Pakistani sister duo rebrands grandfather’s 50-year-old leather bag business, makes it online success

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Updated 09 March 2025
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Pakistani sister duo rebrands grandfather’s 50-year-old leather bag business, makes it online success

Pakistani sister duo rebrands grandfather’s 50-year-old leather bag business, makes it online success
  • Marium and Sakina Hussain manage most domains of the leather goods business they have named after their grandfather
  • Offering a range of products, the sister duo now plans to not only launch a physical outlet, but expand it beyond Pakistan

KARACHI: Turab Ali Ismail Ji Munniwala, a skilled craftsman, set up a small leather retail shop in Pakistan’s commercial capital of Karachi in 1975 and put his heart and soul into making leather bags of various shapes and sizes. His son, Aqeel Hussain, took over the business ten years later and focused it on corporate giveaways, but after the passing of Munniwala more than three decades later, it became difficult for Hussain to run the business alone.

In conservative Pakistan, people often expect a male heir like Hussain, now in his 60s, to carry forward the family’s business and legacy, but Hussain had no son and his daughters, Marium and Sakina, determined to honor their late grandfather’s 50-year legacy, took it upon themselves and amazed many by making Munniwala’s leather bag business an online success.

The sister duo, 32-year-old Marium and 25-year-old Sakina who both had full-time careers as a graphic designer and a corporate lawyer respectively, set out to take their grandfather’s business online in February 2022. Today, their venture, named ‘Turab’ after Munniwala, is breathing new life into a legacy that could have faded away without them.

“It wasn’t a planned thing initially, but it just sort of came into being that ‘okay, who’s going to help Abbu [our father]?’,” Sakina recalled how Turab came to life.

“When we basically started to grow up, it was always a thing that who is going to take this business forward because we don’t have a brother. Living in a desi [local] household, it’s always a thing that businesses are being led forward by sons in a family.”




Sakina Hussain, co-funder of Turab, is holding a tote bag at her home in Karachi, Pakistan, on March 6, 2025. (AN photo)

Born and raised in Karachi, the sisters belong to the Dawoodi Bohra community. The family’s shop in Saddar still exists, with their grandfather’s working table still intact. Two of the workers, who started out with their father years ago, still work at the shop and mainly look after the production side of affairs with Hussain.

“People nowadays kill to buy pure leather products, but we don’t have the kind of market for pure leather products here. The players that we have in the market are really expensive for the masses to buy,” Sakina told Arab News.

“And that’s kind of where the idea of Turab came into being. We wanted to create something that’s not only good quality leather but also really affordable.”

Both Marium and Sakina have since been pushing their family legacy forward with a fresh, modern touch.

“As far as the designing is concerned, that’s where we come in. We decided to make the most modern and minimal products that you don’t find in the market,” Marium told Arab News.




Marium Hussain (left) takes picture as Sakina Hussain poses for a picture with a Turab bag at their house in Karachi, Pakistan, on March 6, 2025. (AN photo)

Turab offers a range of leather products including tote bags, cross body bags, duffel bags, wallets, travel organizers and laptop sleeves in shades of red, green, orange, yellow and blue.

“Being two women, who like to carry good bags [and] funky colors, the inspiration comes from within. All the players in the market that we have for pure leather, they typically go around the shades of browns [and] blacks,” Sakina said.

“And while that’s a big classic, the youth of today really resonates with vibrant and funky colors and that’s something that we’ve tried to incorporate in our brand.”

As co-founders, the two sisters manage most domains of the online business themselves. The branding is taken care of by Marium.

She also does product photography herself, with Sakina modelling for it.

“It’s a home-based setup [and] that’s how it started. We started making all of our products at the shop and then we brought it home. We converted our dada’s [grandfather’s] room basically into the Turab room and that’s where we store all of our products,” Marium said.




Marium Hussain, co-funder of Turab, stands outside her retail shop in Karachi, Pakistan, on March 6, 2025. (AN photo)

The sisters have been to pop-ups and exhibitions, which they say has really helped elevate their business.

But it has its challenges too.

“When people see two women behind the table, specifically men, they come and try to question the knowledge that we have about leather [and] about the product we are selling,” Sakina shared.

“They probably think that we don’t know enough or not more than them.”




Marium Hussain (right), Sakina Hussain (left), and their father pick leather at their retail shop in Karachi, Pakistan, on March 6, 2025. (AN photo)

Marium, on the other hand, was initially not taken seriously by the artisans at her grandfather’s shop.

“I often go to [our shop in] Saddar to discuss the production side and the karigars [artisans] often don’t take me very seriously. They give me that look that, ‘we will talk to your dad. He knows, you don’t know’,” she said, adding that she hasn’t see any women anywhere near the leather goods production side at least.

However, her father vouched for the skill of both sisters to run the business.

“They catch everything very quickly,” he said. “The leather business is a bit technical. It took them about a year and a half [to learn], but now they can feel everything and tell you what is leather and what is not.”

The two sisters have carved a niche and the future looks promising as they plan to launch a physical outlet and make Turab a “household name” not just in Pakistan, but beyond.

“From packing orders every two days to one week, now packing every single day [and] multiple orders in a day, we have come a long way. And just going forward,” Marium said.

“We got a couple of orders from Dubai. Right now, I am talking to someone in Canada [and] the USA.”


‘Fever Dream’ starring Fatima Al-Banawi lands on Netflix

‘Fever Dream’ starring Fatima Al-Banawi lands on Netflix
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‘Fever Dream’ starring Fatima Al-Banawi lands on Netflix

‘Fever Dream’ starring Fatima Al-Banawi lands on Netflix

DUBAI: Saudi filmmaker Faris Godus’ latest feature “Fever Dream” is now available to stream on Netflix, bringing together a star-studded local cast including Fatima Al-Banawi, Sohayb Godus, Najm, Hakeem Jomah and Nour Al-Khadra.

Supported by the Red Sea Fund, the film, which explores themes of media manipulation, digital identity, and the cost of fame in the age of online influence, had its world premiere at the 2023 Red Sea International Film Festival. 

It tells the story of Samado, a retired football star who, burdened by media scrutiny and public notoriety, finds a chance to reclaim control. Partnering with his daughter, he sets out to take revenge on a powerful social media portal. But as they plunge deeper into their pursuit of fame and digital redemption, the line between ambition and obsession begins to blur.

Najm plays Ahlam, the daughter of Samado, while Jomah appears as Hakeem, a PR agent hired to help restore Samado’s public image. Al-Banawi takes on the role of Alaa, another key PR agent working alongside Hakeem.

Godus is famous for his work “Shams Alma’arif” (The Book of Sun), which also streamed on Netflix, and “Predicament in Sight.” 

He previously said in an interview with Arab News: “(In Saudi Arabia), we have a rich soil to build content on and so many stories to tell. I do believe that nowadays the support coming from our country is just awesome. People have so many chances to create films now.”

Meanwhile, Al-Banawi is recognized for her roles in “Barakah Meets Barakah” and the Saudi thriller “Route 10.” 

She made her directorial debut with “Basma,” in which she also plays the title role — a young Saudi woman who returns to her hometown of Jeddah after studying in the US. Back home, she is confronted with her father’s mental illness, strained family ties, and the challenge of reconnecting with a past life that no longer feels familiar.

“I really went into cinema — in 2015 with my first feature as an actress — with one intention: to bridge the gap between the arts and social impact and psychology,” she previously told Arab News. “And I was able to come closer to this union when I positioned myself as a writer-director, more so than as an actor.” 


What to expect at the 10th edition of the UK’s SAFAR Film Festival 

What to expect at the 10th edition of the UK’s SAFAR Film Festival 
Updated 11 June 2025
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What to expect at the 10th edition of the UK’s SAFAR Film Festival 

What to expect at the 10th edition of the UK’s SAFAR Film Festival 

DUBAI: The 10th edition of the SAFAR Film Festival launches on Wednesday with a newly restored screening of the 1972 Egyptian classic “Watch Out for Zouzou” by Hassan Al-Imam at Ciné Lumière in London. 

The festival will run until June 28, concluding with the UK premiere of “Sudan, Remember Us” (2024) by Hind Meddeb. 

This edition of SAFAR will take place across cinemas in London and nine other UK cities, showcasing a broad range of feature films, documentaries and shorts from the South West Asia and North Africa region. 

A complementary online programme, curated by the Lebanese nonprofit cultural organization AFLAMUNA, will run throughout the month, exploring works that respond to the Lebanese civil war — 50 years after it began.

Audiences can expect films that explore themes of migration, political empowerment, conflict, creativity and joy. 

Among this year’s highlights is “A State of Passion,” documenting the work of British Palestinian reconstructive surgeon Dr. Ghassan Abu Sittah in Gaza. Directed by Carol Mansour and Muna Khalidi, the film delves into the emotional toll of his work. 

Veteran Palestinian actor, director and documentarian Mohammad Bakri will be a special guest, delivering a masterclass and appearing for screenings of “Upshot” (2024) by Maha Haj and his landmark 2002 documentary “Jenin, Jenin,” which was banned by the Israeli Film Board. The film features testimonies from survivors of the 2002 Israeli military assault on the Jenin refugee camp.

Among other notable titles is “Seeking Haven for Mr Rambo” (2024) by Khaled Mansour, an emotive thriller that follows Hassan on a mission to protect his best friend and dog. The film previously won the Grand Prize at the Red Sea International Film Festival. 

“Red Path” (2024) by Lotfi Achour, based on a true story, recounts the harrowing experience of 13-year-old Achraf, who is forced to carry the severed head of his cousin back to their village after a terrorist attack. 

In “Saify” (2024) by Wael Abu Mansour, a middle-aged trickster sells tapes of banned Islamic sermons in hopes of quick profit, offering a sharp social commentary on the pursuit of wealth. 

Directors of all three films will be present at SAFAR for post-screening discussions.

Also part of this year’s programme is Laila Abbas’s dark comedy “Thank You for Banking With Us!” (2024), where two estranged sisters reunite to claim their inheritance before the authorities discover their father’s death and transfer it to their brother.

SAFAR will also present “Palestine – A Revised Narrative,” a 30-minute silent film compiled from 35mm archival footage shot by British forces in Palestine between 1914 and 1918. Commissioned by ALFILM, this screening will feature a live score by composer Cynthia Zaven and sound design by Rana Eid, re-examining the British imperial narrative at a pivotal moment in Middle Eastern history.

The festival includes environmental programming through “Biodiversity and Cinema,” an initiative launched in 2023 that brings together Lebanese filmmakers and ecologists to create short documentaries on ecosystems and microorganisms. A selection of these films will screen under the title “Rooted Resistance,” with filmmakers in attendance.

“The Brink of Dreams” (2024) by Nada Riyadh and Ayman El-Amir also features in this year’s line-up. Shot over four years in southern Egypt, the film follows a group of girls who form a street theatre troupe to challenge the expectations of their conservative village.


Review: Aria Aber’s debut novel ‘Good Girl’ marks her as a writer to watch

Review: Aria Aber’s debut novel ‘Good Girl’ marks her as a writer to watch
Updated 11 June 2025
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Review: Aria Aber’s debut novel ‘Good Girl’ marks her as a writer to watch

Review: Aria Aber’s debut novel ‘Good Girl’ marks her as a writer to watch

JEDDAH: In her debut novel “Good Girl,” German-born poet Aria Aber writes a raw tableau of contemporary German society, plunging readers into post-9/11 psyche through the eyes of Nila, a 19-year-old Afghan German girl.

As Nila stumbles through Berlin’s underground techno scene, the city emerges as a character that, like her, is fractured and being forged anew. Berlin seems to be in the throes of struggling to reinvent itself amidst rising Islamophobia and neo-Nazi violence, while Nila’s quest for selfhood emerges in her rebellion against the suffocating expectations imposed on Afghan girls and the identity crisis born out of living in a society that seems suspicious of her presence.

It's a tale as old as the human desire for movement and refuge: Nila is too Afghan for German society, and too German for the Afghan community, with both watching her every move. Aber’s raw and fragmented narrative style mirrors her character’s splintered identity while capturing her “violent desire” to live and her aching need to belong and to be accepted as she is.

Though the novel occasionally stumbles with uneven pacing and moments that may seem repetitive or overwritten, what sets it apart is the author’s refusal to sanitize or sermonize. Nila’s messy, unconventional path to self-discovery remains unapologetically hers.

The emotional core of the novel lies in the tension between expectations placed on girls and the honor-based abuse that simmers beneath. Nila’s parents, progressive by diaspora standards, permit her artistic pursuits and eschew strict traditions. Yet their insistence on a “good girl” image still carries an undercurrent of control that constrains her freedom.

Ultimately, “Good Girl” is a young woman’s howl against a world that demands she shrink, marking Aber as a writer to watch.


Mya lights up BET red carpet in Alexis Bittar jewels

Mya lights up BET red carpet in Alexis Bittar jewels
Updated 10 June 2025
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Mya lights up BET red carpet in Alexis Bittar jewels

Mya lights up BET red carpet in Alexis Bittar jewels

DUBAI: US singer-songwriter Mya Marie Harrison, who goes by the stage name Mya, showed off accessories by a part-Syrian designer at the BET Awards in Los Angeles on Monday night.

Grammy Award–winning singer and entertainer Mya showed off a handbag and jewelry by accessories designer Alexis Bittar on the red carpet before she delivered a dynamic performance of her 2000 hit “Case of the Ex.”

On the carpet, she was fully accessorized in Bittar’s flashy, decadent pieces — from an extravagant pendant at her neck to an eclectic stack of bangles, all topped off with a sparkly silver clutch.

Known for his bold, organic designs and use of mixed materials, Bittar infuses distinct Middle Eastern flair into his work. The New York–based designer, who is half Syrian on his father’s side, has built a global reputation for his statement-making accessories.

Grammy Award–winning singer and entertainer Mya showed off a handbag and jewelry by accessories designer Alexis Bittar. (Getty Images)

Mya is far from his first celebrity client. His expansive portfolio includes the likes of Michelle Obama and Cameron Diaz, and he famously served as the costume jewelry designer for HBO series “Sex and the City,” helping define character Carrie Bradshaw’s now iconic looks.

On Monday night, Bittar’s creations were just one part of a star-studded evening that balanced fashion, purpose, and powerful performances.

The BET Awards delivered a night of major star power and poignant moments, marking the ceremony's 25th anniversary with a mix of comedy, emotion and calls for justice, the Associated Press reported. The festivities included a powerful speech by Doechii, Jamie Foxx’s emotional reflection and Kevin Hart’s sharp comedic opener.

Doechii, in particular, made her presence felt early during the five-hour ceremony, using her acceptance speech for best female hip-hop artist to draw attention to the immigration raids and protest crackdowns taking place just miles from the venue.

Foxx, Mariah Carey, Snoop Dogg and Kirk Franklin received the Ultimate Icon Award. They were selected due to their impact on entertainment as well as their community impact and advocacy.

Carey said this was her first time collecting a trophy at the BET Awards.

“It took me a while, but I finally realized that life is far too short to live for anyone else's approval, which is something I always did,” said Carey, a five-time Grammy winner. “I decided to own who I am.”

 


Cynthia Erivo wears Ashi Studio at Tony Awards

Cynthia Erivo wears Ashi Studio at Tony Awards
Updated 09 June 2025
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Cynthia Erivo wears Ashi Studio at Tony Awards

Cynthia Erivo wears Ashi Studio at Tony Awards
  • Show’s major highlight sees cast of hit musical ‘Hamilton’ reunited

DUBAI: British singer-songwriter and actor Cynthia Erivo picked Saudi-helmed Parisian label Ashi Studio for two of her electrifying looks as she hosted the 2025 Tony Awards, the annual ceremony celebrating the best in Broadway theater, held at the Radio City Music Hall in New York.

Erivo’s first Ashi Studio look featured an oversized black coat dress dotted with bedazzled details, which she wore over black pants and a tube top.

Her second look was a black and gold snakeskin-print tailored trench coat with voluminous sleeves and an oversized collar, cinched by a fitted corset from the SS25 Ashi Studio collection. She wore the look to welcome Auli'i Cravalho to the stage.

“Maybe Happy Ending,” “Purpose,” “Sunset Blvd.” and “Eureka Day” took the top prizes at the awards, winning best musical, best play, best musical revival, and best play revival, respectively.

The ceremony also saw Sarah Snook (“The Picture of Dorian Gray”), Cole Escola (“Oh, Mary!”), Darren Criss (“Maybe Happy Ending”), and Nicole Scherzinger (“Sunset Blvd.”) win the lead acting awards for plays (Snook and Escola) and musicals (Criss and Scherzinger).

“Maybe Happy Ending” won a total of six awards after going into the night tied with “Buena Vista Social Club” and “Death Becomes Her” for the most nominations, with 10 apiece.

“Buena Vista Social Club” won four awards, while “Death Becomes Her” only took home one trophy, for Paul Tazewell’s costume design, which was presented in the “Tony Awards: Act One” pre-show.

Amal and George Clooney at the 2025 Tony Awards. (AFP)

Also in attendance at the event as British Lebanese human rights lawyer Amal Clooney, along with actor-husband George Clooney. The couple’s arrival at the Tonys came hours after George closed his record-breaking Broadway show, “Good Night, and Good Luck.” Amal wore an off-the-shoulder white gown with strands of pearls draped across the fabric, which she accessorized with a matching clutch.

A major highlight of the show saw the cast of the hit musical “Hamilton” reunited for a special performance in honor of its 10th anniversary.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by CBS (@cbstv)

Lin-Manuel Miranda, the creator and star of the Tony-winning show, was joined by more than two dozen members of the original cast, including Leslie Odom Jr., Phillipa Soo, Daveed Diggs, Renee Elise Goldsberry, Anthony Ramos, Christopher Jackson, Jonathan Groff, and Ariana DeBose.

The performance began with Miranda and Odom Jr. performing a snippet from the song “Non-Stop.” The show continued with a medley of tracks from the “Hamilton” score, including “My Shot,” “The Schuyler Sisters,” “You’ll Be Back,” “The Room Where it Happens” and “History Has Its Eyes on You.”