Rawat Fort: A forgotten Pakistani archaeological treasure undergoes restoration

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Updated 14 February 2025
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Rawat Fort: A forgotten Pakistani archaeological treasure undergoes restoration

Rawat Fort: A forgotten Pakistani archaeological treasure undergoes restoration
  • 16th-century fort is believed to have been founded during Delhi Sultanate as an inn for traveling caravans and merchants
  • Monument, currently undergoing restoration, has three gates, mosque, central courtyard that houses ruins of graves of Gakhar chieftains 

ISLAMABAD: Among the many forgotten relics dotting the vast spread of the Potohar Plateau in northern Punjab is the Rawat Fort, which stands as a silent witness to centuries of history in what is this part of present-day Pakistan.

The fort lies about 18 kilometers east of the garrison city of Rawalpindi on the Grand Trunk Road highway and is believed to have been built in the 15th or 16th centuries during the Delhi Sultanate period. 

There are many legends about the fort’s founding and its purpose. According to Pakistan’s Department of Archaeology and Museums (DOAM), the fort, which derives is named from the Arabic word rabat meaning caravanserai, was built as an inn that provided lodging for travelers, merchants, and caravans passing through the strategic location of Rawat, at the crossroads of trade routes and a gateway to Kashmir and Central Asia.

Some historians, however, believe the fort was built in 1036 AD by Sultan Masood, the son of Sultan Mehmood Ghaznavi, the head of the Ghaznavid Empire who ruled from 998 to 1030 AD and who had at the time of his death raised an extensive military empire that extended from northwestern Iran proper to the Punjab in the Indian subcontinent, Khwarazm in Transoxiana, and Makran. Other historical accounts say the fort was built by Sultan Sarang Khan Gakhar, the chief of the Gakhar tribes who was made ruler of the Pothohar Plateau by Mughal emperor Babar in 1520.

Dr. Abdul Ghafoor Lone, a director at DOAM which is restoring the monument, told Arab News Rawat Fort was one of many hidden relics near the Pakistani capital of Islamabad and its main attraction was a central courtyard that housed the ruined graves of Sultan Sarang and a number of his sons who died fighting Sher Shah Suri, the ruler of Bihar from 1530 to 1540 and Sultan of Hindustan from 1540 until his death in 1545. In fact, the area in which the fort is located is known as a key battleground between the Gakhar tribe and Suri.

“Tatar Khan had two sons, Sarang Khan and Adam Khan,” Lone explained. “Islam Shah, who was the son of [emperor] Sher Shah Suri, when he fought Sarang Khan, Sarang Khan was killed in battle. Sarang Khan and his 12-13 sons were also killed.”




This photo, taken on February 7, 2025, shows aerial view of the Pakistani archaeological site Rawat Fort in Potohar region, in northern Punjab, Pakistan. (AN Photo)

Adam Khan recovered the bodies, the archaeologist said, and built a tomb in their honor inside Rawat Fort. 

Indeed, the structure has witnessed the rise and fall of many empires and military commanders. The building’s strategic importance led to its inclusion in the Mughal defensive line against invaders from the North-West. The fort’s location on the route used by Mughal emperors traveling to Kashmir for pleasure and strategic purposes also cemented its importance.

In the early 19th century, Sikh forces led by Sardar Milkha Singh captured Rawat Fort, and under Sikh rule, the fort underwent significant renovations and expansions. But the British annexation of Punjab in 1849 marked the beginning of the fort’s decline as the British no longer saw it as strategically essential. Over time, the once-imposing structure fell into disrepair.




This photo, taken on February 7, 2025, shows the Pakistani archaeological site Rawat Fort in Potohar region, in northern Punjab, Pakistan. (AN Photo)

“It has been used throughout the ages,” Dr. Tahir Saeed, an archaeologist and visiting professor at the Quaid-e-Azam University in Islamabad, told Arab News. 

“During the Sher Shah Suri period, it was used as a port for the Mughals … The caravans passing through GT Road used it as a port. It was an important place from a strategic point of view … After the Mughal period, the Sikhs came here and used it as a stable or court.”

RESTORATION

The management of Rawat Fort shifted from the federal government to the Punjab provincial government due to administrative changes in 2010 after a constitutional amendment devolved power to the provinces. The transition period from 2011 to 2017 saw significant encroachment, according to the DOAM, until the monument was returned to the department in 2017.

The fort, a quadrangular monument with three main gates, has several small cells that used to be rented out to merchants, and which are now undergoing restoration by authorities, as well as a mosque with three domes. The main attraction is the tomb of Sarang Khan, built by his brother Adam Khan who assumed leadership of the tribe and became the next Gakhar chief after 1546. 




This photo, taken on February 7, 2025, shows entrance gate of the Pakistani archaeological site Rawat Fort in Potohar region, in northern Punjab, Pakistan. (AN Photo)

“We try our maximum effort to maintain the authenticity of our monuments and artifacts,” said Lone. 

“You can do conservation, preservation and restoration. But we don’t reconstruct them. We try to restore the material that has been used for the original construction. Wherever it is available, we bring and use it or if it is lying there, we restore it.”

At the last stage of the restoration, he added, the ruined graves would be restored so “that people can understand that there is a grave of Sarang Khan in it and all his sons who were martyred are buried here.”

Pakistan has six UNESCO heritage sites and 25 which are on a tentative list, according to Lone. Rawat Fort is not on either list but when it achieves the status of a UNESCO heritage site, it would boost tourism in the area and also lead to better upkeep, he added.




This photo, taken on February 7, 2025, shows aerial view of the Pakistani archaeological site Rawat Fort in Potohar region, in northern Punjab, Pakistan. (AN Photo)

The archaeologist stressed the need for a sense of “shared ownership” of monuments and historical sites by the government and members of the public to help preserve them for generations to come.

“This is our heritage. We all have to take ownership of it,” Lone said. “Only if we take ownership of it can we protect it.”

Saeed, the archaeology professor, also called for more government funding.

“The government will have to set priorities,” he said. 

“They will have to provide maximum funding and continuous funding so that conservation work on sites, archaeological sites, monuments and heritage sites can continue.”


Nadine Labaki among stars to headline Abu Dhabi congress on Arabic creativity

Nadine Labaki among stars to headline Abu Dhabi congress on Arabic creativity
Updated 12 sec ago
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Nadine Labaki among stars to headline Abu Dhabi congress on Arabic creativity

Nadine Labaki among stars to headline Abu Dhabi congress on Arabic creativity

DUBAI: Acclaimed Arab stars including Lebanese actress and director Nadine Labaki, Tunisian Egyptian actress Hend Sabry and Jordanian director and actress Tima Shomali will headline the upcoming Congress of Arabic & Creative Industries in Abu Dhabi from Sept. 14 to 15.

The two-day event, organized by the Abu Dhabi Arabic Language Centre, aims to explore the evolving role of the language in the region’s fast-growing creative economy. It brings together cultural leaders, global tech voices and rising regional talent.

The celebrity trio will lead a panel titled “Her Narratives: Women Reimagining Arabic Creativity,” which highlights the impact of Arab women in reshaping storytelling across film, literature, media and digital platforms.

Labaki is best known for her Oscar-nominated film “Capernaum,” Sabry for her award-winning roles in Arabic cinema and Netflix’s “Finding Ola,” and Shomali for co-creating and starring in the Netflix series “AlRawabi School for Girls.”

The session will focus on their personal experiences, creative approaches and the challenges they have overcome while influencing Arabic cultural expression.

Other highlights include “Whose Story Is It?”— a conversation on originality versus adaptation in Arabic television featuring Egyptian screenwriter Mariam Naoum, Syrian author and poet Rami Koussa and OSN executive Rolla Karam.

The session will examine how localized remakes and original content shape identity and creative ownership in an increasingly globalized market.

The congress also brings together major players in technology and media, with partners including Google, AWS, TikTok, Adobe and Sard Writers’ Room.

The agenda spans themes including artificial intelligence, digital publishing, and the business of creativity through a series of curated panels and industry conversations.

In “Creators, Capital, and Control,” executives from Snap, TikTok and Meta will discuss power dynamics in today’s content economy.

Also, “Arabic Language Crisis and the Coming Shift” will examine the tension between Modern Standard Arabic and regional dialects. Panelists include Dr. Ali bin Tamim, chairman of the Abu Dhabi Arabic Language Centre, and language expert Dr. Hanada Taha Thomure.


Bella Hadid returns for Chopard’s new campaign

Bella Hadid returns for Chopard’s new campaign
Updated 05 August 2025
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Bella Hadid returns for Chopard’s new campaign

Bella Hadid returns for Chopard’s new campaign

DUBAI: US Dutch Palestinian model Bella Hadid continues her collaboration with Chopard, taking center stage on the brand’s Instagram feed throughout the week.

Hadid starred in the latest campaign spotlighting Chopard’s L’Heure du Diamant collection. This week, the brand shared a behind-the-scenes video from the shoot, showing the model in a white halter-neck dress as she posed in the sparkling jewelry pieces.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Chopard Official (@chopard)

In another set of images, Hadid wore a striking red high-neck top, paired with pieces from Chopard’s bold and romantic Haute Joaillerie collection, most notably a pair of dangling heart-shaped hoop earrings.

She rounded out the campaign in a glittering purple turtleneck top with long sleeves, once again styled with creations from the L’Heure du Diamant line.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Chopard Official (@chopard)

The model’s collaboration with Chopard began in 2017 when she became one of the faces of the brand’s high jewelry collections. Since then, she has appeared in several campaigns and has worn Chopard pieces at major international events, including the Cannes Film Festival, Met Gala, and Paris Fashion Week.

Last month, Hadid appeared in campaign images for the brand, modeling pieces from its high jewelry collection ahead of Paris Couture Week.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Chopard Official (@chopard)

In one of the images, Hadid wore a diamond necklace featuring a large yellow gemstone at its center. In another, she wore a coordinated jewelry set consisting of sapphire and diamond drop earrings, a matching necklace, and a statement ring.

Hadid has had a busy summer. In June, with the help of close friends, she expanded her beauty brand Orebella with a range of accessories.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Chopard Official (@chopard)

The model and entrepreneur teamed up with Wildflower Cases co-founders Sydney and Devon Lee Carlson to launch a limited-edition collaboration featuring two new products: an iPhone case and a “scentable wristlet.”

Hadid took to Instagram to announce the launch, writing: “Feeling like the luckiest girl in the world to be able to be creative with my beauty boss sisters. Life is beautiful when we have the opportunity to watch our friends winning. So proud of you two. So proud of our teams. So proud of us. Love you all — thank you for bringing this vision to life.”


UK’s Royal Ballet and Opera cancels Tel Aviv ‘Tosca’ after staff protest over stance on Gaza

UK’s Royal Ballet and Opera cancels Tel Aviv ‘Tosca’ after staff protest over stance on Gaza
Updated 05 August 2025
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UK’s Royal Ballet and Opera cancels Tel Aviv ‘Tosca’ after staff protest over stance on Gaza

UK’s Royal Ballet and Opera cancels Tel Aviv ‘Tosca’ after staff protest over stance on Gaza
  • It comes after 182 dancers, musicians, singers and technical staff sign open letter denouncing ‘recent actions and decisions’ by organization ‘in the context of the ongoing genocide in Gaza’
  • Letter backs actions of performer who raised a Palestinian flag on stage last month as ‘act of courage and moral clarity,’ and accuses organization’s director of opera of reacting aggressively

LONDON: The UK’s Royal Ballet and Opera has canceled a planned 2026 production of “Tosca” at the Israeli Opera in Tel Aviv, after nearly 200 members of staff signed a letter criticizing the organization’s ties to Israel amid the war in Gaza, it was reported on Monday.

Company chief executive officer Alex Beard confirmed the decision in an internal message in which he acknowledged the letter and told staff: “We have made the decision that our new production of “Tosca” will not be going to Israel.”

A total of 182 members of the Royal Opera and Ballet, including dancers, musicians, singers and technical staff, signed the open letter on Friday denouncing the “recent actions and decisions taken by the RBO in the context of the ongoing genocide in Gaza.”

In particular, they condemned the recent hiring out of the organization’s “Turandot” production to the Israeli Opera for performances that took place last month, The Guardian newspaper reported on Monday.

“The decision cannot be viewed as neutral,” they wrote. “It is a deliberate alignment, materially and symbolically, with a government currently engaged in crimes against humanity.

“The venue itself, the Israeli Opera, publicly offers free tickets to soldiers of the Israeli Defense Forces ‘in recognition of their work,’ as stated on their website.

“The RBO is clearly making a strong political statement by allowing its production and intellectual property to be presented in a space that openly rewards and legitimizes the very forces responsible for the daily killings of civilians in Gaza.”

The letter demanded that the organization “withholds our productions from institutions that legitimise and economically support a state engaged in the mass killing of civilians,” and rejects “any current or future performances in Israel.”

It also offered support for performer Daniel Perry, who raised a Palestinian flag on stage during a curtain call on July 19 in what the letter described as “an act of courage and moral clarity.” It accused the RBO’s director of opera, Oliver Mears, of reacting aggressively.

“We witnessed (Mears) attempting to forcibly snatch the flag from the performer, displaying visible anger and aggression in front of the entire audience,” the letter said.

“Far from being a neutral administrative intervention, (his) act was itself a loud political statement. It sent a clear message that any visible solidarity with Palestine would be met with hostility.”

Perry has stated that Mears subsequently told him he would “never work for the Opera House ever again.”

The employees who signed the letter also highlighted what they described as a “deafening” double standard, noting the organization’s open support for Ukraine following the invasion by Russia in 2022, adding: “We understood then that silence was unacceptable. Why is it different now?”

In response, Beard said: “I am appalled by the crisis in Gaza and recognize the deep emotional impact this has had across our community and wider society. On this issue, we acknowledge and respect the full range of views held by our staff, artists and audiences.

“The events at the curtain call on July 19 were without precedent. We have reflected carefully and reviewed our internal protocols. We always endeavor to act with integrity and compassion. We want our stage to remain a space for shared cultural appreciation, free from individual political statements.”

The RBO’s support for Ukraine was “aligned with the global consensus at the time,” he added, but global geopolitics had become more complex and so the organization’s stance had changed to ensure its actions reflected its “purpose and values.”

The Israeli Opera removed details of the production of “Tosca” from its website but has not commented on the cancellation.


Dates, stories delight children at Madinah fair

Dates, stories delight children at Madinah fair
Updated 04 August 2025
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Dates, stories delight children at Madinah fair

Dates, stories delight children at Madinah fair
  • Guided by trained facilitators, children made dipped date balls, nut-stuffed dates, and light meals with bread and dates
  • Workshops focused on nutritious ingredients, simple preparation steps, and creative presentation

RIYADH: The Chef’s Kitchen corner at the Madinah Book Fair drew strong interest from young visitors, who joined hands-on workshops to prepare healthy recipes using Madinah’s famous dates.

Guided by trained facilitators and with safety in mind, children made dipped date balls, nut-stuffed dates, and light meals with bread and dates.

The workshops focused on nutritious ingredients, simple preparation steps, and creative presentation, the Saudi Press Agency reported on Monday.

Beyond cooking, the sessions aimed to boost sensory and motor skills, promote nutritional awareness, and deepen appreciation for local products — especially dates as a key part of Madinah’s culinary heritage.

Meanwhile, the Story Lab corner sparked creativity through interactive storytelling, where children crafted short stories using elements from a digital screen.

Participants tackled literary challenges that developed their storytelling skills in a playful learning environment. The activity also enhanced Arabic vocabulary and fostered pride in the language as a tool for creative expression.

The fair concluded on Aug. 4 at the King Salman International Convention Center with more than 300 local, regional, and international publishers participating.


New international art consultancy launches with Gulf focus

New international art consultancy launches with Gulf focus
Updated 04 August 2025
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New international art consultancy launches with Gulf focus

New international art consultancy launches with Gulf focus
  • New Perspective Art Partners marks a collaboration between leading figures in the art world to advise top-tier clients with a special focus on the Middle East

DUBAI: A new art consultancy with a focus on the Middle East region has been created with four of the art market’s leading players.

Called New Perspective Art Partners, the new advisory is launching with a mission to work with clients in a way that offers a new model bridging cross-continental advisory services with bespoke services to top-tier collectors and institutions.

The dedicated focus on the Middle East reflects the growing ambitions of collectors and institutions in the region.

The new advisory is comprised of Ed Dolman, the former executive chairman of Phillips auction house; Brett Gorvy, a co-founder and partner of Levy Gorvy gallery and the former chairman of postwar and contemporary art at Christie’s; and Patti Wong of the Hong Kong-based company Patti Wong & Associates, who previously worked at Sotheby’s for 15 years as the head of the private client services department before being appointed as chairman of Sotheby’s Asia in 2004.

Alex Dolman, Ed’s son, who recently launched the advisory firm Dolman Partners with his father, will also be part of the group.

“New Perspectives Art Partners is oriented around those operating at the very top of the international art world, which includes numerous collectors and institutions in the Middle East,” Dolman told Arab News.

“Our team has extensive experience in the region — supporting both collectors and institutions who have been operating for decades, and those who have more recently invested in the culture space,” he said.

“We understand the unique requirements of clients in the region and can bring them the international experience necessary to help them realize their ambitions.”