Is the BBC biased in its Gaza-Israel coverage?

BBC documentary, “Gaza: How to Survive a Warzone,” was withdrawn after backlash that it centred on a boy called Abdullah who is the son of Hamas's deputy minister of agriculture. (File/BBC)
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Updated 11 March 2025
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Is the BBC biased in its Gaza-Israel coverage?

  • BBC’s critics say removal of documentary reflects pro-Israel biased coverage since the war’s onset
  • Academics and media professionals warn that censorship amplifies Palestinian dehumanization

DUBAI: The BBC’s decision to remove its documentary on Gaza has reignited public debate over the broadcaster’s pro-Israel bias in its coverage of the latest war and sparked concerns over the influence of the pro-Israel lobby on western media’s impartiality.

Last week, the broadcaster faced backlash from pro-Israel advocates, prominent Jewish media figures, and Israeli representatives in the UK government when it emerged that Abdullah Al-Yazouri, the 14-year-old main narrator in the BBC Two documentary, “Gaza: How to Survive a Warzone,” was the son of Ayman Al-Yazouri, a deputy agriculture minister who worked for the Hamas-run government.

After withdrawing the documentary from its iPlayer service, the BBC was once again criticized by academics, public figures and TV personalities who argued that the channel should have maintained its journalistic impartiality and independence.

The channel’s critics said the removal of the documentary, which provides the rare perspective of a child on the devastating consequences of the war on Gaza, reflected the BBC’s pro-Israel biased coverage since the war began, further deepening the dehumanization of Palestinians and marginalizing their voices.

“The BBC should not have succumbed to pressure from pro-Israeli groups and the British government, who should not have intervened,” Chris Doyle, director of the Council for Arab British Understanding, told Arab News.

“What is extraordinary is the vast gap between how this documentary was maliciously depicted as being Hamas propaganda and the reality of the film itself, which is a child’s eye view of life in war-torn Gaza that does not get into politics but is a very human story of how Palestinian children survived day-to-day,” noted Doyle.




Palestinian children play amidst the rubble in Jabalia in the northern Gaza Strip. (File/AFP)

The documentary, filmed over nine months in the run-up to January’s ceasefire deal, features three children among the main characters navigating their lives amid bombings and vast destruction caused by the war on Gaza.

The boy’s family connection with the Hamas-run government employee drew the interference of UK Secretary of Culture Lisa Nandy, who said she expressed “deep concerns” during a meeting with the BBC’s Director-General Tim Davie and urged the channel to report “what happened and who knew what when.”

After conducting an investigation, the BBC issued an apology on Thursday for “serious flaws” in the making of the documentary. 

It said it has “no plans” to broadcast it again in its current form, despite the pleas of 500 media professionals and filmmakers, including Gary Lineker and Juliet Stevenson, for the channel to reinstate the documentary, calling it an “essential piece of journalism” that “amplifies voices so often silenced.”

Warning of “racist assumptions,” they said: “Weaponizing family associations to discredit a child’s testimony is both unethical and dangerous.”

Doyle urged the BBC to review its decision “in a very independent fashion free from external interference.”

He said the broadcaster’s action renders work that “humanizes Palestinians and treats Palestinian children as human beings with rights with aspirations, with hopes, with fears” as “illegitimate.”

It also endorses a dominant narrative that militarizes Palestinians and associates them with armed groups, according to the BBC’s critics.

Loreley Hahn-Herrera, lecturer in global media and digital cultures at SOAS University of London, said condemning the documentary as influenced by Hamas does not consider that anyone who works in the government is not necessarily a member of its armed wing.

Hamas is classified as a terrorist organization in the UK, US and Europe.

“Ayman Al-Yazouri is a mid-level bureaucrat who was educated in the UK. I don’t think it is fair to make children guilty by association, which further feeds into the narrative of linking all Palestinians in Gaza to Hamas and criminalizing Palestinian men and stripping them away from their civilian status,” Hahn-Herrera told Arab News.

The first five minutes of the documentary depict Palestinians condemning Hamas and its late leader Yahya Sinwar as they run away from the bombings.




Men and children ride in the back of a tricycle cart along the Wadi Gaza bridge along al-Rashid street across between Gaza City and Nuseirat in the central Gaza Strip. (File/AFP)

“The documentary shows kids traumatized by war and actively denouncing Hamas. This challenges the ongoing discourse coming from within Israel and its supporters in the West that associates everyone in Gaza with Hamas and, therefore, makes them targeted terrorists,” Hahn-Herrera said.

She added: “Of the very few political statements that were made throughout the documentary, they were all against Hamas.”

More seriously, Hahn-Herrera noted, the BBC succumbing to pro-Israeli pressure interferes with its credibility as the independent institution it claims to be and challenges its notion of autonomy from the government, which it wants the public to believe.

When reached out to by Arab News for comment, a BBC spokesperson pointed to the channel’s Friday statement indicating that an investigation is ongoing.

The BBC, among other Western outlets, has been facing growing accusations of predominantly featuring Israeli spokespeople and allies over Palestinian voices in its Gaza war coverage.

But the debate over the dominance of Israeli narratives in Western media during conflicts with the Palestinians is not new.

Ample academic research has analyzed coverage of previous Palestine-Israel wars, the majority of which revealed a disproportionate emphasis on Israeli perspectives while downplaying Palestinian suffering.

A 2011 groundbreaking study by Greg Philo and Mike Berry titled “More Bad News from Israel” showcased how the BBC’s editorial team faced constant pressure and scrutiny when reporting on Israel and Palestine, making it difficult to give a clear account of the Palestinian perspective.

“The pressures of organized public relations, lobbying and systematic criticism together with the privileging of Israeli perspectives by political and public figures, can affect the climate within which journalists operate,” the authors said.




Displaced Palestinians return to war-devastated Jabalia refugee camp in the northern Gaza Strip, shortly before ceasefire deal between Israel and Hamas was implemented. (File/AFP)

In November, The Independent reported that more than 100 BBC employees, in a letter to Davie and CEO Deborah Turness, accused the channel of reproducing and failing to challenge the narratives of Israeli officials that have “systematically dehumanized Palestinians,” while sidelining the Palestinian perspective and failing to contextualize the war within the broader history of 76-year occupation and a tight 18-year Gaza blockade.

Among the concerns noted by staff were “dehumanizing and misleading headlines” that erased Israel’s responsibility, such as “Hind Rajab, 6, found dead in Gaza days after phone calls for help,” given to an article about a 6-year-old girl who was shot by the Israeli military in Gaza in January 2024.

Other concerns included omissions of coverage, such as the failure to live broadcast South Africa’s genocide case against Israel at the International Court of Justice on Jan. 11 but choosing to live broadcast Israel’s defense the following day.

The Independent’s report was followed a month later by an article titled, “The BBC’s Civil War on Gaza,” published on Drop Site, an investigative news platform, featuring 13 BBC journalists who claimed that their objections over the biased coverage were brushed aside.

The 9,000-word article cited an analysis that revealed a “profound imbalance” in the channel’s way of reporting Palestinian and Israeli deaths, arguing that Israeli victims were more humanized. 

It also detailed accounts of bias including the use of stronger terms like “massacre,” “slaughter” or “atrocities” when describing Hamas’ crimes while failing to use the same terms to describe Israel’s crackdown on Gaza that killed over 46,000 people, the majority of whom were women and children.

The BBC, at the time, denied allegations of bias and defended its coverage, insisting it “strives to live up to our responsibility to deliver the most trusted and impartial news.”

A BBC spokesperson said at the time: “We are very clear with our audiences on the limitations put on our reporting — including the lack of access into Gaza and restricted access to parts of Lebanon, and our continued efforts to get reporters into those areas.”




Children play in the rubble of a destroyed building in Jabalia in the northern Gaza Strip amid the ongoing truce between Israel and Hamas. (File/AFP)

If anything, Hahn-Herrera said, the BBC’s recent documentary shared a rare perspective with Western audiences that humanized the suffering of Palestinian children.

“It shows that Palestinians even under occupation, even under constant military attacks, want to have a normal life. It demonstrated that despite all the difficulties and the challenges that Palestinians are facing, they are a resourceful population, and they continue to try to live in normalcy as much as possible,” she said.


Investigation finds Meta profiting from ads promoting Israeli settlements in West Bank

Updated 04 April 2025
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Investigation finds Meta profiting from ads promoting Israeli settlements in West Bank

  • Ads included listings for property developments, calls for demolition of Palestinian homes, schools, playgrounds, appeals for donations for military equipment to be used in Gaza, Al Jazeera found
  • Allowing such ads might violate international law, legal experts claim

LONDON: Meta has profited from more than 100 advertisements promoting illegal Israeli settlements and far-right settler activity in the occupied West Bank, an investigation by Al Jazeera revealed earlier this week.

The ads include listings for property developments in settlements such as Ariel, located 20 km east of the Green Line, as well as calls for the demolition of Palestinian homes, schools, and playgrounds. Some also solicit donations for Israeli military units operating in Gaza.

One of the most prominent advertisers is a Facebook page called Ramat Aderet, promoting luxury apartments with amenities such as saunas, jacuzzis, and cold plunges. The company, valued at $300 million according to financial data firm PitchBook, has received funding from the First International Bank of Israel.

Another 48 ads were posted by Gabai Real Estate, marketing homes in the West Bank settlements of Ma’ale Adumim and Efrat.

At least 52 of the ads were placed by Israeli real estate firms targeting buyers in Israel, the UK, and the US. Many remain active on Facebook after being published in March 2024, Al Jazeera reported.

Meta defended its ad policies, stating: “We have robust processes and teams to review ads, and our ad review system is designed to review ads before they go live. This system relies primarily on automated technology to apply our advertising standards to the millions of ads that run across our apps, while relying on our teams to build and train these systems and, in some cases, to manually review ads.”

Under international law, all Israeli settlements in the West Bank are illegal.

Legal experts argue that by failing to take down and profiting from these ads, Meta “becomes complicit in their criminal activity” and could face legal consequences. They also warn that allowing ads soliciting donations for military equipment in Gaza may violate international humanitarian law, as well as Meta’s own policy prohibiting the promotion of “the sale or use of weapons, ammunition, or explosives.”


Report finds Israel’s war on Gaza ‘worst ever conflict’ for journalists

Updated 03 April 2025
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Report finds Israel’s war on Gaza ‘worst ever conflict’ for journalists

  • The Costs of War project at the Watson Institute for International Studies found that since Oct. 7, 2023, the Gaza war has killed more journalists than all major US wars combined
  • Report warns that increasing threats against journalists not only endanger individuals but also undermine global news coverage, facilitate the creation of ‘news graveyards’

LONDON: A report released Tuesday by the Costs of War project at the Watson Institute for International Studies in the US has found that Israel’s war on Gaza is the “worst ever conflict” for journalists, with at least 208 Palestinian media workers killed since October 2023.

Titled “News Graveyards: How Dangers to War Reporters Endanger the World,” the study examines the toll of war on journalists, as well as broader trends in the US news industry that have weakened international coverage. It highlights how Gaza has seen an unprecedented death toll among journalists, far exceeding that of other conflicts in history.

“Attacks on journalists have exacerbated long term socio-economic shifts that have crippled the global news industry over decades and led to the de-prioritization of international news coverage and the closure of foreign news bureaus,” noted the report.

“Across the globe, the economics of the industry, the violence of war, and coordinated censorship campaigns threaten to turn an increasing number of conflict zones into news graveyards, with Gaza being the most extreme example.”

The Brown University-based nonpartisan research project, which analyzes the human, financial, and political costs of post-9/11 wars, found that “since Oct. 7, 2023, the war in Gaza has killed more journalists than the US Civil War, World War I, World War II, the Korean War, the Vietnam War, and the post-9/11 war in Afghanistan combined.”

The report also revealed that in 2024, a media worker was killed or murdered every three days worldwide — an increase from 2023’s rate of one every four days—attributed largely to the war in Gaza.

“Most reporters harmed or killed, as is the case in Gaza, are local journalists,” it added.

Late in March, Palestinian journalists Mohammad Mansour, a correspondent for Palestine Today, and Hossam Shabat, a journalist for Al-Jazeera Mubasher, became the latest media workers to be killed in Gaza in Israeli attacks. The Israeli military admitted to killing Shabat, accusing him of being “a terrorist” it had “eliminated.”

The report accuses Israel of mounting “a full-spectrum effort to undermine the free flow of information,” citing the “near-total destruction” of media infrastructure, internet blackouts, misinformation campaigns, and restrictions preventing local journalists from leaving Gaza while barring foreign reporters from entering.

It also underscores the vital role local journalists play in conflict zones, describing them as bearing witness to “the realities and horrors of wars.

“Journalists serve as the eyes and ears of the world, seeking out solid, verifiable information amid a vortex of violence and a welter of rumor, manipulation, misinformation, disinformation, and propaganda,” the report continued.

The study also references Syria’s civil war, where hundreds of journalists were killed by government forces and armed groups. The Syrian Network for Human Rights estimates that 700 journalists and media activists have been killed since the conflict began in 2011.

The Watson Institute report warns that increasing threats against journalists not only endanger individuals but also undermine global news coverage and the “worldwide information ecosystem.”

“The decreasing number of experienced foreign correspondents in conflict zones, due to long term shifts in the global news industry that have led to the de-prioritization of international news coverage and the closure of foreign news bureaus, has likewise crippled critical knowledge and helped facilitate the creation of news graveyards,” said the report.


Israel’s military faces backlash over AI ‘Ghibli-style’ social media posts

Updated 04 April 2025
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Israel’s military faces backlash over AI ‘Ghibli-style’ social media posts

  • Attempt to jump on trend of posting AI-generated images in style of famed Japanese animation studio

LONDON: An attempt by the Israeli military to jump on the bandwagon of a social media trend that uses AI-generated images in the style of a legendary Japanese animation studio has spectacularly backfired.

The internet has been flooded by images in the style of Studio Ghibli after ChatGPT maker OpenAI launched a new image generator last week.

The craze has intensified debate over the extent to which artificial intelligence models breach copyright of artists. It also contrasts the painstaking work that goes into meticulously crafting the beautiful hand-drawn films produced by Studio Ghibli with the instant gratification culture fed by social media and the emergence of AI models.

Not wanting to be left out, the Israel Defense Forces on Sunday posted four images depicting different branches of its military in the Ghibli style on its social media accounts.

“We thought we’d also hop on the trend,” the post said.

 

 

What followed was a barrage of responses, many angry, many humorous, denouncing and mocking the post.

The images were shared as Israel intensified the bombing of Gaza where it has already killed more than 50,000 Palestinians and forced the population to flee their homes in an action it began in October 2023.

Many responded with AI-generated images in the Ghibli style on X that depicted Israeli brutality in the Palestinian territory.

The counter-images depicted Israeli soldiers mocking a blindfolded and handcuffed Palestinian child, and IDF troops pointing rifles at women and children against a backdrop of devastation.

“Colonizing art too,” read one reply in reference to Israel’s building of illegal settlements and its occupation of Palestinian land.

Other users pointed out that Hayao Miyazaki, the co-founder of Studio Ghibli, is a staunch pacifist and that many of his films contain strong anti-war messages.

He famously refused to travel to the US in 2003 to attend the Academy Awards where his work “Spirited Away” won an Oscar.

A video from 2016 appears to show Miyazaki’s disdain for AI-generated imagery. A clip from a documentary shows Miyazaki saying he was “utterly disgusted” after seeing an AI demo.


Netflix expands language support on TV in accessibility push

Updated 02 April 2025
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Netflix expands language support on TV in accessibility push

  • Users are now able to access all available dubbing and subtitle options for any title, Netflix told Arab News ahead of the launch
  • “Update responds to thousands of language availability requests per month,” Netflix said

LONDON: Netflix is expanding its language support on TV, allowing users to access all available dubbing and subtitle options for any title, the company told Arab News exclusively ahead of the official announcement on Tuesday.

“As more of our members enjoy shows and films from around the world — nearly a third of all viewing on Netflix is for non-English stories — subtitles and dubbing are more important than ever,” the company said in a statement shared with Arab News ahead of the official announcement.

“That’s why starting today, you’ll be able to pick from the full list of available languages for any title when watching Netflix on your TV.”

Previously, users were limited to five to seven languages based on their settings and location. The update — which make dubbing available in 36 languages and subtitles in 33, depending on the title — responds to “thousands of language availability requests per month,” Netflix said, adding that it also benefits users learning a new language by giving them more control over their viewing experience.

“We offer several additional features to support language learning, including the ability to customize subtitles, and the ‘browse by language’ feature on PC computers. These helpful features enhance the accessibility of our shows and movies, while supporting those set on being multilingual,” the statement said.

A 2020 study commissioned by Netflix in partnership with the UN World Commission found that 36 percent of people who watched Spanish-language content were interested in learning the language, compared to 15 percent of non-viewers.

In recent years, Netflix has expanded its non-English content strategy, investing in films and series from various countries and languages. Korean and Spanish content together accounted for 16 percent of global viewership in the first half of 2024, with “Squid Game” and “Money Heist” (“La Casa de Papel”) serving as standout examples.

Netflix is set to release four Arabic-language original series and films this year, following the success of “The Exchange,” “Al-Rawabi School for Girls,” “Honeymoonish,” “From the Ashes” and “Dubai Bling.”


US State Department orders enhanced social media screening for student and visa applicants

Updated 02 April 2025
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US State Department orders enhanced social media screening for student and visa applicants

DUBAI: The US State Department has ordered overseas officials to scour the social media accounts of some student and exchange visitor visa applicants in a bid to stop critics of the US and Israel from entering the country, say media reports.

US Secretary of State Marco Rubio sent out a 1,700-word cable on March 25 titled “Action Request: Enhanced Screening and Social Media Vetting for Visa Applicants.” It described the process foreign service officers abroad must follow when reviewing student and exchange visitor visa applications.

Independent news site The Handbasket, which broke the story, said the cable asked consular officers to refer certain applicants to the Fraud Prevention Unit for a mandatory social media check. The enhanced vetting applies to those suspected of having terrorist ties or sympathies, those who held a student or exchange visa between Oct. 7, 2023, and Aug. 31, 2024, and those who have had a visa terminated since Oct. 7, 2023.

A State Department employee told the media outlet it was “pretty clear the immediate target is anyone who participated in pro-Palestinian protests — one of the triggers for social media screening is having been in the US on one of these visas between Oct. 7 and the end of last August.”

The cable states that, during the screening, officers “MUST ADDRESS any derogatory information indicating that a visa applicant may be subject to the terrorism-related ineligibility grounds of the Immigration and Nationality Act,” which includes “advocating for, sympathizing with, or persuading others to endorse or espouse terrorist activities or support a DESIGNATED FOREIGN TERRORIST ORGANIZATION.”

It also contains some broader guidance. One section suggests a student visa applicant does not necessarily need to express explicit support for terrorist activity in order to be denied as long as they demonstrate “a degree of public approval or public advocacy for terrorist activity or a terrorist organization.” 

This could be evident in “conduct that bears a hostile attitude toward US citizens or US culture” or in “advocacy or sympathy for foreign terrorist organizations.”

“All of these matters may open lines of inquiry regarding the applicant’s credibility and purpose of travel,” the cable states.

Some directives are somewhat vague — perhaps intentionally, so they can be applied in whichever way is required, the State Department employee told The Handbasket.

The cable also cites a quote from Rubio’s interview with CBS on March 16: “We don’t want people in our country that are going to be committing crimes and undermining our national security or the public safety. It’s that simple. Especially people that are here as guests. That is what a visa is ...  It is a visitor into our country. And if you violate the terms of your visitation, you are going to leave.”

Since taking up his role in January, Rubio has revoked at least 300 visas awarded to students, visitors and others. Last Thursday, he told the media he had signed letters on a daily basis. He refused to comment on how the cases came before him, but said he reviewed each one personally.

“If they’re taking activities that are counter to our national interest, to our foreign policy, we’ll revoke the visa,” he said.

Rubio added that a visa holder charged with a crime while in the US should automatically lose their permission to be in the US. Permanent residents, or green card holders, are not exempt from additional scrutiny and could also lose their status.

Last month, Rubio signed off on revoking the PR status of Syrian-born Mahmoud Khalil and Yunseo Chung, of South Korea, both of whom were involved in pro-Palestinian protests at Columbia University.

Khalil, who is married to a US citizen, was seized from his home by immigration agents and taken to a detention center in Louisiana. Chung has been in the US since the age of seven.