Rare archaeological finds from pre-Islamic era discovered in Saudi Arabia’s Najran

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The rare finds occurred at Al-Okhdood in Najran. (Supplied)
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Updated 21 February 2023
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Rare archaeological finds from pre-Islamic era discovered in Saudi Arabia’s Najran

  • Najran was a compulsory stop for caravans traveling from the south of the Arabian Peninsula
  • The bronze bull’s head had traces of oxidation, a natural reaction when bronze is exposed to air

MAKKAH/RIYADH: The Heritage Commission announced the discovery of three gold rings, a bronze bull’s head and a southern Musnad inscription on a granite stone — all dating back to the pre-Islamic era — at Al-Okhdood, a village in Najran, on Feb.15.

The rare finds are currently in the hands of professionals and undergoing restoration.

Dr. Salma Hawsawi, an associate professor of ancient history at King Saud University, told Arab News that Najran was a compulsory stop for caravans traveling from the south of the Arabian Peninsula.

“Two commercial routes branch out from it, one of which is towards the northeast, passing through the village of Al-Faw, and ends in the east of the Arabian Peninsula, while the second road heads north to reach Petra and from there to the cities of the Levant and Mesopotamia,” she said.

The inscription is written with unique standing letters using an old South Arabian script, called Musnad. It is 230 cm long and approximately 48 cm high, with the length of the letters 32 cm, making it the longest Musnad inscription found in the region.

It belonged to a former resident of Al-Ukhdood, Wahb El bin Maqen.

“Commemorative inscriptions can be found across most of the Arabian Peninsula in great numbers, which reflects the advanced knowledge and cultural level that the society reached and how much it cared for writing and documenting.

“The inscription also shows that watering was the profession of Wahb El, which consists of delivering water to the houses, including his own. It also shows the common Arabic names of that period, as the owner of the inscription mentions his and his father’s name,” Hawsawi noted.

Another interesting discovery was the bronze bull’s head that had traces of oxidation, a natural reaction when bronze is exposed to air, creating a patina coating that can range in colors.

“The bull head drawings and statues first started to emerge in the south of the Arabian Peninsula around the first millennium BC,” she said.

It is said to have been a symbol of strength and fertility for pre-Islamic groups of South Arabians: Sabaeans, Minaeans, and Qatabanians. It was also known for its versatility in daily life, as it was used to plow the lands, its meat was eaten and its skin was used in various industries.

It symbolizes the moon because of the resemblance of the bull’s horns to the crescent. According to the Hawsawi, the moon was called “Wad” by the Minaeans, and it was known to the Sabaeans and others as “Warkh,” “Al-Maqah,” “Shahr,”“Kahl” and “Sun” in Hadramout.

“The moon is the eldest of deities and precedes them all. It is commonly referred to as ‘Al’ or ‘El’, while the Arabs of the north called it ‘Baal’ or ‘Hubal’. The moon held a very distinguished position, as it was a guide for trade caravans and travelers. This is why it was given titles such as ‘The Wise,’ ‘The Truthful,’ ‘The Wise,’ ‘The Blessed,’‘The Helper,’ and ‘The Protector,’” she said.

Talking about the three gold rings, Hawsawi said: “Through this discovery, we came to know the metals that were used by the people during that period. The golden rings equipped with locks at both ends show that they were used in different ways and places, along with the possibility of adjusting their sizes as needed.

“They were worn on the fingers, on the arm or around the ankles. They were worn for aesthetic purposes by men and women alike.

“When it comes to the rings discovered at Al-Okhdood site, they were used by women based on the way they were made, the golden lobes on them and the butterfly-shaped locks.”

The associate professor highlighted that the profession of goldsmiths was found in ancient Arabic inscriptions.

“This profession spread across the Arabian Peninsula, where the jeweler melted and purified the metals by blowing into the flame to melt the metals before reshaping them.”

Archeologists also found great number of potteries in a variety of sizes with one of them being attic pottery, signifying human settlements in the region that date back to third century B.C.

Hawsawi explained that the site at Al-Okhdood, which they visited recently with a group of researchers and specialists, was located inside walls with around 20 multi-story buildings made of mud bricks. The smallest building on the site is 6 meters tall and the largest is 14 meters.

“Only their foundations remain, which are a group of stone installations, inscribed with drawings of some animals, such as horses and camels. Some of the buildings are engraved with inscriptions in the southern Musnad line, most of which are commemorative inscriptions.”

The site also includes two millstones each used for a different purpose.

“Some researchers suggested that they were for grinding grain while others stated that they were for melting metals, due to their large size, and the inability to be moved by humans because of their weight. Being built of stone, and also because of their large size, it is likely that many animals were used to move these mills,” she said

This is the eleventh season that Saudi experts have fulfilled an archeological excavation project.

The Heritage Commission has conducted exploration of Najran in the past and found many discoveries about the land’s history, culture, and community.

The commission has divided projects into various categories, such as archaeology, urban heritage, crafts, and intangible cultural heritage.

Within each category, a specialized group of people from Saudi Arabia and abroad unravel more of the Kingdom’s heritage, culture, and purpose than ever before.

Reflecting Saudi’s Vision 2030 “vibrant society with strong roots” promise, the Heritage Commission has established great initiatives to expand research of the explored and unexplored parts of Saudi Arabia.


Saudi artist transforms scrap metal into sculpture

Updated 22 July 2025
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Saudi artist transforms scrap metal into sculpture

  • Mishal Al-Amri has been upcycling waste materials into artwork for 20 years
  • He recently held his first public exhibition under the theme 'The Neglected'

JEDDAH: Where others see scrap metal destined for the trash, Saudi artist Mishal Al-Amri sees opportunities to create artwork.

In his bustling studio in Jeddah, Al-Amri works to remove rust before cutting, rolling, shaping and joining thousands of pieces of shaped scrap metal by hand.

He has been upcycling unwanted bits of metal throughout his artistic career, which has spanned 20 years.

“The artist has an eye that sees what others cannot; an eye that captures the beauty in the heart of the damaged and neglected, and restores it to life and meaning. My ultimate hope and goal are to give scrap metal a new life,” Al-Amri told Arab News.

When growing up, Al-Amri loved to draw. As he got older, he started painting. It was not until he retired at the age of 59 that he discovered his true passion and began sculpting with recycled metal after teaching himself how to weld.

“As I said before, it was just a hobby and I stopped it for a long time after I joined the banking sector due to the difficulty of balancing the hobby, the job, and then the family later on.

“Anyhow, when I was approaching 40 years of age, and after having a family and professional job, I began to pursue my artistic journey once again. I worked on paintings during my free time and vacations, and I lived for nearly 26 years just painting, readings, attending art seminars, workshops, and holding exhibitions alongside other local artists.”

Speaking about how he started collecting scrap metal items from the street, the 65-year-old said: “The spark for this artistic journey was the first moments of an evening walk, when my eyes would trace the floor littered with scraps of plastic, scraps of iron and discarded remnants of lighting and plumbing, no longer fit for use or neglected.”

He added: “These pieces I picked up from the streets would become the core of my personal art collection — materials I plucked from the fate of neglect to submit to my ideas and participate in the creation of beauty.”

These materials can end up waiting for days and sometimes years in storage in his studio until an idea suddenly emerges.

“The journey of constructing the painting or sculpture begins; from choosing the colors and sizes of the pieces, to weaving the relationships between them into an artistic composition that gives it a new spirit.”

The Saudi Arabian Society for Culture and Arts recently hosted his first solo exhibition showcasing under the theme “The Neglected.”

“This exhibition is the fruit of those moments; an invitation to see the beauty in the unusual, and to contemplate art’s ability to redefine what is damaged and neglected to ultimately become more precious and valuable,” he said.

“My artistic experience in this exhibition is based on two complementary principles: First, protecting the environment from the effects of pollution and human-caused damage, by collecting remnants of harmful materials in the soil and saving them from becoming a burden on the earth.

“Second, sustaining the usefulness of objects, by recycling them and using them in the field of art after their original function has ended, reborn as works of art that convey an aesthetic, humanitarian and environmental message.

Al-Amri says that he plans to continue creating scrap metal sculptures and paintings.

“On a personal level, I want to reopen the Cezanne Fine Arts Center, which I founded years ago and continue to cultivate art until its very end.

“On a more general level, I strive to raise environmental awareness, enabling people to respect and preserve the environment.”


Nancy Ajram lands Times Square billboard

Updated 19 July 2025
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Nancy Ajram lands Times Square billboard

DUBAI: Lebanese superstar Nancy Ajram was featured this week on a Spotify billboard in New York City’s Times Square.

She was named the EQUAL Arabia ambassador for July, coinciding with the release of her new album, “Nancy 11.” EQUAL Arabia is a program that aims to amplify the work of women creators by giving them international recognition.

With a career spanning more than two decades, Ajram is known for hits such as “Ah W Noss,” “Ya Tabtab” and “Badna Nwalee El Jaw.” She has released several chart-topping albums, blending traditional Arabic melodies with modern pop, and has built a wide fan base across the region and internationally.


Saudi Theater and Performing Arts Commission participates in Avignon Festival in France

Updated 19 July 2025
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Saudi Theater and Performing Arts Commission participates in Avignon Festival in France

RIYADH: The Saudi Theater and Performing Arts Commission is taking part in the 79th edition of the prestigious Avignon Festival in France this month. This year’s festival shines a spotlight on the Arabic language, making it a fitting platform for showcasing the richness of Saudi cultural expressions.

The commission’s participation features four traditional performing art forms — Al-Khatwa, Khabiti, Liwa, and the Ardha of Wadi Al-Dawasir — alongside the theatrical production “Tawq.” Through its presence the commission aims to elevate Saudi performing arts while introducing contemporary Saudi theater to international audiences and fostering cultural exchange.

The play “Tawq,” which is directed by Fahad Al-Dossari, boasts a talented cast, including Ahmed Al-Zekrallah, Fatima Al-Jishi, Maryam Hussein, Abdulaziz Al-Zayani, Khaled Al-Huwaidi, and Shahab Al-Shahab. The performance promises to be a highlight of the festival, offering a glimpse into the evolving narrative of Saudi theater.

The play ‘Tawq’ is directed by Fahad Al-Dossari. (Supplied)

Al-Dossari told Arab News: “For me, any theatrical work is an integrated work, meaning that the harmony between all the elements and their quality is what creates this theatrical state, whether at the level of the idea, the directorial vision, the performance, or the scenography. This is what constitutes the strength of the theatrical performance.”

He stressed the significance of participating in the Avignon Festival, describing it as a “window to the world.”

Al-Dossari believes that the language of theater transcends borders, serving as a universal medium for conveying messages, ideas, and cultural narratives, and added: “This is what we seek in this important participation.”

The Star Program has played a vital role in enabling creative individuals in the theater sector to transform their ideas into reality. Al-Dossari noted the diversity of concepts and visions that have emerged, highlighting creativity in all aspects, from decor and costumes to music and acting performances.

He expressed gratitude to the authority for its unwavering commitment to fostering development and creativity within the sector.

As the Saudi Theater and Performing Arts Commission makes a mark at the Avignon Festival, it stands as a testament to the dynamic cultural landscape of Saudi Arabia and its dedication to sharing its artistic heritage with the world.


Huda Beauty supports Palestine with Saint Levant collab

Updated 19 July 2025
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Huda Beauty supports Palestine with Saint Levant collab

DUBAI: Huda Kattan, the US-Iraqi founder of Huda Beauty, this week launched a new collaboration with US-based Palestinian singer Saint Levant to support Palestine.

The partnership introduces a new shade of the brand’s popular Faux Filler Lip Oil, with proceeds going to organizations that support Palestinian agriculture and cultural preservation.

Named “Kalamantina,” the shade references Saint Levant’s song of the same name, released earlier this year. The lip oil also features a clementine scent.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by HUDA BEAUTY (@hudabeauty)

“This is for the homeland,” Kattan wrote on the brand’s Instagram page, alongside orange and Palestinian flag emojis. “In honor of this collaboration, Huda Beauty will make a donation to organizations supporting Palestinian agriculture and cultural preservation.”

Both Kattan and Saint Levant, born Marwan Abdelhamid in Jerusalem, have been hinting at this week’s launch through a series of Instagram posts.

In the clips, they danced to Saint Levant’s track “Kalamantina” and posed together next to a vintage car filled with clementines. In another shot, they held clementines labeled with fruit stickers that read, “Grown by Huda n’ Saint Levant.”

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by HUDA BEAUTY (@hudabeauty)

In the video, the music sensation wore a necklace featuring a map of Palestine, paired with a white tank top and denim jeans.

Meanwhile, Kattan appeared in a white off-the-shoulder lace dress with long, flared sleeves and a fitted silhouette. She completed the look with silver hoop earrings, oversized white sunglasses and a white headscarf, a nostalgic, vintage-inspired ensemble that matched the retro car and clementine-filled set.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Huda (@huda)

Both Saint Levant and Kattan have been outspoken in their support for Palestine and have used their platforms to raise awareness about the war in Gaza.

Saint Levant, whose mother is French Algerian and father is Palestinian Serbian, performed at the Coachella Valley Music and Arts Festival in California in 2024. During his set, he addressed the war, saying: “Coachella, my name is Saint Levant and I was born in Jerusalem and raised in Gaza … as I hope all of you are aware, the people of Gaza have been undergoing a brutal, brutal genocide. And the people of Palestine have been undergoing a brutal occupation for the past 75 years.”

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by HUDA BEAUTY (@hudabeauty)

Kattan, meanwhile, has regularly shared footage and updates from Gaza on her social media accounts to amplify awareness. In 2023, she announced a $1 million donation to two humanitarian organizations working in the region: Human Appeal and Doctors Without Borders.


Massive Attack, Brian Eno launch syndicate to defend artists criticizing Gaza war

Updated 18 July 2025
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Massive Attack, Brian Eno launch syndicate to defend artists criticizing Gaza war

  • Artists accuse pro-Israel groups of censorship, harassment
  • UK Lawyers for Israel wants to cancel careers, artists argue

DUBAI: British band Massive Attack, British singer and songwriter Brian Eno, Irish post-punk band Fontaines DC and hip-hop trio Kneecap have launched a syndicate to defend artists criticizing Israel’s alleged genocidal war on Gaza.

The group says these artists have been targeted by “aggressive, vexatious campaigns” orchestrated by pro-Israel groups.

In a statement shared on Instagram on Thursday, the musicians expressed concern for emerging artists who they believe are at risk of being “threatened into silence or career cancellation” by groups such as UK Lawyers for Israel.

“We’re aware of the scale of aggressive, vexatious campaigns operated by UKLFI and of multiple individual incidences of intimidation within the music industry itself, designed solely to censor and silence artists from speaking their hearts and minds,” the statement said.

“Having withstood these campaigns of attempted censorship, we won’t stand by and allow other artists — particularly those at earlier stages of their careers or in other positions of professional vulnerability — to be threatened into silence or career cancellation.”

The syndicate was announced amid mounting tensions involving the UKLFI.

The group filed a police report against Bob Vylan after the band chanted “death to the IDF (Israel Defense Forces)” during their Glastonbury set, an incident now under police investigation.

The UKLFI also filed a complaint with the BBC for broadcasting the performance, and several of the band’s upcoming shows have since been cancelled.

Mo Chara of Kneecap was also referred to authorities by the UKLFI and later charged with a terrorism offence, accused of displaying a Hezbollah flag during a live performance.

Following the report, Kneecap had several concerts cancelled.