are doing with them,” Alamoudi said. “And that’s why I’m encouraging a lot of viewers to engage with and use the pieces, or try to use them without any instruction. A lot of people entering into the space (might) fear even touching or engaging with them. Having the performer there activating the structures is going to add another layer to the piece itself.” 

She hopes visitors feel free to explore, unburdened by expectations. 

“People are meant to use it any way that they want to use it. They can sit on it, stand on it, touch it — they can leave it alone,” she concluded with a laugh. 


For fans of film and TV, England offers countless nostalgia-stirring sites 

Updated 19 June 2025
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For fans of film and TV, England offers countless nostalgia-stirring sites 

JEDDAH: England is a place where cinematic fiction and reality often blur — its charming neighborhoods and historic landmarks have served as the backdrop to some of the world’s most beloved films. 

In May, Arab News joined a press trip organized by VisitBritain in partnership with Virgin Atlantic, celebrating the launch of the airline’s new Riyadh to London route.  

Having arrived well-rested, following a luxurious experience in Virgin’s Upper Class cabin, we checked into London’s The May Fair Hotel, just off Piccadilly — a surprisingly tranquil central base for the adventure ahead. 

Our trip was a deep dive into the UK’s cinematic soul, featuring a bespoke tour of London in classic Mini Coopers, driven by enthusiastic local guides. Our first stop was the famous blue door at 280 Westbourne Park Road — from the 1999 rom-com “Notting Hill,” starring Hugh Grant and Julia Roberts — where a replica, painted to match the film’s version, has been installed — perfect for a nostalgic photo op. 

Just around the corner is Alice’s, the whimsical antique shop featured in 2014’s “Paddington.” With its vintage charm, Alice’s felt straight out of a storybook. Portobello Road, where the shop is located, is a cinematic destination all on its own, brimming with colorful buildings, lively market stalls, and timeless London charm. 

Colin Farrell outside Huntsman tailors on Savile Row, as featured in ‘Kingsman - The Secret Service.’ (Supplied)

Next was the distinguished Huntsman at 11 Savile Row, a prestigious bespoke tailor that inspired the secret service headquarters in “Kingsman: The Secret Service” (2014), and which draws in fashion lovers and film fans alike. 

At Borough Market, one of London’s oldest food markets, we visited the flat above The Globe Tavern, famous as the heroine’s home in 2001’s “Bridget Jones’s Diary,” outside of which the street fight between Mark Darcy and Daniel Cleaver was filmed. 

No culture-themed visit to London is complete without a West End musical, and we attended “The Devil Wears Prada” at the Dominion Theatre. With soaring vocals, sharp choreography, and impeccable fashion details, the performance successfully captured the wit and flair of the beloved 2006 film on which it is based. 

On our third day, we journeyed to the serene city of Oxford, passing through the storybook English countryside — rolling hills, stone cottages, and emerald fields. Before exploring the city, we checked into Le Manoir aux Quat’Saisons, founded by celebrated chef Raymond Blanc. This luxurious manor blends rustic elegance with culinary excellence and is surrounded by lavender-scented gardens, orchards, and organic vegetable patches — a whimsical escape into an English fairytale. Afternoon tea was served in the charming cottages scattered across the estate, which offer each guest their own intimate space overlooking the gardens. Every detail was immaculate: from the handpicked fruit platter to delicate chocolate and mandarin cakes, and airy macarons made with sustainable, organic ingredients harvested on-site. It was a moment of calm indulgence — a countryside retreat that felt both restorative and magical. 

In Oxford, the charismatic Jim Palmer led us on a walking tour of its most famous corners. The city — particularly its prestigious university — has appeared in dozens of productions, but none as magical as the “Harry Potter” series. At Christ Church College, we stood in the Great Hall that inspired Hogwarts’ dining room, and climbed the grand staircase featured in “Harry Potter and the Philosopher’s Stone.” The Divinity School nearby doubled as Hogwarts’ infirmary and classrooms in several of the films. 

London’s ‘Portobello Road,’ where you can find Alice's, the antique store from ‘Paddington.’ (Supplied)

We also visited New College, where fans of “Harry Potter and the Goblet of Fire” will recognize the ancient tree beneath which Draco Malfoy is turned into a ferret by Professor Moody.  

Oxford’s cinematic résumé stretches far beyond wizards, though. Its colleges, libraries, and cobblestone streets have appeared in “The Theory of Everything,” “The Golden Compass,” “Shadowlands,” “Brideshead Revisited,” and even the “X-Men” franchise. Fans of TV detective dramas will also recognize it from “Inspector Morse,” “Lewis,” and “Endeavour.”  

After our tour, we were whisked off to the luxury shopping destination Bicester Village. At The Apartment, an exclusive lounge space, we were pampered with gourmet treats and a concierge service that made high-end shopping feel both effortless and elegant. 

Our trip concluded in style back at Heathrow Airport, where we enjoyed the Virgin Atlantic Clubhouse — an oasis of calm featuring sleeping zones, yoga areas, private showers, and premium dining. 

From Oxford’s collegiate quietude to the sparkle of London’s West End, and from iconic film locations to moments of personal luxury, this trip offered more than sightseeing; it was a cinematic immersion that brought some of our favorite stories to life. 


Kneecap rapper Mo Chara bailed over terror charge in the UK

Updated 18 June 2025
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Kneecap rapper Mo Chara bailed over terror charge in the UK

LONDON: Fans of the Irish-language hip-hop group Kneecap mobbed sidewalks outside a London court Wednesday as a member of the trio faced a terror-related charge in what he says is a politically motivated effort to silence the band’s support for Palestinians before its appearance at the Glastonbury Festival.

Rapper Mo Chara, whose real name is Liam Og O hAnnaidh, was released on unconditional bail after the hearing at Westminster Magistrates’ Court. His next court appearance is scheduled for Aug. 20.

Irish rap group Kneecap band member, Liam O'Hanna, who performs under the stage name Mo Chara, arrives at Westminster Magistrates' Court in London on June 18, 2025. (AFP)

The single charge against Chara stems from a Nov. 21 concert in north London where he waved a Hezbollah flag in a manner that aroused “reasonable suspicion” he supported the Lebanese militant group, which is banned in Britain as a terrorist organization, the Metropolitan Police Service said in a statement last month.

Prosecutor Michael Bisgrove told the court on Wednesday Chara wasn’t being prosecuted because of his support for the Palestinians or criticism of Israel.

“He’s well within his rights to voice his opinions and solidarity, as is anybody else,’’ Bisgrove said. “The allegation in this case is a wholly different thing and deals with a video recording showing that, in November of last year, Mr. O hAnnaidh wore and displayed the flag of Hezbollah, a proscribed terrorist organization, while saying ‘up Hamas, up Hezbollah.’’’

Kneecap has supported the Palestinian cause throughout the war in Gaza. The band has been the center of controversy in Britain since last year, when the previous government sought to block an arts grant for the band, citing its anti-British politics. That decision was overturned after the Labour Party won last year’s parliamentary election and Prime Minister Keir Starmer took office.

The trio is scheduled to perform at Glastonbury on Saturday, alongside performers including Neil Young and Olivia Rodrigo. The internationally watched music festival is a five-day event that attracts about 200,000 people to a farm outside the small town in western England every summer.

As they entered the courthouse, the three Kneecap members, who hail from Northern Ireland, gave the thumbs up sign to hundreds of supporters who had gathered outside, waving signs reading: “Free Mo Chara” and “Defend Kneecap.”

The group has repeatedly said it doesn’t support Hezbollah or Hamas, nor condone violence.
Before the hearing, the band posted billboards around London bearing the slogan “More Blacks, More Dogs, More Irish, Mo Chara.” The message echoes the signs landlords placed in the windows of some London boarding houses in the 1950s, stating “No Blacks, No Dogs, No Irish.”

“British courts have long charged people from the North of Ireland with ‘terrorism’ for crimes never committed,” Kneecap said in a statement posted on social media. “We will fight them. We will win.”


Amira Al-Zuhair celebrates her birthday 

Updated 18 June 2025
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Amira Al-Zuhair celebrates her birthday 

DUBAI: Birthday tributes poured in for part-Saudi model Amira Al-Zuhair, who celebrated her 24th birthday this week.

From producer Kawther Alrimawi to lifestyle publication Hia Magazine, fashion and entertainment industry insiders took to social media to wish the runway star a happy birthday.

The model wrapped up shooting a campaign for an unnamed brand in Milan when the clock struck midnight. She marked the beginning of her birthday with a candle-topped dessert at a restaurant in the Italian city.

Instagram/ @amiraalzuhair

Al-Zuhair, born in Paris to a French mother and Saudi father, has made her mark on the fashion world and appeared on the runway for an array of renowned fashion houses such as Missoni, Maison Alaia, Brunello Cucinelli, Balmain, Dolce & Gabbana, Giambattista Valli, Giorgio Armani, Elie Saab and many more.

In addition to her runway appearances, Al-Zuhair has featured in campaigns for high-profile brands such as Prada, Chanel and Carolina Herrera.

Al-Zuhair returned to the runway in May when she walked in Louis Vuitton’s high jewelry collection show, held at Bellver Castle on the island of Majorca, Spain.

The show marked her return to the runway after she hit the catwalk at the amfAR gala in Cannes in May, before which she walked for Australian label Zimmermann at Paris Fashion Week in March.  

For Louis Vuitton, the model wore a strapless white gown featuring a fitted bodice and a soft, flowing skirt. The dress was detailed with cascading ruffles outlined in dark trim, which ran down the front and sides.

She also made a statement at the Zimmermann show wearing a burnt-orange ensemble. The sleeveless, fitted dress featured draped, ruched detailing that added movement to the design. The look was finished off with strappy brown leather sandals and gold accessories, including chandelier earrings and bracelets.

In late May, Al-Zuhair also reflected on her recent campaign with Balmain, sharing photos from the Resort 2025 collection shoot. “Had so much fun shooting inside the Eiffel Tower herself!” she wrote in the caption.

It was not Al-Zuhair’s first collaboration with Balmain. She previously walked for the brand during Paris Fashion Week in September.


Toronto Arab Film Festival showcases diverse selection this June

Updated 18 June 2025
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Toronto Arab Film Festival showcases diverse selection this June

DUBAI: The Toronto Arab Film Festival returns for its sixth annual edition with a diverse lineup from June 20 to 29.

“This year, we are screening over 50 films — both features and shorts — which is our largest number to date … it’s fulfilling to watch the development of the Canadian-Arab film industry in real time,” Rolla Tahir, a Sudanese filmmaker and co-founder of TAF, said.

This year’s program reflects the growing diversity and creative evolution of Arab cinema, with some well-known filmmakers participating.

“We’re seeing a notable rise in genre films, especially horror and sci-fi. For example, there’s a horror film from Tunisia and a short program dedicated entirely to sci-fi and horror,” Tahir said.

Participants this year include Lebanese filmmaker Mira Shabib with her film “Arze’” and “Back to Alexandria” by Tamer Ruggli starring Lebanese actress Nadine Labaki.

TAF has also become a valuable platform for professional development, offering networking opportunities for both emerging and established talent.

“This year, we’re introducing an informal industry meet-and-greet — a casual networking event with no structured pitches,” Tahir explained.

The event is designed to create a relaxed environment where Arab filmmakers can connect with industry professionals, ask candid questions, and introduce their projects without the pressure of formal presentations.

The festival’s mission may seem simple — to raise awareness of Arab cinema among Canadian audiences — but achieving that impact requires a deliberate strategy.

It is one that Tahir and her co-founders have refined over the years.

“Each year, we collaborate with other festivals to co-present films and expand outreach beyond Arab audiences,” she said.

For Tahir, the appeal of Arab cinema to non-Arab audiences comes naturally, thanks to the enduring quality and resilience of the work itself.

“What stands out is perseverance. Regardless of what’s happening in our countries or personal lives, Arab filmmakers continue telling their stories.”

It is that very perseverance — expressed through everything from harrowing documentaries to satirical comedies — that gives Arab filmmakers their distinct voice.

“I want people to know we’re still making films — and that we’re making different, bold, and innovative ones,” Tahir said.