Animated film selected for international festival highlights mental health of war children in Jordan

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“Saleem” tells an uplifting story about a nine-year-old boy who lost his father and was forced to flee with his mother, brother, and sister from his war-torn city. (Supplied)
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Updated 24 May 2023
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Animated film selected for international festival highlights mental health of war children in Jordan

  • The arrival in Jordan of more than 1 million refugees fleeing war in Syria sparked the idea to highlight mental health issues
  • “Saleem” was chosen out of 3,338 entries from 112 countries to compete in next month’s Annecy festival

AMMAN: Cynthia Madanat Sharaiha’s life-long passion for all things art has manifested itself onto the silver screen.

Although she studied engineering, a combination of the digital revolution and regional upheavals has moved her into making films with a message.

Her latest project, “Saleem,” a 3-D animated feature, has been selected to participate in the Annecy International Animation Film Festival, the movie’s debut festival nomination.

Made with her husband and partner, executive producer Shadi Sharaiha, and produced by Jordanian company Digitales, along with more than 100 Jordanian and international artists, the flick highlights issues related to children’s mental health through the story of a Middle Eastern child forced to flee his home due to war.

During a press conference in Paris, Annecy festival artistic director, Marcel Jean, described the film as “a surprise we did not expect.”

He said: “We were captivated by the sensibility and delicacy of the film. I strongly encourage people to explore the work at the festival this year.”

Deadline reported the selection of “Saleem” for the festival as a “rare participation from the Middle East.”

Sharaiha’s movie was not born out of thin air. Working with mental health experts and seasoned children’s content writers, Digitales produced the “Our Family Life” animation series, a collection of short videos surrounding the Abu Sanad family and addressing social and family themes.

The series became a hit on YouTube amassing 624 million viewers and more than 2 million subscribers. The animation worked well in Arab communities because the characters looked and sounded similar to the people they addressed.

The arrival in Jordan of more than 1 million refugees fleeing war in Syria, sparked the idea to highlight the mental health problems faced by refugees and displaced children, and the interactions with host communities.

In partnership with local and international organizations, Digitales began working on “Saleem,” alongside a digital project looking at the mental health of children around the world affected by traumatic events, using animation and storytelling weaved with therapeutic themes.

“Saleem” was chosen out of 3,338 entries from 112 countries to compete in next month’s Annecy festival against 11 other films in the Contrechamp category.

It tells an uplifting and touching story about a nine-year-old boy called Saleem, who lost his father and was forced to flee with his mother, brother, and sister from his war-torn city. His life changes when a pigeon reveals a map that leads him on a discovery adventure for a treasure he did not expect to need.

Director Sharaiha said: “The film comes from the heart of Jordan carrying a story that we hope will touch the hearts of everyone around the world who watches it.

“We went through a personal journey that took us through our childhood memories and experiences, which helped us empathize with Saleem and see the world through his eyes.

“We felt his pain, fear, and frustration, as well as his strength and hope which grew with the passage of the story.”

She pointed out that the film told not only Saleem’s story but that of millions of marginalized and vulnerable children globally.

“This film shows their plight and highlights the courage that is generated within them, even in the most difficult circumstances,” she added.

Her husband noted the challenges of producing the film, that had taken four years to make.

He said: “We are proud that Jordan produced a film of this quality and impact — talented Jordanian artists, alongside international artists who worked for major studios, such as Disney, and DreamWorks, and others.

“These international artists joined our team because of their belief in the value of this artwork. This collaboration enriched the quality of the film and was a wonderful opportunity for our local talents to work alongside and engage with these international artists.”

Mohannad Al-Bakri, managing director of the Royal Film Commission Jordan, said: “Animation has the power to educate as well as entertain and engage the viewer, thus attracting a large audience.

“The selection of ‘Saleem’ at the prestigious Annecy film festival is a remarkable achievement that the Jordanian film industry can be proud of.”

Digitales is an emerging Jordanian company producing animation and influential digital content and has won several international awards for its work. It is led by a team that specializes in creating family and child-friendly content.

Front Row Filmed Entertainment will distribute “Saleem” exclusively in Arab countries, while I Am a Film will be responsible for festival distribution.


Riyadh Fashion Week issues final call for designer applications ahead of 3rd edition

Updated 08 July 2025
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Riyadh Fashion Week issues final call for designer applications ahead of 3rd edition

DUBAI: Riyadh Fashion Week (RFW) is gearing up for its third edition, with organizers issuing a final call for designer applications. Fashion houses from across Saudi Arabia and around the world have until July 15 to submit their proposals for inclusion in the official calendar.

One of the Middle East’s most anticipated fashion events, RFW offers a platform for both emerging and established designers to showcase their collections to international buyers and industry leaders. 

The official calendar will feature a broad spectrum of brand activations beyond traditional runway shows. Designers can also take part in curated presentations, showroom exhibitions, trunk shows, retail pop-ups, creative takeovers, private dinners and immersive experiences. 

Saudi Arabia-based and international fashion brands across ready-to-wear, couture, menswear, and streetwear categories are eligible. 
“This is more than a runway,” said Burak Cakmak, CEO of the Saudi Fashion Commission. “It is a statement of creative identity, innovation, and ambition. Riyadh Fashion Week provides a high-impact opportunity for designers to tell their story on a global stage.”


Zayed National Museum to explore UAE’s storied history

Updated 08 July 2025
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Zayed National Museum to explore UAE’s storied history

  • Located on Saadiyat Island, the Zayed National Museum has a bevy of illustrious neighbors including the Louvre Abu Dhabi, the Guggenheim Abu Dhabi, the Natural History Museum and teamLab Phenomena

DUBAI: As Zayed National Museum gets ready to open its doors in the UAE capital, Arab News spoke to director Peter Magee about the museum’s aims and what visitors can expect.

An opening date is yet to be announced, but the center will focus on the history of the UAE with special emphasis on Sheikh Zayed bin Sultan Al Nahyan. It will explore early human settlements that go back 300,000 years as well as the area’s language, traditions, and flora and fauna. 

“The narrative within the museum is guided by the enduring values of the UAE’s founding father, Sheikh Zayed bin Sultan Al-Nahyan,” explained Magee. “We look at those values and then we look at the way in which they guided him, but also the way in which they reflect social values which exist within the UAE both in the past and the present — and in the future.

Dr. Peter Magee. (Supplied)

“It's a national museum focused on the UAE, but of course it looks at the regional links which existed to other countries in the Arabian Gulf, the Indian Ocean and even further afield.”

One particular highlight is a full-size reconstruction of a Magan boat from the Bronze Age, constructed with reeds and palm-fiber rope. Magee and his team sailed in it for two days on the waters of the Arabian Gulf.

Located on Saadiyat Island, the Zayed National Museum has a bevy of illustrious neighbors including the Louvre Abu Dhabi, the Guggenheim Abu Dhabi, the Natural History Museum and teamLab Phenomena. (Supplied)

Located on Saadiyat Island, the Zayed National Museum has a bevy of illustrious neighbors including the Louvre Abu Dhabi, the Guggenheim Abu Dhabi, the Natural History Museum and teamLab Phenomena.

“The way I like to think about it is that each of these museums and institutions … is its own star … and in combination they appear like a constellation or something that can be read coherently together as well as individually,” Magee said.


Georges Hobeika showcases Fall/Winter 2026 collection at Paris Haute Couture Week

Updated 08 July 2025
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Georges Hobeika showcases Fall/Winter 2026 collection at Paris Haute Couture Week

DUBAI: Lebanese designer Georges Hobeika presented his Fall/Winter 2025/2026 couture collection as part of Paris Haute Couture Week.

Known for his craftsmanship and red-carpet-ready designs, Hobeika’s latest offering featured a wide array of detailed gowns and structured silhouettes.

The runway collection showcased a soft color palette, with shades of beige, blush pink, maroon, black, blue, and brown making up the core color story.

Fabrics included heavily embroidered textiles, delicate lace, satin and tulle. Many looks incorporated tonal embellishments and shimmering surface details. 

Beaded bodices, crystal fringe, and metallic appliqués were prominent throughout the collection, adding texture and dimension.

Silhouettes ranged from structured floor-length gowns and A-line dresses to voluminous skirts and sleek, form-fitting eveningwear. There were also several mid-length and tea-length designs with sculptural detailing, along with a few two-piece sets featuring cropped tops and high-waisted skirts.

One standout bridal look appeared during the show — a long-sleeved gown with sheer detailing and silver embroidery. The dress was paired with a beaded headpiece and a trailing veil.

Accessories were kept minimal, with statement earrings and clean, slicked-back hair showed off by the models.

Toward the end of the show, Hobeika and his son Jad Hobeika walked the runway together to thank their supporters.

Paris Haute Couture Week kicked off on Monday with Schiaparelli’s Fall 2025 show, marking the start of a series of high-fashion presentations that will run through July 10.

The opening show did not begin with sequins or traditional red carpet glamor, but with the surreal sight of Cardi B and a live crow. 

Wrapped in a custom Schiaparelli gown of graphic fringe, the US rapper stood beneath the gilded columns of the Petit Palais, holding the black bird on her arm. Her avian plus one squawked, glared and nearly lunged — setting the tone for a monochrome show that itself soared straight into the surreal.

On the first day, Iris Van Herpen, Imane Ayissi, Rahul Mishra, Julie de Libran and Giambattista Valli also showcased their collections.

In addition to Georges Hobeika, several other Arab designers are on the calendar, including Ashi Studio, Elie Saab, Zuhair Murad and Rami Al-Ali.


Fontaines DC display words ‘Israel is committing genocide’ on screen at London gig

Updated 07 July 2025
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Fontaines DC display words ‘Israel is committing genocide’ on screen at London gig

DUBAI: Irish post-punk band Fontaines DC played a sold-out concert in London’s Finsbury Park on Saturday night during which the words “Free Palestine” and “Israel is committing genocide” were projected onto screens. 

Lead singer Grian Chatten performed in front of the 45,000-strong crowd dressed in a kilt and a Sinead O’Connor t-shirt, the Independent reported. 

A piece of music equipment on the north London stage was wrapped in a Palestinian flag and “Israel is committing genocide. Use your voice” came up on the screens after the last song. 

The show comes after multiple artists voiced support for the people of Palestine at the Glastonbury music festival in June.

Last week, the US revoked entry visas for members of British punk-rap duo Bob Vylan following their Glastonbury Festival set, during which frontman Bobby Vylan led the crowd in a controversial chant against Israel’s military.

Performing on the festival’s West Holts Stage on Saturday, the artist shouted “Free, free Palestine” before encouraging the audience to chant, “Death, death to the IDF (Israel Defense Forces).” Video of the moment quickly spread online, sparking backlash.

Meanwhile, Irish rap group Kneecap drew one of the festival’s largest crowds at the West Holts Stage. Dozens of Palestinian flags flew in the crowd as the show opened with an audio montage of news clips referring to the band’s critics and legal woes.

Between high-energy numbers that had fans forming a large mosh pit, the band members — sporting keffiyehs — led the audience in chants of “Free Palestine” and “Free Mo Chara.” They also aimed an expletive-laden chant at UK Prime Minister Keir Starmer, who has said he didn’t think it was “appropriate” for Kneecap to play Glastonbury.

One member wore a T-shirt emblazoned with “We Are All Palestine Action,” referencing the direct-action network that targets arms factories supplying Israel.


The Open Crate: Meet the women protecting the Arab world’s artistic heritage

Updated 07 July 2025
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The Open Crate: Meet the women protecting the Arab world’s artistic heritage

BEIRUT: What’s the point of owning a beautiful collection — whether art or collectibles — if there’s no proper way to showcase or preserve it?

This question lies at the heart of The Open Crate, a platform designed to help collectors digitize and preserve their collections. Founded by art specialists Amina Debbiche and Nora Mansour, the company offers an inventory and archiving service that catalogs everything from fine art and furniture to watches, books, and pens.

“People know exactly which crypto they have in their portfolio. But when it comes to art, they don't even remember the name of the artist on the wall,” said Mansour, a Lebanese finance expert turned art curator.

Debbiche and Mansour noted the urgency of digitizing art catalogues — especially in the Arab world.

“The thing with art, especially in our region of the world, is that it’s mostly held in private hands,” said Debbiche, a Tunisian art aficionado.

The privatization of artwork in a region with hotspots of instability makes the act of documentation a deeply political one: a means of preserving the unspoken victims of war — art.

To explain this, Mansour gave Arab News a hypothetical example: think of a Palestinian family in Jerusalem whose house is looted — if their artwork is documented, there’s proof it existed. It’s a map of what you own.

“It’s like our child, you know — it’s like having a baby together,” Mansour joked.

The child they created, The Open Crate, boldly and indirectly addresses an unspoken issue that has long plagued the region. Like any child, it has the potential to grow and carve out a name that its ancestors, and future generations, can be proud of.