Live-action ‘Lilo & Stitch’ made with ‘love and authenticity,’ says producer 

The beloved Disney animated classic “Lilo & Stitch” — about a six-year-old orphaned Hawaiian girl and her troublemaking alien pet — is set to captivate audiences once again. (Supplied)
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Updated 22 May 2025
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Live-action ‘Lilo & Stitch’ made with ‘love and authenticity,’ says producer 

DUBAI: The beloved Disney animated classic “Lilo & Stitch” — about a six-year-old orphaned Hawaiian girl and her troublemaking alien pet — is set to captivate audiences once again with a live-action adaptation released this week. 

Director Dean Fleischer Camp and producer Jonathan Eirich are both driven by a deep love for the original film, released in 2002.  

“It’s always been my favorite animated Disney movie,” Fleischer Camp revealed to Arab News. “I saw it when it came out and immediately fell in love with it, like so many people did.” 

Eirich described signing on Fleischer Camp as “kismet,” adding, “It really is about finding storytellers that are fans of the original, that can honor it so every single choice along the way is going to be made with love and authenticity. If you do that right, and make the thing that you love, then hopefully the audience will feel the same.” 

Eirich noted the growing nostalgia surrounding Stitch, observing how the character has been increasingly appearing in popular culture.  

“We started seeing backpacks and merchandise everywhere,” he explained. “It felt like the right moment to revisit this story, but we knew we had to get it right. We asked ourselves what elements fans would be upset about losing.” This philosophy guided the creative process, ensuring the film would feel both familiar and fresh.  

Certain iconic moments from the animated version were non-negotiable. The hammock scene with Lilo’s older sister Nani singing and the final beach scene were particularly important. 

“The scene when Nani sings ‘Aloha Hawaii’ was a real tearjerker in the original, and it’s a beautiful moment. But it also seems like, with a live-action adaptation, there’s an opportunity to kind of deepen it and really make it something new, while also capturing the beautiful spirit of that scene,” said Fleischer Camp. 

For Eirich, Stitch’s famous quote about finding his own ‘family’ was a clear keeper.  

“The line ‘Broken but still good’ had to be in there,” he said. “It’s the heart of the story.” 


Member of rap trio Kneecap out on bail on terror charge, calls lawsuit ‘distraction’

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Member of rap trio Kneecap out on bail on terror charge, calls lawsuit ‘distraction’

  • O hAnnaidh says charge a ‘distraction,’ as lawyers try to throw it out
  • Judge will rule whether prosecution can continue on Sept. 26

LONDON: Hundreds of fans turned out to support a member of Irish rap group Kneecap on Wednesday at a London court as he sought to throw out a terrorism charge for allegedly displaying a flag in support of Iran-backed Lebanese militia Hezbollah.

Liam Og O hAnnaidh, who was initially charged under the Anglicised name Liam O’Hanna and whose stage name is Mo Chara, is alleged to have waved the yellow flag of Hezbollah during a Kneecap gig in London on Nov. 21, 2024.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by KNEECAP (@kneecap32)

O hAnnaidh is accused of holding up the flag on stage while saying “Up Hamas, up Hezbollah.” Kneecap have said the flag was thrown on stage during their performance.

The 27-year-old was charged in May under the Terrorism Act, which makes it a criminal offence to display an article in a way which arouses reasonable suspicion that someone is a supporter of a proscribed organisation.

O hAnnaidh appeared at Westminster Magistrates’ Court on Wednesday wearing the keffiyeh scarf associated with the Palestinian cause and had to fight his way through a scrum of photographers to get inside the building.

He sat alongside an Irish language interpreter during the hearing and his bandmates Naoise O Caireallain, stage name Moglai Bap, and J.J. O Dochartaigh, who goes by DJ Provao, were also in court, with supporters filling the public gallery.

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Irish music was played outside the court throughout the hearing, with many supporters waving Irish and Palestinian flags while others held placards reading “Free Mo Chara.”

O hAnnaidh’s lawyers say the charge was brought too late and the prosecution case should be thrown out, as O hAnnaidh was formally charged on May 22 this year, one day after the six-month limit for such charges.

Prosecutor Michael Bisgrove, however, argued that O hAnnaidh was charged on May 21, within the time limit. Judge Paul Goldspring said he would give a decision on Sept. 26.

O hAnnaidh left the court to cheers from supporters, telling the crowd the charge against him was “a distraction from the real story” of Israel’s actions in the Palestinian territories.

Belfast-based Kneecap, who rap in Irish and English and regularly display pro-Palestinian messages during their gigs, previously said the charge was an attempt to silence them.

The group — who rap about Irish identity and support the republican cause of uniting Northern Ireland with the Republic of Ireland — have been increasingly vocal about the war in Gaza since O hAnnaidh was charged.


Beast House: Where music and musicians tune and vibe 

Updated 11 min 58 sec ago
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Beast House: Where music and musicians tune and vibe 

  • Space provides a year-round platform for talent development, networking, and cultural exchange
  • Since the launch of Soundstorm in 2019, the Kingdom’s flagship music festival, the local industry has grown at a pace that demanded more permanent creative spaces

RIYADH: In the heart of Riyadh’s JAX District, Beast House has emerged as one of the Kingdom’s most dynamic creative hubs — a space where musicians, producers, designers, and artists come together to collaborate, connect, and grow.

Located in Diriyah’s J12, Beast House is more than just a music venue. It serves as a meeting point for Saudi and international talent, blending entertainment, culture, and community into one destination. 

Whether through workshops, live performances, or casual gatherings, the space provides a platform for creative expression that reflects the Kingdom’s rapidly evolving cultural scene.

German DJ, producer, and label founder David Galla first encountered Beast House during a visit to Riyadh and was immediately struck by the atmosphere.

“I visited in April, toured the studios, and knew instantly this was a place I wanted to be,” he said. “The team, the vibe, the creativity — it’s all very inspiring. Saudi Arabia has something special here, and the people are so welcoming.”

Among the local talents who have found a home at Beast House is Rayan Charani, a 17-year-old Lebanese producer and singer who was born and raised in Riyadh. 

Passionate about pop and electronic music, Charani said the community spirit is what makes the space unique.

“The equipment is great, but it’s really the people that make me want to come back,” he said. “There’s so much love here. It’s a place that inspires me every day.”

Charani’s journey with Beast House began after attending XP Music Futures, MDLBEAST’s annual conference.

Introduced to the venue through industry connections, he soon became part of its creative family. “Beast House showed me that music is not only about sound, but also about community,” he added.

Beyond its studios, Beast House also features a fine-dining restaurant and social spaces designed to foster interaction. 

Visitors can expect everything from intimate conversations over mocktails to exclusive performances, panel discussions, and workshops led by industry figures.

The venue is an extension of MDLBEAST’s mission to build a thriving music ecosystem in Saudi Arabia. 

Since the launch of Soundstorm in 2019, the Kingdom’s flagship music festival, the local industry has grown at a pace that demanded more permanent creative spaces. 

Beast House was created to meet that need — providing a year-round platform for talent development, networking, and cultural exchange.

During Arab News’ visit, it was clear that Beast House was not only a workspace but an experience in itself. 

The team has successfully created and curated an atmosphere where ambiance, decor, community, and people come together to offer something unique. 

Entry is not limited to members alone — visitors can also spend time working in the space, socializing, or simply enjoying its fine-dining offerings without accessing the studios.

Today, Beast House is seen as a symbol of the Kingdom’s cultural transformation, offering opportunities for the next generation of artists while also attracting global talent to Riyadh. It is not just a venue, but a statement of Saudi Arabia’s ambition to cement its place on the world’s creative map. 


Locals celebrate World Photography Day

Updated 20 August 2025
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Locals celebrate World Photography Day

  • Jeddah exhibition captures wide range of artistic perspectives
  • Pictures put spotlight on less frequented parts of Saudi Arabia

JEDDAH: Rakaez Photography Club on Tuesday marked World Photography Day with a spectacular exhibition at Esso Cafe in Jeddah, attracting enthusiasts to view a diverse collection of photographic artistry.

Some 30 photographers displayed their best work at the exhibition, capturing a range of diverse perspectives.

Turki Al-Jadaani, a photographer and one of the founders of the club, said that the exhibition “celebrates the art of photography as a medium of storytelling, creativity and visual culture.”

He added: “For us as photographers, it’s a very significant day. We have invited members of our club and local renowned photographers to a one-day photography exhibition to show their creative photos captured by their lens.”

He told Arab News that the club was a platform committed to supporting art and artists from all walks of life.

“We take great pride in our association with initiatives such as today’s event, as well as workshops we offer,” Al-Jadaani said.

Local photographers and enthusiasts viewed the exhibition, which documented people, landscapes and culture while showcasing the power of photography as a medium for storytelling and cultural preservation.

The highlights were pictures from the less frequented parts of Saudi Arabia, and included wildlife, travel shots and portraiture.

The event fostered community engagement, with some attendees posing for spontaneous portraits and videos, adding a lively dimension to the exhibition.

Tarik Khoja, the official photographer for Saudia, said: “World Photography Day is a chance to capture moments that might otherwise fade, encouraging young photographers to pursue their craft with passion and responsibility.

“It’s a day to appreciate how photography shapes communication, storytelling and documentation.

“We invited photographers to share their most treasured images, highlighting the emotional power of photography.

“On this special day we express ourselves and our art through our lenses.”

He added that the club’s initiative provided an interactive platform for members to exchange ideas, learn techniques, and connect with the community, strengthening the local photography ecosystem.

Roaa Mansori, a passionate photographer who was attending the event, highlighted how pictures preserved cherished memories and happiness.

She told Arab News: “It is a special day and we are excited to share our favorite photos.”


Veronika Berezina: Building bridges through art in Dubai and Paris

Updated 20 August 2025
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Veronika Berezina: Building bridges through art in Dubai and Paris

JEDDAH: Veronika Berezina, who was born in St. Petersburg and trained as a lawyer, spent more than a decade balancing her legal career with a growing passion for contemporary art.

“I realised contemporary art offered something my legal career could not — a space for engaging with the pressing questions of our time in creative and philosophical ways,” she told Arab News. What began as private collecting soon became a public mission.

In March 2023, she opened NIKA Project Space in Dubai, “a space where audiences, artists, and curators could meet, exchange, and challenge each other openly.”

A second location followed in Paris’s Komunuma art district in September 2024, creating what Berezina calls “a bridge between European and Global South perspectives.”

NIKA champions artists and curators from underrepresented geographies, with a focus on experimental and research-driven practice. Its residencies, publishing projects, and exhibitions are intertwined.

“Residencies allow artists to immerse themselves in a place, research deepens the conceptual framework, and publishing ensures the ideas travel further,” Berezina said. This summer’s Open Studios in Dubai, featuring Yasmine Al-Awa, Ahed Al-Kathiri, and Zahra Jewanjee, led to “Rooted Echoes,” an exhibition exploring memory, cultural inheritance, and ecology.

Her curatorial ethos is shaped by her cross-cultural life. “Growing up in St. Petersburg gave me an early appreciation for the arts, while working internationally taught me adaptability and empathy.”

She prioritises artists from the Global South and female voices, aiming to “address a long-standing imbalance in the global art narrative.”

For Berezina, success is not simply about sales. “If an exhibition shifts perceptions, sparks conversation, or helps an artist reach a new stage in their career, that is success.”

She balances commercial viability with conceptual integrity by cultivating a collector base “who value intellectual depth as much as aesthetics.”

Running two spaces across different cultural contexts brings challenges, especially as a woman leader.

“Gender should never determine vision or talent, yet opportunities have not always been equally accessible,” she said. “These challenges have reinforced my conviction to create spaces that amplify underrepresented voices.”

Her advice to women entering the art world is straightforward: “Be clear in your vision, learn every facet of the business, and build a network of allies. Authenticity is your greatest asset.”

Berezina’s journey, from the law offices of St. Petersburg to the art hubs of Dubai and Paris, is anchored by one belief: art is not just to be seen, but to be lived, discussed, and used to connect worlds.


Saudi actress Fatima Al-Banawi’s ‘Basma’ to screen in Brazil

Updated 20 August 2025
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Saudi actress Fatima Al-Banawi’s ‘Basma’ to screen in Brazil

DUBAI: Saudi actress Fatima Al-Banawi’s film “Basma” is set to screen in Brazil on Thursday.

Al-Banawi shared the announcement on Instagram, posting the official poster, which revealed that the film will screen in Sao Paulo at Estudio Lamina, a local cultural center.

Instagram/@fatimaalbanawi

“Basma,” which premiered on Netflix in June, marks Al-Banawi’s debut as a feature film director. She also wrote the screenplay, contributed an original song to the soundtrack, and stars in the lead role.

The film follows a young Saudi woman who returns to her hometown of Jeddah after two years studying in the US, only to discover that her parents have divorced without telling her.

The story explores her emotional reckoning with the past, including her father’s mental illness and the impact it had on the family. The role of her father, Dr. Adly, is played by Yasir Al-Sasi.

As she reconnects with her family, Basma is distraught to learn that her beloved father has moved out — and worse, that most of the family are, at best, reluctant to visit him. Convinced that all he needs is the love and care of his loved ones, she decides to move in with him, defying the advice of her mother, Hind (Shaima), brother Waleed (Tared Sindi), and uncle Hamza (Mohammed Essam). But the reunion is far from smooth.

“The most important element was to create a believable, cohesive family. That was one of the main issues,” Al-Banawi previously told Arab News. “The second thing was that — although I recognize that a lot of amazing actors and actresses have (emerged in Saudi Arabia) in the past couple of years — as a director, I wanted to see fresh faces. It’s beautiful to see these talents who weren’t given a chance before, or didn’t even see themselves taking this path. Honestly, this whole cast was a blessing.”

Al-Banawi first gained prominence for her role in the 2016 drama “Barakah Meets Barakah.” She also starred in the Egyptian Netflix series “Paranormal.”

In 2020, she directed her first short film, “Until We See Light.” That same year, she co-wrote, co-directed and starred in “Al-Shak,” a Shahid Original series, which she shot fully from home during the pandemic.