From women’s safety to climate change, Miss Universe Pakistan aims to inspire change at home

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Updated 29 July 2024
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From women’s safety to climate change, Miss Universe Pakistan aims to inspire change at home

  • Noor Xarmina, crowned Miss Universe Pakistan this month, will take part in Miss Universe 2024 pageant in November
  • 29-year-old venture-capitalist-turned model says global pageants present opportunity to present Pakistan in a better light 

KARACHI: As Islamabad-based venture capitalist-turned-model Noor Xarmina sets out to represent Pakistan at the Miss Universe 2024 pageant in Mexico this November, her top goal is to bring change in her home country, particularly on issues like women’s safety and climate change.

Born in Islamabad but having lived abroad for over 10 years, Xarmina quit her career as a venture capitalist in London to join a drama school and then returned to Pakistan in 2023 to pursue a career in acting and modelling.

After shooting with a number of top brands in Pakistan, she submitted an application for the Miss Universe Pakistan 2024 pageant and was one of 21 candidates shortlisted, going on to win the contest in the Maldives on July 20. The pageant was organized by Dubai-based Yugen Group, which also owns the franchise rights to Miss Universe Bahrain and Miss Universe Egypt. 

In the next few weeks and months, Xarmina will be putting all her energies into trainings for the 73rd edition of the Miss Universe pageant, to be held in Mexico for the first time since 2007. 

So as the 29-year-old heads to Mexico for the ultimate contest, she said she wanted to be an “agent for positive change” for her home country. 

“[If I win the Miss Universe 2024 title], I would very quickly want to start implementing some of the ideas I have around safety for women and fighting climate change in Pakistan,” Xarmina, who has studied biology and business, told Arab News in an interview this week. “So, I would immediately want to look into some of these social causes that I’ve spoken about.”




Noor Xarmina, Miss Universe Pakistan 2024, talks to Arab News Pakistan in Karachi, Pakistan on July 26, 2024. (AN photo)

Women’s safety and climate change are both major challenges in Pakistan, consistently ranked among the most dangerous countries for risks to women and seeing thousands of cases of violence against women every year, from rape and acid attacks to sexual assault, kidnappings and so-called “honor killings.”

The South Asian nation of 240 million people is also one of the most vulnerable to climate change impacts. 

“There are a lot of issues that women in Pakistan face and there are very few voices that can actually translate those to a global stage,” said Xarmina, who is the second Pakistani woman to win the Miss Universe Pakistan title after Erica Robin in 2023.

“So, I hope to lean into those issues, hear them and do my best to accurately translate them to the rest of the world.”

It was “sad,” the model and actor said, that it had taken Pakistani women “this long” to take part in major beauty pageants.

“We have not just beautiful women, we have very accomplished, talented, smart, outspoken women in leadership positions. The world has a very different perception of who we are, what we do and what we can do,” she said.

“So, I feel really excited to show everyone what we are capable of. It’s a very big responsibility that I’m not going to take lightly. And I hope I can do my best and make Pakistan proud.”

“CULTURAL SENSITIVITIES”

Last year, there was outrage in Pakistan when Karachi-based model Erica Robin was chosen as Miss Universe Pakistan from among five finalists at a competition held in the Maldives. Senator Mushtaq Ahmed of the Jamaat-e-Islami party called it “shameful” while then Caretaker Prime Minister Anwar ul-Haq Kakar even ordered an investigation. There was also scathing online chatter saying Robin had brought shame to Pakistan and its Muslim values and calling on the government to denounce the Miss Universe pageant altogether.

Yet, as Robin glided onto the Miss Universe stage in El Salvador as Pakistan’s first-ever contestant, she wrote on her Instagram that she felt “blessed” that “a woman from Pakistan gets the chance to meet and bond with almost 90 stunning delegates from all over the world championing equality, purpose, and sisterhood.”

Xarmina agreed with Robin that participating in global contests like Miss Universe presented an opportunity to project Pakistan in a better light. 

“Changing the impression [of the country] boils down to small conversations [and] personal interactions, whether it’s a conversation I have with the representative from Mexico or the US,” she explained.

“I hope they can see that Pakistan has a very rich culture that is really centered on respect, and love and passion and unity. And so, I hope to just resonate that and leave a lasting impression.”

Xarmina also said it was important for her to participate in the event while keeping her home country’s “cultural sensitivities” in mind.

“I’ve had a more international upbringing, so I’m comfortable wearing a lot of things. But I fully recognize that Pakistan has its cultural sensitivities. And I want to respect that, of course. I want to wear something that everyone in Pakistan is proud to see me wearing,” the Miss Universe hopeful said. 

Xarmina, who has lived and worked in the UK, US, South Africa, Romania, UAE, Singapore, Canada and Portugal, is now excited about doing more modeling and acting projects in Pakistan, she said:

“A lot of people feel like they need to leave [Pakistan] and it felt a bit like I’m going the reverse. But coming back to Pakistan was the best decision I ever made … The entertainment industry in Pakistan is in more nascent stages. It’s evolving. The types of stories that we’re seeing being told on screen are also maturing. It’s the most exciting time to be an actor in Pakistan.”

Asked if she wanted to send out a message to the world in view of ongoing conflicts in Palestine, Ukraine and elsewhere, Xarmina added:

“Given the right opportunities, I would always advocate for peace. I don’t think anyone believes in innocent lives being lost over political situations. So, I will always advocate that and I hope that is the energy I receive there as well.”


‘Fever Dream’ starring Fatima Al-Banawi lands on Netflix

Updated 11 June 2025
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‘Fever Dream’ starring Fatima Al-Banawi lands on Netflix

DUBAI: Saudi filmmaker Faris Godus’ latest feature “Fever Dream” is now available to stream on Netflix, bringing together a star-studded local cast including Fatima Al-Banawi, Sohayb Godus, Najm, Hakeem Jomah and Nour Al-Khadra.

Supported by the Red Sea Fund, the film, which explores themes of media manipulation, digital identity, and the cost of fame in the age of online influence, had its world premiere at the 2023 Red Sea International Film Festival. 

It tells the story of Samado, a retired football star who, burdened by media scrutiny and public notoriety, finds a chance to reclaim control. Partnering with his daughter, he sets out to take revenge on a powerful social media portal. But as they plunge deeper into their pursuit of fame and digital redemption, the line between ambition and obsession begins to blur.

Najm plays Ahlam, the daughter of Samado, while Jomah appears as Hakeem, a PR agent hired to help restore Samado’s public image. Al-Banawi takes on the role of Alaa, another key PR agent working alongside Hakeem.

Godus is famous for his work “Shams Alma’arif” (The Book of Sun), which also streamed on Netflix, and “Predicament in Sight.” 

He previously said in an interview with Arab News: “(In Saudi Arabia), we have a rich soil to build content on and so many stories to tell. I do believe that nowadays the support coming from our country is just awesome. People have so many chances to create films now.”

Meanwhile, Al-Banawi is recognized for her roles in “Barakah Meets Barakah” and the Saudi thriller “Route 10.” 

She made her directorial debut with “Basma,” in which she also plays the title role — a young Saudi woman who returns to her hometown of Jeddah after studying in the US. Back home, she is confronted with her father’s mental illness, strained family ties, and the challenge of reconnecting with a past life that no longer feels familiar.

“I really went into cinema — in 2015 with my first feature as an actress — with one intention: to bridge the gap between the arts and social impact and psychology,” she previously told Arab News. “And I was able to come closer to this union when I positioned myself as a writer-director, more so than as an actor.” 


What to expect at the 10th edition of the UK’s SAFAR Film Festival 

Updated 11 June 2025
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What to expect at the 10th edition of the UK’s SAFAR Film Festival 

DUBAI: The 10th edition of the SAFAR Film Festival launches on Wednesday with a newly restored screening of the 1972 Egyptian classic “Watch Out for Zouzou” by Hassan Al-Imam at Ciné Lumière in London. 

The festival will run until June 28, concluding with the UK premiere of “Sudan, Remember Us” (2024) by Hind Meddeb. 

This edition of SAFAR will take place across cinemas in London and nine other UK cities, showcasing a broad range of feature films, documentaries and shorts from the South West Asia and North Africa region. 

A complementary online programme, curated by the Lebanese nonprofit cultural organization AFLAMUNA, will run throughout the month, exploring works that respond to the Lebanese civil war — 50 years after it began.

Audiences can expect films that explore themes of migration, political empowerment, conflict, creativity and joy. 

Among this year’s highlights is “A State of Passion,” documenting the work of British Palestinian reconstructive surgeon Dr. Ghassan Abu Sittah in Gaza. Directed by Carol Mansour and Muna Khalidi, the film delves into the emotional toll of his work. 

Veteran Palestinian actor, director and documentarian Mohammad Bakri will be a special guest, delivering a masterclass and appearing for screenings of “Upshot” (2024) by Maha Haj and his landmark 2002 documentary “Jenin, Jenin,” which was banned by the Israeli Film Board. The film features testimonies from survivors of the 2002 Israeli military assault on the Jenin refugee camp.

Among other notable titles is “Seeking Haven for Mr Rambo” (2024) by Khaled Mansour, an emotive thriller that follows Hassan on a mission to protect his best friend and dog. The film previously won the Grand Prize at the Red Sea International Film Festival. 

“Red Path” (2024) by Lotfi Achour, based on a true story, recounts the harrowing experience of 13-year-old Achraf, who is forced to carry the severed head of his cousin back to their village after a terrorist attack. 

In “Saify” (2024) by Wael Abu Mansour, a middle-aged trickster sells tapes of banned Islamic sermons in hopes of quick profit, offering a sharp social commentary on the pursuit of wealth. 

Directors of all three films will be present at SAFAR for post-screening discussions.

Also part of this year’s programme is Laila Abbas’s dark comedy “Thank You for Banking With Us!” (2024), where two estranged sisters reunite to claim their inheritance before the authorities discover their father’s death and transfer it to their brother.

SAFAR will also present “Palestine – A Revised Narrative,” a 30-minute silent film compiled from 35mm archival footage shot by British forces in Palestine between 1914 and 1918. Commissioned by ALFILM, this screening will feature a live score by composer Cynthia Zaven and sound design by Rana Eid, re-examining the British imperial narrative at a pivotal moment in Middle Eastern history.

The festival includes environmental programming through “Biodiversity and Cinema,” an initiative launched in 2023 that brings together Lebanese filmmakers and ecologists to create short documentaries on ecosystems and microorganisms. A selection of these films will screen under the title “Rooted Resistance,” with filmmakers in attendance.

“The Brink of Dreams” (2024) by Nada Riyadh and Ayman El-Amir also features in this year’s line-up. Shot over four years in southern Egypt, the film follows a group of girls who form a street theatre troupe to challenge the expectations of their conservative village.


Review: Aria Aber’s debut novel ‘Good Girl’ marks her as a writer to watch

Updated 11 June 2025
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Review: Aria Aber’s debut novel ‘Good Girl’ marks her as a writer to watch

JEDDAH: In her debut novel “Good Girl,” German-born poet Aria Aber writes a raw tableau of contemporary German society, plunging readers into post-9/11 psyche through the eyes of Nila, a 19-year-old Afghan German girl.

As Nila stumbles through Berlin’s underground techno scene, the city emerges as a character that, like her, is fractured and being forged anew. Berlin seems to be in the throes of struggling to reinvent itself amidst rising Islamophobia and neo-Nazi violence, while Nila’s quest for selfhood emerges in her rebellion against the suffocating expectations imposed on Afghan girls and the identity crisis born out of living in a society that seems suspicious of her presence.

It's a tale as old as the human desire for movement and refuge: Nila is too Afghan for German society, and too German for the Afghan community, with both watching her every move. Aber’s raw and fragmented narrative style mirrors her character’s splintered identity while capturing her “violent desire” to live and her aching need to belong and to be accepted as she is.

Though the novel occasionally stumbles with uneven pacing and moments that may seem repetitive or overwritten, what sets it apart is the author’s refusal to sanitize or sermonize. Nila’s messy, unconventional path to self-discovery remains unapologetically hers.

The emotional core of the novel lies in the tension between expectations placed on girls and the honor-based abuse that simmers beneath. Nila’s parents, progressive by diaspora standards, permit her artistic pursuits and eschew strict traditions. Yet their insistence on a “good girl” image still carries an undercurrent of control that constrains her freedom.

Ultimately, “Good Girl” is a young woman’s howl against a world that demands she shrink, marking Aber as a writer to watch.


Mya lights up BET red carpet in Alexis Bittar jewels

Updated 10 June 2025
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Mya lights up BET red carpet in Alexis Bittar jewels

DUBAI: US singer-songwriter Mya Marie Harrison, who goes by the stage name Mya, showed off accessories by a part-Syrian designer at the BET Awards in Los Angeles on Monday night.

Grammy Award–winning singer and entertainer Mya showed off a handbag and jewelry by accessories designer Alexis Bittar on the red carpet before she delivered a dynamic performance of her 2000 hit “Case of the Ex.”

On the carpet, she was fully accessorized in Bittar’s flashy, decadent pieces — from an extravagant pendant at her neck to an eclectic stack of bangles, all topped off with a sparkly silver clutch.

Known for his bold, organic designs and use of mixed materials, Bittar infuses distinct Middle Eastern flair into his work. The New York–based designer, who is half Syrian on his father’s side, has built a global reputation for his statement-making accessories.

Grammy Award–winning singer and entertainer Mya showed off a handbag and jewelry by accessories designer Alexis Bittar. (Getty Images)

Mya is far from his first celebrity client. His expansive portfolio includes the likes of Michelle Obama and Cameron Diaz, and he famously served as the costume jewelry designer for HBO series “Sex and the City,” helping define character Carrie Bradshaw’s now iconic looks.

On Monday night, Bittar’s creations were just one part of a star-studded evening that balanced fashion, purpose, and powerful performances.

The BET Awards delivered a night of major star power and poignant moments, marking the ceremony's 25th anniversary with a mix of comedy, emotion and calls for justice, the Associated Press reported. The festivities included a powerful speech by Doechii, Jamie Foxx’s emotional reflection and Kevin Hart’s sharp comedic opener.

Doechii, in particular, made her presence felt early during the five-hour ceremony, using her acceptance speech for best female hip-hop artist to draw attention to the immigration raids and protest crackdowns taking place just miles from the venue.

Foxx, Mariah Carey, Snoop Dogg and Kirk Franklin received the Ultimate Icon Award. They were selected due to their impact on entertainment as well as their community impact and advocacy.

Carey said this was her first time collecting a trophy at the BET Awards.

“It took me a while, but I finally realized that life is far too short to live for anyone else's approval, which is something I always did,” said Carey, a five-time Grammy winner. “I decided to own who I am.”

 


Cynthia Erivo wears Ashi Studio at Tony Awards

Updated 09 June 2025
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Cynthia Erivo wears Ashi Studio at Tony Awards

  • Show’s major highlight sees cast of hit musical ‘Hamilton’ reunited

DUBAI: British singer-songwriter and actor Cynthia Erivo picked Saudi-helmed Parisian label Ashi Studio for two of her electrifying looks as she hosted the 2025 Tony Awards, the annual ceremony celebrating the best in Broadway theater, held at the Radio City Music Hall in New York.

Erivo’s first Ashi Studio look featured an oversized black coat dress dotted with bedazzled details, which she wore over black pants and a tube top.

Her second look was a black and gold snakeskin-print tailored trench coat with voluminous sleeves and an oversized collar, cinched by a fitted corset from the SS25 Ashi Studio collection. She wore the look to welcome Auli'i Cravalho to the stage.

“Maybe Happy Ending,” “Purpose,” “Sunset Blvd.” and “Eureka Day” took the top prizes at the awards, winning best musical, best play, best musical revival, and best play revival, respectively.

The ceremony also saw Sarah Snook (“The Picture of Dorian Gray”), Cole Escola (“Oh, Mary!”), Darren Criss (“Maybe Happy Ending”), and Nicole Scherzinger (“Sunset Blvd.”) win the lead acting awards for plays (Snook and Escola) and musicals (Criss and Scherzinger).

“Maybe Happy Ending” won a total of six awards after going into the night tied with “Buena Vista Social Club” and “Death Becomes Her” for the most nominations, with 10 apiece.

“Buena Vista Social Club” won four awards, while “Death Becomes Her” only took home one trophy, for Paul Tazewell’s costume design, which was presented in the “Tony Awards: Act One” pre-show.

Amal and George Clooney at the 2025 Tony Awards. (AFP)

Also in attendance at the event as British Lebanese human rights lawyer Amal Clooney, along with actor-husband George Clooney. The couple’s arrival at the Tonys came hours after George closed his record-breaking Broadway show, “Good Night, and Good Luck.” Amal wore an off-the-shoulder white gown with strands of pearls draped across the fabric, which she accessorized with a matching clutch.

A major highlight of the show saw the cast of the hit musical “Hamilton” reunited for a special performance in honor of its 10th anniversary.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

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Lin-Manuel Miranda, the creator and star of the Tony-winning show, was joined by more than two dozen members of the original cast, including Leslie Odom Jr., Phillipa Soo, Daveed Diggs, Renee Elise Goldsberry, Anthony Ramos, Christopher Jackson, Jonathan Groff, and Ariana DeBose.

The performance began with Miranda and Odom Jr. performing a snippet from the song “Non-Stop.” The show continued with a medley of tracks from the “Hamilton” score, including “My Shot,” “The Schuyler Sisters,” “You’ll Be Back,” “The Room Where it Happens” and “History Has Its Eyes on You.”