3 ancient Roman camps discovered buried in Arabian desert

An aerial view of the western camp in Jordan. (APAAME)
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Updated 27 April 2023
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3 ancient Roman camps discovered buried in Arabian desert

  • The finds shed new light on conquest of Nabataea almost 2,000 years ago
  • Camps spotted by academics at Oxford with help of Google Earth

LONDON: Three 2,000-year-old Roman military camps have been discovered through Google Earth buried in the Arabian desert.

The camps, found by researchers at Oxford University, may have been constructed as part of the Roman Empire’s takeover of the ancient Nabataean Kingdom, the territory of which stretched between the modern kingdoms of Jordan and Saudi Arabia, in A.D. 106 following the death of its last king, Rabbel II Soter. 

Roman sources say the conquest was a peaceful transfer of power, but the new discoveries suggest it may have been more violent than previously believed.

With distances between them ranging from 23 to 27 miles, the camps would almost certainly have been used as temporary accommodation as troops, most likely mounted, made their way across the desert, used for only a few days before the Romans marched on.

Researchers also think that another camp may have been built further west near Bayir, in modern Jordan.

“We are almost certain they were built by the Roman army, given the typical playing card shape of the enclosures with opposing entrances along each side,” said Dr. Michael Fradley.

“The only notable difference between them is that the westernmost camp is significantly larger than the two camps to the east.”

He added: “The level of preservation of the camps is really remarkable, particularly as they may have only been used for a matter of days or weeks.

“They (the Romans) went along a peripheral caravan route linking Bayir and Dumat Al-Jandal (in Saudi Arabia). This suggests a strategy to bypass the more used route down the Wadi Sirhan, adding an element of surprise to the attack.

“It is amazing that we can see this moment in time played out at a landscape scale.”

Roman military expert Dr. Mike Bishop said: “These camps are a spectacular new find and an important new insight into Roman campaigning in Arabia.

“Roman forts and fortresses show how Rome held a province, but temporary camps reveal how they acquired it in the first place.”

Prof. Andrew Wilson, who co-wrote the report on the three camps in the journal Antiquity, said the greater size of the western camp raised questions about the nature of Rome’s conquest of Nabataea.

“These marching camps — if we are correct in dating them to the early second century — suggest the Roman annexation of the Nabataean Kingdom following the death of the last king, Rabbel II Soter in A.D. 106, was not an entirely straightforward affair, and that Rome moved quickly to secure the kingdom.

“Why does the western camp have twice the capacity of the other two? Did the force split, and if so, where did the other half go? Was it half wiped out in a battle, or did they remain in the western camp to resupply the other camps with water?”


Irish performer ‘cries’ after Israel reaches Eurovision final as UK venues cancel watch parties

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Irish performer ‘cries’ after Israel reaches Eurovision final as UK venues cancel watch parties

Bambie Thug, Ireland’s entry in the Eurovision Song Contest, claims to have cried  after Israel qualified for the final to be held on Saturday. 

“It is a complete overshadow of everything, goes against everything that Eurovision is meant to be,” Bambie Thug told journalists ahead of the event at Malmo Arena in Sweden. “I cried with my team.”

The 31-year-old singer and songwriter wore a keffiyeh and carried Irish flags while urging the European Broadcasting Union to show “conscience” and “humanity.”
 
The artist will perform “Doomsday Blue” in the final.

Israel’s performer, Eden Golan, will present her song “Hurricane” at the competition. The track underwent revisions after the initial version, “October Rain,” was deemed too political by the EBU.

Although the contest’s motto is “united by music,” this year’s event has attracted protests from Palestinians and their supporters, who say Israel should be excluded because of its conduct of the war in Gaza.

Thousands of people are expected to march for a second time this week through Sweden’s third-largest city, which has a large Muslim population, to demand a boycott of Israel and a ceasefire in the seven-month conflict. 

In Finland, a group of about 40 protesters stormed the headquarters of public broadcaster YLE on Saturday, demanding it withdraw from the song contest because of Israel’s participation.

Venues across England are canceling their gigs after Palestine protest groups instructed their followers to pressure pubs showing the contest - leading some venues to close due to staff safety concerns.

The Duke of York cinema in Brighton called off its Eurovision event this week, telling ticket holders it was doing so “due to safety concerns for our staff and customers,” the Guardian reported. The Brighton Palestinian Solidarity Campaign called the decision a “massive win.”


AlUla to have starring role in ‘Motor City’ to be filmed in Saudi Arabia

Updated 11 May 2024
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AlUla to have starring role in ‘Motor City’ to be filmed in Saudi Arabia

DUBAI: Saudi Arabia’s AlUla is expected to have a starring role in director Potsy Ponciroli’s upcoming action thriller “Motor City.”

Production is due to start on July 10 in New Jersey and Saudi Arabia. The film is part of production company Stampede Ventures’ 10-picture slate deal with Film AlUla.

The cast will include Alan Ritchson, Shailene Woodley, Ben Foster and Pablo Schreiber. 

“Motor City” is centered around John Miller (Ritchson), a Detroit auto worker who loses everything, including his girlfriend (Woodley), after being framed by a local gangster (Foster) and sent to prison.

After his release, Miller seeks revenge while trying to win his former girlfriend back.


 


Louvre Abu Dhabi to exhibit Van Gogh artwork

Updated 11 May 2024
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Louvre Abu Dhabi to exhibit Van Gogh artwork

DUBAI: Louvre Abu Dhabi is set to display an artwork by Dutch painter Vincent van Gogh at the “Post-Impressionism: Beyond Appearances” exhibition running from Oct. 16 to Feb. 9 next year.

The work, “Bedroom in Arles,” depicts van Gogh’s bedroom in his yellow house in Arles, where he set up his studio and lived from September 1888.

The exhibition will be curated by Jean-Remi Touzet, conservator for paintings at the Musee d’Orsay, and Jerome Farigoule, chief curator at Louvre Abu Dhabi, with the support of Aisha Alahmadi, curatorial assistant at Louvre Abu Dhabi.

It will delve into the period known as post-impressionism, focusing specifically on the years between 1886 and 1905. “These two decades were a time of immense artistic innovation and experimentation, marking the transition from impressionism to the explosive emergence of the ‘fauves’ at the Salon d’Automne,” a press release said.

Highlights from the Arab world include two masterpieces by French Egyptian artist Georges Hanna Sabbagh: “The artist and his family at La Clarte” (1920) and “The Sabbaghs in Paris” (1921).


Singer Elyanna makes her TV debut on ‘The Late Show’

Updated 11 May 2024
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Singer Elyanna makes her TV debut on ‘The Late Show’

  • Chilean Palestinian star performs hits from debut ‘Woledto’
  • Proudly adorned with Palestinian keffiyeh around her head

DUBAI: Chilean Palestinian singer Elyanna made her television debut this week on “The Late Show with Stephen Colbert.”

The 22-year-old music sensation delivered a medley of hits from her debut album “Woledto,” including “Callin’ U (Tamally Maak)” and “Mama Eh,” the first song performed entirely in Arabic on the show.

Her performance featured an ensemble of oud, tabla, riq and dancers.

“I had so much fun performing on this iconic stage,” she wrote to her 1.2 million followers after her show.

The hitmaker was adorned in a white lace dress featuring two thigh-high slits. She complemented the attire with coin-belt accessories, draping them over her shoulders and fastening them around her calves to add a Middle Eastern touch to her look.

In one of the pictures she shared with her fans, she proudly wore the Palestinian keffiyeh around her head as she posed in front of “The Late Show” desk.

Elyanna dropped her album in April. It features nine songs: “Woledto,” “Ganeni,” “Calling U,” “Al Sham,” “Mama Eh,” “Kon Nafsak,” “Lel Ya Lel,” “Yabn El Eh” and “Sad in Pali.”

Before releasing the album, she wrote to her Instagram followers: “This album is the embodiment of pride to be an Arab woman, to be from Nazareth, to be from the Middle East.”

“This is the closest I’ve been to where I come from,” she added. “The only feature on my album is my grandfather.”

The Los Angeles-based singer’s music is a mix of Arabic and Western beats, which she attributes to her multicultural upbringing.

Elyanna has been normalizing Arabic lyrics in the Western world throughout her career, taking inspiration from artists including Lana Del Ray and Beyonce, as well as Middle Eastern legend Fayrouz.

In 2023, Elyanna became the first artist to perform a full set in Arabic at California’s Coachella music festival.

She embarked on a North American Tour this year, gracing stages in Dallas, Houston, Toronto, Montreal, Washington, New York, Chicago, Detroit, San Francisco and Santa Ana.


REVIEW: ‘Kingdom of the Planet of the Apes’ a worthy addition to successful franchise

Updated 11 May 2024
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REVIEW: ‘Kingdom of the Planet of the Apes’ a worthy addition to successful franchise

DUBAI: When soulless, cookie-cutter franchises were but the norm, the “Planet of the Apes” reboot trilogy — starring Andy Serkis’s commanding Ceasar — cut through the noise to offer a textured, resonant story that not only did well with the critics but also broke box office records.

Coming seven years after the final instalment of that trilogy, “Kingdom of the Planet of the Apes” continues the legacy with a visually rich and emotionally layered story. It takes its inspiration from the original 1968 film, “Planet of the Apes,” which was in itself an adaptation of French author Pierre Boulle’s 1963 novel “La Planete des singes.” 

Director Wes Ball (“The Maze Runner” trilogy) continues his run of dystopian features, but this time explores it in a lush, Garden of Eden-adjacent setting.

“Kingdom of the Planet of the Apes” is set generations after Ceasar’s time, when the world has been taken over by intelligent apes. The same virus that evolved them has regressed humans into an echo of their former selves, rendering them primitive and without language.

A coming-of-age story, our protagonist is the young simian Noa (a poignant and scene-stealing Owen Teague). When his clan is murdered by a rival group of bloodthirsty apes, Noa goes on the adventure of his life as he sets out to save those he can from the tyrannical rule of Proximus Caesar (Kevin Durand). On his journey, he teams up with a human girl May (“The Witcher” star Freya Allan) and a wise orangutan named Raka (Peter Macon), who still live by the words of the original Caesar.

While the premise itself lacks the depth of the previous trilogy, Ball compensates through extensive character work. He poses thought-provoking questions about whether humanity deserves a second chance, whether the apes will continue to make the same mistakes humans did, and whether apes and humans can imagine a future of peaceful co-existence.

The action and emotions are supported by groundbreaking visuals that seamlessly blend convincing motion-capture performances with beautifully rendered CGI.

To sum up, “Kingdom of the Planet of the Apes” proves a more than worthy successor to a franchise that refuses to quit — and for good reason.