Van Cleef & Arpels, NYU Abu Dhabi usher in a new chapter for dance in the UAE

(Photography by Waleed Shah)
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Updated 21 September 2022
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Van Cleef & Arpels, NYU Abu Dhabi usher in a new chapter for dance in the UAE

DUBAI: This week, performers from the British dance company Candoco took to the stage at The Arts Center of NYU Abu Dhabi with the support of luxury French jewelry brand Van Cleef & Arpels.

Featuring both abled and disabled dancers, the performances for the UAE premiers of “Set and Reset/Reset” and “Last Shelter,” choreographed by Trisha Brown and Jeanine Durning, transcended perceptions of what dance can be.

“Candoco’s work expands the vocabulary of contemporary dance for performers with different ways of moving, including the integration of people of determination,” Executive Artistic Director at The Arts Center at NYUAD Bill Bragin told Arab News. “Introducing UAE audiences to Candoco and their work builds on conversations around dance and disability that began in The Arts Center’s first season with Aakash Odedra Company.”




Van Cleef & Arpels has been a devotee of dance since its establishment in 1895. (Photography by Waleed Shah)

The performance was the first in a series presented for the first time with the support of Dance Reflections by Van Cleef & Arpels, a program launched by the high jewelry house during the fall of 2020 to strengthen its commitment to the arts with a special focus on dance.

Van Cleef & Arpels has been a devotee of dance since its establishment in 1895. Those familiar with the French jewelry brand will recall its enrapturing bejeweled brooches of ballerinas inspired by some of the leading dancers of the 20th century, including New York City Ballet principal Suzanne Farrell and Russian Anna Pavlova. Claude and Pierre Arpels were friends of George Balanchine, the Russian-born American ballet choreographer who was one of the last century’s most influential dancers. When Balanchine’s 1967 ballet “Jewels” premiered in New York City, some reporters at the time said that Claude Arpels suggested the idea of a ballet inspired by jewels to Balanchine.

The brand’s patronage of dance since the fall of 2020 has focused predominantly on a modern and contemporary choreographic repertoire, encouraging new dance productions by companies around the world.




The dances featured both abled and disabled dancers. (Photography by Waleed Shah)

At the helm of Dance Reflections is Van Cleef & Arpels’ Director of Dance and Culture Serge Laurent, who previously worked at the Centre Pompidou and the Fondation Cartier. He studied at the École du Louvre in Paris.

“The first idea was to continue writing the story of the maison and its strong connection with dance as a source of inspiration,” Laurent told Arab News. “We are a company that is anchored in tradition but also very interested in new forms.”

The luxury brand’s support of and investment in dance was also a way to give back to the art form and to communities around the world.




The performances were choreographed by Trisha Brown and Jeanine Durning. (Photography by Waleed Shah)

“Dance brings all the artistic disciplines together: It can incorporate music, the plastic arts, costume, lighting, set design, graphic design and even jewelry,” Laurent said in a statement. “It is a fascinating art form and an incredible field of expression. That is why it can appeal to such a wide audience. I’d like to encourage spectators to admire the works freely, with no preconceptions.”

Van Cleef & Arpels’ new patronage of dance in the UAE comes at a time when the region’s dance scene is rising but still in great need of support — something that Bragin and The Arts Center at NYUAD are actively championing.

“The Arts Center has aimed to build an audience for contemporary dance in the UAE, giving exposure to world-class companies, providing training for local artists, and opening the doors for larger conversations through the art form of dance,” said Bragin. “The new partnership with Dance Reflection by Van Cleef & Arpels is especially meaningful since it recognizes the singular role The Arts Center has played in growing the dance ecosystem in the country through presentation, commissioning, transmission, and education. Van Cleef & Arpels have a century-long history of supporting the art form and being inspired by it. The combination of our visions together seems so organic.”


Labubu fans dote over ugly-cute doll trending at Comic-Con

Updated 28 July 2025
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Labubu fans dote over ugly-cute doll trending at Comic-Con

  • Labubu dolls have been popularized by celebrities, including Lisa from Blackpink
  • The dolls were created by a Hong Kong artist and is based on Nordic mythology

SAN DIEGO: San Diego Comic-Con is the latest location where the ugly-cute dolls named Labubu have been trending, with fans carrying the plushies globally popularized by celebrities Rihanna, Lizzo, Dua Lipa, and Lisa from the K-pop group Blackpink. The wide-eyed and grinning doll was created in 2015 by Hong Kong artist and illustrator Kasing Lung. In 2019, Lung allowed them to be sold by Pop Mart, a Chinese toy company that sells collectible figurines, often in “blind boxes.”
“Blind boxes” are sealed boxes containing a surprise item that is usually part of a themed collection.
Naomi Galban, from San Diego, waited in line on Sunday at the Pop Mart booth in the San Diego Convention Center for a chance to get her first Labubu.
“Every time I go to a Pop Mart store, they’re sold out,” the 24-year-old told Reuters. She hoped to buy one for her little sister.
Emily Brough, Pop Mart’s Head of IP Licensing, spoke to Reuters on Thursday about Labubu fans at Comic-Con.
“We love to see how fans are personalizing it (Labubu) for themselves,” Brough said next to the Pop Mart booth.
While Brough noted that there were many people with a Labubu strapped to their bags and backpacks at Comic-Con, the doll’s popularity did not happen overnight. Labubus had a huge boost in 2019 after Pop Mart began selling them, and in 2024, when Blackpink’s Lisa, who is Thai, created a buying frenzy in Thailand after she promoted Labubu on social media.
Pop Mart saw sales skyrocket in North America that same year, with revenue in the US in the first quarter of 2025 already surpassing the full-year US revenue from 2024, Pop Mart said.
When he created Labubu, Lung gave the character, who is female, a backstory inspired by Nordic mythology.
He called her and his other fictional creatures “The Monsters.”
Diana Goycortua, 25, first discovered Labubu through social media, and before she knew it, it felt like a “game” to try and collect the dolls.
“It’s a little bit of gambling with what you’re getting,” the Labubu fan from San Diego said on Sunday while waiting at the Pop Mart booth, concluding that her love for the character made it worth trying blind boxes.
Goycortua already has three Labubus, and was hoping to score her a fourth one at Comic-Con.


Israel ‘lying’ about famine in Gaza: Geldof

Israel is “lying” about claims there is no famine in Gaza, according to rock musician Bob Geldof. (File/Reuters)
Updated 27 July 2025
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Israel ‘lying’ about famine in Gaza: Geldof

  • Musician claims Israeli military ‘dangling food in front of starving, panicked, exhausted mothers’
  • Urges Israelis to ‘get in your cars’ and deliver aid to Gaza 

LONDON: Israel is “lying” about claims there is no famine in Gaza, according to rock musician Bob Geldof.

The former Boomtown Rats frontman told Sky News that Israel bears responsibility for mass starvation in the enclave, after Israeli government spokesperson David Mencer claimed there was “no famine caused by Israel” and “Hamas starves its own people.”

In an interview with Sky earlier this week, Mencer said: “This suffering exists because Hamas made it so. Here are the facts. Aid is flowing through the Gaza Humanitarian Foundation. Millions of meals are being delivered directly to civilians.”

But Geldof told the “Sunday Morning with Trevor Phillips” show: “(Israeli Prime Minister Benjamin) Netanyahu lies, is a liar. The IDF are lying. They’re dangling food in front of starving, panicked, exhausted mothers.

“And, while they arrive to accept the tiny amount of food that this sort of set-up pantomime outfit, the Gaza Humanitarian Front (sic), I would call it, as they dangle it, then they’re shot wantonly.

“This month, up to now, 1,000 children or 1,000 people have died of starvation. I’m really not interested in what either of these sides are saying.”

This week, authorities in Gaza said 127 people have died from malnutrition-related causes since the start of the war in October 2023, 85 of whom were children.

Mencer told Sky that aid was entering Gaza and that over 4,400 trucks carrying supplies had entered the enclave. 

The charity Doctors Without Borders, however, said that around a quarter of children and pregnant women in Gaza are malnourished, accusing Israel of “deliberate use of starvation as a weapon.”

Geldof urged Israelis to protest against the actions of their government and to take aid into Gaza themselves.

“If the newsfeeds and social feeds weren’t so censored in Israel, I imagine that the Israeli people would not permit what has been done in their name,” he said.

“Get in your cars, stock your cars full of food and drive through that border and let your own army stop you.”

Geldof also said it was right that the UK should recognize a Palestinian state, but criticized the government for not doing enough to stop the conflict.

“This is a distraction thing about ‘let’s recognize the state’ — absolutely, it should have been done ages ago, but it’s not going to make any material difference.”

An Israeli security official told Sky: “Despite the false claims that are being spread, the State of Israel does not limit the number of humanitarian aid trucks entering the Gaza Strip.

“Over the past month, we have witnessed a significant decline in the collection of aid from the crossings into the Gaza Strip by international aid organizations.

“The delays in collection by the UN and international organizations harm the situation and the food security of Gaza’s residents.”

The Israeli military told Sky: “The IDF allows the American civilian organization (Gaza Humanitarian Foundation) to distribute aid to Gaza residents independently and operates in proximity to the new distribution zones to enable the distribution alongside the continuation of IDF operational activities in the Gaza Strip.

“Following incidents in which harm to civilians who arrived at distribution facilities was reported, thorough examinations were conducted in the Southern Command and instructions were issued to forces in the field following lessons learned.

“The aforementioned incidents are under review by the competent authorities in the IDF.”


Lindsay Lohan brings the glam as she jets off from Dubai

Updated 27 July 2025
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Lindsay Lohan brings the glam as she jets off from Dubai

DUBAI: Dubai-based Hollywood star Lindsay Lohan is making a dazzling return to the spotlight with the “Freakier Friday” press tour, flying from the UAE to Los Angeles before heading to Mexico City.

Lohan, who is married to Kuwaiti financier Bader Shammas, wowed at the world premiere in LA last week in a pink custom Miu Miu gown, featuring a sweetheart neckline, flowing skirt, and sparkling crystal embellishments. Her accessory of choice? A crystal-studded karaoke mic clutch by Judith Leiber — a playful nod to her character’s band, Pink Slip, in the original “Freaky Friday.”

She also took a moment to pose alongside “The Parent Trap” co-stars Lisa Ann Walter and Elaine Hendrix, the latter of whom even makes a cameo in the sequel.

For the next leg of the tour in Mexico City, Lohan hit the red carpet in a dramatic magenta Balmain gown from the brand’s Resort 2026 collection, featuring a strapless draped silhouette and gold chain neckline.

“Freakier Friday” is the sequel to 2003’s “Freaky Friday” starring Jamie Lee Curtis and Lohan. In the follow-up film, Curtis and Lohan reprise their roles as Tess and Anna Coleman. The story picks up years after Tess (Curtis) and Anna (Lohan) endured a swapped identity crisis. Anna now has a daughter of her own and a soon-to-be stepdaughter.

As they navigate the myriad challenges that arise when two families merge, Tess and Anna discover that lightning might indeed strike twice. Nisha Ganatra directs the sequel with Kristin Burr and Andrew Gunn as producers.

Speaking to Empire, Lohan confirmed that punk-rock Anna still lives on: “The second I started with my guitar coach again, it was like we never left,” she said. “It was the same guitar, everything.”

As for Anna’s new solo? “We made it more difficult for this one,” she added. “I’m such a perfectionist — we rehearsed a lot.”

About playing a grown-up version of her character Anna, Lohan said, “The whole world looks different. Everything is about your child. But we have to remember to make time for ourselves too, live our lives, fulfill our dreams. Moms are always trying to juggle it all, and that’s what Anna’s going through in this.”
 


Razane Jammal shares behind-the-scenes look at ‘The Sandman’

Updated 26 July 2025
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Razane Jammal shares behind-the-scenes look at ‘The Sandman’

DUBAI: British Lebanese actress Razane Jammal took to social media this weekend to share behind-the-scenes shots from her time filming Netflix’s “The Sandman.”

The second season of the show landed on the streaming platform in July in two parts, with the second half of the season premiering this weekend.

“Dream dangerously and beware of the kindly (not so kindly) ones,” Jammal captioned her post on Instagram.  

The carousel of photos shows Jammal in a hair and makeup studio, as well as on location in a mist-covered field.

In the role that arguably shot her to stardom, Jammal played Lyta Hall in 2022’s “The Sandman,” based on the legendary graphic novels — and she reprised her role in the latest season.

 

In season one, her character dreams of her dead husband each night, slowly realizing that he is not a figment of her imagination but is hiding out in the dream world.

It is a part that Jammal managed to play truthfully with subtlety — a subtlety for which she credited her mother in a previous interview with Arab News.

“I’ve always been extra, and my mom was far more subtle than I am. I had to fine-tune myself to vibrate on her frequency, a frequency that was very sweet and very raw, and vulnerable and nurturing. I took that from her.

“I grew up having a simple, community-based life in a place where you have 500 mothers and everyone feeds you and you feel safe — even if it’s not safe at all. At the same time we went through so many traumas, from civil wars to assassinations to losing all our money in another financial crisis.”

“The Sandman” is based on novels written by British author Neil Gaiman.

This is the final season of the series, with Netflix announcing its cancellation after Gaiman faced a civil lawsuit accusing him of rape and sexual assault earlier this year, amid more accusations of sexual misconduct.

“‘The Sandman’ series has always been focused exclusively on Dream’s story, and back in 2022, when we looked at the remaining Dream material from the comics, we knew we only had enough story for one more season,” showrunner Allan Heinberg said in a statement to Variety in January, indicating that the reason behind the show’s cancellation was a lack of script material.

Gaiman has denied the allegations.


Tributes pour in as Lebanese musician Ziad Rahbani dies at 69

Updated 26 July 2025
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Tributes pour in as Lebanese musician Ziad Rahbani dies at 69

DUBAI: Lebanese musician and playwright Ziad Rahbani, who was the son of iconic singer Fayrouz, died on Saturday at the age of 69.

Rahbani, who was born on Jan. 1, 1956, began composing for Fayrouz as a teenager and is the mind behind legendary songs including “Kifak Inta” and “Bala Wala Shi.” His father, composer Assi Rahbani, was a musical icon in his own right.

Considered one of the most influential voices in Lebanese music, Rahbani was also a fierce political commentator and was known for his biting political satire and political theater. Notable plays by Rahbani include “Nazl Al-Sourour,” “A Long American Film,” and “Bema Inno.” 

Lebanon's Prime Minister Nawaf Salam paid tribute to Rahbani in a post on X, calling him “an exceptional creative artist and a free voice who remained loyal to the values of justice and dignity.

“Ziad embodied a deep commitment to human and national causes,” Salam added. 

“On stage, through music and words, he said what many did not dare to say, and for decades, he touched the hopes and pains of the Lebanese people. With his piercing honesty, he planted a new awareness in the conscience of national culture.”