X drops out of global media brands ranking

The report also found that X’s Brand Strength Index score fell by 12.7 points from last year underscoring a major reputational crisis. (AFP)
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Updated 18 September 2024
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X drops out of global media brands ranking

  • Twitter’s brand value dropped from $5.7bn in 2022 to $673.3m in 2024   
  • Instagram is the fastest-growing media brand

DUBAI: Social media platform X, formerly Twitter, has dropped out of a ranking of global media brands by UK-based brand valuation and strategy consultancy Brand Finance. 

The consultancy valued Twitter at $5.7 billion in 2022, falling to almost $3.9 billion in 2023 and further declining to $673.3 million in 2024.

Richard Haigh, managing director of Brand Finance, said the rebrand from Twitter to X was a “gamble” that had the potential to provide a “rebirth and propel it (the company) to new heights,” but now “the strategy seems to have been misguided.”

He told Arab News: “It is now evident that Elon Musk’s rebranding of Twitter, and abandonment of a globally recognized name, has resulted in a dramatic and abrupt decline in brand value and strength.”

Moreover, he added, Musk’s strategy to open up a free speech mandate lacked guardrails that would give advertisers confidence that their content would not appear alongside other content that did not match their brand values. 

Haigh said: “These two decisions, intended to accelerate growth, ultimately resulted in a substantial loss of advertisers with ad revenue decreasing from over $1 billion per quarter in 2022 to around $600 million per quarter in 2023 — a steep decline for a brand where ad sales represent about three-quarters of total revenue.”

The report also found that X’s Brand Strength Index score, which measures the relative strength of brands based on factors such as marketing investment, stakeholder equity, and business performance, fell by 12.7 points from last year.

This drop is a reflection of the brand’s “weaker performance in familiarity, reputation, and recommendation metrics, underscoring a major reputational crisis,” Haigh said.

Although he is not optimistic about X’s rebound as a brand, he added: “X continues to be a relevant platform relied upon by millions, thanks to the long-term benefits of a user base and the critical mass it already has.”

He believes that “with careful management and a clear strategy, there remains potential for the X brand to recover and regain its strength.”

One such strategy could be rethinking the name because Twitter had a “distinctiveness that a single letter will struggle to match,” he said.

Secondly, he advised: “X is a business that requires consumers to use it, but also requires businesses to fund it. Trust is a key issue that needs to be addressed.”

Haigh explained that if brands are not confident that bullying, harassment and abuse will not be attached to their messaging, they will not have enough trust in the site to want to advertise. 

The ranking saw Google maintain its No. 1 spot as the most valuable media brand for the fourth consecutive year, followed by TikTok in second place, Facebook and Instagram in third and fourth, and Disney in fifth place.

Instagram was the fastest-growing media brand, with an increase of nearly 50 percent in brand value, while Disney’s brand value dropped by 6 percent, compared to 2023.

Hollywood actors and screenwriters went on strike last year to protest about pay and working conditions which resulted in delays of several productions and loss of revenues for production companies.

Haigh said the strike “significantly impacted Disney’s revenue streams, contributing to its decline in brand value, but Disney+ (its streaming platform) has helped sustain its brand amid a rapidly evolving media landscape.”

The transformation of this landscape is evident in the ranking with Disney being the only traditional media company in the top 10.

The first Brand Finance ranking, which was published in 2015, was dominated by American broadcast media networks with Walt Disney ranking first, ahead of Fox, NBC, TimeWarner and CBS.

However, this year, “there has been a significant shift, with nine of the top 10 brands focusing on platforms other than traditional broadcasting, reflecting a growing trend toward media consumption through social media,” Haigh said.

He added that the media industry had evolved “from a broadcasting model to one centered around narrowcasting, where content is tailored to individual preferences.”

This has been accelerated by the rise of social media platforms that allow users to create and share content on a global scale, as well as technological advancements that enable platforms to provide “highly personalized and targeted media experiences,” he added.

Content that was once the domain of traditional TV channels — such as major sporting events and news — is now easily available online through social media or streaming.

Haigh said: “Despite widespread misinformation, more people are turning to social media for news as it provides diverse perspectives, short-form content, and allows for independent evaluation, unlike traditional media, which often offers a single, agenda-driven narrative.”

The 2023 Hollywood strike further accelerated the shift in the industry, causing a sharp decline in brand values for major US TV networks like CBS (28 percent) and Fox (26 percent), as well as UK networks Sky and ITV, he added.

Netflix, however, remained among the top 10 brands, ranking ninth, despite its brand value declining by 6 percent.

Haigh said: “To stay relevant, traditional media outlets must adapt to this new landscape, where engagement is driven by interactive and algorithm-driven content rather than broad, one-size-fits-all programming.”


Eurovision lifts ban on Palestinian flags as scrutiny of Israel’s participation grows

Updated 02 May 2025
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Eurovision lifts ban on Palestinian flags as scrutiny of Israel’s participation grows

  • Fans will now be allowed to bring and display any flag that does not contain racist content, hate symbols
  • Iceland, Spain and Slovenia have all raised concerns about Israel’s participation at this year’s contest

LONDON: Organizers of the Eurovision Song Contest have lifted a ban on Palestinian flags for audience members, but maintained restrictions for participating artists, as pressure over Israel’s inclusion in this year’s event increased.

The change, confirmed by Danish broadcaster DR, marks a shift from the European Broadcasting Union’s longstanding rule prohibiting flags from non-competing countries and territories. That policy led to Palestinian flags being banned in previous years.

According to updated guidelines obtained by DR, fans will now be allowed to bring and display any flag that does not contain “racist and/or discriminatory content,” or symbols thought to incite hatred, violence, or linked to banned organizations.

In a statement to CNN, the EBU said the update seeks to “strike a balance to ensure that our audiences and artists can express their enthusiasm and identities,” while offering greater clarity for national delegations.

However, the relaxed policy applies only to the audience. Participating artists will still be restricted to displaying official national flags in all official Eurovision spaces, including the stage, green room, and Eurovision Village. Artists may show only the flag of the country they represent.

The revised policy comes amid growing criticism of Israel’s participation in this year’s contest to be held in Basel, Switzerland, with semifinals on May 13 and 15 and the final on May 17.

Officials in countries including Slovenia, Spain and Iceland have questioned Israel’s inclusion.

Icelandic Foreign Minister Porgerour Katrin Gunnarsdottir told a local outlet she found it “strange and actually unnatural that Israel is allowed to participate,” accusing the country of committing “war crimes” and “ethnic cleansing” in Gaza.

Despite these objections, the EBU has confirmed that Israel’s entry meets the competition’s rules. As with last year, large-scale protests are expected in Basel against Israel’s participation.

Despite pressure from pro-Israel organizations, Swiss authorities said demonstrations are permitted in principle, including those opposing Israel’s presence, provided they comply with public safety regulations.


Spotify, EA Sports test in-game music integration in Saudi Arabia

Updated 01 May 2025
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Spotify, EA Sports test in-game music integration in Saudi Arabia

  • Players in Kingdom can now link their account directly with video game

LONDON: Spotify and EA Sports have launched a pilot project that allows players to link their Spotify accounts directly with the EA Sports FC 25 video game.

The feature is being rolled out in Saudi Arabia and selected other markets.

The project, which was announced on Thursday, enables Spotify Premium users to log in via a new tab in the main game menu and control music playback during gameplay, including during team selection or from the pause menu.

The Swedish music platform said the partnership aimed at offering players more control over their in-game audio.

It said: “Long seen as the perfect companion to gaming, music boosts focus, amplifies adrenaline, and heightens the emotional highs of every match.

“Through this collaboration, players can now curate their perfect in-game soundtrack, listening to the artists they love.”

Podcast access and curated playlists will also be available.

The feature is currently accessible to Premium users playing EA Sports FC 25 on PlayStation 5 and Xbox Series X|S in Saudi Arabia and Australia.

The Kingdom has become a growing market for gaming and electronic sports, driven by a young and tech-savvy population.

Gaming now plays a prominent role in the Kingdom’s Vision 2030 diversification strategy, with plans for the sector to contribute more than $13 billion to the economy and create tens of thousands of jobs, according to Savvy Games Group.

Riyadh hosted the inaugural Esports World Cup last summer, a large-scale tournament featuring 23 events across major titles including Fortnite, Call of Duty, and EA Sports FC, with a record-setting prize pool of $62.5 million.


Jeddah communication conference explores anime’s digital evolution

Updated 01 May 2025
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Jeddah communication conference explores anime’s digital evolution

  • The session focused on anime’s shift from traditional television broadcasts and DVDs to digital platforms, including live streaming, instant subtitling and cloud-based production

RIYADH: The eighth session of the Digital Communication Conference, titled “Anime in the Digital Space,” explored the transformation of Japanese anime over the past two decades, highlighting the impact of digital innovation and the internet.

According to Saudi Press Agency, the session focused on anime’s shift from traditional television broadcasts and DVDs to digital platforms, including live streaming, instant subtitling and cloud-based production.

Streaming giants such as Netflix, Crunchyroll, and Funimation were highlighted as pivotal players in the transition, offering translated or dubbed episodes immediately upon release and funding original series such as “Devilman Crybaby” and “Cyberpunk: Edgerunners.”

Speakers in the session, including Manga Productions CEO Essam Bukhary, said that social media and online forums have opened the door to unprecedented engagement among fans, as well as community and cultural interaction, since audiences now take part in evaluating episodes.

Concerns were raised that heavy dependence on technology could erode the handcrafted aesthetic that defines traditional anime.

Saudi Arabia’s burgeoning interest in manga and anime, which dates back to the 1970s, is helping to usher in a revolution in cultural production.

Japanese art forms have captivated audiences of all ages, gaining significant popularity in recent years. Their ability to combine entertainment, culture and education has made them of great interest to Saudi society.

To support this interest, the General Entertainment Authority has hosted events like the Saudi Anime Expo, drawing international visitors.

In line with these efforts, the ministries of culture and education launched the Manga Education program to nurture student talent, as well as integrate arts and culture into public education.
 


Israel arrests veteran Palestinian journalist in West Bank

Updated 30 April 2025
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Israel arrests veteran Palestinian journalist in West Bank

  • Ali Al-Samoudi’s family denies claims of links to Islamic Jihad
  • Palestinian Journalists Syndicate condemns reporter’s arrest

DUBAI: Israeli forces arrested prominent Palestinian journalist Ali Al-Samoudi during an overnight raid on Tuesday in the northern West Bank city of Jenin, according to media reports.

Al-Quds newspaper correspondent Al-Samoudi, 58, was detained after the Israeli military raided and searched up his home in Al-Zahraa neighborhood, destroying “some of its contents”.

According to the military, he is accused of having ties with the militant Palestinian Islamic Jihad organization and transferring funds to the group. However, the military did not provide evidence to support the claim.

After he was interrogated at a disclosed location, Al-Samoudi was transferred to an Israeli hospital due to his health deteriorating, his son Mohammed told the BBC.

His family, who denies the accusations, was not informed of the name of the hospital where he was being treated, or any other details.

Al-Samoudi previously survived an attack by Israeli forces in 2022, the same assault that killed prominent Palestinian-American journalist Shireen Abu Aqleh, who was a correspondent for Al-Jazeera.

Al-Samoudi was shot and wounded in his back.

The Palestinian Journalists Syndicate condemned Al-Samoudi’s arrest in a statement on Tuesday.

As of April 30, 2025, the Committee to Protect Journalists has documented 79 arrests of journalists by Israel in the Palestinian territories of the West Bank and Gaza since Oct. 7 war began, in addition to five other arrests by the Palestinian authorities.

Forty-nine of these journalists, including the five held by Palestinian authorities, have since been released, while 35 remain under arrest.

The CPJ’s preliminary investigations also showed at least 176 journalists and media staff were killed during Israel’s war on Gaza, West Bank and Lebanon, marking the deadliest period for journalists in the region.


Houthi drone strike kills Yemeni-Dutch journalist, injures brother, says media watchdog

Updated 29 April 2025
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Houthi drone strike kills Yemeni-Dutch journalist, injures brother, says media watchdog

  • Musab Al-Hattami killed, brother Suhaib wounded working on documentary project in Marib

LONDON: A Yemeni-Dutch journalist has been killed and his brother injured in a drone strike carried out by Iran-backed Houthi forces near the central Yemeni city of Marib, according to the Committee to Protect Journalists.

Musab Al-Hattami, a journalist and filmmaker, was killed on Saturday while filming a documentary in his family’s hometown. His brother, photographer Suhaib Al-Hattami, sustained serious injuries in the same attack, the US-based media watchdog said on Monday while condemning the strike.

Sara Qudah, regional director of the CPJ, said: “The killing of Musab Al-Hattami is yet another stark reminder to the international community that the warring parties in Yemen are violating international law by killing civilians. Such indiscriminate violence exposes all journalists, who are brave enough to document the war in Yemen, to extreme risk.

“We call on the international community to investigate the attack and hold those responsible to account.”

The Al-Hattami brothers had recently returned to Yemen from the Netherlands to report on the ongoing civil war and were working on a documentary project about their parents’ hometown when the strike occurred.

According to Dutch media outlet RTL, Houthi forces targeted the area with grenades and drones while the brothers were filming. Musab Al-Hattami and three government soldiers were killed, while Suhaib was seriously wounded.

Musab Al-Hattami, who had moved to the Netherlands after studying film in Jordan, held Dutch citizenship. The Dutch Ministry of Foreign Affairs confirmed his death and said he was buried in Marib on Monday.

He is the 20th journalist to be killed in Yemen since 2015, when a Saudi-led coalition launched military operations against Houthi rebels who had seized the capital, Sanaa.

Al-Qaeda in the Arabian Peninsula announced in December 2024 it had executed 11 individuals, including Yemeni journalist Mohamed Al-Maqri, who had been abducted in 2015 and accused of spying. At least 18 journalists were killed in Yemen between 2015 and 2020.