‘Conclave’ and ‘Brutalist’ share BAFTA honors as Anna Kendrick looks to Georges Chakra archive

‘Conclave’ and ‘Brutalist’ share BAFTA honors as Anna Kendrick looks to Georges Chakra archive
British German director Edward Berger (3L) Italian actor Isabella Rossellini (4L) and British actor Ralph Fiennes (2R) pose with the award for Best film for "Conclave" during the BAFTA British Academy Film Awards ceremony at the Royal Festival Hall in London on February 16, 2025. (AFP)
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Updated 18 February 2025
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‘Conclave’ and ‘Brutalist’ share BAFTA honors as Anna Kendrick looks to Georges Chakra archive

‘Conclave’ and ‘Brutalist’ share BAFTA honors as Anna Kendrick looks to Georges Chakra archive
  • “Conclave”, which stars Ralph Fiennes as a cardinal corralling conniving clergy as they elect a new pope, was also named outstanding British film and took trophies for editing and adapted screenplay
  • US filmmaker Brady Corbet took the BAFTA for best director for “The Brutalist,” while leading man Adrien Brody scooped up the best actor gong

DUBAI/LONDON: Hollywood actress Anna Kendrick hit the red carpet at the 78th British Academy Film Awards in an archival look by Lebanese designer Georges Chakra on Sunday night in London.

Kendrick showed off a silk chiffon pleated gown adorned with bands of cascading black crystal fringe and a sweeping train from the designer’s Fall/Winter 2005-2006 couture collection at the BAFTAs.




Anna Kendrick showed off a look from Georges Chakra's Fall/Winter 2005-2006 couture collection. (Getty Images)

Meanwhile, Papal thriller “Conclave” and immigrant epic “The Brutalist” tied for top honors at the ceremony, with each film picking up four coveted gongs.
“Conclave,” directed by German-born Edward Berger, won the BAFTA for the best film with its tale of the intrigue and horse-trading behind the scenes during the election of a new pope.

Accepting the award, Berger recalled the journey to make the film took seven years, paying tribute to British screenplay writer Peter Straughan's “wonderful script” and lead actor Ralph Fiennes.

US filmmaker Brady Corbet took the BAFTA for best director for “The Brutalist”, while leading man Adrien Brody scooped up the best actor gong for his portrayal of a Hungarian Holocaust survivor and architect who emigrates to the United States.

Brody told a winners press conference that the film was “an opportunity for me to honor my own ancestral struggles.”

In “a film that speaks to tremendous cruelty and despicable behavior in our past... we see elements existing today that can guide us and remind us of that,” he added.

Veteran British actor Fiennes, who played a cardinal in “Conclave”, once again saw his hopes of winning a BAFTA gong dashed, losing out to Brody in the race for the honour.

Scandal-hit “Emilia Perez”, a surreal musical about a Mexican druglord, had been heavily favored at the beginning of the year. But it ended the evening with just two BAFTAs, including one for Zoe Saldana for best supporting actress.

Until last month, French director Jacques Audiard's movie had been expected to be a frontrunner having won 11 nominations.

But old racist and Islamophobic tweets by lead actor Karla Sofia Gascon surfaced at the end of January, shaking up the race just before the London ceremony and the Oscars on March 2.
 


Toronto Arab Film Festival showcases diverse selection this June

Toronto Arab Film Festival showcases diverse selection this June
Updated 1 min 19 sec ago
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Toronto Arab Film Festival showcases diverse selection this June

Toronto Arab Film Festival showcases diverse selection this June

DUBAI: The Toronto Arab Film Festival returns for its sixth annual edition with a diverse lineup from June 20 to 29.

“This year, we are screening over 50 films — both features and shorts — which is our largest number to date … it’s fulfilling to watch the development of the Canadian-Arab film industry in real time,” Rolla Tahir, a Sudanese filmmaker and co-founder of TAF, said.

This year’s program reflects the growing diversity and creative evolution of Arab cinema, with some well-known filmmakers participating.

“We’re seeing a notable rise in genre films, especially horror and sci-fi. For example, there’s a horror film from Tunisia and a short program dedicated entirely to sci-fi and horror,” Tahir said.

Participants this year include Lebanese filmmaker Mira Shabib with her film “Arze’” and “Back to Alexandria” by Tamer Ruggli starring Lebanese actress Nadine Labaki.

TAF has also become a valuable platform for professional development, offering networking opportunities for both emerging and established talent.

“This year, we’re introducing an informal industry meet-and-greet — a casual networking event with no structured pitches,” Tahir explained.

The event is designed to create a relaxed environment where Arab filmmakers can connect with industry professionals, ask candid questions, and introduce their projects without the pressure of formal presentations.

The festival’s mission may seem simple — to raise awareness of Arab cinema among Canadian audiences — but achieving that impact requires a deliberate strategy.

It is one that Tahir and her co-founders have refined over the years.

“Each year, we collaborate with other festivals to co-present films and expand outreach beyond Arab audiences,” she said.

For Tahir, the appeal of Arab cinema to non-Arab audiences comes naturally, thanks to the enduring quality and resilience of the work itself.

“What stands out is perseverance. Regardless of what’s happening in our countries or personal lives, Arab filmmakers continue telling their stories.”

It is that very perseverance — expressed through everything from harrowing documentaries to satirical comedies — that gives Arab filmmakers their distinct voice.

“I want people to know we’re still making films — and that we’re making different, bold, and innovative ones,” Tahir said.


Saudi theatrical show ‘Terhal’ returns to Diriyah

Saudi theatrical show ‘Terhal’ returns to Diriyah
Updated 17 June 2025
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Saudi theatrical show ‘Terhal’ returns to Diriyah

Saudi theatrical show ‘Terhal’ returns to Diriyah
  • “Terhal” is a pioneering Saudi production which boasts advanced lighting and visual technology

RIYADH: The Ministry of Culture is to present the theatrical performance “Terhal” from Aug. 4-25 at Mayadeen Venue in Diriyah.

“Terhal” is a pioneering Saudi production which boasts advanced lighting and visual technology, according to the Saudi Press Agency.

It offers a visually captivating experience, telling the story of a young Saudi man who dreams of shaping his country’s future.

His journey across the Kingdom takes him through diverse landscapes and rich traditions, helping him to rediscover Saudi Arabia’s cultural and natural heritage. He returns to his village at the end with renewed confidence, wisdom, and hope.

The show features stunning scenes inspired by Saudi landscapes, and highlights young Saudi talents alongside renowned international performers.

The second edition of “Terhal” builds on the success of its 2023 debut which celebrated Saudi culture, from performing arts to handicrafts, traditional attire and cuisine.

 


British Lebanese actress Razane Jammal authors children’s book

British Lebanese actress Razane Jammal authors children’s book
Updated 16 June 2025
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British Lebanese actress Razane Jammal authors children’s book

British Lebanese actress Razane Jammal authors children’s book

DUBAI: British Lebanese actress Razane Jammal is set to release a children’s book titled “Lulu & Blu.”

The actress, famous for her roles in Netflix series “The Sandman” and “Paranormal,” took to social media on Sunday to share the news, writing: “What started as a little story I wrote seven years ago turned into a book for your little ones. I’ve poured my (heart) into this and I’m thrilled to invite you all to our first launch in Beirut.”

The launch event is scheduled to take place on June 25 at community space Minus 1 in the Lebanese capital. The actress will perform a reading of the children’s story, which tells the tale of a “vegetarian lioness, a friendly fish and their most unusual friendship,” according to the author.

Published by Turning Point Books, the story was illustrated by Sasha Haddad, a Lebanese illustrator who graduated from Cambridge School of Arts in 2014.

In the role that arguably shot her to stardom, Jammal played Lyta Hall in 2022’s “The Sandman,” based on the legendary graphic novels.

Her character dreams of her dead husband each night, slowly realizing that he is not a figment of her imagination but is hiding out in the dream world.

It is a part that Jammal managed to play truthfully with subtlety — a subtlety for which she credited her mother in a previous interview with Arab News.

“I’ve always been extra, and my mom was far more subtle than I am. I had to fine-tune myself to vibrate on her frequency, a frequency that was very sweet and very raw, and vulnerable and nurturing. I took that from her.

“I grew up having a simple, community-based life in a place where you have 500 mothers and everyone feeds you and you feel safe — even if it’s not safe at all. At the same time we went through so many traumas, from civil wars to assassinations to losing all our money in another financial crisis.”


Middle Eastern content creators unveil bold short films in collaboration with YouTube

Middle Eastern content creators unveil bold short films in collaboration with YouTube
Updated 17 June 2025
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Middle Eastern content creators unveil bold short films in collaboration with YouTube

Middle Eastern content creators unveil bold short films in collaboration with YouTube

DUBAI: Some of the region’s most celebrated content creators — including Bahrain’s Omar Farooq, the UAE’s Anas Bukhash, Morocco’s Taha Essou, Palestine’s Haifa Beseisso and Egypt’s Sherif Nabil — have premiered powerful short films in collaboration with YouTube to mark the platform’s 20th anniversary.

“For years, creating and distributing entertainment was limited to major studios. Today, we’re at an inflection point — YouTube creators are the entertainment industry’s new startups,” said Tarek Amin, YouTube’s regional director for the Middle East, Africa and Turkiye, during the premiere in Dubai this weekend.

These creators, who amass billions of views across their channels, showcased deeply personal stories that transcend borders and languages, highlighting YouTube’s role as a platform for emotional storytelling and global connection.

The shift reflects a wider trend across the region with YouTube creators across the Middle East and North Africa rapidly becoming entertainment startups.

Companies such as Telfaz11, which has offices in Saudi Arabia and the UAE, have scaled from popular YouTube series to successful feature films.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by #ABtalks (@abtalks)

Bukhash’s signature charm and curiosity is reflected in his film “ABtalks Diaries: Korea Edition.” The work follows him on a journey through South Korea where he interviews chefs, artists, and members of the public.

Despite a glaring language barrier, Bukhash draws out surprisingly intimate moments, proving that vulnerability is a universal language. “We did this because we realized Arabs are obsessed with K-Pop,” Bukhash joked on stage.

In “Into the Dark,” Beseisso documents her four-day stay in a darkness retreat. Blending humor and reflection, her film becomes a deeply personal meditation on silence, emotion and reconnection — with herself and others.

“I heard about the darkness retreat from a friend and was intrigued,” she told Arab News. “I went, closed my eyes for three days, and it turned out to be one of my favorite experiences.”

In “Into the Fire: Mount Ijen,” Nabil documents the harsh realities of sulfur miners working in Indonesia’s active volcanic mountain. He exposes the conditions these workers face and the generational impact of their labor.

“YouTube gives you that intimacy,” Nabil said. “It’s a challenge, but it’s rewarding.”

The connection between these filmmakers lies in their ability to confront discomfort, explore untold stories, and share them with candor.

“This event is not for us,” Bukhash reflected. “It’s for the people at home wondering if they should start, and need that extra push.”


‘Ocean’ — bleak indictment of mankind offers a glimmer of hope

‘Ocean’ — bleak indictment of mankind offers a glimmer of hope
Updated 13 June 2025
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‘Ocean’ — bleak indictment of mankind offers a glimmer of hope

‘Ocean’ — bleak indictment of mankind offers a glimmer of hope
  • David Attenborough’s latest documentary is a vital, compelling call to action

JEDDAH: “Ocean with David Attenborough” was released regionally on Disney+ on June 8 — World Ocean Day. It hit cinemas in May, on the 99th birthday of its venerable and venerated presenter, the famed biologist and broadcaster.

Like all Attenborough-fronted nature docs, “Ocean” is gorgeously shot and an immersive viewing experience. But while the vast majority of his output leaves you speechless at the on-screen beauty, “Ocean” also strikes you dumb at the horrifying devastation wrought on the open seas by the 40,000+ super-sized fishing trawlers operating around our planet constantly.

Sweeping the seabed with their giant nets, these ships commit slaughter on an unimaginable scale, leaving little alive in their rapacious search for a few specific species that humans actually eat. In their wake they leave something akin to the dystopian portrayals of a nuclear winter in post-apocalyptic dramas. These grim, heart-breaking shots are interspersed with glorious, vibrant scenes of what a healthy seabed should look like — towering forests of kelp, sea meadows, abundant diverse communities of extraordinary marine life… A reminder of what we are destroying every minute of every day.

Attenborough lays out for us with all of his trademark passion and authority just what is at risk here. The seas, he stresses, are vital for the survival of humankind. And humankind is putting the seas in terrible jeopardy. Marine ecosystems are delicately balanced and linked in complex, subtle ways that we are only now beginning to understand. And industrial fishing is far from subtle. As Attenborough notes, if rainforests were being razed at this rate, the protests would be global and furious. But because this destruction takes place miles below the surface of the water, it goes mainly unnoticed. Incredibly, this mindless, untargeted carnage is not illegal; it is positively encouraged — and heavily subsidized — by many governments. 

Thankfully, there is hope. Attenborough reveals that scientists have discovered that — if left alone through the imposition of “no-take zones” — the oceans can recover at an incredible rate, and the most barren of sea floors can once again flourish in just a few years. There is now an international pact to turn one-third of Earth’s seas into no-take zones by 2030. And if this does happen — note the if — then there’s a good chance that man-made damage can be reversed not just in the water, but on land, as sea life is, it turns out, extremely adept at reducing carbon. The sea could save the world.

As nature documentaries go, it’s hard to imagine “Ocean” being bettered (except perhaps for the distracting clichéd mishmash that serves as its soundtrack, which deserves to be classified as a man-made disaster itself). This is a compelling, vital and urgent narrative delivered by an expert scientist and broadcaster accompanied by awe-inspiring, mind-boggling cinematography showing us wonders that most of us will never come close to seeing first-hand. And it lays out a path for survival. Whether we actually take that path...