Athr Foundation fosters creativity with Bait Shouaib open studio

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Badr Ali, Tamara Kalo and Alana Alireza. (AN Photo)
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Badr Ali’s artwork. (AN Photo)
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Badr Ali’s artwork. (AN Photo)
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Tamara Kalo’s artwork. (AN Photo)
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Tamara Kalo’s artwork. (AN Photo)
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Abdulla Bahiji’s artwork. (AN Photo)
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Updated 28 March 2024
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Athr Foundation fosters creativity with Bait Shouaib open studio

  • Bait Shouaib offers an immersive and supportive environment, fostering creativity and cultural exchange among the rich heritage of its surroundings
  • During the residency, artists learned about the Al-Balad district from the perspective of a local inhabitant, resulting in studio presentations and site-specific installations

JEDDAH: The Athr Foundation has launched the first open studio at Bait Shouaib, an artists’ residential program located in the heart of Al-Balad. 

Bait Shouaib offers an immersive and supportive environment, fostering creativity and cultural exchange among the rich heritage of its surroundings.

During the residency, artists learned about the Al-Balad district from the perspective of a local inhabitant, resulting in studio presentations and site-specific installations.

One artist, Badr Ali, told Arab News: “My memories of Al-Balad were from childhood, where my mom warned me of its rough and dangerous nature. Coming from Germany, I took a hiatus from art and decided to join this residency for inspiration. I was struck by the district’s homogeneity and outdated toys, sparking research on their intended audience. These toys, originally meant for Umrah migrants, now seem out of touch with today’s tech-savvy kids.”

He added: “Through my art, I explore the irony of these toys in a district that has undergone gentrification. My painting highlights the decay of mass-produced toys, using glitter and embellishments to emphasize the contrast between superficial esthetics and inherent quality issues. This residency in Jeddah has been a unique experience, different from my previous ones in France, Germany, and the UK. The cultural nuances and art scene in Saudi Arabia have presented new challenges and inspirations for my work.”

The intimate perspective offered by the artists has deepened their understanding of Al-Balad’s rich cultural heritage. The night-time festivities during Ramadan added an extra layer of enchantment.

Artist Tamara Kalo said, “This residency program has been really inspiring. I feel like there are so many things I wanted to do and not enough time. But, also, that’s the beauty. Maybe it’s like you get to explore little bits and pieces of things that are inspiring, then you do what you can and it still opens doors for other things in the future.”

On her artwork, she said: “The bedspace is a realm of the subconscious, holding tensions of dreams and nightmares, comfort and discomfort. By intertwining my body with a green ribbon on the bed frame, I create a cage-like enclosure for imaginative safe space. The green screen material offers infinite representation possibilities, blurring the line between material and immaterial through video overlay. This references the virtual world as a collective subconscious that interrupts our rest. The roshan-turned-camera work brings the public into private space by capturing direct light reflections.”

And Abdulla Bahiji’s innovative approach to reimagining the urban landscapes of Jeddah and the Hejaz region involved transforming concrete blocks into biodegradable incense burners infused with scents and flora. 

Reflecting on his experience as a newcomer to Al-Balad, he said: “As a first-time dweller in Al-Balad, I found myself captivated by its essence, enveloped in a rich tapestry of scents ranging from Jawi bakhoor to fish, oud to meat. These fragrances not only altered my perception of time but also served as tangible markers of the city’s evolving narrative. Investigating the history of Al-Balad, I uncovered the remarkable resilience of the local businesses as they transitioned from traditional to medicinal products, showcasing the city’s adaptability.”

The curator of the open studio, Alana Alireza, said: “In my role I oversaw the coordination of two artists and a researcher to cultivate a harmonious and collaborative workspace. This led to the creation of a reflective essay inspired by my time in Al-Balad, exploring the themes of scent and nostalgia.”

Bait Shouaib, hosted by the Athr Foundation offers a transformative experience for artists worldwide. The four-week residency provides a fully equipped studio space and facilitates cross-cultural dialog, heritage exploration, and artistic development.


Qatar highlights Arab, South Asian and African films at the Venice Biennale

Updated 23 min 5 sec ago
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Qatar highlights Arab, South Asian and African films at the Venice Biennale

  • Highlights include Ali Cherri’s “The Dam” (2022), charting the story of a Darfuri seasonal worker from Sudan

VENICE: For its second showing during the Venice Biennale, Qatar is staging the exhibition “Your Ghosts Are Mine: Expanded Cinemas, Amplified Voices” that takes a profound, in-depth look at the last decade of film and video art by Arab, South Asian and African filmmakers.

While Qatar has yet to have its own national pavilion, its exhibition occupies the 459-year-old Palazzo Cavalli-Franchetti on the Grand Canal. The works on show are drawn from the collections of Mathaf: Arab Museum of Contemporary Art, the Doha Film Institute and the forthcoming Art Mill Museum (scheduled to open in 2030). It is divided into ten galleries, each comprising films and video art according to a specific theme such as ruins, women’s voices, borders, exile and deserts and is curated by Paris-based Matthieu Orlean, a film and video expert. The exhibition will run until November 2024.

“Film is very relevant to our institutions and is an important part of our collections,” Zeina Arida, Director of Mathaf: Arab Museum of Modern Arab Art in Doha, told Arab News.

“It is a great way to document our contemporary times,” she added. “Film is also a great way of to share who we are and what we are going through, what we as societies from these less represented countries are living and the issues we are facing.”

In-depth storytelling can be found in the films on view by Shirin Neshat and Shoja Azari, Larissa Sansour, Fares Fayyad, Ali Cherri, Shaima Al-Tamimi, Ramata-Toulaye Sy, Hassan Khan and Sophia Al-Maria, among others.

In a documentary and largely journalistic style, many of the works shed light on current events and issues not often covered in mainstream media, including the now one-year old conflict in Sudan or migrants seeking new homes such as those captured in the film by Yemeni East African filmmaker Shaima Al-Tamini who charted the journey of her family from Kenya and Zanibar to the UAE.

“I was looking at movies that were different from the rest — that take a risk of telling their own story in a specific way,” curator Orlean told Arab News. “The filmmakers of these films are foreigners in their own environment because they are capturing events, whether personal or collective, that many people don’t see even in the news. Many deal with the themes of migration, social differences and exile.”

The works on view showcase both long and short films. A few highlights include Ali Cherri’s “The Dam” (2022), charting the story of a Darfuri seasonal worker from Sudan who works during the night to create a mud-brick monument. The film is a political fable that tells of the power of imagination against the backdrop of the Sudanese revolution. There is also Qatari artist Sophia Al-Maria’s well-known work “Black Friday” (2016) and British-born Egyptian multimedia artist Hassan Khan’s “Jewel” (2010) featuring a luminescent fish in dark waters followed by two men dancing to Arabic music.

“‘Jewel’ was triggered by a moment witnessed on the street in Cairo in 2006 — two men dancing around a speaker with raw, brutal and beautiful music blaring out,” Khan told Arab News. “It took four years before I could finally produce the work for Mathaf's opening exhibition in 2010 and by then so much was bubbling around us that it seemed to channel something real. Imagine a one second flickering daydream slowed down and stretched into six intense minutes. It is about our deepest sources — history, culture, emotion — and how we communicate the alien that lives inside all of us.”


Saudi Music Commission hosts open meeting on preserving national musical heritage

The commission launched the Saudi Music Memory initiative to document the history of Saudi art. (Twitter @MOC_Music)
Updated 07 May 2024
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Saudi Music Commission hosts open meeting on preserving national musical heritage

  • The meeting highlighted the achievements of the Saudi Music Memory initiative, which secured rights for over 5,000 works, documented 305 musical notations, and produced two musical notation books

RIYADH: The Music Commission hosted an open meeting on the Saudi Music Memory initiative, engaging with music enthusiasts and industry professionals, the Saudi Press Agency reported on Tuesday.

The goal was to involve them in preserving the Kingdom’s musical heritage, as part of a series of open meetings designed to keep the musical community informed and encourage their participation in documenting and preserving Saudi music.

The virtual meeting outlined the initiative’s focus on documenting music and lyrics composed by Saudi artists through the mid-1980s, aiming to preserve and archive these works and the evolution of the Saudi music scene.

The meeting highlighted the achievements of the Saudi Music Memory initiative, which secured rights for over 5,000 works, documented 305 musical notations, and produced two musical notation books. The first book, titled “From the Memory of National Songs,” was released to coincide with this year’s Founding Day. The second book, “From the Memory of Ramadan Songs,” is completed and set to be published before Ramadan 2025.

The meeting featured interviews with renowned artists who experienced the early days of Saudi music, like Mohammed Abdu, Abadi Al-Johar, and Jamil Mahmoud, who shared stories about the origins of Saudi music and the role of its pioneers.

The meeting outlined the stages of the initiative, beginning with securing the rights to use classical musical and lyrical works, which has been completed. The second stage, transcribing musical works, is underway. Next, the commission plans to create documentary content and reproduce and distribute significant musical works, expected to be completed in the upcoming year. Once these stages are finished, the final step will be building an integrated platform.

The commission adhered to a scientific methodology, ensuring honesty and neutrality in all outputs of the initiative. It eliminated community and private artistic biases, aligned with the Saudi Cultural Memory Center, followed the guidelines in the documentation and digital archiving manual issued by the Ministry of Culture, and conducted a comprehensive inventory of all relevant materials and information.

The commission launched the Saudi Music Memory initiative to document the history of Saudi art, aiming to create a reliable reference, highlight its regional influence, offer academically documented research for musicians, researchers, and interested parties, and showcase high-value musical works that have not received due media attention, the SPA reported.

 


Macklemore shares teaser for new song in support of Gazans

Updated 08 May 2024
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Macklemore shares teaser for new song in support of Gazans

DUBAI: American rapper Macklemore is set to release a new song this week in support of Palestine.

Titled “Hind’s Hall,” the track honors Hind Rajab, the 6-year-old Palestinian girl who was killed by Israeli soldiers in Gaza while waiting to be rescued.

 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by BEN (@macklemore)

 

Drawing its inspiration from the global student protests, the singer released a teaser of the track on his Instagram feed and said that all proceeds from its sale would be donated to UNRWA.

“The people, they won’t leave / What is threatening about divesting and wanting peace? / The problem isn’t the protests, it’s what they’re protesting / It goes against what our country is funding / Block the barricade until Palestine is free,” he sings.

“What you willing to risk? / What you willing to give? / What if you were in Gaza? / What if those were your kids? You’d want the world to stand up / And the students finally did.”

The full song has yet to be released on streaming platforms.


Saudi Heritage Commission event celebrates ancient Rakah

Updated 06 May 2024
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Saudi Heritage Commission event celebrates ancient Rakah

  • “We want our customers to enter our space, either in our booth at the event this week or our studio location, and in just a short time be able to produce something customized to take home, she told Arab News

DAMMAM: The Heritage Commission is holding an event to celebrate ancient Rakah, with historical reenactments, guided tours, archaeological experts and handicrafts.

Once a major trading spot, some 1,500 years ago, the area takes its name from an indigenous tree species that once flourished there. The sandy environment was also once under the sea and shells can be found still glued to the rocks.

Visitors learned about dates' importance in ancient times as well as how merchants made and traded date syrup with locals. (AN photo)

Many of the guides are female archaeology graduates from Imam Abdulrahman Bin Faisal University, formerly known as the University of Dammam.

Wala Al-Nafaiai, who co-founded Dam Studio, a local business that specializes in handmade goods made of cow and camel hide, said she was looking forward to showing off her products to visitors.

FASTFACTS

● Once a major trading spot, some 1,500 years ago, the Rakah area in Dammam takes its name from an indigenous tree species that once flourished there.

● The sandy environment was also once under the sea and shells can be found still glued to the rocks.

“We want our customers to enter our space, either in our booth at the event this week or our studio location, and in just a short time be able to produce something customized to take home, she told Arab News.

Visitors learned about dates' importance in ancient times as well as how merchants made and traded date syrup with locals. (AN photo)

“Instead of going to a restaurant, we want you to spend the time to have an experience, produce something practical and learn skills you can utilize later.”

Al-Nafaiai said she was delighted with how many people had taken part in the workshops she provided at her booth.

It seems many (people) enjoy customizing something that they feel connected to once they make it with their own hands.

Wala Al-Nafaiai, Dam Studio co-founder

“It was so crowded … I was surprised that there were more adults than children who wanted to join in, although the craft was very simple,” she said.

“It seems many (people) enjoy customizing something that they feel connected to once they make it with their own hands. And that is our goal and the goal of the Heritage Commission who invited us to join this successful event.”

Visitors learned about dates' importance in ancient times as well as how merchants made and traded date syrup with locals. (AN photo)

Visitors were also able to learn about the importance of dates to the community in ancient times and how local people would make and trade date syrup with visiting merchants.

Organized in cooperation with the Sharqiya Development Authority, the festival ends on Tuesday. For more information, visit heritage.moc.gov.sa or @mocheritage.

 


Riyadh forum highlights importance of cultural identity and Arab heritage

Updated 06 May 2024
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Riyadh forum highlights importance of cultural identity and Arab heritage

  • Scholars, officials, experts explore and celebrate Arabian Peninsula
  • Katakura Kunio said that both Japanese and Islamic cultures had historic roots in promoting peace

RIYADH: The Al-Marwiyah Al-Arabiyah Conference, called “Desert Culture,” concluded on Monday in Riyadh. The two-day event brought together a diverse group of scholars, officials, and experts to explore and celebrate the rich cultural heritage of the Arabian Peninsula.

Prince Turki Al-Faisal, the chairman of the King Faisal Center for Research and Islamic Studies, said that nomadism was central to Arab culture, emphasizing its roots in values over materialism. He noted that Arabs were natural storytellers, adept at turning chaos into clarity.

Katakura Kunio, president of the Motoko Katakura Foundation for Desert Culture in Japan, delivered a speech in memory of his late wife, anthropologist Motoko Katakura, which highlighted her research in Saudi Arabia.

Kunio said: “Motoko’s enduring passion for comfort inspired our foundation to establish the Comfort Prize, aimed at supporting both Japanese and international researchers and artists. This award honors individuals who dedicate their lives to enriching desert culture.

“In the current climate of positive change within Saudi Arabia, including the increased societal participation of women and the focus on tourism development, it is natural to re-evaluate the traditional value of comfort. Perhaps, in a world increasingly driven by hyper-capitalism, comfort can offer a remedy for the global population yearning for a slower pace.”

Kunio said that both Japanese and Islamic cultures had historic roots in promoting peace. He noted that Prince Shotoku of Japan endorsed “respect for peace” in his 17-Article Constitution, while the Prophet Muhammad established the Madinah Charter, which also emphasized peace and tolerance. These parallels suggested a common ground for fostering cross-cultural understanding, he added.

Abdullah Hamidaddin, assistant secretary-general for scientific affairs at the KFCRIS, described Al–Marwiyah Al-Arabiyah as a research initiative which aimed to address confusion about Arab civilization. It sought to combat attempts to undermine and marginalize Arab culture.

Hamidaddin said that the project used scientific methods to study Arab narratives and the origin of language in the Arabian Peninsula, while promoting dialogues, field studies, and critical analyses in various fields, including history, archaeology, sociology, philosophy, literature, and art.

The conference aimed to highlight the civilizational and cultural significance of the Arabian Peninsula, while seeking to strengthen the sense of Arab identity for future generations. It also promoted cultural exchange between the Arab world and neighboring regions.

A lecture titled “Gifts of God (Camels),” by Sulaiman Al-Theeb, cultural adviser at the center, was presented during the conference.

He spoke of the Arabian Peninsula’s deep connection with camels through three key concepts: rock and mural art; archaeological finds, like daily tools; and references to camels in ancient Arabic inscriptions, especially Thamudic writings.

Al-Theeb highlighted the significant status of camels in the region, which has earned them the moniker “the ship of the desert.”

Mohammed Al-Rowaily, a member of the Cultural Council at the Abdulrahman Al-Sudairy Cultural Center, said that the Arabic narrative played a crucial role in sharing ideas with others. He noted that Arabic storytelling enhanced cross-cultural understanding by conveying elements from history, oral literature, civilization, arts, and other creative works.

Hajar Al-Shammari, a linguistic researcher in Saudi history, said that the event boosted cultural engagement by fostering dialogue and cultural exchange among academics. Through the sharing of ideas it helped to establish a foundation for field studies and critical analyses focused on Arab perceptions and identity.

Al-Shammari added that Arabic storytelling played a significant role in promoting social cohesion, fulfilling the search for roots, and reinforcing values. This was especially important in the context of cultural identity and Arab heritage.