A young Arab chef melds traditional Middle East food ingredients with modern techniques

Born and raised in the UAE, Haddad’s passion for cooking started when he was only 4 years old. (Supplied)
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Updated 21 May 2021
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A young Arab chef melds traditional Middle East food ingredients with modern techniques

  • Solemann Haddad is making the most of his experiences in Japan and roots in Lebanon and Syria’s culinary traditions
  • The French-Syrian chef’s cooking is decidedly high-end and shows an obsessive attention to detail and technique

DUBAI: Smoked shishito hummus? Check. Cured hamachi, mandarin and zaatar? Check. With these fusion dishes and many more in the offing, a young French-Syrian chef, who has led one of the most successful restaurants in Dubai, is raring to go down the revolutionary road as far as cooking is concerned.

Using local regional products such as dukka (a nut and spice mix), zaatar (based on thyme) and muhammara (a dip made mainly of red peppers), and ingredients such as shishito (another type of pepper) and hamachi (a Japanese fish), 24-year-old Solemann Haddad is shaping the offering in his hometown.

His goal is to meld traditional ingredients with modern techniques.

Born and raised in the UAE, Haddad’s passion for cooking started when he was only 4 years old, when he would steal his brother’s cookbook and lock himself in the kitchen to bake cookies and omelets with his mother’s help.

“That was my first-ever memory with food,” he told Arab News. “It was like making potions, with a different outcome every time. I found that very interesting as a kid.”

The path to realizing his ambitions has not been easy. After studying international relations in university, he found himself frustrated and lacking direction.

“I did not enjoy university at all, although I had good grades,” Haddad said. “I had panic attacks every night.”

Conversations with his father about his future profession in cooking led to dead ends. “My dad, and many Arab men from his generation, would question the idea of a man becoming a chef,” he said. “The idea of being a chef was so far-fetched to him, but it has more to do with the old-school culture.”

Still, Haddad was not ready to give up on his calling. One day, four weeks before his final university exams, he made the jump. He took money from his father and got on the first flight to London, where he stayed at a friend’s house. “I told my father I wouldn’t come back until he accepted the fact that I was going to be a chef,” he said.

“So, there was an unspoken agreement: He would send me to culinary school, and I’d come back and finish university. And that’s what I did.”

Haddad attended two cordon bleu culinary schools in Japan and London over a period of 10 months, while juggling internships at Michelin-starred restaurants. After returning to Dubai, he completed university in 2019 and started consulting for restaurants on the side, providing advice on menus and ingredients.

It was while working at a Michelin-starred restaurant in London, where he tasted every dish to further his learning curve, that he had an epiphany. “I tasted something with mushrooms and thought to myself, ‘I never thought food could taste this good’,” Haddad said.

“It’s like I was seeing a new color. Then I realized the possibilities. My eyes opened, and it changed my life. It was the most impactful moment in my schooling years.”

Back in Dubai, Haddad started working as sous-chef at Inked, a self-described food and music cooperative, for a few months. During his time at the restaurant, he created and served 25 new menu items a month. Then in March last year he was let go due to the COVID-19 pandemic.

Lockdown soon followed, with six months of forced rest. “I didn’t even crack an egg,” he said. “I took a vacation because I had been working intensely for three years, so it forced me to relax.”

THENUMBER

$136,000-340,000 - Average cost of opening a small, independent restaurant in Dubai.

The downtime proved beneficial, as the young chef soon started broadcasting homemade videos on Instagram Live and developing recipes for fun. For him, it was much-needed research and development.

His cooking is decidedly high end and shows an obsessive attention to detail and technique derived from Haddad’s experiences in Japan, roots in Lebanon and Syria’s proud culinary traditions, and influences from India. Is this fusion personified?

"I always say my life is fusion because I'm just cooking what I grew up eating. My mother was French, so I used to eat French food, but I would also eat shawarma with my father, and Syrian/Lebanese food with my grandmother,” Haddad said.

“My life has been centered on having no fixed cuisine so the way the dishes come out is organic and it's what makes sense to me.”

His next break came when Rami Farook, the owner of Maisan15, a restaurant and gallery, suggested they form a partnership to open a restaurant in an art gallery in Dubai’s hip Alserkal Avenue.

“There was neither a kitchen nor gas. I thought it was a bit crazy, but the more I thought about it, the more I saw it as an opportunity and, within a few hours, I was convinced,” Haddad said.

In 30 days, a kitchen was built from scratch, and Warehouse16 was launched in mid-September 2020.

“Everything was smooth sailing, and we were doing very well,” he said. “We were fully booked from the first to the last dinner.”

At the restaurant, Haddad combined dishes based on Japanese kaiseki — a formal, traditional multi-course Japanese dinner — with local Middle Eastern ingredients. He credits Misbah Chowdhury, a childhood friend and partner at Warehouse16, who is also its operations and social-media marketing manager, with making the venture a success.

“We were always very aggressive on sales and social media,” Haddad said. “Many restaurants leave things to fate, but this helped us out a lot in the beginning when we didn’t have a fan base.”

Haddad says he is meticulous in both cooking and presentation. He will serve a dish only if it both looks and tastes good, dedicating therefore 51 percent of his effort to flavor and 49 percent to plating. The results are dishes of artistic beauty.

“The visual aspects and the flavor are almost as important as each other,” he told Arab News.

Such a mindset translated into a surge in success. Warehouse16 generated more than a year’s planned revenue in half that time. “It exploded in five months,” Haddad said. “We were very humbled and pleasantly surprised.”

Despite its economic ups and downs, Dubai is home to a lot of prosperous people with money to spend. A meal chez Haddad is likely to come in at Dh400 to Dh500 a head, and that can include a seven-course tasting menu.

Since that successful opening, however, the pandemic has intervened. The restaurant has had to shut down due to license complications arising from new COVID-19 regulations. In the meantime, Haddad is conducting a number of pop-ups across Dubai.

“The goal for me is to either open the best restaurant in the world in Dubai or die trying,” he said. “There’s no middle ground.”

He speaks of many in the industry who wrongly believe Dubai’s food scene solely focuses on franchising international concepts, expressing no faith in the city they operate in.

“There’s so much potential (in Dubai) because the food scene doesn’t exist yet. It’s developing, so now’s the time to put your chips in. The market is so young.”   

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Twitter: @CalineMalek


Mohammed Al-Turki attends ‘Mission: Impossible – The Final Reckoning’ premiere at Cannes

Updated 15 May 2025
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Mohammed Al-Turki attends ‘Mission: Impossible – The Final Reckoning’ premiere at Cannes

DUBAI: Saudi film producer Mohammed Al-Turki was spotted at the red carpet premiere of “Mission: Impossible – The Final Reckoning” at the 78th annual Cannes Film Festival on Wednesday.  

Al-Turki, who previously served as CEO of the Red Sea International Film Festival, wore a midnight blue Berluti ensemble for the occasion. His look featured a satin and Super 200s micro design wool three-piece tuxedo, styled with a matching midnight blue bow tie and cotton shirt. He completed the outfit with black patent leather loafers.

Al-Turki posed for photos alongside Egyptian actress Yousra before the film’s screening. (Getty Images)

He posed for photos alongside Egyptian actress Yousra before the film’s screening.

US actor Greg Tarzan Davis, US actress Angela Bassett, US actor and producer Tom Cruise, French actress Pom Klementieff, US film director, screenwriter Christopher McQuarrie leave after the screening of the film 'Mission: Impossible - The Final Reckoning' at the 78th edition of the Cannes Film Festival in Cannes. (Getty Images)

“Mission: Impossible – The Final Reckoning” stars Tom Cruise, Hayley Atwell and Ving Rhames, continuing the story from 2023’s “Dead Reckoning – Part One.” The sequel follows Ethan Hunt and his team as they face off against the Entity, a rogue AI threatening global security. With the previous installment underperforming at the box office, this chapter is seen as a crucial release for the franchise.

The film is scheduled to hit theaters on May 22.


Saudi digital artist Maryam Tariq: ‘Art became a way to communicate with the world’ 

Updated 15 May 2025
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Saudi digital artist Maryam Tariq: ‘Art became a way to communicate with the world’ 

DUBAI: Against a black background, parts of a face emerge: a chin, followed by lips, ears and eyes — at times alone and at others in unison — colored in yellow, light pink and purple, accompanied by what appear to be lines of TV static in the same colors.  

This digital work, “Memory Recall,” is the latest creation of Jeddah-based Saudi artist Maryam Tariq, which she presented in the digital section of Art Dubai in April, at the booth of Jeddah’s Hafez Gallery. Over the past five years, Tariq, who was born and raised in Yanbu, has made a name for herself with her mixed-media artworks, often utilizing light and 3D projection mapping. 

This digital work, “Memory Recall,” is the latest creation of Jeddah-based Saudi artist Maryam Tariq. (Supplied)

“Memory Recall” creates an alluring, dream-like environment. Tariq says it references human perception just after birth. The work was influenced by philosophical theories about early human development, particularly those of German psychoanalyst Erich Neumann.  

“I wanted to bring back the faded memory of when we were first born and our consciousness was still forming,” she tells Arab News. “It’s an abstract memory because our brain is still trying to make sense of the world; it doesn’t know the difference between an eye or an apple. 

“I feel the artwork represents a good place — a place where our ego hasn’t yet been formed,” she continues. “It’s a good place to try and be in from time to time.”  

The work offers a sense of what she calls “mystical participation,” referring to the period where a newborn has yet to identify themselves as an individual and is trying to make sense of the world around them. By prompting the viewer to delve back into such a state through the work’s dynamic interplay of light and shadows heightened with color, Tariq strives to remove the sense of “I” that dominates our collective experience.  

Tariq’s interest in creating art came early in life, she says, inspired by her father. 

“My father is an engineer and also an artist, but it’s more of a hobby for him,” she tells Arab News. As a child she would watch him sketch and paint and wanted to do the same.  

Her work largely focuses on exploring sacred geometry and the spiritual principles that shape nature, resulting in surreal works bridging the realm of digital and traditional art. (Supplied) 

“It was our way to spend time together. As a child I wasn’t especially talkative or social and art became a way for me to communicate with the world, my friends and family,” she explains. 

Tariq studied animation at Effat University in Jeddah, and earned her diploma in visual and digital production, which she describes as being similar to filmmaking, as it has a strong focus on storytelling. 

Since then, her work has largely focused on exploring sacred geometry and the spiritual principles that shape nature, resulting in surreal works bridging the realm of digital and traditional art. 

In 2020 she launched The Golden Ratio, her own media art agency, which has since produced immersive visual experiences for music festivals and concerts alongside DJs and producers across the Gulf region and Europe.  

Her first solo exhibition, “Remembering the Future,” took place at Hafez Gallery in Jeddah in 2021, and was followed by her inclusion in the 2022 exhibition “Re-appearing Imaginaries” at the Misk Art Institute in Riyadh as well as in Noor Riyadh that same year. In 2023, she showed her work at the Sharjah Islamic Arts Festival and in 2024 she was part of the Noise Media Art fair in Vienna, Austria.  

Tariq recently completed a stint at the Artist Inn Residency in Ubud, Bali, which prompted her to embrace nature and traditional art forms while also distancing herself a little from the tech that dominates daily life.  

“I feel sometimes I get exhausted from using too much technology and feel like just going back to nature and using my hands. So that’s what I did,” she says. “I learned how to sculpt. And after I took it into the digital world. It was a nice experience to mix both. 

“I feel drawn to the digital realm because it’s fun and you can do so much with it; you can go wild with your imagination,” she continues. “But I also feel more involved with traditional (art). While technology is always being updated — always growing with new things to do and explore — I also love the traditional. I feel, sometimes, the need to strike a balance between both.” 

Through her art, Tariq hopes to offer her viewers an experience of escape, contemplation and possibly a shift in perception. 

“I want to take them to this place where they are calm and are just a baby again, experiencing the world for the first time to make sense of things,” she says of “Memory Recall.” “It’s an experience where color is new, and everything is new. I want to offer this perspective of looking at the world with pure eyes.” 


Saudi-backed ‘Promised Sky’ premieres in Cannes’ Un Certain Regard section 

Updated 15 May 2025
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Saudi-backed ‘Promised Sky’ premieres in Cannes’ Un Certain Regard section 

DUBAI: Saudi Arabia’s Red Sea Fund-backed feature “Promised Sky” premiered at the 78th Cannes Film Festival as part of the Un Certain Regard section on the event’s second day. 

Directed by Erige Sehiri, the film is among the latest international projects supported by the Red Sea Film Foundation, which champions emerging filmmakers. 

The premiere was attended by Sehiri and lead cast members Deborah Naney, Aissa Maiga and Laetitia Ky, who gathered for the film’s official screening and red carpet appearance.

“Promised Sky” follows the fate of three women, a pastor, a student and an exiled mother, whose delicate cohabitation shifts when they take in little four-year-old Kenza, rescued from a shipwreck. 


Princess Reema chooses Honayda design for Trump’s departure from Riyadh

Updated 15 May 2025
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Princess Reema chooses Honayda design for Trump’s departure from Riyadh

DUBAI: As US President Donald Trump concluded his visit to Saudi Arabia and departed for Qatar, Princess Reema bint Bandar, Saudi Arabia’s ambassador to the United States, again wore a creation by Saudi designer Honayda Serafi.

For the occasion, Princess Reema chose a light pink ensemble consisting of a long, flowing dress paired with a structured overcoat. The overcoat featured a soft floral pattern, with delicate embroidery scattered across its surface. The look was completed with a matching light pink headscarf. 

The outfit followed her look from the day before, when she wore a bespoke royal blue abaya by Serafi during Trump’s official welcome in Riyadh. 

The floor-length abaya featured detailed gold embroidery. The symmetrical patterns extended across the bodice and sleeves, while smaller gold motifs were scattered throughout the lower part of the garment. The look was completed with a matching blue headscarf.

Honayda Serafi, founder of Honayda, posted a statement about Princess Reema’s appearance on Instagram, saying: “I am so pleased and deeply proud to see HRH Princess Reema bint Bandar, our remarkable Saudi Ambassador to the United States, standing as a symbol of strength, progress and leadership, as one of the first women to break barriers and champion women’s empowerment. 

“It is a special moment to see her shine as she welcomes President Trump on his historic visit to Riyadh, wearing a bespoke piece by Honayda for this significant occasion. I look forward to sharing more about the inspiration behind this design,” she added. 

Serafi is known for dressing prominent figures in the Middle East and the rest of the world. Celebrities who have worn her designs include Priyanka Chopra, Lupita Nyong’o and Princess Rajwa Al-Hussein of Jordan.  

She is a favorite of Saudi-born Princess Rajwa and dressed the royal for her henna night festivities in 2023 and for Jordanian King Abdullah II’s silver jubilee celebrations in Amman in 2024.

After leaving Riyadh, Trump is visiting Doha, Qatar, for meetings with Qatari leadership. After this stop, he is scheduled to travel to the UAE, where discussions will continue on economic cooperation, defense partnerships and regional security.


Kaouther Ben Hania and Oscar-winning producers on board to direct film on killing of Palestinian girl

Updated 14 May 2025
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Kaouther Ben Hania and Oscar-winning producers on board to direct film on killing of Palestinian girl

  • Film will dramatize death of Hind Rajab, five-year-old Palestinian girl killed in Gaza earlier this year, whose passing captured global headlines

LONDON: Tunisian filmmaker Kaouther Ben Hania will direct a new feature dramatizing the death of Hind Rajab, the five-year-old Palestinian girl killed in Gaza last year, a Variety report said on Wednesday.

The project, which is currently untitled, is set to be shot in Tunisia and produced by Nadim Cheikhrouha (“Four Daughters”), alongside Oscar-winning producers Odessa Rae (“Navalny”) and James Wilson (“The Zone of Interest”), with backing from Film4.

Hind Rajab’s death became a global symbol of the humanitarian toll of Israel’s military campaign in Gaza following the Oct. 7, 2023 Hamas attacks.

She was one of thousands of children killed in the conflict, but her story sparked particular international outrage. In one notable protest, student demonstrators at Columbia University renamed occupied buildings in her honor.

Rajab was fleeing Gaza City with members of her family on Jan. 29, 2024, when their car came under Israeli fire, killing her uncle, aunt and three cousins.

Hind was left trapped in the vehicle for hours, speaking with the Palestinian Red Crescent Society by phone as paramedics attempted to reach her.

On Feb. 10, after Israeli forces withdrew from the area, rescuers found the bodies of Hind, the paramedics and the family still inside the vehicle.

Israel initially denied responsibility, but investigations by The Washington Post, Sky News and the research agency, Forensic Architecture, later concluded that Israeli tanks were in the vicinity and had likely fired at the car.

The same investigations indicated an Israeli tank had also targeted the ambulance sent to rescue her.

Ben Hania, one of the Arab world’s most acclaimed filmmakers, has received multiple Academy Award nominations.

Her 2017 feature, “Beauty and the Dogs,” was Tunisia’s Oscar submission, while “The Man Who Sold His Skin” (2020) was nominated for best international feature.

Her latest film, “Four Daughters,” was nominated for best documentary feature at the 2024 Oscars.