Sophisticated thriller: The Aston Martin DBS Superleggera

The DBS Superleggera is a close relative of Bond’s DB5, sharing a common design ancestor in the Italian coachbuilder that inspired the elegant but dynamic curves of both cars. (Screenshot: AN Video)
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Updated 14 September 2020
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Sophisticated thriller: The Aston Martin DBS Superleggera

  • James Bond’s car of choice is back - minus the ejector seat and smoke machine

DUBAI: As I slipped behind the Caithness leather steering wheel of the Aston Martin DBS Superleggera, I felt a pang of nostalgia. For the next couple of days, test-driving this incredible vehicle, I knew I would be whisked back to my teenage years when I first saw an Aston - driven by actor Sean Connery as James Bond in the film “Goldfinger.”

I even found myself mouthing the words: “The name is Kane. Frank Kane.”

Aston and Bond have had a relationship since the 1960s, when 007 threw the car round the hairpin bends of the Swiss Alps on his way to the lair of the gold-smitten villain, and I have been under Aston’s spell ever since.

I have driven lots of luxury sports cars, some of the best in the world, but none has the emotional resonance of an Aston Martin with me. It is simply a mesmerizing vehicle that has the power to lift you out of the everyday and into a fantasy land of espionage, beautiful women and thrilling peril.  

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The DBS Superleggera is a close relative of Bond’s DB5, sharing a common design ancestor in the Italian coachbuilder that inspired the elegant but dynamic curves of both cars. If the DBS looks powerful, that’s because it is. The 5.2-liter twin-turbo V-12 engine generates enough torque to get from standing to 160 km/h in 6.2 seconds. At a top speed of 340 km/h you are nearly flying. It is the most powerful Aston currently on the road.

The handling and suspension are a real ‘wow’ factor. The engine is mounted low and as far back in the car as possible, giving it a center of gravity that allows you to do amazing things on tight curves.

Gun it into a sharp bend at a speed that would overturn the sedate 4X4 I drive everyday and the car remains clamped to the road, which is how Bond managed to stay in control on those Alpine passes while still able to sweet talk the blonde in the passenger seat. (Perhaps disappointingly, the Superleggera has no ejector seat).

On an open freeway, you can sense that the DBS simply wants to be the fastest car on the road. Acceleration from medium speed is almost neck-breaking and, once you hit the 120 km/h speed limit, there is still plenty of space between the gas pedal and the floor. “Faster, faster,” the car seems to be saying in a deep-throated snarl.

And it looks sensational. The car I drove, courtesy of the lovely people at Aston Martin MENA, was what they call “intense blue’ with a black mesh roof, and it was certainly a head-turner at the five-star hotels in the UAE. The valet’s face lit up with glee when I pulled into the forecourt.

Inside, it has everything you would expect from a super-luxury GT high-performance car: Bang & Olufsen audio, Bluetooth connectivity, and an incredibly clear and detailed navigation system.

The starting price is around the $327,000 mark but, as usual with luxury cars, the sky’s the limit once you start adding the extras. There is no current choice of front-mounted machine guns and rear smoke machine, sadly. What would Bond have thought?

Corporately, the British carmaker is going through (another) time of transition, but it has produced an amazing range of vehicles that appeal to the sophisticated thrill-seeker.

Aston owners are not the privileged sons of multimillionaires given a fast and expensive toy for their 21st birthday, they are successful investment bankers, high-achieving lawyers and self-made entrepreneurs who want a status symbol that reflects their real daredevil mentality.

And they are also journalists of a certain age who want to recapture the glamour and thrill of their youth, and who order their skimmed lattes shaken, not stirred.


May Calamawy promotes Palestinian film’s North American run

Updated 13 July 2025
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May Calamawy promotes Palestinian film’s North American run

DUBAI: Egyptian Palestinian actress May Calamawy took to social media on Saturday to promote Palestinian film “To A Land Unknown.”

Distributed by Watermelon Pictures, the film is directed by Mahdi Fleifel and stars Angeliki Papoulia, Mahmoud Bakri, Manal Awad and Aram Sabbah.

Watermelon Pictures was co-founded by Alana Hadid. (File/Getty Images)

May Calamawy took to Instagram Stories to share news that “To A Land Unknown” is on a 40-screen cinema run in North America this month, including showings in New York, Houston and Vancouver.

“Reda and Chatila are two Palestinian cousins hustling their way through the underbelly of Athens pursuing their dream of making it to Germany. But as their hardship grows, so too does their desperation. When Chatila hatches a reckless all-or-nothing plan, it strains their bond and pushes the limits of what they will do for freedom,” the film’s logline reads.

The film was awarded the Silver Yusr Award December’s Red Sea Film Festival in Saudi Arabia.

Watermelon Pictures was co-founded by Alana Hadid, the sister of supermodels Gigi and Bella Hadid. Hadid — along with brothers Badie Ali and Hamza Ali — co-founded Watermelon Pictures, a production company with a mission to create compelling, impactful stories that resonate with global audiences.

“I was honored to be asked to be the creative director of Watermelon Pictures. I think it’s not only a passion project for Hamza and Badie, but it is an opportunity for Palestinians to have a place to go to tell their stories … I get emotional about it. I think it’s just one of the most beautiful things that people have a place where they can put their stories. And we know that we have a safe place for that,” Hadid previously told Arab News.

For her part, Calamawy is known for her roles in US Netflix series “Ramy” and “Moon Knight” (2022), where she plays dual characters Layla El-Faouly  and the Scarlet Scarab.

She made headlines in late 2024 when almost all her scenes were cut from Ridley Scott’s “Gladiator II,” with fans taking to social media to complain.

Her casting in the film was first announced in May 2023.

At the time, Deadline reported that Scott had cast Calamawy after a lengthy search, writing: “While many of the leading roles were straight offers, Scott wanted to do a similar search he did for the (Paul) Mescal part for the role that Calamawy ultimately landed.”

However, fans noticed that in the final cut, which hit cinemas in November, Calamawy is only seen in passing and she has no dialogue.


Christie’s London to feature retrospective on Syrian artist Marwan

Updated 13 July 2025
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Christie’s London to feature retrospective on Syrian artist Marwan

DUBAI: Christie’s is poised to host a non-selling exhibition of work by late Syrian artist Marwan Kassab-Bachi, titled “Marwan: A Soul in Exile.”

Taking place from July 16-22, the show was curated by Ridha Moumni, chairman of Christie’s Middle East & Africa.

This retrospective exhibition will display more than 150 works on loan from museums, institutions and private collections in Europe and the Middle East. The exhibition traces the artist’s career, from his artistic beginnings in Syria to his prolific output in Germany, his adopted homeland, where he spent six decades of his life.

“I wanted to highlight the essential threads running through his career: from his iconic ‘Face Landscapes’ to the celebrated ‘Heads,’ his journey from Damascus to Germany, and the pivotal moments that shaped his legacy — including his major 1976 retrospective at Charlottenburg Schloss, which established his place in the German art scene,” Moumni told Arab News.

“Equally important is his enduring connection to Syria and the Arab world,” he added.

With paintings, works on paper, and editions from 1953 until 2014, this exhibition offers audiences in London the chance to explore the artist’s multi-disciplinary approach.  

“Over the past two years, our aim has been to introduce artists and artistic scenes to London that people here don’t often get to see. One of our deepest commitments is to highlight the richness of artists from the Arab world or of Arab heritage. Marwan embodies this mission beautifully: a towering figure from the Syrian diaspora, who built an extraordinary career in Germany, and had a big impact on modern portraiture,” Moumni said of Christie’s decision to spotlight the artist this summer.

In 1957, Marwan moved to Berlin and attended the Hochschule fur Bildende Kunste, graduating in 1963. The artist, who is referred to by his first name, joined a group of German expressionist painters that included Georg Baselitz and Eugen Schonebeck, but he retained his Syrian identity and engaged with social and political issues of the Middle East through his work. 

“For those who already know his work, I hope they uncover new depths — its poetic power, its meditations on exile, identity, and belonging. Above all, I hope visitors feel a true connection to Marwan’s work,” Moumni said.

 


Artist Dan Pearce explores kinetic energy in Doha artwork

Updated 12 July 2025
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Artist Dan Pearce explores kinetic energy in Doha artwork

  • Steel sculpture captures water dropping onto a surface
  • Doha peninsula was inspiration, Pearce tells Arab News

DUBAI: Internationally-acclaimed London-based artist Dan Pearce has revealed the inspiration for his work to mark the 20th anniversary of the Four Seasons Hotel Doha, titled “Kinetic Drop.”

Known for commissions from French football icon Paul Pogba, other celebrities and global exhibitions, the artist’s bespoke sculpture is crafted from stainless steel.

“I titled this sculpture ‘Kinetic Drop’ because it captures that precise moment when a water droplet collides with a surface, that split second when kinetic energy disperses in all directions,” Pearce told Arab News recently.

“With all my work, I aim to trigger one of three responses: to make viewers think ‘how did he do that?’ to inspire them to touch the artwork, or to encourage movement around the piece for different perspectives,” he added.

The artist, who was born in Australia, is known for his pop culture-inspired work and often turns to DC Comics, musicians and street art for source material.

Taking inspiration from the hotel and its surroundings in Doha may have been a welcome departure for the artist. “The sculpture is mounted on a map of Qatar.

“Geographically, Qatar is also surrounded by water as a peninsula while Four Seasons Doha is situated on the Arabian Gulf where I could see endless views of the shimmering waters from our room — this was also part of the inspiration behind the piece,” he explained.

As for the location of the artwork, the artist said it “could create a sense of urgency and exclusivity, encouraging visitors and guests to interact and connect with it on a social level and experience it before it’s gone.”

Pearce’s work has captured the attention of celebrities and worldwide brands, with commissioned pieces for boxing champion Anthony Joshua, Grammy nominee Rag’n’Bone Man, and hip-hop star 50 Cent, to name a few.

Ensuring his work can be understood across cultures is something that was particularly important to Pearce in the run-up to his showcase in Doha.

“With the concept of the sculpture being water, this makes it universally significant across all cultures. Water represents life, renewal, and connection which are key elements that can transcend cultural boundaries,” he said.


Superman fans claim film is critical of Israel

Updated 12 July 2025
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Superman fans claim film is critical of Israel

DUBAI: James Gunn’s new “Superman” film is drawing attention online for what many viewers interpret as a pointed political message. 

A scene showing a heavily armed military force attacking civilians across a border, where children’s lives are at risk, has sparked comparisons to the Israel-Gaza war.

While neither Gunn nor the cast have stated the film references Israel or Palestine, early audiences have drawn their own conclusions, suggesting the conflict serves as an allegorical backdrop.

One user wrote on X: “Y’all were not kidding about how anti-Israel and pro-Palestine that superman movie was, and they were not slick with it AT ALL,” while another said: “Superman was so openly anti-Israel and god it was so good.” 

Another user said: “Not going to lie I really like the anti-Israel sentiment from superman and now I know James Gunn is always standing on business.” 

Though the film never names specific nations, Gunn has said in interviews that it tackles themes of “politics” and “morality,” and positions Superman as an immigrant, comments that have also sparked backlash from some US conservatives.

The film is a reboot of the DC franchise and marks the beginning of Gunn’s new DC Universe. It stars David Corenswet as Clark Kent/Superman and Rachel Brosnahan as Lois Lane. The cast also includes Nicholas Hoult as Lex Luthor and Isabela Merced as Hawkgirl.

The movie was released in Saudi Arabia on July 10. 


Syrian Rami Al-Ali makes Paris haute couture history with debut collection

Updated 11 July 2025
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Syrian Rami Al-Ali makes Paris haute couture history with debut collection

DUBAI: Syrian designer Rami Al-Ali made history this week as the first couturier from his country to take part in the official Paris calendar, choking back tears at the end of his show of exquisitely tailored pieces.

Working within a palette of soft neutrals, icy pastels and muted metallics, the designer explored volume, texture and structure with a distinct architectural approach.

There were structured silhouettes featuring sharp tailoring and asymmetric cuts, softened by draped elements or delicate embellishments. 

 

 

Floor-grazing gowns crafted from layers of organza and chiffon created a sense of fluidity, with subtle transparency lending an ethereal quality. Hand embroidery, pleated tulle and intricate smocking added depth and visual interest across the collection.

Several looks featured woven or lattice-like details, both in full panels and as accents, emphasizing artisanal technique. 

Other standout designs played with sculptural forms; one gown unfurled into fan-like pleats, while another used cascading layers.

Al-Ali’s inclusion in the Paris calendar marks a major milestone, signaling his entry into fashion’s most elite circle. To qualify for the official haute couture, or “high fashion,” designation, fashion houses meet rigorous standards, and the title is legally protected under French law.

It is a “historical milestone, celebrating a lifelong devotion to craftsmanship, culture, and creative expression, rooted in heritage and elevated by vision,” the fashion house posted on Instagram when it was first announced that Al-Ali would join the calendar.

Originally from Damascus, Al-Ali honed his fashion skills in Dubai and Beirut before founding his label, Rami Al-Ali Couture, in 2001.

His creations have been worn by a variety of celebrities, including Amal Clooney, Eva Longoria, Jennifer Lopez, and Jessica Chastain.

Al-Ali’s work has been praised for seamlessly blending his Middle Eastern heritage with Western sensibilities. He is known for designing flowing silhouettes adorned with intricate, playful embellishments — creations that are both timeless and runway-worthy.

Al-Ali was one of a handful of Arab designers on the official haute couture calendar. The lineup also included Lebanese designers Georges Hobeika, Elie Saab and Zuhair Murad, as well as Saudi couturier Mohammed Ashi.