CANNES: Hasan Hadi, the first filmmaker from Iraq to be selected for the prestigious Cannes Festival, said economic embargoes like those imposed in his childhood under Saddam Hussein did not work.
“Sanctions empower dictators,” he told AFP, as they concentrate scant resources in their hands and only make them “more brutal.”
“In the history of the world, there was no one time when they (imposed) sanctions and the president couldn’t eat.”
Hadi’s first feature film, “The President’s Cake,” has received very good reviews since premiering Friday in the Directors’ Fortnight section.
Cinema publication Deadline said it was “head and shoulders above” some of the films in the running for the festival’s Palme d’Or top prize, and “could turn out to be Iraq’s first nominee for an Oscar.”
The film follows nine-year-old Lamia after she has the misfortune of being picked by her school teacher to bake the class a cake for the president’s birthday, or be denounced for disloyalty.
It is the early 1990s, the country is under crippling UN sanctions. She and her grandmother — with whom she shares a reed home in Iraq’s southern marshlands — can barely afford to eat.
As they set off into town to hunt down unaffordable ingredients, with Lamia’s pet cockerel and their last meagre belongings to sell, the film plunges into the social reality — and everyday petty corruption — of 1990s Iraq.
The near-total trade and financial embargo imposed on Iraq after it invaded Kuwait “demolished the moral fabric of society,” Hadi said.
It sent the country “hundreds of years back.”


The filmmaker said he did not taste cake until he was in his early teens, after the US-led invasion in 2003 toppled Saddam and sanctions were lifted.
Instead, with processed sugar and eggs out of reach, there was “date cake” — whose main ingredient was squished dates, sometimes with a candle on top.
“As a kid you’re sad that you’re not getting your cake,” he said. But as you grow up, you realize what your parents must have gone through to put food on the table.
“Not only my family, but all of these people had to sell literally everything,” he said. “There were people that were even selling their door frames.”
Hadi and his team shot the film entirely in Iraq.
It beautifully captures the ancient wetlands in the south of the country, listed as a World Heritage Site since 2016 and reputedly the home of the biblical Garden of Eden.
Saddam drained them in the 1990s, trying to flush out rebels hiding in the reeds.
But after the US-led invasion, authorities opened up the valves and the wetlands flourished again — even if they are now threatened by climate change.
Hadi said he chose the location partly to make the point that “the marshes stayed and Saddam went away.”


To re-create the Iraq of his youth, Hadi and his crew paid close attention to detail, amassing vintage clothes and bringing a barber on set to trim the hair and moustaches of everyone down to the extras.
They scouted out the best locations, shooting one scene in a small eatery reputed to have been frequented by Saddam himself.
They chose non-actors to play ordinary Iraqis under the ever-present eyes of the president in posters, pictures frames and murals.
Hadi said hearing US President Donald Trump say recently that he planned to lift sanctions on Syria after Islamists toppled president Bashar Assad last year was “amazing.”
“I don’t think the sanctions helped in any way to get rid of Bashar, but definitely empowered him to kill more people, and torture more people,” he said.

DUBAI: Lebanese British human rights lawyer Amal Clooney made a head-turning appearance at the 78th Cannes Film Festival this week, wearing a black gown by British designer John Galliano.

Clooney attended the premiere of “Bono: Stories of Surrender” in a sleek, off-the-shoulder dress featuring a fitted bodice with subtle draping and a floor-length skirt with a gentle train. She completed the look with a black clutch and Cartier statement earrings, styling her hair in soft, voluminous waves.

On the red carpet, Clooney was joined by U2 guitarist the Edge and frontman Bono, the subject of “Bono: Stories of Surrender.”

The black-and-white film, directed by Andrew Dominik, adapts Bono’s 2022 memoir “Surrender: 40 Songs, One Story” and his one-man stage show of the same name.

Set to some of U2’s most iconic tracks, Bono opens up about the tragedy that marked his childhood, with his mother Iris collapsing and dying at her own father’s funeral when the singer was 14.

His father, Brendan “Bob” Hewson, already a man of few words, retreated into shock, anger and depression.

The film is also a love letter to the singer’s wife, Ali Hewson, who he met when they were both 15, the same fateful day U2 was formed in a Dublin school. The film streams on Apple TV+ from May 30.

Bono, who has spent decades fighting for more aid to Africa and to lift the debt burden from poor countries, told the audience at the premiere that the world is again being threatened by fascism as it was when the festival was set up in 1939.

“Mussolini and the little man with a moustache, and his mate Goebbels had taken over the Venice Film Festival, so this festival was set up to fight fascism,” the singer said.

“It took it until 1946 (for the festival to get going) but it stands for that freedom now.”

He said that Hollywood star Sean Penn — a vocal advocate for Ukraine — had “brought us some friends from the actual trenches, from the front line in Ukraine, and they’re here tonight.

“I just want to thank you because you’re keeping us free,” Bono added to loud cheers.