Georgina Rodriguez creates new fragrance with Saudi label Laverne

Argentinian model Georgina Rodriguez is collaborating with Saudi perfume label Laverne again – this time for a new fragrance. (Instagram)
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Updated 30 September 2024
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Georgina Rodriguez creates new fragrance with Saudi label Laverne

DUBAI: Argentinian model Georgina Rodriguez is collaborating with Saudi perfume label Laverne again – this time for a new fragrance.

Called Sense, the label took to Instagram to promote the new perfume. “Sense, femininity in a bottle. The new fragrance by Laverne x Georgina is now for only 175 riyals,” read a post.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by LAVERNE (@laverneksa)

On the official website, the label goes on to say that Sense is the result of a collaboration between Dalia Eisem and Rodriguez that lasted more than a year and included the creation of more than 740 samples.

“Finally, Georgina chose the perfect combination that embodies all her feelings in a perfume bottle,” it said, noting that the fragrance included notes of blackcurrant, mandarin, jasmine, cashmere and orange blossom.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by LAVERNE (@laverneksa)

In March 2023, Rodriguez – the longtime partner of legendary footballer Cristiano Ronaldo – collaborated with Laverne to become the face of their new fragrance, Blue Laverne.


Maya Akra on the Oscars and making space for Arab voices in Hollywood

Updated 03 May 2025
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Maya Akra on the Oscars and making space for Arab voices in Hollywood

DUBAI: Lebanese actress and comedian Maya Akra has spent years carving out her niche across Beirut and New York. This year, that journey reached a new milestone when “Anora,” a film she appears in, won five Oscars, including Best Picture.

But for Akra, the recognition is just one part of a much longer story.

“I was raised by ‘Comedy Central’ (and) … ‘The Nanny.’ Fran Drescher was my hero,” Akra told Arab News. Her early love of performance was sparked at home, where her father, a filmmaker, recorded endless hours of her childhood on VHS. “Being in front of the camera has been my reality since I was a baby. I have hours of footage from my childhood, sometimes just talking endlessly like I was the host of my own show. Somehow that early lens shaped me,” she said.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Maya Akra (Acra) (@mayaacra)

She began performing on stage at a young age, often drawing from real-life experiences marked by grief, resilience and reinvention. After building her career in Lebanon — working behind the scenes at MTV, acting in student films and her comedy sketches going viral — Akra moved to New York to pursue acting and stand-up full-time.

Now part of the city’s vibrant improv and comedy scene, she has performed at venues such as The Stand, Stand Up NY and Broadway Comedy Club.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Maya Akra (Acra) (@mayaacra)

Her acting work includes short films, commercials and theater, often centered around stories of identity and migration. “I’m drawn to stories that spotlight the emotional and cultural struggles of Arab immigrants,” she said.

Akra is passionate about breaking the mold for Arab characters onscreen. “Arab talent is slowly gaining more visibility in Western media… (but) the industry still has a long way to go. Too often, the roles offered to Arab actors are still limited to certain tropes, like the villain, the terrorist or the oppressed woman.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Maya Akra (Acra) (@mayaacra)

“We have so many untold stories that reflect the diversity and success of Arabs in America,” she added.

While “Anora” was not an Arab story, being part of an indie project that defied expectations — and that went on to sweep the Oscars — was a powerful moment for Akra. She had been invited to the ceremony but did not attend.

“I didn’t even watch the ceremony. I had just moved into my apartment. I was in a really emotional place. I had just lost my aunt,” she recalled. “Then suddenly, I got a message: ‘You’re featured in the Best Picture of 2024!’ I was stunned. It felt completely surreal. I was so happy, and I couldn’t stop smiling.”

Looking ahead, Akra is focused on continuing to tell real, layered stories through both comedy and drama. “I carry Lebanon with me into every room,” she said. “I’ll be at the Oscars when I win my own one day. I’m claiming that.”


Ramy Youssef’s ‘#1 Happy Family USA’ comedy hits close to home

Updated 03 May 2025
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Ramy Youssef’s ‘#1 Happy Family USA’ comedy hits close to home

  • Focus on challenges facing Muslim Americans post-9/11
  • Stark reminder that today’s dystopia is no laughing matter

TORONTO: American-Egyptian comedian and actor Ramy Youssef’s first animated venture “#1 Happy Family USA,” on Amazon Prime Video, is a satirical take on the challenges faced by Muslim-American families in a post-9/11 world.

Created with Pam Brady of “South Park” fame, the eight-episode series opens with a darkly comic twist of fate — the Egyptian-American Hussein family is at the airport when news breaks of the World Trade Center attacks.

And from that moment, everything changes. The patriarch and owner of Hussein’s Halal Cart is convinced that “we must work harder at being like them. So, we blend in.”

To fit in, Hussein shaves his beard and pushes the family to “look more American.” Meanwhile, mom Sharon (also known as Sharia) embraces her faith with renewed conviction by donning a hijab.

Twelve-year-old Rumi (voiced by Youssef) finds himself an outcast at school and is now forced to navigate not only the throes of middle school and adolescence, but also the harsh realities of a post-9/11 world.

Each character is so vividly portrayed that you can easily imagine your Arab teta or the local Pakistani imam in the mix. The well-timed vocal interjections and cultural (Arab and American pop-culture) references bring an extra layer of freshness and humor to the show.

Known for his Emmy-nominated “Ramy,” Youssef continues to shed light on the Muslim-American experience.

The show evokes the familiar sentiment of fear. It captures the lived reality of Islamophobia and surveillance in Muslim communities, and explores related themes of identity struggles, microaggressions, and code-switching.

We can laugh at the Hussein family’s antics, but the show serves as a stark reminder that in today’s dystopian and polarized political climate, there is little humor to be found.


UK comedian Russell Brand appears in court on rape charges

Updated 02 May 2025
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UK comedian Russell Brand appears in court on rape charges

  • He faces two counts of rape, two of sexual assault and one of indecent assault
  • Arriving for the first court hearing in the case, Brand made his way slowly through a crush of media and onlookers gathered outside the court

LONDON: British comedian and actor Russell Brand appeared in a London court on Friday to face five charges of rape and other sexual offenses and said.
Brand, 49, who became known internationally as the husband of pop star Katy Perry after forging a career in Britain with his risque comedy routines, was charged last month.
He faces two counts of rape, two of sexual assault and one of indecent assault.
Arriving for the first court hearing in the case, Brand made his way slowly through a crush of media and onlookers gathered outside the court.
The celebrity, dressed casually in a dark colored open-necked shirt and jeans, spoke only to confirm his details before being granted bail and ordered to appear in court again on May 30.
In a video response on X after he was charged, Brand denied all the alleged offenses and said he was “grateful” for the “opportunity” to defend himself.
“I was a fool before I lived in the light of the Lord. I was a drug addict, a sex addict and an imbecile, but what I never was a rapist. I’ve never engaged in non-consensual activity,” he said in the video.
The charges relate to offenses alleged to have taken place between 1999 and 2005 involving four women.
Prosecutors charged him after a police investigation into allegations following a broadcast of a Channel 4 documentary in September 2023.
London’s Metropolitan Police have said the investigation remains open and urged “anyone who has been affected by this case, or anyone who has any information” to contact officers.
Brand is charged with the rape of a woman in 1999 in the Bournemouth area on England’s south coast, as well as the abuse and sexual assault of a woman in 2004 in the Westminster area of central London.
He has also been charged with indecently assaulting a woman in 2001 and sexually assaulting another woman between 2004 and 2005 — both incidents alleged to have taken place in Westminster.
The court confirmed that he lives part of the time in the United States, but Brand also gave an address in the southern English county of Buckinghamshire.
Born in 1975 to working-class parents in Essex, east of London, Brand began his stand-up career as a teenager.
He burst onto the scene as a provocative, often lewd comedian before transforming into a Hollywood star, then an anti-establishment guru and conspiracy theorist who has millions of fans online.
He has almost seven million subscribers on YouTube, 11.3 million on X and 4.8 million on Instagram.
He presented a show on the BBC’s Radio 2 station between 2006 and 2008 but left after an on-air prank when he left a sexually explicit voicemail for “Fawlty Towers” actor Andrew Sachs about his granddaughter.
He also presented a “Big Brother” spin-off show for several years and wrote columns for the left-wing Guardian newspaper and penned two autobiographies.
Brand was married to US star Perry for 14 months between 2010 and 2012.
He is now married to the author and illustrator Laura Gallacher, with whom he has three children.


Saudi highlights from Christie’s Middle Eastern & Contemporary Art sale 

Updated 02 May 2025
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Saudi highlights from Christie’s Middle Eastern & Contemporary Art sale 

  • Twelve artists from the Kingdom feature in the online auction, which closes May 8 

Ahmed Mater 

‘Illumination X-Ray’ 

The latest Middle Eastern & Contemporary Art sale from the storied auction house Christie’s features works by 12 Saudi artists — highlighted in a “Saudi Now” section on the auction site, which Christie’s describes as “a carefully selected group of works by Saudi artists that trace the unique history of the Kingdom’s artistic evolution; from the development of a modernist language deeply enmeshed in the country’s cultural heritage, to innovative contemporary works that challenge perceptions of what Saudi art is and can be.” 

Mater, a qualified doctor, is perhaps the most famous of the artists contributing to the latter group. His work, Nour Kelani — Christie’s managing director, Saudi Arabia — wrote in an email to Arab News, “explores history and the narratives and aesthetics of Islamic culture, and continues to receive much-deserved growing regional and international acclaim.”  

The ‘Illumination’ series to which this diptych belongs, she continues “brings together traditional Islamic art and modern medicine — two subjects that are often treated as essentially separate and full of tense contradictions.” 

  Abdulhalim Radwi  

‘Peace’ 

Kelani says Radwi is “one of Saudi Arabia’s most respected Modernist artists.” Indeed, he is often considered the ‘father’ of modern Saudi art. He was one of the first Saudi artists to study overseas, earning his BA in Rome in the Sixties and living for a time in Madrid in the Seventies. His work, Kelani notes, “draws references to Saudi Arabia’s desert life, folklore and traditional architecture” and although Radwi was born in Makkah, he is most strongly associated with Jeddah, where he spent much of his adult life.  

This piece is one of Radwi’s later works, created in 2002, just four years before he died. It is expected to fetch between $20-30,000 at auction. 

Faisal Samra 

‘Performance #13’ 

The Saudi-Bahraini artist is “considered a pioneer of conceptual art in the Middle East,” says Kelani. “He incorporates digital photography and performance into a creative repertoire of work.” This piece comes from his “Distorted Reality” series, which features covered individuals in blurred motion. “I don’t like still water; I like it to be moving,” Samra told Arab News last year. “I’m exploring to find something different. The core of my research is man’s existence in our world, and how we react to it, and how the world reacts to him.” 

  Jowhara AlSaud 

‘He Said, She Said’ 

The Saudi-born artist “manipulates her photographs with drawing and etching in a process that explores both the impressionability of her medium and the cultural landscape around her, exploring … censorship,” Kelani explains. This work, created in 2009, is a prime example — the lack of facial features and the blurred lines are all conscious depictions of acts of self-censorship on the part of the artist. 

Ayman Yossri Daydban 

‘Kunna Jameean Ekhwa’ 

Daydban is a Saudi-Palestinian artist whose work, says Kelani, “is both biographical and a commentary on the environment he grew up in.” This piece, described by Kelani as “iconic,” is from “Subtitles,” a series in which he selects stills from subtitled movies so the text — now decontextualized — is open to our own interpretations. Here, the text reads “We were brothers once.” 

Moath Alofi 

‘The Last Tashahud’ 

This work is one of a series of images in Alofi’s series of photographs that, according to Alofi’s website, “captures desolated mosques scattered along the winding roads leading to the holy city of Madinah.” These mosques, the text continues, were “built by philanthropists hoping to offer a haven for travelers, both of whom seek to reap the sacramental rewards of these structures.” 

  Nasser Al-Salem 

‘God is Alive, He Shall Not Die’ 

Al-Salem, Kelani says, “is a contemporary calligrapher whose work redefines Arabic calligraphy, challenging the boundaries of the traditional Islamic art by recontextualizing it in unconventional mixed-media forms.” Forms such as this one, for example, in which the word “Allah” is presented in neon above a mirror, thus repeating. 


Netflix’s ‘Havoc’ is a high-octane thrill ride, thanks to Tom Hardy 

Updated 02 May 2025
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Netflix’s ‘Havoc’ is a high-octane thrill ride, thanks to Tom Hardy 

  • The ‘Venom’ star goes full-on beast mode in Gareth Evans’ action thriller 

LONDON: In an interview ahead of the release of “Havoc”, writer-director Gareth Evans described the film’s star Tom Hardy as being in “beast mode” during shooting.  

That’s actually the perfect logline for this high-octane, hyper-violent action film from the director of “The Raid” and its equally entertaining sequel. Because while there’s definitely some kind of plot nestled underneath the spectacular fight choreography and impressive gunplay — i.e. Hardy is the slightly corrupt grizzled New York homicide detective Pat Walker, who must dodge even more corrupt New York cops as he attempts to track down the son of a mayoral candidate who is a suspect in a triad shooting — “Havoc” is, essentially, Tom Hardy blasting, punching and body slamming anyone who gets in his way. 

And, for the most part, that makes for a pretty entertaining ride. As Walker’s run-ins with gangsters, hired guns and dodgy politicians get increasingly violent, Evans gives him an array of interesting and inventive ways through which to dole out his specific brand of street-level justice. Much like “The Raid,” this gives us an opportunity to marvel at a director who remains at the top of the action-movie game. Few people — if any — do high-concept fight scenes quite as well as Evans. 

Where “Havoc” feels a little light is in the pauses between those breathtaking set pieces. With a cast headed by Hardy and also boasting Forest Whitaker and Timothy Olyphant, there’s some serious dramatic talent on offer, but there’s little character development beyond who’s good, who’s bad, and who’s somewhere in the middle.  

There’s a host of supporting characters — Yeo Yann Yann’s gang matriarch Mother in particular — who all look like they have fascinating backstories, but all we learn about them is that most can fight really, really well, and all have plenty to scowl about. What’s more, a few heavy-handed bouts of CGI undermine the movie’s mostly gritty realism, and leave audiences desperate to skip the calmer moments and get on to the next shootout. 

However, to be fair to this movie, Tom Hardy in beast mode is undeniably great — and in our virtually limitless streaming landscape, anything great deserves to be celebrated.