INTERVIEW: Saudi women have beautiful, layered stories to tell, says Netflix exec

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Updated 06 July 2022
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INTERVIEW: Saudi women have beautiful, layered stories to tell, says Netflix exec

  • Nuha El-Tayeb discusses launch of Because She Created, a collection of 21 films by Arab women filmmakers

DUBAI: Netflix is launching a specially curated collection of 21 Arab films on July 7 titled “Because She Created.”

Featuring movies by female filmmakers, the collection includes documentaries as well as dramas and romance movies, amplifying the creative voices of Arab women filmmakers.

The filmmakers hail from diverse countries in the region including Saudi Arabia, Algeria, Egypt, Jordan, Kuwait, Lebanon, Morocco, Palestine and more.

The Because She Created platform was first launched last year as a virtual panel discussion hosting Arab women filmmakers to talk about the evolving role of women in the regional film industry.

Netflix then teamed up with the Cairo International Film Festival to host the second edition of Because She Created as a fireside chat with renowned Tunisian actress Hend Sabry. Now, the streaming giant is using the platform to launch a specially curated collection of films that shine a spotlight on Arab women filmmakers.

“We have had women filmmakers, writers, producers and actors creating their own ripple in the regional entertainment industry for decades,” Nuha El-Tayeb, director of Content Acquisitions, Netflix MENA and Turkey, told Arab News.

“Filmmakers in the Arab world are more aware that in order to be seen they have to have authenticity, but also to deliver a universal story. There is a return of powerful female lead roles in commercial cinema, young creatives are breaking traditional gender boxes and women are finding more avenues to tell stories they haven’t been able to tell before,” she added.

Arab cinema has had a moment on the global stage in recent years. In 2019, Nadine Labaki became the first Arab woman to be nominated for best Foreign Language film at the Oscars through her title “Capernaum.” Still, there are gaps in the industry that need to be addressed.

One way to create more opportunities for women is to let them have more autonomy over their stories, El-Tayeb said. “Actors need to be more conscious of the narratives and stories they choose to be involved in, and demand better and more authentic portrayals for women in film.”

This is especially important given that there are fewer scripts written for female characters, while male characters “remain the motor of Arab cinema,” she said.

“We know that more women behind the camera has a ripple effect for women in front of it,” El-Tayeb added. Netflix recently renewed “AlRawabi School for Girls” and “Finding Ola” for another season. Both shows are spearheaded by female showrunners and have made it to Netflix top 10 lists around the world.

“The success of these shows has helped Arab talent, creators and storytellers reach new audiences, and instilled a sense of pride,” she said.

Since the lifting of the cinema ban in 2018, Saudi Arabia has made significant investments in the creative industries, allocating $64 billion toward the entertainment sector alone. During the Red Sea Film Festival last year, the Ministry of Investment announced that the Kingdom would support the production of 100 films by 2030.

The Saudi Film Commission also announced an incentive program earlier this year offering financial refunds of up to 40 percent for local and international producers shooting in the Kingdom.

“There’s incredible talent in Saudi Arabia,” said El-Tayeb. “The entertainment landscape is rapidly evolving and Saudi women — like other women from the Arab world and globally — have beautiful, complex and layered stories to tell.”

Netflix is already working with Arab women not only to help tell their stories, but also to amplify their voices in order to reach a global audience. In April, it partnered with the Arab Fund for Arts and Culture to grant five women Arab filmmakers $250,000 to bring their work to life.

The streaming giant has also worked with writer and director Hana Al-Omair on “Whispers,” an eight-part psychological thriller, as well as with Haifaa Al-Mansour on “Wadjda,” the first feature film made by a female Saudi director.

As Saudi women become more involved in government and private industries, El-Tayeb hopes that they “gain more autonomy over their stories and give more people a chance to see their lives reflected on screen.

“With more women behind the camera, we can also expect more Saudi women to play leading roles and carry films in a way they may not have had the opportunity to do before.”

One of the films featured in the collection is Saudi filmmaker Ahd Kamel’s “Sanctity,” which tells the story of a young Saudi widow who endures a world of hardship to protect her unborn child. 

The film was nominated for a Golden Bear at the Berlinale 2013, and won a Golden Aleph at the Beirut International Film Festival as well as a Development Award at the Doha Tribeca Film Festival.

For many, the topic of the film might seem somewhat controversial. But for Kamel, it is simply about what a woman would do without a man, and “I don’t see anything controversial about that,” she told Arab News.

The idea for the film was born out of Kamel’s personal experience. At the age of 14, when she lost her father, Kamel saw her mother struggle to pick up the pieces and manage the household.

“I wanted to explore the topic of what is a woman’s power and where it lies,” she said. “I truly believe women can endure way more than men and it’s something that I wanted to honor.”

Kamel, who is also an actor, grew up in the Kingdom when a career in the film industry was not even possible. She moved to the US to study filmmaking — her true passion — and acting happened by chance.

In her initial roles, Kamel was cast as a terrorist, and then “upgraded” to a refugee and CIA agent. Going from a terrorist to an anti-terrorism agent for an Arab Muslim woman in Hollywood might seem like progress, but Kamel said that it was tied to a “political idea, whether we are creating terrorism or fighting it.”

Despite these challenges, Kamel added that “you have to continue believing in what you believe in.”

The Kingdom’s transformation, in particular, “shifts the whole paradigm,” she said. “If we (women) can say that we are part of writing the history of our culture and of our country, that is something quite groundbreaking and amazing.”

Netflix’s Because She Created collection includes films both by established, award-winning filmmakers as well as new talent. It also hosts work from “several underrepresented parts of the Arab world” that deserve a wider audience, El-Tayeb said.

“With this collection, we want to showcase the diversity and depth of work by women filmmakers in the region,” she added.

“We hope that through the collection, people around the world get a peek into award-winning masterpieces, directorial debuts and several poignant stories by female Arab filmmakers all at once.”


Iran sentences man to death for posts during 2022 protests

Updated 07 May 2024
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Iran sentences man to death for posts during 2022 protests

  • Mahmoud Mehrabi was convicted of inciting killings, insulting religious sanctities

TEHRAN: An Iranian court has sentenced a man to death over content he posted online during 2022 protests over the death in custody of an Iranian-Kurdish woman, the judiciary said Tuesday.
Iran was gripped by months-long protests over the death of Mahsa Amini, 22, after she was arrested for an alleged breach of the strict dress code for women.
The judiciary’s Mizan Online website said Mahmoud Mehrabi was found guilty of posting content that included guidance on how “to use homemade weapons and called for the destruction of public property.”
He was convicted of “inciting people to commit killings and insulting religious sanctities,” it added.
Lawyer Babak Farsani said Mehrabi was found guilty of the capital offense of “corruption on earth.” He can appeal against the sentence before the Supreme Court.
The months-long protests sparked by Amini’s death saw hundreds of people killed in street clashes, including dozens of security personnel.
Thousands were arrested as authorities moved to quell what they branded foreign-instigated “riots.”
Last month, an Iranian court sentenced popular rapper Toomaj Salehi to death for supporting the demonstrations.
Nine men have been executed in protest-related cases involving killings and other violence against security forces.
Amnesty International says Iran executed 853 people in 2023, the highest total since 2015.


Pulitzer Prizes in journalism awarded to The New York Times, The Washington Post, AP and others

Updated 07 May 2024
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Pulitzer Prizes in journalism awarded to The New York Times, The Washington Post, AP and others

  • The Pulitzers honored the best in journalism from 2023 in 15 categories, as well as eight arts categories focused on books, music and theater

NEW YORK: The New York Times and The Washington Post were awarded three Pulitzer Prizes apiece on Monday for work in 2023 that dealt with everything from the war in Gaza to gun violence, and The Associated Press won in the feature photography category for coverage of global migration to the US.
Hamas’ Oct. 7 attack on Israel and its aftermath produced work that resulted in two Pulitzers and a special citation. The Times won for text coverage that the Pulitzer board described as “wide-ranging and revelatory,” while the Reuters news service won for its photography. The citation went to journalists and other writers covering the war in Gaza.

In a final embrace Inas Abu Maamar, 36, cradles the shroud-wrapped body of her five-year-old niece, Saly, who died in Israeli strikes on Khan Younis, at the Nasser Hospital morgue before her funeral in southern Gaza, October 17, 2023. (REUTERS)

The prestigious public service award went to ProPublica for reporting that “pierced the thick wall of secrecy” around the US Supreme Court to show how billionaires gave expensive gifts to justices and paid for luxury travel. Reporters Joshua Kaplan, Justin Elliott, Brett Murphy, Alex Mierjeski and Kirsten Berg were honored for their work.
The Pulitzers honored the best in journalism from 2023 in 15 categories, as well as eight arts categories focused on books, music and theater. The public service winner receives a gold medal. All other winners receive $15,000.

Migrants cross the Rio Bravo on an inflatable mattress into the United States from Matamoros, Mexico, on May 9, 2023. (AP)

The 15 photos in AP’s winning entry were taken across Latin America and along the US-Mexico border in Texas and California in a year when immigration was one of the world’s biggest stories. They were shot by AP staffers Greg Bull, Eric Gay, Fernando Llano, Marco Ugarte and Eduardo Verdugo, and longtime AP freelancers Christian Chavez, Felix Marquez and Ivan Valencia.
“These raw and emotional images came about through day-to-day coverage of a historic moment in multiple countries documenting migrants at every step of their treacherous journeys,” said Julie Pace, the AP’s senior vice president and executive editor.
The United States has seen more than 10 million border arrivals in the last five years, with migrants arriving from a wide range of new locations like Venezuela, Cuba, Ecuador, Haiti and Africa, in contrast with earlier eras.

Day breaks as a survivor of an Israeli airstrike on southern Gaza, who was displaced from Gaza City and sought refuge with family in the city of Khan Younis, lays his head on the corpse of a female relative named Tamam, which lies alongside family members who were killed in the strike, in Nasser hospital, Khan Younis, Gaza, October 24, 2023. (REUTERS)

The AP has won 59 Pulitzer Prizes, including 36 for photography. The news cooperative was named a finalist for the national reporting Pulitzer on Monday for its coverage of hundreds of thousands of children who disappeared from public schools during the pandemic.
In citing the Times for its work in Israel and Gaza, the Pulitzer board mentioned its coverage of the country’s intelligence failures, along with the attack and Israel’s military response.
The award comes even as The Times has faced some controversy about its coverage; last month a group of journalism professors called on the publication to address questions about an investigation into gender-based violence during the Hamas attack on Israel.
The Times’ Hannah Dreier won a Pulitzer in investigative reporting for her stories on migrant child labor across the United States. Contributing writer Katie Engelhart won the newspaper’s third Pulitzer, in feature writing, for her portrait of a family struggling with a matriarch’s dementia.
“Every one of the winners and finalists showcases a drive for original, revelatory reporting that underpins so much of what we produce, from the biggest storylines in the news to feature writing as well as classic investigations,” said Joe Kahn, the Times’ executive editor.
The Washington Post staff won in national reporting for its “sobering examination” of the AR-15 semi-automatic rifle, which came with some gut-wrenching photos. “We were eager to find a way to cover it differently and change the conversation about mass shootings,” Peter Walstein, the Post’s senior national enterprise editor, said in the newspaper.
The Post’s David E. Hoffman won in editorial writing for a “compelling and well-researched” series on how authoritarian regimes repress dissent in the digital age. Its third award went to contributor Vladimir Kara-Murza, for commentaries written from a Russian prison cell.
The New Yorker magazine won two Pulitzers. Sarah Stillman won in explanatory reporting for her report on the legal system’s reliance on felony murder charges. Contributor Medar de la Cruz won in illustrated reporting and commentary for his story humanizing inmates in the Rikers Island jail in New York City.
The staff of Lookout Santa Cruz in California won in the breaking news category for what the prize board called “nimble community-minded coverage” of flooding and mudslides. On its website Monday, Lookout Santa Cruz said that it made its coverage free at a time of crisis in the community, and also used text messages to reach people without power.
“In short, we did our jobs,” the staff said in an unsigned article, “and we heard so many thanks for it. The Pulitzer is icing on that cake.”
The Pulitzers gave a second award in national reporting to the Reuters staff for an “eye-opening” series that probed Elon Musk’s automobile and aerospace businesses.
In local reporting, Sarah Conway of City Bureau and Trina Reynolds-Tyler of the Invisible Institute won for an investigative series on missing Black girls and women in Chicago, which showed how racism and the police contributed to the problem.
The Pulitzer in criticism went to Justin Chang of The Los Angeles Times for evocative and genre-spanning coverage of movies. The Pulitzer board’s second special citation went to the late hip-hop critic Greg Tate.
The awards are administered by Columbia University in New York, which itself has been in the news for student demonstrations against the war in Gaza. The Pulitzer board met away from Columbia this past weekend to deliberate on its winners.
The Pulitzers announced that five of the 45 finalists this year used artificial intelligence in research and reporting of their submissions. It was the first time the board required applicants for the award to disclose use of AI.
The prizes were established in the will of newspaper publisher Joseph Pulitzer and first awarded in 1917.
 

 


Advocacy group ‘alarmed’ as journalists shot at in West Bank

Updated 06 May 2024
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Advocacy group ‘alarmed’ as journalists shot at in West Bank

  • Al-Araby TV workers were not injured but their equipment was destroyed
  • Ameed Shehade, Rabih Al-Monayar were wearing ‘Press’ vests at time of attack

LONDON: American advocacy group the Committee to Protect Journalists says it is “extremely concerned” after hearing reports that two Al-Araby TV journalists were shot at by Israeli forces in the West Bank on Saturday.

Reporter Ameed Shehade and camera operator Rabih Al-Monayar came under fire while they were covering an Israeli raid on the village of Deir al-Ghusun in Tulkarm.

Neither of the men was injured in the attack but their equipment was destroyed.

The CPJ urged Israel to launch an investigation into whether the journalists were deliberately targeted.

“CPJ is alarmed by the Israeli soldiers’ shooting at two Al-Araby TV journalists, which hit their camera, while they were reporting in the West Bank,” the group’s Program Director Carlos Martinez de la Serna said.

Although he was “relieved” that the journalists had not been injured, he said he questioned whether the targeting was intentional as it was the second case of reporters being attacked while doing their jobs.

Al-Araby TV aired footage of the two men, who were wearing blue vests labeled “Press,” taking cover near their car.

 

 

Shehade said the shots were fired from a vehicle about 20 meters (22 yards) away and that they were clearly visible to the soldier.

Another journalist who was reporting on the raids confirmed that Shehade and Al-Monayar could be easily identified as members of the press.

According to The Guardian, Israeli forces killed five Palestinians in the overnight raid. Hamas confirmed that four of the men killed were from its al-Qassam armed wing.

Al-Monayar and Shehade suffered a similar attack in July last year while reporting on an Israeli operation against militants in the Jenin refugee camp in the West Bank. They again escaped personal injury but their video equipment was damaged.


Russia charges journalist with ‘justifying terrorism’

Updated 06 May 2024
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Russia charges journalist with ‘justifying terrorism’

  • Nadezhda Kevorkova was arrested for two Telegram posts regarding an Islamist raid and Afghanistan, her son reports
  • The journalist specialized in coverage of the Middle East

MOSCOW: Russia has detained prominent journalist Nadezhda Kevorkova and charged her with “justifying terrorism” over posts on her Telegram account, her lawyer said Monday.
Kevorkova, 65, wrote for a number of outlets including Novaya Gazeta and Russia Today and specialized in coverage of the Middle East, including the Israeli-Palestinian conflict.
“Nadezhda Kevorkova has been detained and will be taken to a temporary detention center today. The matter of pre-trial restrictions will be decided tomorrow,” lawyer Kaloy Akhilgov said.
The charges relate to two posts on her Telegram from 2018 and 2021, one a re-post from another journalist about the 2005 Islamist raid on Nalchik and the other about Afghanistan, he said.
The raid on Nalchik, a city in Russia’s North Caucasus, saw armed Islamist militants target government and security buildings in an attack that left dozens of people dead.
Her ex-husband Maxim Shevchenko, who presents a talk show on state television, rejected the charges against her.
“Nadezhda Kevorkova never justified terrorism and never justified the attack on Nalchik ... but as a journalist, she certainly wrote about torture during the investigation,” he said.
Russia has waged an unprecedented crackdown on freedom of the press since launching its full-scale offensive in Ukraine, silencing and detaining journalists at odds with the Kremlin.


Media watchdogs raise alarm over Al Jazeera ban, call for it to be lifted

Updated 06 May 2024
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Media watchdogs raise alarm over Al Jazeera ban, call for it to be lifted

  • Israel’s decision sets ‘dangerous precedent,’ Committee to Protect Journalists says
  • News channel vows to continue Gaza coverage, will pursue ‘every legal step’ to fight block

LONDON: Media watchdogs have condemned Israel’s decision to block Al Jazeera, raising concerns about the erosion of media freedom in the country, especially amid the ongoing conflict in Gaza.

The US-based Committee to Protect Journalists said the government’s decision set a dangerous precedent for other international media outlets operating in Israel.

“CPJ condemns the closure of Al Jazeera’s office in Israel and the blocking of the channel’s websites,” program director Carlos Martinez de la Serna said in New York.

Israel should allow Al Jazeera and all international media outlets to operate freely, particularly during wartime, he said.

Israel’s executive authority voted on Sunday to pass a law allowing the temporary shutdown of a foreign channel’s broadcasts if the content was deemed to be a threat to security during the ongoing war.

Soon after Prime Minister Benjamin Netanyahu announced the decision, reports emerged of raids on the offices of the Qatar-backed broadcaster.

The Foreign Press Association released a statement condemning the decision as a “dark day for the media” and accused Israel of joining “a dubious club of authoritarian governments” by banning the broadcasts.

The UN’s Human Rights office also urged the Israeli government to reverse the ban

“A free & independent media is essential to ensuring transparency & accountability. Now, even more so given tight restrictions on reporting from Gaza,” it said on X.

There has also been criticism of the decision from within the country, with the Association for Civil Rights in Israel filing a request to the Supreme Court to overturn the ban.

The news came amid a yearslong campaign waged against Al Jazeera by the Israeli government, which accuses it of anti-Israeli bias and “being a mouthpiece for Hamas.”

The broadcaster rejected the claims and said it would “pursue every legal step” to fight the decision.

Al Jazeera also vowed to continue its coverage from Gaza, as it remains one of the few networks with a strong presence on the ground, as foreign journalists are banned from entering the Strip without Israeli army supervision.

The network accused Israel of deliberately targeting its staff in an attempt to silence them.

“Israel’s suppression of free press to cover up its crimes by killing and arresting journalists has not deterred us from performing our duty,” it said in its response to Sunday’s ban.

Despite the ruling, the channel remains accessible through Facebook in Israel.