Historical attire, British fashion reign supreme at King Charles III’s coronation as Arab royals shine

King Charles III and Queen Consort Camilla (far left), Princess of Wales Kate Middleton (center) and Queen Rania of Jordan showed off a mix of historic and modern attire at the coronation. (Getty Images/ composite)
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Updated 11 May 2023
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Historical attire, British fashion reign supreme at King Charles III’s coronation as Arab royals shine

  • Queen Camilla wore white, floor-length ensemble with gold embroidery by Bruce Oldfield
  • Jordan’s Queen Rania attended coronation in yellow pencil dress by Tamara Ralph
  • Qatar's Sheikha Jawaher bint Hamad bin Suhaim Al-Thani wore Dior

DUBAI: As the coronation of King Charles III got underway in the UK,  viewers around the world were firmly focused on the pageantry as well as the fashion.

As historic coronation attire — such as crimson robes, ermine capes, and fur-trimmed red-velvet cornets — filled Westminster Abbey in London, the UK’s royal family championed British designers while Arab royals also put on a show.

King Charles arrived at Westminster Abbey in royal ermine over George VI’s crimson Robe of State - conserved by royal restorers  Ede & Ravenscroft and the Royal School of Needlework - and changed into George VI’s purple Robe of Estate to leave the Abbey.




During the crowning ceremony, King Charles was given a shimmering gold-sleeved coat to wear called the Supertunica that was created for George V in 1911 and has been worn at coronations, including by the Queen Elizabeth II. (Getty Images)

During the crowning ceremony, he was given a shimmering gold-sleeved coat to wear called the Supertunica that was created for George V in 1911 and has been worn at coronations, including by the Queen Elizabeth II. The 2kg garment is made of cloth of gold — silk thread wrapped in thin pieces of gold or silver gilt metal — with Arabesque and floral motifs.

On top of the Supertunica, the king wore a floor-length cloak called the Imperial Mantle, which was made in 1821.

Made of cloth of gold, it is embellished with fleur-de-lis, imperial eagles, and national floral emblems of red-pink roses, blue thistles and green shamrocks. It is designed to symbolise the divine nature of kingship.

The king reused a sword belt from 1937 worn by his grandfather, also known as the Coronation Girdle. It is made of embroidered cloth of gold and boasts a gold buckle stamped with national emblems. The single coronation glove, also known as the Coronation Gauntlet, was placed on the king’s right hand in which he held the Sovereign’s Sceptre with Cross during the crowning.

The garments are usually kept in the Tower of London.

The historic St Edward’s Crown was then placed on King Charles III’s head — it was worn for less than one hour before being stored away again in the Tower of London.

Made of 22-carat gold, the 360-year-old crown is more than 30cm tall and weighs just over 2kg. The crown features a gold frame with double arches and is set with rubies, topaz, sapphires, and garnets.




The Imperial State Crown, made in 1937, was worn by the king after the ceremony as he made his way to Buckingham Palace. (Getty Images)

The Imperial State Crown, made in 1937, was worn by the king after the ceremony as he made his way to Buckingham Palace. It has gold framing instead of a fur trim and is mounted with three large stones, including the Cullinan II diamond, while the complementary stones include 2,868 diamonds that appear in silver mounts and colored stones that appear in gold mounts. In addition, 17 sapphires, 11 emeralds, and 269 pearls also feature on the crown.

For her part, Queen Consort Camilla was crowned with Queen Mary’s crown, which was worn by Queen Mary at the coronation of her husband, George V, in 1911 and consists of 2,200 diamonds and the Cullinan III, IV and V diamonds.




Queen Consort Camilla is wearing the coronation necklace made by Garrard for Queen Victoria and given to her in 1858. (Getty Images)

She also wore the coronation necklace made by Garrard for Queen Victoria and given to her in 1858.

It features 25 graduated brilliant diamonds with a 22.48 carat diamond pendant, known as the Lahore Diamond. The necklace was worn by several queen consorts: Queen Alexandra in 1902, Queen Mary in 1911 and Queen Elizabeth, later the Queen Mother, in 1937.




Queen Camilla is wearing a white, floor-length ensemble with gold embroidery designed by Bruce Oldfield, OBE, a British fashion designer best known for his couture occasionwear. (Getty Images)

The royal wore a white, floor-length ensemble with gold embroidery designed by Bruce Oldfield, OBE, a British fashion designer best known for his couture occasionwear. Not only has Oldfield maintained a close working relationship with Queen Camilla, but he also designed looks for the late Princess Diana while she was married to then-Prince Charles.




Princess of Wales Kate Middleton arrived at Westminster Abbey wearing a formal robe and mantel – reportedly at the request of King Charles and Queen Camilla – worn over an Alexander McQueen dress in ivory silk crepe with silver bullion and thread work embroidery, featuring rose, thistle, daffodil and shamrock motifs. (AFP)

Meanwhile, Princess of Wales Kate Middleton arrived at Westminster Abbey wearing a formal robe and mantel – reportedly at the request of King Charles and Queen Camilla – worn over an Alexander McQueen dress in ivory silk crepe with silver bullion and thread work embroidery, featuring rose, thistle, daffodil and shamrock motifs. The fashion label’s creative director Sarah Burton also designed her wedding gown in 2011. 

The Princess of Wales was also wearing a glittering floral headpiece, not a tiara. 

The head topper is a Jess Collet x Alexander McQueen creation and consisted of shimmering silver bullion, crystal, and silver thread leaf embroidery. 

Adding to the stunning jewellery were pearl and diamond earrings that belonged to her late mother-in-law, Princess Diana. She also wore the George VI Festoon Necklace, a piece made in 1950 at the request of King George VI for his daughter Princess Elizabeth (later Queen Elizabeth II).




Prince William, seen beside Princess Kate, wore formal robes and mantels over the ceremonial dress uniform of the Welsh Guards, again at the request of King Charles and Queen Camilla. (AFP)

Prince William, seen beside Princess Kate, wore formal robes and mantels over the ceremonial dress uniform of the Welsh Guards, again at the request of King Charles and Queen Camilla. 




Prince Harry, the Duke of Sussex, on the other hand, wore a black three-piece set of tails and military medals on his chest. (AFP)

Prince Harry, the Duke of Sussex, on the other hand, wore a black three-piece set of tails and military medals on his chest, and had no formal role at the event. 




Queen Rania attended the coronation in a cream-colored pencil dress. (Getty Images)

Jordan’s Queen Rania attended the coronation in a custom-made pastel lemon yellow silk crepe pencil dress by Australian designer Tamara Ralph with a bow-like design around her shoulders and sheer sleeves. She wore a matching hat, in line with the day’s eschewing of tiaras, the Knot Intrecciato Leather Clutch by Italian luxury label Bottega Veneta and Jimmy Choo Romy Pumps in white. 




Princess Lalla Meryem of Morocco arrived wearing a lilac-colored traditional dress with a white cape wrapped around her shoulders. (Getty Images)

Princess Lalla Meryem of Morocco — the daughter of the late King Hassan II  — arrived wearing a lilac-colored traditional dress with a white cape wrapped around her shoulders. She accessorized her look with glitzy pear-shaped earrings. 




Qatari royal Sheikha Jawaher bint Hamad bin Suhaim Al-Thani wore a grey heavily embroidered long-sleeved gown. (Getty Images)

Qatari royal Sheikha Jawaher bint Hamad bin Suhaim Al-Thani, the wife and consort of the Emir of Qatar Tamim bin Hamad Al-Thani, was also in attendance. She wore a grey heavily embroidered long-sleeved gown from Dior’s Fall/Winter 2022 Couture collection and an off-white floor-length cape.




US singer Katy Perry, who will perform at the coronation concert in Windsor on Sunday, was dressed in a fitted lilac short-sleeved skirt suit by British label Vivienne Westwood with matching opera gloves and statement hat. (AFP)

Among the celebrity guests were actress Emma Thompson in an Emilia Wickstead red coat adorned with rose designs and US singer Katy Perry, who will perform at the coronation concert in Windsor on Sunday, dressed in a fitted lilac short-sleeved skirt suit by British label Vivienne Westwood with matching opera gloves and statement hat.

Veteran actresses Maggie Smith and Judi Dench, who has portrayed both Queen Elizabeth I and Queen Victoria on screen, chose different shades of blue, while US singer Lionel Richie opted for Esclot London attire.


In ‘Star Wars: Tales of the Underworld,’ Asajj Ventress finds new depth

Updated 12 May 2025
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In ‘Star Wars: Tales of the Underworld,’ Asajj Ventress finds new depth

DUBAI: In the ever-expanding Star Wars universe, few characters capture the imagination quite like Asajj Ventress. Voice actress Nika Futterman returns to breathe life into this complex anti-hero in “Star Wars: Tales of the Underworld,” offering fans a deeper look into a character who has evolved from a ruthless villain to a nuanced, world-weary survivor.

“After all these years of traveling alone, of killing so many people, her voice has changed,” Futterman explains.

Gone is the regal, sharp-edged character of the past. Instead, audiences will meet a Ventress who is “more about just existing and finding her peace.”

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

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An all-new anthology series of animated shorts, “Star Wars: Tales of the Underworld” premiered May 4 on Disney+. The popular series this time focuses on the criminal underbelly of the Star Wars galaxy through the experiences of two iconic villains. Former assassin and bounty hunter Ventress is given a new chance at life and must go on the run with an unexpected new ally, while outlaw Cad Bane faces his past when he confronts an old friend.

What makes Ventress so compelling? Futterman believes it’s her incredible depth. “She’s like an onion that you keep peeling,” she said.

From her unique origins as a witch raised by pirates, trained by a Jedi, and later mastering the dark side, Ventress defies simple categorization. The new series promises to reveal a softer side of the character. “We started to see that she has this capability of taking care of others,” Futterman said. “She’s not just angry; she actually has a heart.”

Fans of morally complex characters will find much to love in this exploration of Ventress’ journey. As Futterman puts it, Ventress is ultimately “someone who can put good things into the universe, instead of taking them away.”


Quinta Brunson opts for Lebanese gown in Los Angeles

Updated 12 May 2025
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Quinta Brunson opts for Lebanese gown in Los Angeles

DUBAI: Emmy-winning actress, comedian and writer Quinta Brunson showed off a gown by Lebanese designer Zuhair Murad at the 14th Annual Spring Break Gala by City Year Los Angeles.

Founded in 1988, City Year is a national service program that offers full-time community service. This weekend, the Los Angeles chapter held its annual gala, which was attended by the likes of US actress and film producer Viola Davis and “Abbott Elementary” sitcom creator Brunson.

Brunson’s column gown hailed from Zuhair Murad’s Pre-Fall 2025 collection. The look featured star-like embellishments across the torso, bust and cuffs.

Quinta Brunson’s column gown hailed from Zuhair Murad’s Pre-Fall 2025 collection. (Getty Images)

It is not the first time Brunson has worn a Lebanese creation on the red carpet — in September, she showed off a mermaid sculpted gown from Lebanese designer Georges Chakra’s Fall/Winter 2024-2025 couture collection at the 76th Primetime Emmy Awards in Hollywood.

Meanwhile, Murad has continued to attract celebrity clientele to his eveningwear label.

In late April, Murad made a statement at the 2025 Time 100 Gala with US actress Blake Lively, as well as singer and songwriter Nicole Scherzinger, showcasing his creations on the red carpet.

Lively, who attended the event with her husband Ryan Reynolds, wore a pink taffeta off-the-shoulder gown featuring a corseted bodice and a train detail from Murad’s ready-to-wear Spring 2025 collection.

Scherzinger, meanwhile, chose a black off-the-shoulder sequin gown from Murad’s ready-to-wear Pre-Fall 2025 collection.

One month earlier, Murad unveiled his latest collaboration with Italian label Marina Rinaldi. Murad designed the brand’s Spring/Summer 2025 capsule collection inspired by China’s Tang dynasty. 

Drawing from the dynasty’s introduction of peony cultivation in imperial gardens, Murad infused the collection with images of the flower.

The collection focuses largely on eveningwear.

“Grand evening gowns go beyond the pure object, they are a way of investing in one’s personal history,” the designer said in a released statement. True to his signature style, the collection features hourglass silhouettes and intricate hand-embroidered details.

The collection’s color palette mirrors another element of Tang dynasty artistry — delicate chinaware. Soft shades of cream, sky blue, aquamarine green and pink infuse the flowing chiffon gowns, pleated bodices and long plisse skirts. 


Photographs in Doha’s Tasweer photo festival explore belonging, identity and home in the Arab world

Updated 11 May 2025
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Photographs in Doha’s Tasweer photo festival explore belonging, identity and home in the Arab world

DOHA: A young Sudanese man sits in a chair dressed in an elegant off-white three-piece suit. He holds a small shotgun in one hand which he eyes solemnly while resting against the wall behind him on a crimson red tapestry is a rifle. The photograph is titled “Life Won’t Stop” and is one of several images by Sudanese photographer Mosab Abushama documenting his friend’s wedding in Omdurman, Sudan, a city constantly targeted by airstrikes.

The photograph is on view as part of the show “Tadween,” referring to the concept of recording of news and emotions through writing, photography, audio or video, and is one of several exhibitions in the third edition of Doha’s Tasweer Photo Festival, which runs until June 20.

“Life Won’t Stop” is one of several images by Sudanese photographer Mosab Abushama documenting his friend’s wedding in Omdurman, Sudan. (Supplied)

“Despite the clashes and random shelling in the city, the wedding was a simple but joyous occasion with family and friends,” wrote in the caption for the work. “The war in Sudan, which began in April 2023, brought horrors and displacement, forcing me to leave my childhood home and move to another part of the city. It was a time none of us ever expected to live through. Yet, this wedding was a reminder of the joy of everyday life still possible amidst the tragedy and despair.”

Abushama’s photograph earned recognition at the 2025 World Press Photo Awards in the Singles Africa category.

Abushama’s poignant image is one of many on show this year in the Tasweer Photo Festival that prompt deep reflection and compassion.

One of the numerous exhibitions on view is “Obliteration — Surviving The Inferno: Gaza’s Battle for Existence.” The images are displayed outside in Doha’s Katara Cultural Village unfolding in five stages to capture each chapter thus far of the war on Gaza. Each image, such as Abdulrahman Zaqout’s “When Food and Water Become Weapons,” has been shot by a Gazan photographer on the ground to witness and experience the catastrophe. From children extending bowls for food to mothers comforting terrified children, each image recounts the tales of horror that continue to unfold as the war in Gaza continues.

One of the numerous exhibitions on view is “Obliteration — Surviving The Inferno: Gaza’s Battle for Existence.” (Supplied)

“As I Lay Between Two Seas,” another exhibition in the festival, is at the Doha Fire Station. Curated by Meriem Berrada, an independent curator and artistic director of the Museum of Contemporary African Art Al Maaden in Marrakech, the exhibition is a poignant and poetic display of 25 photographers from the Arab world and its diasporas grappling and coming to terms with ideas of identity, belonging and home.

“(The exhibition) approaches belonging not as a fixed state, but as a fluid, evolving condition shaped by memory, distance, rupture, and imagination,” Berrada told Arab News. “The exhibition unfolds through a non-linear narrative that invites diverse temporalities and perspectives to coexist.”

“As I Lay Between Two Seas,” another exhibition in the festival, is at the Doha Fire Station. (Supplied)

The title of the exhibition is drawn from a photographic series by Ali Al-Shehabi that conjures up a metaphor that speaks to the fluid, ever changing idea of understanding the self.

“Guided by the metaphor of the sea — shifting, unstable, and expansive — it draws inspiration from poets of the region whose writings on exile and longing offer a conceptual and emotional foundation,” Berrada said. “The selected works span a wide spectrum from documentary to conceptual and abstract practices. These works examine family and community dynamics, spiritual and philosophical relationships, and the sociopolitical structures that influence selfhood. They explore the symbolic ties to one’s roots, often shaped by personal memory and collective histories.”

From Lebanese artist Ziad Antar’s dreamy and edgy photographs of abandoned and unfinished buildings in Beirut and on the Lebanese coast and Saudi artist Moath Alofi’s series of desolated mosques along the winding road to Madinah, Saudi Arabia, to Palestinian Taysir Batniji’s “Just in Case #2” (2024), portraying images of a series of keys representative of feelings of loss and exile, the photographic works on show oscillate between feelings of pride, belonging, loss and longing.

The "Al Mihrab" exhibition at Doha Fire Station. (Supplied)

A poem by Palestinian poet and author Mahmoud Darwish titled “I Belong There,” appears on one wall between the display of several photographs reflecting through words many of the feelings expressed in the images on display. “I belong there. I have many memories. I was born as everyone is born […] I have lived on the land long before swords turned man into prey. I belong there.”

Elsewhere in Tasweer, a solo exhibition at Mathaf: Arab Museum of Modern Art on the works of Moroccan photographer and filmmaker Daoud Aoulad-Syad titled “Territories of the Instant” presents the essence of Moroccan popular culture and remote regions in the country. Another exhibition, “Threads of Light: Stories from the Tasweer Single Image Awards,” presents 31 captivating images from 2023 and 2024 awards highlighting the extraordinary in daily life, including sacred traditions in Oman, dynamic street scenes in Yemen and moments of contemporary change in Iraq and picturesque marine views of traditional boats in Doha.

As Berrada said of the festival, which can arguably apply to numerous works and shows in Tasweer this year: “It also reflects on the photographic medium itself — how image-making can question fixed and often deterministic categories of belonging and become a powerful tool for reimagining identity in a deeply interconnected world.”

 


Loli Bahia fronts Chanel’s latest jewelry campaign

Updated 10 May 2025
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Loli Bahia fronts Chanel’s latest jewelry campaign

DUBAI: Chanel cannot get enough of French Algerian model Loli Bahia. The French luxury house has tapped the model once again to front its latest campaign for the Chanel No. 5 jewelry collection.

The new pieces combine gold and diamonds to form the shape of the number five, a symbol closely associated with the brand’s identity. The collection includes rings, bracelets, necklaces and earrings, all inspired by the enduring allure of the No. 5 brand.

In the campaign images, Bahia was seen wearing various pieces from the line, including number five-shaped drop earrings, a diamond pendant necklace, a gold bracelet featuring the numeral and matching rings. The designs incorporate both yellow and white gold and are detailed with diamonds.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

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Bahia has collaborated with Chanel on several occasions. Most recently, in January, she opened the runway show during Paris Haute Couture Week wearing an ensemble that combined the house’s signature tweed with pastel quilting.

The look featured a jacket with a quilted front panel in soft shades of pink, blue, yellow and green, contrasted with white tweed sleeves. The jacket was detailed with front pockets and Chanel’s signature buttons.

The in-demand model also wore a white tweed mini skirt, paired with a slim black belt featuring a gold buckle. The outfit was completed with two-tone Mary Jane heels in black and white, secured with gold buckle-adorned ankle straps.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

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In May 2024, she walked the Chanel Cruise 2024/2025 show in Marseille, France.

Bahia donned a green ensemble, composed of a knee-length pencil skirt paired with a matching top, layered over a white shirt boasting a hoodie collar.

That same year, in June, she walked for the brand during Paris Fashion Week as part of its fall/winter 2024-2025 collection unveiling.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

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She graced the runway in a two-piece ensemble comprising a tailored buttoned jacket complemented by a matching knee-length skirt in a delicate tweed fabric. Both garments were adorned with subtle black tassel details.

The model’s first campaign with Chanel was in 2022, when she was just 19 years old. It was Chanel’s Metiers d’Art spring 2022 campaign, shot by fashion photographer Mikael Jansson.

In the campaign, Bahia displayed the savoir faire of artisans via tailored jackets, logo-emblazoned leather gloves, wide-brimmed hats, embellished mini-dresses and ornate bangles, necklaces and earrings.


Where We Are Going Today: Matcha Cloud

Updated 10 May 2025
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Where We Are Going Today: Matcha Cloud

There is something instantly charming about Matcha Cloud — from the soft pink packaging to the handwritten “To the matcha lover only” on the box.

This brand knows its audience, and it delivers an experience that feels like a warm, cozy hug.

I ordered everything separately: the Premium Ceremonial Grade Matcha that came with a cute sleeve, and four flavor syrups — Apple Pie, Gingerbread, Caramel Gingerbread, and Cinnamon Cookie.

Each item came in one box, with themed packaging that made the whole order feel cohesive and thoughtful.

The matcha itself is fresh, smooth and vibrant — exactly what you want from ceremonial grade.

It blended well with oat milk and delivered a balanced, clean taste without bitterness. The sleeve was perfect for holding my cup around.

Now to the flavor syrups, they are playful and creative. Especially the cinnamon cookie one, which gave cozy winter vibes.

But if I am being honest, the taste of the syrups was not as deep or rich as I hoped. They add sweetness and aroma, but I found myself wishing they had more natural flavor and less artificial aftertaste.

Still, for matcha lovers who enjoy a touch of customization or want to try fun new twists, Matcha Cloud offers a refreshing take.

It is not just about quality, it is about joy — and this brand knows how to deliver that.

For more information, check their Instagram @matcha.cloud.ksa.