Pakistani films that caught global spotlight in 2022

This combination of pictures created on December 21, 2022 of four Pakistani movie stills shows (clockwise from top left) scenes from the short film Sandstorm released in September 2021, feature film Kamli released in June 2022, The Legend of Maula Jatt released in October 2022, and Joyland released in November 2022. (AN Photo)
Short Url
Updated 21 December 2022
Follow

Pakistani films that caught global spotlight in 2022

  • The year 2022 has been ecstatic in terms of Pakistani cinema making waves worldwide
  • ‘Joyland,’ ‘The Legend of Maula Jatt,’ ‘Kamli’ became face of local cinema around the globe

KARACHI: The year 2022 was groundbreaking for Pakistani cinema in terms of its representation and recognition abroad.

From Saba Qamar-starrer ‘Kamli’ to ‘Joyland,’ the critically acclaimed Pakistani Oscar entry, to the reboot of ‘Maula Jatt,’ Arab News Pakistan brings you a list of Pakistani films that received international recognition in 2022 for their powerful storylines, brilliant skills of actors and the themes they were centered around.

Kamli




This screengrab, taken on December 14, 2022, from the trailer of the Pakistani movie "Kamli" features actors Sania Saeed (right) and Saba Qamar (left). (Photo courtesy: Khoosat Films)

Sarmad Sultan Khoosat’s film Kamli, which released in cinemas across Pakistan on June 3, is set for its European premiere next month at the 2023 International Film Festival Rotterdam’s (IFFR) the Limelight Programme. Prior to this, the film was screened at the Indus Valley International Film Festival (IVIFF) 2022 in Chandigarh, India.

Saba Qamar, who plays the lead role in Kamli, won the IVIFF 2022 Best Actress trophy for her performance. Kamli revolves around a woman’s struggle between loyalty to long-missing husband and her carnal desires. Besides Qamar, the critically and commercially acclaimed Pakistani movie starred Sania Saeed, Nimra Bucha and debutant Hamza Khawaja.

The film received immense appreciation after its release in Pakistan and had a full-house throughout its run in cinemas across the country.

Speaking of Pakistani cinema getting recognition abroad, Qamar told Arab News in an earlier interview: “Our dramas are popular beyond borders but films like The Legend of Maula Jatt, Kamli and Joyland represent the best of Pakistani cinema abroad.”

Joyland




This image released by Khoosat Films shows a scene from the film "Joyland." (Photo courtesy: Khoosat Films via AP)

Joyland, Pakistan’s official entry for the upcoming Academy Awards, made the most headlines this year. The movie first got critical acclaim in May after it won the Cannes “Queer Palm” prize for the best feminist-themed movie as well as the Jury Prize in the “Un Certain Regard” competition, a segment focusing on young, innovative cinema talent.

Joyland left Cannes audiences slack-jawed and admiring, and got a nearly 10-minute-long standing ovation from the opening night’s crowd.

The movie released across Pakistan, except the Punjab province, on November 18, after much speculation at home. While makers continue to fight for its release in the most populous Pakistani province, the film is headed to Sundance Film Festival 2023 that will take place from January 19 till January 29.

Besides, Joyland also screened at the Indian Film Festival of Melbourne, where it won the ‘Best Film’ from the subcontinent for 2022. Among other international festivals, the movie had its North American premiere at the Toronto International Film Festival earlier this year.

The Legend of Maula Jatt




This handout picture shows the movie poster of Pakistan's Punjabi film "The Legend of Maula Jatt" released in October 2022. (Photo courtesy: Online)

Bilal Lashari’s long-awaited cinematic outing, The Legend of Maula Jatt broke all previous box office records for any Pakistani movie, not just at home but across the globe. Besides Pakistan, the film released in the Middle East, the United States, Canada, Europe, Australia and New Zealand.

A reboot of the 1979 cult classic, Maula Jatt, the Punjabi action film starred Fawad Khan, Mahira Khan and Hamza Ali Abbasi in key roles. Touted as the most expensive film in Pakistan’s history, the film crossed the budget of almost 50 crores ($2.2 million), including marketing and advertising, according to the film’s distributor Nadeem Mandviwalla.

The film’s plot revolves around Maula Jatt, a fierce prizefighter with a tortured past who seeks vengeance against his arch nemesis, Noori Natt, considered the most feared warrior in Punjab.

According to official numbers, the film crossed the figure of 200 crores ($8.8 million) worldwide, while it crossed 95 crores ($4.2 million) in Pakistan as of December 19.

Sandstorm




This still from the Pakistani short film Sandstorm, released in September 2021, shows the protagonist Zara sitting in an empty classroom. (Photo courtesy: YouTube/Seemab Gul)

Pakistan director Seemab Gul’s short film, Sandstorm won big at Oscar-qualifying festivals, HollyShorts and the Flickers Rhode Island International Film Festival (RIIFF) 2022. Sandstorm emerged as one of the top three winners at HollyShorts 2022, while it won the Best Live Action title at RIIFF 2022.

The short film had its world premiere at the 78th edition of the Venice Film Festival in September 2021. Since then, it has made it to nearly 50 festivals worldwide, including the prestigious Sundance Film Festival and Ischia Film Festival (IFF) in 2022, where it bagged three trophies.

Written and directed by London-based filmmaker Gul, Sandstorm revolves around a schoolgirl in Pakistan’s southern port city of Karachi, who shares a dance video with a boy she meets online. The story takes a sinister turn, when the boy blackmails her with the video.

“It is wonderful to represent Pakistan and most importantly, a female story from the female perspective, which is actually rare in the mainstream industry,” Gul told Arab News in an interview in August.

The filmmaker is now eyeing the Oscars’ shortlist, for which only 10 films will be selected by the end of January. Out of these 10, only five are nominated for the award.


New York Arab Festival returns with diverse lineup

Updated 02 April 2025
Follow

New York Arab Festival returns with diverse lineup

  • The New York-based dance music collective showcases beats from the Arab, Asian, and Pan-African diasporas

DUBAI: The fourth edition of the New York Arab Festival (NYAF) runs from April 1- May 30, with headlining acts including DJ duo Haza Party.

The New York-based dance music collective showcases beats from the Arab, Asian, and Pan-African diasporas. The festival will play host to a special version of the collective’s signature “Haza Souk” event, featuring a lineup of DJ sets, merchandise outlets and food.

On April 8, Palestinian poet Ahmad Almallah will present his latest book “Wrong Winds” while April 13 will see Palestinian rockstar, singer and songwriter Rasha Nahas perform at Brooklyn Art Haus.

A double bill dedicated to the centennial of dancer Samia Gamal will take place at the Jalopy Theatre on April 16, with New York based choreographers and dancers Angie Assal and Soumaya MaRose celebrating the history of the late Egyptian choreographer.

Meanwhile, the NYAF Arab Shorts Film Program at the Bartos Screening will feature the work of filmmakers including Alia Haju and Khaled Jarrar.

From May 1-4, NYAF will collaborate with experimental theater club La MaMa ETC for a “festival within a festival” celebrating Arab artists in four multidisciplinary “happenings” featuring spoken word performances based on texts by the late poets Etel Adnan and Joyce Mansour, dance, music and multimedia visuals. Performers include Andrew Riad, Nadia Khyrallah, Sarah Brahim, and Amr Kotb, among others. 

On May 14,  Lebanese American singer-songwriter H.Sinno’s “Poems of Consumption” — which turns Amazon customer reviews into pop songs — will be presented.

NYAF was established in 2022 to commemorate Arab American Heritage Month and “fight the erasure of Arab and Arab American identities from NYC, a place Arabs have called home for over three centuries,” the festival said in a released statement.


Yara Shahidi talks ‘The Optimist Project’ podcast

Updated 01 April 2025
Follow

Yara Shahidi talks ‘The Optimist Project’ podcast

DUBAI: Actress and podcast host Yara Shahidi is part of National Geographic’s list of 33 “visionaries, creators, icons, and adventurers” from across the globe and she spoke to the publication about the project that landed her on the list.

In 1888, the National Geographic Society was founded by 33 pioneers in Washington. The “bold thinkers … aimed to reimagine how we encounter our world. Much has changed since then, but the mission that guided them — to expand knowledge and promote understanding—drives us still. In that spirit we introduce the National Geographic 33, a collection of visionaries, creators, icons, and adventurers from across the globe,” the publication explained of its new list.

Part-Middle Eastern star Shahidi, whose father is Iranian, was named on the list in the Creators subsection that celebrates “out-of-the-box thinkers developing innovative solutions.”

The “Black-ish” and “Grown-ish” actress was highlighted due to her podcast “The Optimist Project.”

Shahidi, 25, launched the podcast to explore how to live a more fulfilling life with various special guests hosted on each episode.

Shahidi, a Harvard graduate, says she was inspired by the dynamic conversations she has with members of her diverse family. The actress has two brothers — one is an actor and the other works in fashion — while her father Afshin Shahidi is a cinematographer. Meanwhile, her cousin is the rapper Nas and her grandfather was a Black Panther activist. Shahidi and her mother, Keri Shahidi, who together run their own media company called 7th Sun Productions, decided to take their musings to a wider audience with the podcast, which launched in 2024.

“We feel so fortunate to be having these conversations,” Keri, who is Shahidi’s co-producer, told National Geographic “But equally, we felt the drive to make sure other people had the opportunity to hear what we were hearing.” 

The podcast’s guests so far have included “Saturday Night Live” star Ego Nwodim, Tony award-winning actor Courtney B. Vance, and Laurie Santos, a psychology professor at Yale University. 

“Having to pour so much thought into basic survival doesn’t give your brain space to think about, Well, why are we living?” Shahidi said. “What would make me excited to wake up the next day?”

In her conversation with National Geographic, she went on to acknowledge that this is a challenge moment for the next generation of leaders. “It’s overwhelming to think about how broken some of these systems are, how imperfect some of our tools for change are … but with that comes an onslaught of very inspired, very motivated young people.”


REVIEW: ‘Stories from Sol: The Gun-Dog’ offers a gritty, narrative-driven adventure

Updated 31 March 2025
Follow

REVIEW: ‘Stories from Sol: The Gun-Dog’ offers a gritty, narrative-driven adventure

LONDON: In an era in which retro gaming is somewhat mainstream with remakes, reboots and remastered games emerging on a daily basis, “Stories from Sol: The Gun-Dog” on Nintendo Switch takes things to the next level.

Going further back in time than most, it is a throwback to classic PC-9800 visual novels, blending deep storytelling with a minimalist approach to gameplay. If you enjoy immersive narratives and do not mind slow pacing, this game delivers a compelling experience — though it may not be for everyone.

“Gun-Dog” is all about story. Its deep, character-driven narrative demands patience, rewarding players willing to engage with a text-heavy experience. It starts by setting the scene of the Solar War and our protagonist being unable to prevent the loss of his crewmates. Four years later, they (you can choose your own name) are re-assigned to the Jovian patrol ship Gun-Dog which has orders to investigate mysterious signals coming from the edge of Jovian Space.

On board, the assortment of characters includes a love interest, a rival from the past and others who all seem to be hiding something. While choice is limited to movement, item interaction and conversation, the game excels at making you feel like your actions matter, especially when decisions come with a countdown clock to force your hand.

This is not an action-packed adventure. The game moves deliberately and offers little in the way of fast-paced mechanics. Exploration is limited, but the weight of each choice — especially in high-pressure moments — keeps engagement high. With sparse visuals and bit-crushed music, “Gun-Dog” leans into its retro inspirations. Interestingly, putting it on mute might give the best experience; the soundtrack can be more of a distraction than an enhancement.

“Gun-Dog” is a game for those who love slow-burn, text-heavy adventures with minimal gameplay distractions. If you are looking for deep lore, strong characters and a narrative experience, it is worth the time. Just be ready for a slower ride than that offered by most modern games.


Farshi Shalwar: Centuries-old staple of South Asian fashion makes Eid comeback in Pakistan

Updated 31 March 2025
Follow

Farshi Shalwar: Centuries-old staple of South Asian fashion makes Eid comeback in Pakistan

  • Farshi shalwar is characterized by floor-length, flowing and wide, loose pants, creating a dramatic and graceful silhouette
  • Stylists say trend dates back to the 17th century and was popular among noblewomen and courtesans of the Mughal era

KARACHI: A centuries-old staple of South Asian closets, the farshi shalwar, is back in Pakistan and ruling fashion trends this Eid Al-Fitr. 

The word “farshi” comes from the Persian word “farsh,” meaning “floor,” and the farshi shalwar, particularly popular in Pakistan and northern India, is characterized by its floor-length, flowing and wide, loose pants, creating a dramatic and graceful silhouette. 

“Right now, it’s the hottest trend,” fashion stylist and director Tabesh Khoja, popularly known as Khoji, told Arab News, saying he first styled a farshi shalwar in 2023 for the fashion label of model and actress Sadaf Kanwal.

“I styled Sadaf Kanwal actually and after that I have seen every other designer doing a farshi shalwar version of their own,” Khoja said. 

The picture posted by Sadaf Kanwal Fashion on February 15, 2025, shows Pakistani model Sadaf Kanwal wearing farshi shalwar from her latest collection. (Sadaf Kanwal Fashion/Instagram)

No doubt, Kanwal seems to have played a key role in bringing the farshi shalwar back this Ramadan and Eid, with her label Sadaf Kanwal Fashion creating a number of outfits over the last two years featuring the baggy trousers. 

“Throughout the [last] year, I shot so many collections of so many designers and all of those designers at least used to have two farshi shalwars for sure in their collections,” Khoja said. “So it took us an entire year to make it a fashion trend.”

According to the stylist, the trend dated back to the 17th century and was popular among noble women in the Mughal era. Modeled after the flowing gowns worn by British noblewomen, the complete outfit consists of three basic parts: a kurta or a long shirt, dupatta or long stole, and the third and most important, the farshi shalwar or pajama, a flowing two-legged trouser held by drawstrings that falls straight to the ankles from where it starts flaring and flowing copiously onto the floor, trailing as one walks. 

In media, iconic movies such as Umrao Jaan (1981) and Shatranj Ke Khilari (1977) that depict Muslim culture of 19th-century Lucknow show noblewomen and royal courtesans wearing farshi shalwars. 

“They had a variety of silhouettes in terms of a kurta or a jacket on top, among other things. The outfit has been there, the silhouette has been there since the 17th century but how you make it relevant now is very important,” Khoja added.

The picture, posted on August 4, 2022, by the Instagram page " Purana Pakistan," shows Pakistani women wearing farshi shalwar in 1970s. (Hibah Najeeb via Purana Pakistan)

HOW TO STYLE A FARSHI SHALWAR?

According to Khoja, some of the popular ways to style the farshi shalwar include pairing it with a button down shirt and accessorizing it with different kinds of jewelry pieces and hairdos.

“You can dress it up or dress it down. Sadaf [Kanwal] uses big organza dupattas. You can do big shawls also like [actress] Mahira Khan wore [designer] Banto Kazmi’s when she got an award at the UK Parliament. So something of that sort also with a plain silhouette.”

The picture, posted on July 16, 2023, shows Pakistani models wearing farshi shalwar by designer Hussain Rehar. (Hussain Rehar)

Pakistani actress Tuba Anwar said celebrities had been wearing farshi shalwars since last year but the trend had “peaked” among the general public in recent months. For her, the fact that everyone would be wearing the baggy trousers this Eid reduced their appeal. 

“I was planning to wear farshi shalwar on this Eid and then when everybody started discussing it, I was like ‘No, this is not what I’m going to wear because I have to do something very different’.”

When she wore farshi shalwars at all, Anwar said she preferred them in solid colors.

“In terms of styling, I would like to wear it with solid colors, not a lot of embroidery going on, not a lot of things or abstract things going on in the clothes that I am going to wear,” she said.

Pakistani actor Tuba Anwar is seen wearing farshi shalwar. (Tuba Anwar)

The farshi shalwar craze is not limited to women alone. 

Actor and host Fahad Mustafa has donned the farshi shalwar look on his hit gaming show Jeeto Pakistan during Ramadan. Singer and songwriter Falak Shabbir has been seen in the outfit as well. 

“It’s certainly not limited to women. Fahad Mustafa was of course wearing it on Jeeto Pakistan. I am going to wear it on Eid,” Khoja said. “So, you will see a lot of people of different sorts, male and female, wearing it.”

Pakistani actor and host Fahad Mustafa r is seen wearing farshi shalwar. (Fahad Mustafa)

 


Review: Nicole Kidman’s ‘Holland’ is an underwhelming thriller

Updated 30 March 2025
Follow

Review: Nicole Kidman’s ‘Holland’ is an underwhelming thriller

LONDON: If you think there’s something unnervingly familiar about “Holland,” then you’re in good company. In this new thriller from Prime Video, directed by Mimi Cave (2022’s excellent “Fresh”), Nicole Kidman plays a permanently frowning wife who just can’t quite shake the feeling that something about her picture-perfect life isn’t quite right – which, when you think about it, could also be the logline for the actor’s turns in “The Stepford Wives,” “Big Little Lies,” “Expats,” “The Perfect Couple” and probably a half dozen others.

This time, Kidman’s Nancy suspects that her optometrist husband Fred (Matthew Macfadyen) may be having an affair. We don’t really ever find out why she thinks this, beyond the fact that she has ‘a feeling’ and suffers from weird, surreal dreams in which the town they live in — the titular Holland, Michigan — merges with the model village Fred is building in their garage. So, despite having no obvious reason to do so, Nancy and her work colleague-turned-extramarital crush Dave (Gael García Bernal) decide to follow Fred to find out what he’s up to.

The setup for discovering Fred’s secret takes up the majority of the movie. Macfadyen, here simply playing a more homely version of his character in “Succession,” makes for an entertaining enough man of mystery while, for the most part, Kidman and García Bernal are fine as co-workers with an obvious attraction and a shared interest in what Fred is really up to. The main problem with “Holland” is eccentricity for eccentricity’s sake — Cave plays up the town’s Dutch colonial traditions seemingly because they just lend an air of unfamiliarity and weirdness, Nancy’s feelings of dread manifest in those surreal dreams, but none of it has any real-world relevance beyond making for some odd-looking visuals.

The twist, when it inevitably comes, feels disproportionate and overblown given the small-town buildup. Elements, such as Dave’s experience as the only immigrant in town, or Nancy’s issues with their babysitter, are mentioned once and never touched on again. The film suffers from too many vague ideas at the outset, before dumping most of them to make way for the most shocking story arc. Turns out, not only have we seen this film a bunch of times before, we’ve seen it done a lot better too.