Saudi artist Daniah Alsaleh: ‘We can celebrate tradition, but we really need to be open to change’ 

Saudi artist Daniah Alsaleh: ‘We can celebrate tradition, but we really need to be open to change’ 
‘Hinat.’ (Supplied) 
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Updated 11 October 2024
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Saudi artist Daniah Alsaleh: ‘We can celebrate tradition, but we really need to be open to change’ 

Saudi artist Daniah Alsaleh: ‘We can celebrate tradition, but we really need to be open to change’ 
  • The Saudi artist discusses some of her favorite works and their common themes 

DUBAI: “I call myself a visual artist that focuses on social conditioning and memory.” That’s Saudi artist Daniah Alsaleh’s ‘elevator pitch.’ But, like all such handy soundbites, it fails to convey the complexity and ambition of her layered, multimedia works, which have seen her land several prestigious residencies and awards, including the 2019 Ithra Art Prize. 

For someone whose work has made such an impression on so many, Alsaleh took quite some time to convince herself she was ready to present that work, which at the time was largely influenced by Islamic geometry, to the world.  

“I was interested in art from a young age, but I never really had the opportunity — I went to school and university in Riyadh, where I was born,” Alsaleh tells Arab News. “It was when I moved to Jeddah that I really got into art. I studied at the atelier of Safeya Binzagr, who recently passed away, for probably five, six years. That’s how I really learned the basics of drawing, painting, color theory, shape and form. Then, every time I had the chance to travel abroad, I would take courses in paintings and life drawings. I got hooked on Islamic geometry, and then — after all these years of learning arts, probably around 10 years, I had the confidence to actually finish artworks.” 

Her first show was a group exhibition in 2012. “No one knew who I was, but a lot of the people asked about my work,” she says. In 2013, she joined the roster of artists at Athr Gallery. Now, she says, “it was getting serious,” and she decided to become a full-time artist. In 2014, she moved to London. 

“I decided to apply for a Master’s in Fine Art at Goldsmiths. I didn’t get in but they offered me a place on another program, which was called Computational Arts and that changed my practice completely, 180 degrees,” she says. “This program catered for artists with no background in technology and we were taught how to use physical computing to create installations, and coding as well — like processing and frameworks. I really got hooked. Machine learning resonated with me — we don’t call it AI, we call it machine learning; it’s a program that learns. It changed my practice completely from Islamic geometry to a more contemporary way of expressing myself.  

“I’m not an AI artist. I’m a visual artist,” she continues. “I have machine learning in my toolbox, next to my paints and next to my canvas and next to my videos and next to my audio files and next to my photos. And depending on the context, I just choose which tool I want to use.” 

As suggested by her elevator pitch, that context usually involves exploring our relationship with memory and media.  

“I’m interested in social conditioning in the everyday — things that we take at face value, things that we take for granted,” she says. “These things that we habitually do, where do they come from? And usually I look at media and how that affects us; how it affects our memory, what stays and what gets erased. And how we reprogram our memories, sometimes, just from looking at content on social media. So that’s really what my interest is.” 

Here, Alsaleh talks us through some of her most significant works. 

‘Restitution’ 

This is an example of my older work. It’s from 2017. You see this perfectly organized structure — five panels of hand-drawn Islamic patterns — but then there’s this random brushstroke across them all. That’s my intervention. It’s a commentary on how we are very hooked on celebrating tradition and practices. We can celebrate and appreciate history and tradition, but, at the same time, we really need to be open to change — accepting new things and new ideas. 

‘Sawtam’ 

This artwork — an audio-visual installation — was a big transition for me; a big jump from my paintings. It was created while I was still doing my Master’s, and it’s the piece that won the Ithra Art Prize in 2019. It addresses forms of expression. The visuals were inspired by Manfred Mohr, a German new-media artist who created similar images based on algorithms in the Sixties, and they move or vibrate every time the sound comes out. There were sounds coming from every screen — the pronunciation of the Arabic letters — and when you put them all together in one space, it’s like a cacophony of noise. It’s a commentary on how communication sometimes gets lost, or sometimes gets through. It has a lot of meanings, and it’s very layered, but it’s basically about communication and forms of expression.  

‘That Which Remains’ 

This is a large installation I did for the first edition of the Diriyah Biennale. Again, it’s about memory: collective memory versus individual memory. Collective memory is where we remember things in monuments and celebrations — like National Days. That’s where our collective memory is. But within individual memories, a lot of things get lost, especially when there’s a lot of development and change. So, it’s a — very gentle — commentary about what we’re witnessing and experiencing in Saudi Arabia right now: the individual memories of these characters on the cylinders, which are the buildings and the houses and the structures that are being developed and changed.  

The faces on the cylinders are machine-generated. They’re deep fakes. I collected my own data sets of faces, and then trained the machine to learn to create new faces for me. And then I took those new faces and transferred them onto the cylinders. The paintings are inside-out, so when the cylinder is lit, you can see these shadows of these faces. And then people who visit say, ‘Oh, she resembles my aunt, this resembles my uncle’ and so on. They might resemble them, because they have Saudi or Gulf aesthetics, and the machine learns what you focus on. So if my data set focuses on a certain aesthetic, that’s what it creates. But these people never existed. 

‘Evanesce’ 

This was actually based on my degree show at university. I have two identities: The Western identity and the Gulf identity. And whenever I’m in the West, the news is so different from the news you see in the Middle East. Like, since the Iraq War, all the images you see about Iraq are destruction and war and poverty and craziness and explosions and guns. But what I know about Iraq is culture and arts and literature and science. So for my degree show I collected all these images, Iraqi images, from the 40s, 50s and 60s, for the machine-learning program and created these new images with, like old photo aesthetics. But they’re all deep fakes. And “Evanesce” is a continuation of this research, but focused on the Golden Age of Egyptian cinema. I watched a lot of Egyptian movies, and I collected 15 tropes that are repeated in most of them — the extravagant stairways, the cars, answering the old classical telephone, the belly dancer, the family gathering over breakfast, the chaos in the morning, the protagonists and their friends, the embrace and the romance, the palm trees and the close up of certain buildings. I created data sets based on each trope, and then each data set was trained on a machine-learning program. So then I had 15 outputs of this machine learning based on these tropes, which I stitched together to create this 10-minute film. And this morphing from one image to the other that you see in the video just resembles how we remember things. Again, it’s a commentary about social conditioning. These movies are so prevalent and so important in the MENA region within conservative societies, but the images on screen really contradicted their culture and their values. So it’s a commentary on how, as a society, we watch these things that really contradict our belief system and tradition. But there’s some sort of… it’s similar to obsession. These movie stars and these movies were an obsession to a lot of people within conservative countries. It’s instilled in the collective memory and still resonates to this day. These movies spread from North Africa to the Middle East, to lots of regions where there are a lot of conservatives. So there’s a lot of tension and contradiction between these two worlds. 

‘Hinat’ 

This is an important piece for me. It was created during a residency I had in AlUla in 2022. It’s based on this Nabatean woman — Hinat — who has a tomb in (Hegra). That was very inspiring to me. Obviously, she was from a very prominent family, because she was wealthy enough to have a tomb for herself, and it was under her name. This installation is made up of collages of different views of AlUla and I cut out rectangles on each canvas, and I projected videos into the rectangles. These videos are inspired by Hinat, imagining her future generations, from her bloodline, living in AlUla and roaming around across these landscapes. And the videos were created by machine learning. I hired three ladies from AlUla. We went to different locations and got them to wear these different colorful fabrics. The we shot videos and created data sets from each video, and then trained the program, and it created these very ghostly, abstract figures that move across these landscapes. 

‘E Proxy’ 

This was part of a solo show I did in 2023. It’s a video in which a face morphs into an emoji and then morphs back into a face. It’s a commentary about the ubiquity of emojis and the way we express ourselves in emoticons and pictograms. It’s interesting to me and it’s important. You can’t express our range of emotions in, like, 10 or 20 smileys. It’s just so restrictive. So, what’s happening there? I’m not giving an answer, but I’m opening up a space for questioning ourselves. And, listen, I’m a big advocate of emojis — they help me save time. But I’m asking what is happening here: Is it conditioning us into being less expressive? Or are we conditioning it to be a tool to help us express ourselves? There is this duality. I mean, there’s no correct point of view; it’s very subjective. But it’s always worth raising these questions. 

‘The Gathering’ 

This was the result of another residency I did, supported by the French Embassy in Saudi Arabia, with Catherine Gfeller, a French-Swiss artist. We wanted to know who are the females that are living in Riyadh — not necessarily Saudis — as it goes through this explosion of art and culture and infrastructure. I was born and raised in Riyadh — I live in Jeddah now, but I know Riyadh very well, and I’ve seen the changes. And I’m just in awe and disbelief at what I’m seeing. So, to cut a long story short, we did an open call, and there were 37 ladies who participated who came from 11 different countries — different backgrounds, different generations, different professions. We interviewed them and videoed those interviews, and my focus was on the emotional side of things: How do you deal with loneliness in a big city? What does love mean to you? What about resentfulness? How about forgiveness? Then the audio of the interviews kind of fades in and out. I put them all together as though we’re sharing our thoughts and emotions — a female gathering. And the videos were all manipulated by AI as well; it’s a layered effect, and it’s referencing the different aspects of emotion that we go through.  

‘36’ 

This was part of the same project as “The Gathering.” It’s a composite of the faces of all the women who took part, except for one lady who refused to take off her niqab, so I couldn’t include her in this image. I don’t think this was a new idea — I bet it’s been done many times before — but what I wanted was a commentary on… faced with this perception of what Saudi Arabia is and what Riyadh is and who the women there are… actually, it’s a multicultural city with diverse backgrounds. And when you see this image, you don’t know where the ‘person’ comes from, what their ethnic background is, among other things. You can think of many things when you look at that image.  


Post Malone to headline 2025 Esports World Cup opening ceremony in Riyadh

Post Malone to headline 2025 Esports World Cup opening ceremony in Riyadh
Updated 20 June 2025
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Post Malone to headline 2025 Esports World Cup opening ceremony in Riyadh

Post Malone to headline 2025 Esports World Cup opening ceremony in Riyadh

DUBAI: US rapper Post Malone – known for tracks like “Rockstar,” “I Had Some Help” and “Sunflower” – will perform will headline the opening ceremony of the 2025 Esports World Cup in Saudi Arabia.

The rap and country music artist will hit the stage in Riyadh on July 10.

In August 2020, the singer became part of Envy Gaming‘s ownership group, taking an undisclosed stake in the company, Esports Insider reporter of the North American organization that has since merged with Native Gaming.

The singer will return to the region to perform at the 2025 Etihad Airways Abu Dhabi Grand Prix on Friday Dec. 5.

Malone previously performed at the 2018 Abu Dhabi Grand Prix. He then returned in 2022, taking to the stage at Etihad Park.


Two Dubai restaurants make World’s 50 Best Restaurants 2025 list

Two Dubai restaurants make World’s 50 Best Restaurants 2025 list
Updated 20 June 2025
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Two Dubai restaurants make World’s 50 Best Restaurants 2025 list

Two Dubai restaurants make World’s 50 Best Restaurants 2025 list

DUBAI: Two restaurants in Dubai made the World’s 50 Best Restaurants 2025 list, which was unveiled on Thursday.

Orfali Bros placed 37th, while Trèsind Studio came in at 27.

“The Orfali brothers from Aleppo, Syria, have created a genuinely unique dining experience in multi-cultural Dubai,” the guide read.

“There are three brothers: Mohamad (head chef), Wassim and Omar, pastry chefs. They mix traditional Syrian staples with pan-regional favorites, and European culinary tropes with Asian ingredients to create a menu that defies categorization.”

The restaurant also has one Michelin star.

Meanwhile, Indian eatery Trèsind Studio, which has tree Michelin stars, was awarded No. 27 on The World’s 50 Best Restaurants 2025 list.

In a released statement, head chef Himanshu Saini said: “Being named #27 in The World’s 50 Best Restaurants is a celebration of the team, our culture, and the flavors that inspire everything we do. This honor reinforces our belief that modern Indian cuisine belongs on the world stage while staying true to our heritage.”

The restaurant was also awarded The Best Restaurant in the Middle East 2025 top spot.

“Dining at Trèsind Studio, now located on The Palm Jumeirah, can be a dramatic experience, with just 20 seats available. As you progress through the tasting menu, expect to be relocated to different areas of the restaurant, each carefully curated to match the plates in front of you, cooked by chef Himanshu Saini,” the Best Restaurant guide read.

The World's 50 Best Restaurants list is annually created by William Reed Business Media. It collates the opinion of more than 1,000 international restaurant industry experts, including chefs and food writers who vote for their favorite dining experiences.


The hottest music festivals of 2025 

The hottest music festivals of 2025 
Updated 20 June 2025
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The hottest music festivals of 2025 

The hottest music festivals of 2025 

DUBAI: Make your summer travel plans with music in mind 

Glastonbury 

Where: Wiltshire, England 

When: June 25-29 

What: Glastonbury has a convincing claim to being the world’s most famous festival, and regularly attracts more than 200,000 people to the Somerset countryside to see a diverse lineup that — apart from music megastars — includes stand-up comedy, circus acts, theater performances and more. This year’s Pyramid Stage headliners are English pop-rock outfit The 1975, US veteran Neil Young, and US singer-songwriter Olivia Rodrigo, while top of the bill on The Other Stage are UK hip-hop star Loyle Carner, the inspiration behind last year’s ‘Brat Summer’ Charli XCX, and seminal electronic-music act The Prodigy. Elsewhere, there really is something for all tastes.  

Other must-see acts: Raye, Nile Rodgers & Chic, Rod Stewart, Biffy Clyro, Noah Kahan, The Big Moon, Wolf Alice, Doechii, Wet Leg 

Tomorrowland 

Where: Boom, Belgium 

When: July 18-20 and 25-27 

What: A regular award-winner, Tomorrowland is one of the world’s best electronic dance music festivals. A reported 400,000 people attended last year’s event in De Schorre recreational park, which also accommodates the festival’s official campsite, DreamVille. This year’s Mainstage headliners include Martin Garrix, David Guetta, Armin van Buuren, and Swedish House Mafia, but there’s also plenty of less-mainstream acts performing over the festival’s two weekends on its 14 stages. 

Other must-see acts: Steve Aoki, Afrojack, Charlotte De Witte (pictured), Alok, ANNA, Amelie Lens, Eric Prydz 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Tomorrowland (@tomorrowland)

Lollapalooza 

Where: Chicago, US 

When: July 31–Aug. 3  

What: It may no longer be seen as quite the cultural thermometer it once was, but Lollapalooza is still an eclectic feast for music lovers — booking acts from genres including alt-rock, metal, punk, pop, hip-hop and EDM — and attracts around 400,000 people every year to its home in Chicago. This year’s headliners include Australian alt-dance group Rüfüs Du Sol; US rap star Tyler, The Creator; Olivia Rodrigo; and US singer-songwriter Sabrina Carpenter. 

Other must-see acts: A$AP Rocky, Twice, Luke Combs, Gracie Abrams, Cage The Elephant, Bleachers, Doechii, Martin Garrix 

All Together Now 

Where: Waterford, Ireland 

When: July 31-Aug. 3 

What: The great joy of Irish festival All Together Now is the hidden gems further down the lineup, as well as the ‘sideshows’ of art, spoken word, comedy, theater and wellness in a gorgeous setting. Since its inception, All Together Now has built a reputation for having a deep bench full of quality. So while the headliners — who this year include Fontaines D.C., Nelly Furtado, and London Grammar — aren’t on the megastar scale of the world’s major festivals, this festival is still well worth a visit. 

Other must-see acts: Wet Leg, Leftfield, Michael Kiwanuka, Infinity Song, Gurriers, Glasshouse 

Osheaga 

Where: Montreal, Canada 

When: Aug. 1-3 

What: Spread over six stages in Montreal’s beautiful Parc Jean-Drapeau, Osheaga focuses on up-and-coming acts as well as major names and incorporates a variety of genres. Other attractions apart from the music include volleypong, a Ferris wheel, and art exhibitions. This year’s headliners on the main Bell River Stage are US pop-rock giants The Killers; Tyler, The Creator; and Olivia Rodrigo.  

Other must-see acts: Doechii, Glass Animals, Lucy Dacus, The Chainsmokers, Gracie Abrams, Jamie xx, The Beaches, FINNEAS 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by OSHEAGA (@osheaga)

Sziget Festival 

Where: Budapest, Hungary 

When: Aug. 6-11 

What: Sometimes called “Europe’s Burning Man,” both because of its size (around 1,000 performances each year) and its weird side attractions — including a very odd amusement park — Sziget takes place on the breathtaking Old Buda Island on the River Danube. Headliners on the main stage this year include Charli XCX (pictured), Canadian singer Shawn Mendes, US rapper A$AP Rocky, American rapper and singer Post Malone, and US singer-songwriter Chappell Roan. 

Other must-see acts: FKA Twigs, The Last Dinner Party, Mother, Empire of the Sun, Justice, Amelie Lens, Caribou, Armin van Buuren 

Reading & Leeds 

Where: Reading and Leeds, England 

When: Aug. 21-24 

What: With the same lineup performing on different nights in two different venues a couple hundred miles apart, Reading & Leeds usually attracts a total of more than 200,000 people to shows that tend to focus on indie and alternative music as well as hip-hop. This year’s headliners are Irish rocker Hozier (pictured), Chappell Roan, English rock band Bring Me The Horizon, and US rapper Travis Scott.  

Other must-see acts: Limp Bizkit, Becky Hill, The Kooks, D-Block Europe, Amyl and the Sniffers, Rudim3ntal, Red Rum Club 

 


Recipes for success: Chef Ritu Dalmia offers advice and a tasty dal recipe 

Recipes for success: Chef Ritu Dalmia offers advice and a tasty dal recipe 
Updated 20 June 2025
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Recipes for success: Chef Ritu Dalmia offers advice and a tasty dal recipe 

Recipes for success: Chef Ritu Dalmia offers advice and a tasty dal recipe 

DUBAI: Few chefs have had a journey as dynamic and influential as Ritu Dalmia. From her early days in the family stone business, she has become one of India’s most celebrated chefs and restaurateurs.  

Frequent work trips to Italy sparked her love for Italian cuisine, eventually leading her to open Mezza Luna in Delhi and Vama in London. Today, she is the force behind several acclaimed restaurants in India, Italy and the UAE, including her latest venture, Atrangi, in Dubai. 

Beyond her achievements in the kitchen, Dalmia is widely recognized as a leading entrepreneur and social activist. She has authored three cookbooks, hosted TV shows and continues to mentor aspiring chefs.  

Here, Dalmia discusses common kitchen errors, her favorite comfort food, and the small but meaningful rituals that elevate everyday cooking. 

When you started out, what was the most common mistake you made?  

Adding too many elements into a dish. It’s imperative not to stray from the main flavor, or the hero, of the dish by adding too many unnecessary elements. I still make mistakes, but that’s the thrill of being a chef. You are not a robot programmed to churn out a fixed model. 

What’s your top tip for amateur chefs?  

Play amazing music when you cook. A cook in a good mood always cooks a good dish. I would also say that whenever a dish calls for garlic, roast the garlic first.  

What one ingredient can instantly improve any dish?  

Hing, which is also known as asafoetida. Use it in tiny quantities to add depth, fragrance, and a subtle umami richness to dishes. 

When you go out to eat, do you find yourself critiquing the food?  

It’s shameful, but yes. I really don’t know how to let go and enjoy a meal. In fact, most of my friends refuse to eat out with me.  

What’s the most common issue that you find in other restaurants?  

That they spend a lot of money on décor and hardware, but not much on talent, both in the kitchen and service.  

What’s your favorite cuisine to order? 

I love Asian food and junk food when I eat out. Dim sum bars are a favorite. 

What’s your go-to dish if you have to cook something quickly at home? 

A khichdi  — a one-pot meal with rice, lentils and vegetables; easy ingredients packed with flavor. This humble dish can be elevated to another level with toppings and garnishes.  

What customer behavior most annoys you? 

When they click their fingers to call the server to their table. Or when they ask for one dish to be divided in three or four portions. We even had one guest who requested that their soft drink be divided in three! 

What’s your favorite dish to cook ?  

My aunt Chanda was an amazing cook — a trait which, unfortunately, my mother didn’t share. Every time we visited Chanda in Calcutta, she would make a yoghurt khadi which was so fragrant and packed with herbs. Years later, when I was writing a cookbook, I begged her to tell me why her khadi was so different. She told me her secret was to add roasted crushed fennel and fresh coriander after the kadi was made and cover it for five-to-seven minutes. It’s a dish I make at least two or three times a week. I do it with a bowl of rice and some potatoes with cumin and the world suddenly seems to be a better place.  

What’s the most difficult dish for you to get right?  

Way too many to recount.  

As a boss, what are you like? Are you a disciplinarian? Or are you more laidback. 

You want my dirty secrets out? (Laughs.) I’m very disciplined and hardworking, and yes, I do lose my temper, and my vocal cords would make any speaker company proud. I’ve mellowed out a lot with age, but there is still scope for a lot of improvement. I’m learning that it’s unfair to have unrealistic expectations, and that that harms both my team and me.  

Chef Ritu’s moong dal khichadi with vegetables 

Ingredients:  

2 tbsp ghee 

½ cup moong dal 

½ cup Gobindobhog rice (or basmati rice) 

½ tsp cumin seeds 

1 bay leaf 

1 pinch hing (asafoetida) 

2-inch piece ginger, grated (~1 tbsp) 

1 green chili, chopped (optional) 

½ red onion, finely chopped 

1 tomato, chopped 

Salt, to taste 

½ tsp turmeric powder 

½ tsp red chili powder 

½–1 tsp garam masala 

1 cup mixed vegetables (carrot, peas, cauliflower) 

3–3½ cups water (adjust based on desired consistency) 

Instructions: 

1. Prep the dal and rice 

Rinse moong dal and rice together in water 2–3 times until the water runs mostly clear. 

Soak for 10–15 minutes while you prep the other ingredients. Drain before cooking. 

2. Cook the tempering 

Heat ghee in a pressure cooker or deep pot over medium heat. 

Add cumin seeds, let them sizzle for a few seconds. 

Add bay leaf and a pinch of hing. 

Stir in grated ginger and green chili (if using), sauté for 30 seconds. 

Add onion and cook until translucent (2–3 minutes). 

3. Add tomato and spices 

Add chopped tomato, cook until soft (3–4 minutes). 

Mix in turmeric, red chili powder, and salt. Stir well. 

4. Add vegetables, dal and rice 

Add chopped vegetables, soaked dal and rice. 

Stir everything together to coat well in the spices. 

5. Cook 

Add 3–3½ cups of water depending on how soft or porridge-like you want your khichadi. 

For pressure cooker: Cook on medium heat for 2 whistles. Let pressure release naturally. 

For pot: Cover and cook on low, stirring occasionally, for 25–30 minutes until soft and creamy. Add more water if needed. 

6. Finish 

Once cooked, stir in garam masala and let it rest for 5 minutes. 

Adjust salt or spices to taste. Add a dollop of ghee on top if desired. 

Serve hot with: 

A side of yogurt or pickle 

A drizzle of ghee 

Papad or a simple salad for crunch 

 


Where We Are Going Today: Day Day Game

Where We Are Going Today: Day Day Game
Updated 20 June 2025
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Where We Are Going Today: Day Day Game

Where We Are Going Today: Day Day Game

If you are looking for a vibrant social hub in Riyadh, look no further than Day Day Game. This unique venue offers a diverse range of activities that cater to all types of fun-seekers. Whether you are a skater, a board game enthusiast, or someone who enjoys classic billiards, this place has something for everyone. 

One of the highlights is the skating area, where you can wear your skates and glide around with friends. It is a great way to enjoy some physical activity while having a blast. If skating is not your thing, you can play board games or read a book in a cozy corner. The atmosphere is relaxed, making it perfect for unwinding with friends over a card game or two. 

For those who enjoy classic games, Day Day Game features billiards tables where you can challenge your friends to a friendly match. And if you are feeling adventurous, why not try your hand at crossbow shooting? It is a unique offering that sets this venue apart. Additionally, there is a fun air hockey table that is sure to ignite some competitive spirit.

A particularly appealing aspect of Day Day Game is their Ladies Day every Wednesday and Sunday, providing a welcoming environment for women to enjoy all the activities without any pressure. Accessibility is another key feature; you can conveniently reach the venue via the Riyadh metro by taking the orange line. 

If you are in the mood for something more classic, there is bowling available too.  (Supplied)

When it comes to food, Day Day Game does not disappoint. Their delicious menu offers a variety of options to refuel after a day of fun. Whether you are in the mood for snacks or something more substantial, you will find it here. 

The venue also serves as a social hub where you can meet new people and make lasting connections. With an open mic night, talented individuals have the opportunity to showcase their skills, adding to the vibrant atmosphere. 

For nostalgia lovers, there are arcade games from the 1980s that will take you back in time. And if you are in the mood for something more classic, there is bowling available too. 

Day Day Game is an exciting destination with endless options for entertainment. Personally, I love going there to skate, but with so many activities available, you will likely find yourself trying something new each visit. Whether you are with friends or looking to meet new people, this venue promises a memorable experience in Riyadh.