What We Are Reading Today: ‘Contemporary Kingdom’

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Updated 14 April 2025
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What We Are Reading Today: ‘Contemporary Kingdom’

  • Physically substantial, the book feels symbolic — like a literal building block in the ongoing construction of Saudi Arabia’s artistic future

The new edition of “Contemporary Kingdom” is a lush green coffee table volume that is more than worthy of the space it occupies.

Building on the original 2014 release, the new edition offers a sweeping insight into one of the world’s most dynamic art scenes. With expanded coverage, it dives deep into the Kingdom’s bold and vibrant creative landscape through essays and detailed profiles of contemporary Saudi artists.

This expanded volume charts the evolution of Saudi Arabia’s art scene. It highlights visionary artists, pivotal moments and cultural shifts that have pushed the Kingdom onto the global art stage.

From historical context to groundbreaking contemporary movements, the book captures a transformative journey in motion.

Physically substantial, the book feels symbolic — like a literal building block in the ongoing construction of Saudi Arabia’s artistic future.

Featuring a foreword by Saudi Minister of Culture Prince Bader bin Abdullah, Part 1 is titled “The Ecosystem” and includes essays by notable Saudi voices such as Ashraf Fagih and Dalal Majed, alongside international contributors.

Part 2 presents profiles of 55 Saudi artists, complete with suggestions for further reading.

Launched by Canvas Magazine in collaboration with the Visual Arts Commission under the Ministry of Culture, the book made its debut during the inaugural Art Week Riyadh, which ended on April 13.

“Contemporary Kingdom, Second Edition” is available for purchase at the Riyadh Art Building in JAX, Diriyah, adjacent to the Saudi Arabia Museum of Contemporary Art, through the end of May.

 


Book Review: ‘America’s View of the East, Cinematically’ by Abdulmohsen Al-Mutairi

Updated 22 May 2025
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Book Review: ‘America’s View of the East, Cinematically’ by Abdulmohsen Al-Mutairi

Saudi journalist, filmmaker and cultural commentator Abdulmohsen Al-Mutairi launched his long-anticipated book — “America’s View of the East, Cinematically” — at last month’s Saudi Film Festival.

Cementing his reputation as a vital voice at the intersection of cinema and Arab identity, the book is a natural progression from his award-winning documentary, “Memories From The North,” tackling Western portrayals of the East with the same precision, intellect and emotional clarity.

Al-Mutairi drew wide attention for his documentary, which offered a poetic look at the Gulf War of 1990-91 and was named best short documentary at the 2022 festival.

“The documentary looks to me like a chapter in a book, because both memories and the war look like chapters to us. To me, the war is a timeline, there is a beginning, middle and an end,” Al-Mutairi told Arab News at the time.

“America’s View of the East, Cinematically” continues that mission, serving as both critique and chronicle of how Arab and Eastern identities have long been distorted by the cinematic lens of the West.

“This encyclopedia will be a building block added to what the Saudi Film Festival has started since its launch in 2008 and an effective tributary in the path of Saudi cinema, reinforcing what the festival organizers believe in and what they seek to achieve by emphasizing that the film industry must be accompanied by a knowledge industry directed at those working in the local and Arab cinema field,” according to its introduction.

More than critique, the book offers a kind of cinematic reclamation.


What We Are Reading Today: ‘The Book of Alchemy’ by Suleika Jaouad

Updated 22 May 2025
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What We Are Reading Today: ‘The Book of Alchemy’ by Suleika Jaouad

In “The Book of Alchemy,” Suleika Jaouad explores the art of journaling and shares everything she’s learned about how this life-altering practice can help us tap into that mystical trait that exists in every human: creativity. She has gathered wisdom from one hundred writers, artists, and thinkers in the form of essays and writing prompts. Their insights invite us to inhabit a more inspired life.


What We Are Reading Today: Pico Iyer’s essay ‘The Joy of Quiet’

Updated 21 May 2025
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What We Are Reading Today: Pico Iyer’s essay ‘The Joy of Quiet’

Pico Iyer’s essay “The Joy of Quiet” dissects modern life’s paradox: the louder our world grows, the more we crave silence. The essay was first published in 2012 in The New York Times.

With the precision of a cultural surgeon, Iyer — a travel writer famed for his meditative prose — exposes how digital noise erodes human connection, leaving us drowning in a sea of notifications yet thirsting for meaning.

But this isn’t a diatribe against technology; it’s a forensic examination of our collective burnout.

He maps a silent counterrevolution emerging in the unlikeliest corners: Silicon Valley CEOs fleeing to Himalayan monasteries, Amish-inspired “digital sabbaths” trending among younger generations, executives paying to lock away their phones and nations like Bhutan trading gross domestic product for “Gross National Happiness” as radical acts of cultural defiance.

Iyer’s genius lies in reframing silence as an insurgent act of self-preservation. A Kyoto temple’s rock garden becomes a “vacuum of stillness” where fractured minds heal; a tech mogul’s secret retreats — funded by the same wealth that built addictive apps — mock his own industry’s promises of liberation.

The essay’s sharpest insight? Our devices aren’t just distractions but “weapons of mass distraction,” systematically severing us from presence, empathy and the sacred monotony of undivided attention.

Critics might argue Iyer romanticizes privilege (not everyone can jet to a Balinese silent retreat), yet his message transcends class: in an age of algorithmic overload, solitude becomes not a luxury but psychic armor.

He anticipates today’s “attention economy” battleground, where mindfulness apps monetize the very serenity they promise to provide.

His closing warning: “We’ve gone from exalting timesaving devices to fleeing them,” feels prophetic in 2025, as AI chatbots colonize conversation and virtual reality headsets replace eye contact.

Less self-flagellating than Orwell’s colonial reckonings, “The Joy of Quiet” offers no easy answers.

Instead, it dares readers to ask: When every ping demands obedience, what revolution begins with a silenced phone? What if reclaiming our humanity starts not with consuming more but with the radical courage to disappear?


What We Are Reading Today: ‘In Asian Waters’ by Eric Taliacozzo

Updated 21 May 2025
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What We Are Reading Today: ‘In Asian Waters’ by Eric Taliacozzo

In the centuries leading up to our own, the volume of traffic across Asian sea routes—an area stretching from East Africa and the Middle East to Japan—grew dramatically, eventually making them the busiest in the world.

The result was a massive circulation of people, commodities, religion, culture, technology, and ideas.

In this book, Eric Tagliacozzo chronicles how the seas and oceans of Asia have shaped the history of the largest continent for the past half millennium, leaving an indelible mark on the modern world in the process.


Book Review: ‘Hope in the Dark’ by Rebecca Solnit

Updated 21 May 2025
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Book Review: ‘Hope in the Dark’ by Rebecca Solnit

In an era of climate collapse and political upheaval, Rebecca Solnit’s “Hope in the Dark,” first published in 2004 and later updated in 2016, redefines hope not as naivete, but as a radical act of defiance.

Part manifesto, part historical corrective, the book resurrects forgotten victories to prove that progress is often invisible, nonlinear, and collective.

Solnit, a historian and activist, dismantles the myth of powerlessness by spotlighting movements that reshaped history despite seeming futile in their moment.

The Zapatista uprising of 1994, she argues, redefined revolution not as a single explosive event but as a “slow conversation” across generations. The fall of the Berlin Wall — unforeseen by experts — she wrote exposes the fragility of oppressive systems when met with sustained dissent.

Her 2016 update weaves in Black Lives Matter and the Standing Rock protests, framing them as modern iterations of this “subversive hope.”

Central to Solnit’s thesis is the metaphor of darkness, rejecting apocalyptic fatalism: “The future is dark … like the darkness of the womb.”

Hope, for her, is the audacity to act without guarantees, a lesson drawn from anti-nuclear campaigns of the 1980s and post-Katrina mutual-aid efforts like the Common Ground Collective.

Stylistically, Solnit merges lyrical prose with critical urgency. She chastises media narratives that equate activism with failure if immediate victories are not won, noting that the eight-hour workday and abolition of slavery were once deemed impossible.

Her chapters unfold as interconnected essays, blending memoir (her 1980s anti-nuke protests) with global dispatches (Chile’s democratic revival, Ukraine’s Orange Revolution).

Critics may crave more policy prescriptions, but Solnit’s goal is philosophical: to reframe activism as a practice of storytelling, where every protest rewrites the dominant narrative.

The book is not a roadmap but a compass, guiding readers through despair with historical proof that “the impossible is inevitable.”