As the Undertaker enters WWE Hall of Fame, Middle East fans pay tribute to ‘the Phenom’

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The real Undertaker famously defeated his impersonator during a head-to-head at the SummerSlam of August 1994. (Supplied )
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Updated 01 April 2022
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As the Undertaker enters WWE Hall of Fame, Middle East fans pay tribute to ‘the Phenom’

  • Mark Calaway is one of the most recognized superstars in the history of World Wrestling Entertainment
  • Saudis who grew up watching “the Deadman” in action on TV are among the Undertaker’s biggest fans

RIYADH: World Wrestling Entertainment superstar the Undertaker will be inducted into the WWE Hall of Fame on April 1 at American Airlines Center in Dallas, Texas, as part of WrestleMania Week, in a ceremony that will be streamed live worldwide.

Mark Calaway, better known to fans by his ring name the Undertaker, is one of the most recognized superstars in the history of WWE and a pop culture icon, having made his WWE debut at the 1990 Survivor Series as the mystery partner for WWE Hall of Famer Ted DiBiase’s Million Dollar Team.

“I remember I was 11 when I watched him debut at Survivor Series in 1990,” Sultan Alobaid, a Saudi media professional, told Arab News, echoing the sentiments of many Saudi millennials who grew up watching “the Deadman” on their TV screens.

The man who earned the moniker “the Phenom” went on to hold nearly every major championship in WWE, and has competed in some of its most memorable matches during his illustrious 30-year career.

A year into his journey with the promotion, he defeated the legendary Hulk Hogan to win his first (what was then) WWF Championship at the 1991 Survivor Series, and became the youngest ever champion at that time. 

The Undertaker has established a historic 21-year undefeated streak at WrestleMania that is yet to be broken. Guinness World Records Gamer’s Edition recognized him as having the most consecutive victories at WrestleMania in 2016.




Triple H, left, fights with The Undertaker. (Supplied)

“I remember every year I watched WrestleMania just to see who the Undertaker was going to beat,” Ahmed Al-Jassim, a Saudi cellphone shop owner, told Arab News. “It started with Jimmy Snuka and we saw it extend to other legends like King Kong Bundy, Triple H, Kane, and Shawn Michaels.”

The Undertaker’s fights with Shawn Michaels and Triple H are considered among the best in the history of WWE’s biggest marquee event.

Recalling the time when Brian Lee stepped in as an Undertaker impersonator for several weeks in 1994, one Saudi WWE fan said: “I still remember the two Undertakers incident. Of course, at the time, there was no internet or satellite television, so I was following the build-up of excitement through newspaper and magazine articles over weeks. All that my friends and I would wonder was if this was true, and whether WWE would actually pull off two identical wrestlers or would use special effects.”




The real Undertaker famously defeated his impersonator during a head-to-head at the SummerSlam of August 1994. (Supplied )

The Saudi fan, now in his forties, added: “I remember rushing to the video store and back home when I heard that SummerSlam video had been released and there it was: Undertaker Vs Undertaker, identical in their looks and even their moves. It was sports entertainment history in the making and a truly memorable moment.”

The real Undertaker famously defeated his impersonator during a head-to-head at the SummerSlam of August 1994.

FASTFACT

Did you know that, for a short period of time in 1994, there were two Undertakers? This happened when the real Undertaker was away on his break. The WWE officials introduced Brian Lee to impersonate the Undertaker. Brian looked just like the real Undertaker with wet, long hair and sinister looks.

“The Undertaker was a big part of all of our childhoods,” Tamaraah Al-Gabaani, a Saudi Arabia-based fashion influencer, told Arab News. Recalling the ‘fake’ Undertaker episode, she said: “It obviously didn’t sit well with me as a loyal fan.”

Throughout his career, the Undertaker was involved in many first-of-a-kind matches, a notable one being against Mankind in the first Boiler Room Brawl at SummerSlam 1996. Memorably, as the name suggests, the two wrestling legends spent 20 minutes brawling in the Cleveland Gund Arena’s boiler room.

The Undertaker took his rivalry with Mankind to a new level with another unprecedented specialty match with the main event of In Your House: Buried Alive. 




The Undertaker of younger days. (Supplied)

At the Badd Blood event in 1997, the Undertaker challenged Shawn Michaels to a first-ever Hell in a Cell match, which would become a mainstay for WWE.

“Well, you know, you have to prepare mentally,” the Undertaker told Arab News in a 2020 interview, looking back at these career highlights.

“When you’re thinking about your match, you have to look at everything that you’ve done, that led up to that particular match, because obviously if you’re going to have a Buried Alive match, there’s had to have been some serious things happen along the way to get to the point where you want to bury somebody alive.




The Undertaker, left, and Shawn Michaels. (Supplied)

The Undertaker and Mankind’s macabre feud was revived in 1998, taken to a graphic new height, and decisively resolved when they faced each other in a Hell in a Cell match at King of the Ring.

“You know, if there’s a lot of those matches like Buried Alive and Hell in a Cell, and the Inferno match, that one was interesting. There wasn’t any rehearsing anything on that one, believe me, that was just out there doing it and hoping that I wasn’t one that got caught on fire. As morbid as that sounds, I guess it fits with what I do.”

The match became one of the most famous in professional wrestling history when the Undertaker threw Mankind off the roof of the 4.9-meter cell onto a broadcast table below.

“I blame the Undertaker for the times I got in trouble for copying his wrestling moves on my friends and brothers,” Joel Huffman, an American expat in Saudi Arabia and a co-founder of Arabius, told Arab News.




Posing with his champion's belt. (Supplied)

Indeed, the Undertaker has been responsible for some of the most theatrical moments in WWE history. At the 1992 Summer Slam, held for the first and only time out of the US at London’s Wembley Stadium, he entered the arena riding on the back of a hearse.

At the 2005 Survivor Series, druids delivered a casket that was struck by lightning and went up in flames. The Undertaker then burst from the flaming casket in a rage and brutalized an entire ring full of superstars as a message to his next victim Randy Orton.

In 2011, promotional videos aired showing the Undertaker entering and standing in a Western-style old house on a rainy desert. Each promo ended with the date 2–21–11 being “burned into” the screen.

 

 

On that year’s Feb. 21 edition of Raw, the Undertaker returned. But before he could speak, Triple H also returned and challenged him to a confrontation at WrestleMania XXVII, which was later made under no-holds-barred rules. The Undertaker won, but he had to be carried away from the ring on a stretcher.

“I thank him for his example of hard work and dedication throughout his legendary 30-year career and well-deserved place in the Hall of Fame among the greatest sports entertainment icons in history,” said Huffman.

The Undertaker featured in the lineup of wrestling giants who participated in Saudi Arabia’s first televised WWE event in April 2018, where 60,000 fans packed out the King Abdullah Stadium in Jeddah.

The event was the first in a 10-year partnership between WWE and the Saudi General Sports Authority in support of Saudi Vision 2030, Saudi Arabia’s social and economic reform agenda.

WWE announced on Nov. 4, 2019, that it had expanded its partnership with the Kingdom until 2027, under which it would hold two large-scale events in the country per year.

Saudi Arabia first announced WWE would be holding shows in the Kingdom in Dec. 2013, with the first house shows taking place at Riyadh’s Green Halls Stadium in April 2014.

“I’m glad WWE has come to Saudi Arabia now,” Atallah Al-Ghamdi, a Saudi who works in transportation logistics, told Arab News.




The Undertaker at Wrestlemania with John Cena. (AN Photo/Huda Bashatah)

“My favorite time was when the Undertaker and Goldberg wrestled. It was truly great to see these two legends in person. I grew up watching both,” he added, referring to the 2019 Super ShowDown in Jeddah.

On Nov. 22, 2020, exactly 30 years after making his ring debut, the Undertaker announced his retirement to a crowdless arena in Orlando, Florida — emptied due to that year’s COVID-19 lockdown restrictions.

The Undertaker’s WWE Hall of Fame induction, therefore, marks an ideal opportunity to give “the Phenom” the dramatic send-off he deserves.

“Never in my wildest dreams did I think I’d be 41 when he retired,” said Saudi fan Alobaid, reflecting on his hero’s monumental life in the ring.

“What a career! Forever the Undertaker.”


Gaza finds mention at politically charged Coachella’s first Saturday

Updated 13 April 2025
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Gaza finds mention at politically charged Coachella’s first Saturday

DUBAI: US politician Bernie Sanders found a moment to mention Gaza as he took to the stage at Coachella music festival on Saturday night in California to introduce US singer-songwriter Clairo.

“Now I’m here to introduce Clairo, not just because they are a great band, not just because Clairo at the age of 13 posted videos on the internet as a singer-songwriter,” said Sanders. “I’m here because Clairo has used her prominence to fight for women’s rights, to try to end the terrible brutal war in Gaza where thousands of women and children are being killed. So, I want to thank Clairo not only for being in a great band, but for the great work she’s doing.”

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Green Day (@greenday)

Another political moment arrived on Saturday night, when US rock band Green Day tweaked the lyrics of their track “Jesus of Suburbia” to reflect the ongoing Israeli attacks against Gaza.

While performing the song, lead singer Billie Joe Armstrong sang, “Runnin’ away from pain, like the kids from Palestine / Tales from another broken home.”

The original song lyrics from 2004’s “American Idiot” were, “Runnin’ away from pain when you’ve been victimized.” 


Herd of animal puppets treks from Africa to arctic Circle in climate action

Updated 12 April 2025
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Herd of animal puppets treks from Africa to arctic Circle in climate action

  • A wildebeest, a gorilla and a giraffe were among the life-size puppets to begin the 20,000-kilometer trek that will cross about 10 countries between central Africa and the Arctic by August

KINSHASA, Congo: In the Kinshasa Botanical Garden, a troupe of cardboard animals stand at attention in a clearing. Their handlers, puppeteers dressed in black, begin to move slowly through the woods, eventually picking up speed and breaking out into a run.
These were the first steps of “The Herds,” a moving theater performance made up of cardboard puppet animals that flee from the Democratic Republic of Congo to the Arctic Circle in a bid to bring attention to the climate crisis.
This week, the puppet animals started their journey in Kinshasa, the capital of the DRC in central Africa. The story goes that the animals will be forced out of their natural habitats due to global warming and displaced north, stopping in cities along the way and being joined by more animals.
Just meters away a real-life example of climate change: Part of the botanical garden lay under floodwaters left over from massive flooding earlier this week that left half the city inaccessible and killed dozens. The sight brought “The Herds” story to life in a bleak way. The main event planned in the center of Kinshasa on Friday was canceled because of the heavy rain.

A wildebeest, a gorilla and a giraffe were among the life-size puppets to begin the 20,000-kilometer (12,400-mile) trek that will cross about 10 countries between central Africa and the Arctic by August.

Puppeteers walk next to life size animal puppets, part of the Herds public art and climate action project are displayed in Kinshasa on April 9, 2025. (AFP)

Their journey will take them through Nigeria, Senegal, Morocco, France and Norway, among other countries.
“This project tries to give the public a powerful emotional sense of what’s happening to the planet,” project producer David Lan said.
The trek includes “now 20, later 40, later 70 animals from all over west Africa, Morocco, Europe who are traveling to escape from the damage done to their ecosystem,” he added.
It is financed by several European countries as well as private foundations.
The puppets are made of mostly recycled materials: cardboard for the skin and rubber for the joints, according to Siphokazi Mpofu, of the South African collective, Ukwanda Puppets, which created the first puppets.
“Some animals will die on the way,” due to high humidity for instance, “just like in real life,” Mpofu said.
As it travels, the herd will be joined by new puppets representing local species, such as vervet monkeys in Nigeria, wolves and red deer in Europe, and reindeer in Norway.

Puppeteers move cardboard animals through Kinshasa's botanical gardens on April 10, 2025, the first steps of "The Herds" as it travels from Africa to the Arctic Circle in a bid to bring attention to the climate crisis. (AP Photo)

“The Herds” comes from the team that was behind “The Walk” in 2021, in which a 12-foot tall puppet of a refugee girl called Little Amal drew attention to the refugee crisis by traveling to 15 countries — from Turkiye to the UK, Ukraine, Mexico and the US.
Tshoper Kabambi, a Congolese filmmaker and producer, is working on “The Herds” as its DRC producer. He said “The Herds” main goal is to raise awareness.
“Nature is very important to us. But humans have a tendency to neglect nature,” he said. “We want to raise awareness among people about everything that is happening. You have seen the floods all over the world, global warming, deforestation.”
“The Herds” will stay in Kinshasa until Saturday before moving onto Lagos, Nigeria, and Dakar, Senegal.
“The Herds” organizers say the significance of starting in Congo lies in the fact that the country is home to the second biggest rainforest in the world. The Congo Basin serves as one of the planet’s “lungs,” the other being the Amazon Rainforest.
They say much less attention has been focused on Congo’s rainforest, but it is still in dire need of protection.
Congolese artists were an integral part of “The Herds” opening act, just as artists from other countries will be as the project moves north.
Amir Nizar Zuabi was on that team and is now the artistic director of “The Herds.” He was also a part of “The Walk.”
“I think one of the big impacts of this project is the fact that this project is happening in 20 different cities,” he said. “It will travel through different cultures, different places, and it accumulates. And it will tell the story of the Congo also in Norway, because we have partners everywhere.”

 

 

 

 

 

 


May Calamawy, May Elghety join cast of Lee Cronin’s ‘The Mummy’

Updated 11 April 2025
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May Calamawy, May Elghety join cast of Lee Cronin’s ‘The Mummy’

DUBAI: Egyptian actresses May Calamawy and May Elghety have joined the cast of “The Mummy,” a new feature from award-winning Irish writer and director Lee Cronin.

Calamawy, who is also Palestinian, and Elghety star alongside Mexican actress Veronica Falcon, as well as previously announced cast members Jack Reynor and Laia Costa. 

 Plot details for the film remain undisclosed. 

The film is produced by Blumhouse, Atomic Monster, and New Line Cinema, and is currently in production in Ireland and Spain.

Calamawy is best known for her role as Layla El-Faouly in Marvel’s “Moon Knight” and as Dena Hassan in the critically acclaimed series “Ramy.” 

Elghety gained attention for her breakthrough role in the award-winning Egyptian film “Clash” (2016), which opened the Un Certain Regard section at Cannes.
 


Devastatingly good: ‘The Last of Us’ season two is a bleak triumph 

Updated 11 April 2025
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Devastatingly good: ‘The Last of Us’ season two is a bleak triumph 

JEDDAH: The key to the success of season one of HBO’s acclaimed post-apocalyptic video-game-franchise adaptation “The Last of Us” was the relationship between world-weary smuggler Joel (Pedro Pascal) and his ‘cargo,’ 14-year-old orphan Ellie (Bella Ramsey), who’s immune to the parasitic fungal infection that wiped out the majority of mankind over the previous two decades. 

In season two, which launches April 13 on OSN+, that relationship has become strained. In part because the now-19-year-old Ellie is raging against her father (-figure), as 19-year-olds will. But also due to the decisions Joel made in the season one finale (spoiler alert) — keeping Ellie alive by slaughtering dozens of people and possibly denying the world a cure.  

So fans hoping for a repeat of the crackling chemistry between Pascal and Ramsey that made up the majority of season one’s screen time will be disappointed there’s not more of it here: Ellie has made friends from her own age bracket in the relatively peaceful township of Jackson over the five years that have passed since season one and is now living in Joel’s garage, rather than the main house. It’s a big loss, not having Joel and Ellie at the heart of the show, and none of the other relationships fully compensate. 

However, once again showrunners Craig Mazin and Neil Druckmann (the latter of whom is also head of the games’ developer, Naughty Dog) have managed to navigate the line between satisfying fans of the games and viewers who know nothing of the story.  

The season begins slowly, establishing the new dynamics between Joel and Ellie, and introducing us to some of Jackson’s other inhabitants while showing that a functioning, peaceful community can still exist in an otherwise ruined world. Don’t get too cozy, though. We’re also introduced to Abby and her friends, who we quickly learn are survivors of Joel’s finale rampage out for vengeance. And they’re closing in on Jackson.  

The mellow vibe disappears fast. There’s an all-out battle against a horde of infected that compares favorably with the very best of “Game of Thrones,” and displays of narrative audacity that only very skilled writers and performers can successfully pull off and still retain their audience — or, at least, the majority (some will definitely decide not to stick with it).  

Like the game on which it’s based, season two is a different, darker, bleaker affair than the first, tackling topics that are rarely addressed in this genre: cycles of violence; the difference between justice and vengeance (or justice and selfishness); the destructive and constructive powers of love; the crushing devastation of grief; and much more. And, like the game, it’s a great piece of storytelling that rewards your attention. 


Beijing bites back at US tariffs by curbing Hollywood film imports

Updated 11 April 2025
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Beijing bites back at US tariffs by curbing Hollywood film imports

  • Hollywood’s share in China’s box office drops to 5 percent
  • Domestic films dominate China’s box office, accounting for 80 percent of revenue

BEIJING: China said on Thursday it would immediately restrict imports of Hollywood films in retaliation for President Donald Trump’s escalation of US tariffs on imported Chinese goods, targeting one of the most high-profile American exports.
Industry analysts said the financial impact was likely to be minimal, however, because Hollywood’s box office returns in China have declined significantly in recent years.
After three decades during which China imported 10 Hollywood movies per year, Beijing’s National Film Administration said Trump’s tariff actions would further sour domestic demand for US cinema in China.
“We will follow market rules, respect the audience’s choices, and moderately reduce the number of American films imported,” the NFA said on its website.
Hollywood studios once looked to China, the world’s second-largest film market, to help boost box office performance of movies. But domestic movies increasingly have outperformed Hollywood’s fare in China, with “Ne Zha 2” this year eclipsing Pixar’s “Inside Out 2” to become the highest-grossing animated film of all time.
Chris Fenton, author of “Feeding the Dragon: Inside the Trillion Dollar Dilemma Facing Hollywood, the NBA, and American Business,” said limiting US-made films was a “super high-profile way to make a statement of retaliation with almost zero downside for China.”
Hollywood films account for only 5 percent of overall box office receipts in China’s market. And Hollywood studios receive only 25 percent of ticket sales in China, compared with double that in other markets, Fenton said.
“Such a high-profile punishment of Hollywood is an all-win motion of strength by Beijing that will surely be noticed by Washington,” Fenton added.
Trump did not jump to Hollywood’s defense. “I think I’ve heard of worse things,” the president said when asked about China’s restrictions.
Many Hollywood celebrities supported Trump’s Democratic opponent in last year’s election.
One entertainment industry source predicted that big Hollywood blockbusters, which continue to attract moviegoers in China, may still reach the big screen. Walt Disney’s Marvel superhero movie “Thunderbolts,” which kicks off the summer blockbuster season, recently received permission to debut in China on April 30.
It was not clear if China would approve the entry of other major releases this summer, such as Paramount’s “Mission Impossible — The Final Reckoning,” which may mark Tom Cruise’s last appearance in the long-running franchise, Warner Bros’ new “Superman” movie from “Guardians of the Galaxy” filmmaker James Gunn, and Marvel’s new take on “The Fantastic Four.

On China’s all-time box office list, only one imported film ranks in the top 20 — “Avengers: Endgame,” with revenue of 4.25 billion yuan ($579.83 million). (Social Media)

Limited impact
IMAX said it expects the slate for its large-format screens, which includes Hollywood, Chinese and international films, would not be materially impacted by the restrictions.
“We continue to expect a strong year for IMAX in China, coming off our highest-grossing first quarter ever in the country,” an IMAX spokesperson said in a statement to Reuters.
Seth Shafer, principal analyst at S&P Global Market Intelligence Kagan, predicted the restrictions would have limited impact.
“Only roughly 25 percent of domestic wide-release films are now released in China and that percentage has dropped steadily over time due to increasing competition from China’s local film production industry,” Shafer said. “For domestic films that do get a release in China, typically less than 10 percent of the film’s global gross box office revenue comes from China.”
“Captain America: Brave New World,” a Marvel film released in February, took in $14.4 million in China out of its $413 million in global receipts.
In the past, imports including “Titanic” and “Avatar” became box office smashes in the Chinese market, making actors such as Leonardo DiCaprio and directors such as James Cameron household names among Chinese film lovers across generations.
Since 2020, Chinese-made films have consistently accounted for around 80 percent of annual box office revenue, up from around 60 percent previously.
On China’s all-time box office list, only one imported film ranks in the top 20 — “Avengers: Endgame,” with revenue of 4.25 billion yuan ($579.83 million). The remaining films in the top 20 are all domestic productions.