LONDON: Fans of the Irish-language hip-hop group Kneecap mobbed sidewalks outside a London court Wednesday as a member of the trio faced a terror-related charge in what he says is a politically motivated effort to silence the band’s support for Palestinians before its appearance at the Glastonbury Festival.

Rapper Mo Chara, whose real name is Liam Og O hAnnaidh, was released on unconditional bail after the hearing at Westminster Magistrates’ Court. His next court appearance is scheduled for Aug. 20.

The single charge against Chara stems from a Nov. 21 concert in north London where he waved a Hezbollah flag in a manner that aroused “reasonable suspicion” he supported the Lebanese militant group, which is banned in Britain as a terrorist organization, the Metropolitan Police Service said in a statement last month.

Prosecutor Michael Bisgrove told the court on Wednesday Chara wasn’t being prosecuted because of his support for the Palestinians or criticism of Israel.

“He’s well within his rights to voice his opinions and solidarity, as is anybody else,’’ Bisgrove said. “The allegation in this case is a wholly different thing and deals with a video recording showing that, in November of last year, Mr. O hAnnaidh wore and displayed the flag of Hezbollah, a proscribed terrorist organization, while saying ‘up Hamas, up Hezbollah.’’’

Kneecap has supported the Palestinian cause throughout the war in Gaza. The band has been the center of controversy in Britain since last year, when the previous government sought to block an arts grant for the band, citing its anti-British politics. That decision was overturned after the Labour Party won last year’s parliamentary election and Prime Minister Keir Starmer took office.

The trio is scheduled to perform at Glastonbury on Saturday, alongside performers including Neil Young and Olivia Rodrigo. The internationally watched music festival is a five-day event that attracts about 200,000 people to a farm outside the small town in western England every summer.

As they entered the courthouse, the three Kneecap members, who hail from Northern Ireland, gave the thumbs up sign to hundreds of supporters who had gathered outside, waving signs reading: “Free Mo Chara” and “Defend Kneecap.”

The group has repeatedly said it doesn’t support Hezbollah or Hamas, nor condone violence.
Before the hearing, the band posted billboards around London bearing the slogan “More Blacks, More Dogs, More Irish, Mo Chara.” The message echoes the signs landlords placed in the windows of some London boarding houses in the 1950s, stating “No Blacks, No Dogs, No Irish.”

“British courts have long charged people from the North of Ireland with ‘terrorism’ for crimes never committed,” Kneecap said in a statement posted on social media. “We will fight them. We will win.”

DUBAI: The Toronto Arab Film Festival returns for its sixth annual edition with a diverse lineup from June 20 to 29.

“This year, we are screening over 50 films — both features and shorts — which is our largest number to date … it’s fulfilling to watch the development of the Canadian-Arab film industry in real time,” Rolla Tahir, a Sudanese filmmaker and co-founder of TAF, said.

 

 

 

 

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This year’s program reflects the growing diversity and creative evolution of Arab cinema, with some well-known filmmakers participating.

“We’re seeing a notable rise in genre films, especially horror and sci-fi. For example, there’s a horror film from Tunisia and a short program dedicated entirely to sci-fi and horror,” Tahir said.

Participants this year include Lebanese filmmaker Mira Shabib with her film “Arze’” and “Back to Alexandria” by Tamer Ruggli starring Lebanese actress Nadine Labaki.

TAF has also become a valuable platform for professional development, offering networking opportunities for both emerging and established talent.

“This year, we’re introducing an informal industry meet-and-greet — a casual networking event with no structured pitches,” Tahir explained.

 

 

 

 

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The event is designed to create a relaxed environment where Arab filmmakers can connect with industry professionals, ask candid questions, and introduce their projects without the pressure of formal presentations.

The festival’s mission may seem simple — to raise awareness of Arab cinema among Canadian audiences — but achieving that impact requires a deliberate strategy.

It is one that Tahir and her co-founders have refined over the years.

“Each year, we collaborate with other festivals to co-present films and expand outreach beyond Arab audiences,” she said.

For Tahir, the appeal of Arab cinema to non-Arab audiences comes naturally, thanks to the enduring quality and resilience of the work itself.

“What stands out is perseverance. Regardless of what’s happening in our countries or personal lives, Arab filmmakers continue telling their stories.”

It is that very perseverance — expressed through everything from harrowing documentaries to satirical comedies — that gives Arab filmmakers their distinct voice.

“I want people to know we’re still making films — and that we’re making different, bold, and innovative ones,” Tahir said.