LAHORE: “Women in Pakistan are really, really strong. We have a voice. We just don’t have enough spaces to use that voice,” says Kanwal Ahmed, an agony aunt to some 260,000, determined to change the situation.
Her female-only online hub sees traditionally taboo topics such as sex, divorce, and domestic violence discussed freely in a conservative country where there are few avenues for women to discuss personal problems.
“I wanted it to be the kind of place where women really opened up without the fear of being attacked or harassed or judged,” Ahmed, explains of her Soul Sisters Pakistan network on Facebook.
The former make-up artist spotted the need for a safe space after spending time soothing nervous brides as they confided in her from the salon chair.
The 31-year-old says her group is somewhere women can “talk about things that they weren’t supposed to talk about in society” because they are deemed inappropriate or shameful.
In 2018, Facebook selected Ahmed as one of 115 “Community Leaders” using the social network to help others. Chosen from a pool of 6,000 applicants, she received a grant to further develop her project.
Soul Sisters Pakistan members say they can speak openly about issues — such as maternal and mental health, body image and reproductive rights — with a candour that is impossible in the real world.
One of the most discussed topics is domestic violence, which is common in the patriarchal country.
Data from the Human Rights Commission of Pakistan and the Pakistan Journal of Medical Sciences suggests 90 percent of women in Pakistan have experienced some form of domestic abuse.
Ahmed says many people do not take the problem seriously — even when wives confide in other family members about abuse.
“It is very common for them to be told that they are being too sensitive or to compromise. They aren’t given other options,” Ahmed explains, adding that women should not have to bear abuse for any reason.
According to the UN, Pakistan has a lack of access to affordable services in “sectors such as health, police, justice and social support” to ensure female safety and protection.
Soul Sisters offers informal help to users, ranging from legal advice to emotional support from other members, who call themselves Soulies.
A recent thread, #MyBodyIsNotASecret, underlines the changing norms of a generation that has seen the global impact of the #MeToo movement, progress in body positivity, and a backlash against traditional beauty standards and colorism.
“There is a lot of shame associated with a woman’s body, with the general bodily functions even. They are not talked about,” Ahmed says.
One member shared her struggle with the medical condition vaginismus, which helped others identify their own symptoms.
Ahmed says she lost a family friend to breast cancer after the disease went undiagnosed and untreated for too long because she was “too ashamed to talk about her body with anyone.”
“This isn’t a new story. This is something that happens to a lot of women,” Ahmed insists.
The group provides a welcome respite for its members, who frequently face online abuse when they post publicly, and encourages women to share success stories as well as problems.
But the diverse narratives have also brought a range of criticism.
Ahmed has been accused of promoting divorce and “wild” behavior, even as more progressive voices have slammed the group for allowing conservative views to be shared.
Her work is challenged from “almost every angle,” Ahmed says, pointing to an element of internalized misogyny among some members.
But she says her aim is not to “serve a small niche,” rather to shatter stereotypes and break norms.
“If people were already well aware, we wouldn’t need spaces like this. It’s exhausting, frustrating and takes every drop of my strength to keep continuing.
“But every time someone changes their mind or we get success stories — instant gratification!” she tweeted recently.
Ahmed and her team try to handle conflicts sensitively — allowing a wide range of views to foster dialogue and debate — an approach that has seen membership swell.
We “just try to tell the women to be who they are, to not be ashamed of being themselves, to speak their minds,” she says.
Splinter groups have struggled to achieve a fraction of Soul Sisters Pakistan’s success or reach — she says there are three to six million conversations on the site each month.
Ahmed used her Facebook grant to launch an online talk show in a bid to win a wider audience — with each episode getting hundreds of thousands of viewers.
The coronavirus pandemic has halted production and Ahmed recently moved to Canada so the program is on hiatus.
But she is committed to challenging a society “scared of women with a voice.”
She adds: “The lack of acknowledgement about issues women face in society is horrific.”
Pakistan’s online agony aunt tearing down taboos
https://arab.news/v352v
Pakistan’s online agony aunt tearing down taboos
- Soul Sisters Pakistan members say they can speak about issues with a candour that is impossible in the real world
- The group provides a welcome respite for its members, who frequently face online abuse when they post publicly
Theater and film experts Fatima Al-Banawi, Lana Komsany lend expertise to Saudi summer camp
DUBAI: Saudi filmmaker Fatima Al-Banawi is set to take part in a two week summer program for children in Jeddah hosted by Alf Wad Productions.
The two programs aimed at children are titled “Little Theater Stars Camp” and “Camp Journey to the World of Cinema.” The programs run for two weeks.
The schedule focuses on teaching theatrical experiences by allowing children to write a play inspired by their ideas. In addition to writing a script, the participants will design the costumes and help in building the set for the production.
From lighting to sound and storytelling, the program will offer a holistic understanding of what it takes to bring a theater production to life.
Led by instructor Lana Komsany and supervised by Al-Banawi, the programs will conclude with a performance in front of a live audience.
Al-Banawi is recognized for her roles in “Barakah Meets Barakah” and the Saudi thriller “Route 10.”
She made her directorial debut with “Basma,” in which she also plays the titular role of a young Saudi woman who returns to her hometown of Jeddah after studying in the US. Back home, she is confronted with her father’s mental illness, strained family ties, and the challenge of reconnecting with a past life that no longer feels familiar.
“I really went into cinema — in 2015 with my first feature as an actress — with one intention: to bridge the gap between the arts and social impact and psychology,” she previously told Arab News. “And I was able to come closer to this union when I positioned myself as a writer-director, more so than as an actor.”
The film debuted on Netflix in 2024.
Meanwhile, Qamsani specializes in film and theater, with extensive experience in directing, acting, and writing, and is known for her work in creative training.
Alfwad Productions is a Saudi Arabia-based creative arts organization focused on nurturing young talent through performance, storytelling, and cultural education. The organization runs year-round programs that blend theater, music, and visual arts.
Bella Hadid’s Orabella launches new collaboration
DUBAI: American Dutch Palestinian supermodel Bella Hadid is expanding her beauty brand, Orebella, into the world of accessories — and she’s doing it with a little help from her close friends.
Hadid has teamed up with Wildflower Cases co-founders Sydney and Devon Lee Carlson to launch a limited-edition collaboration featuring two dreamy new products: an iPhone case and a “Scentable Wristlet.”
Hadid took to Instagram to announce the launch, writing, “Feeling like the luckiest girl in the world to be able to be creative with my beauty boss sisters. Life is beautiful when we have the opportunity to watch our friends winning. So proud of you two. So proud of our teams. So proud of us. Love you all — thank you for bringing this vision to life.
“Cases ANDDDD our most special scented wristlets to keep the orebella scent of your choice on you at all times! Been wanting to make this accessory for a while, had the idea for scented bracelets and wristlets, and my sisters pulled it all together for us. Love you guys so much,” she added.
Teased earlier on Instagram through behind-the-scenes campaign shots, the collaboration blends Orebella’s fragrance-forward ethos with Wildflower’s unique phone accessory style.
The iPhone case is designed with a celestial sky motif and a delicate crescent moon, channeling Hadid’s signature mystical aesthetic — part of what the trio call a “girl gang collection,” celebrating the friendship between Bella, Devon, and Sydney.
Meanwhile, the Scentable Wristlet introduces a functional — and fragrant — twist. Designed to hold a small vial of Orebella’s signature scent, the wristlet allows users to carry their favorite fragrance with them wherever they go, seamlessly merging style with sensory self-expression.
Orebella, which launched in May last year with a sell-out line of clean fragrance mists, is rooted in Hadid’s love of scent layering, spirituality, and beauty rituals.
Hadid wrote on her website at the time: “For me, fragrance has always been at the center of my life — helping me feel in charge of who I am and my surroundings. From my home to nostalgic memories, to my own energy and connection with others, scent has been an outlet for me. It made me feel safe in my own world.”
Co-founder of digital platform The Open Crate shares Art Basel top picks
BASEL: Tunisian art expert Amina Debbiche, who co-founded digital art platform The Open Crate alongside Nora Mansour, shares her top artworks from Switzerland’s Art Basel contemporary art fair, which wraps up on Sunday.
The Open Crate allows clients to digitalize their entire collection, whether it be artwork, design objects or luxury items.
Yto Barrada at Sfeir-Semler Gallery
“I first discovered Yto Barrada’s work at the Arsenale during the 2011 Venice Biennale and was instantly captivated by her poetic and political approach. Since then, I’ve followed her brilliant trajectory across film, photography, textiles, and installation. Born in Paris and raised in Tangier, her practice explores themes of memory, displacement, and resistance. We’ve now come full circle - she will represent France at the upcoming Venice Biennale, curated by Myriam Ben Salah.”
Alia Farid’s ‘Elsewhere’ at Art Basel Unlimited
“Alia Farid’s ‘Elsewhere’ deeply moved me with its layered storytelling and political tenderness. The work maps Arab and South Asian migration to Latin America and the Caribbean through handwoven rugs made with Iraqi weavers. It documents hybrid identities, memory, and solidarity across geographies. I’ve long admired how Alia reclaims overlooked narratives with such poetic clarity. Her voice feels both urgent and timeless.”
Eunnam Hong’s ‘Safeway’ at Mendes Wood DM booth
“Eunnam Hong’s painting … stopped me in my tracks — cinematic, hyper-stylized, and effortlessly cool. With nods to Cindy Sherman and K-drama aesthetics, the Korean artist explores identity and performance through staged, uncanny tableaus. Her figures- drenched in soft light, wrapped in curlers and headscarves, clutching vitamin D and Safeway bags - feel both retro and unmistakably now. It’s suburban surrealism meets generational moodboard, complete with Converse and quiet rebellion. Hong is one of the most compelling contemporary voices out there - sharp, relatable, and iconic in the making.
Simone Fattal’s ‘Music On My Mind’ (2024)
“Simone Fattal is a Syrian Lebanese artist whose sculptural practice draws from archaeology, poetry, and mythology to explore themes of memory, exile, and resilience. Born in Damascus and raised in Beirut, she has created only a few large-scale sculptures, making each one rare and significant. Her works are held in major collections including MoMA, Centre Pompidou, and the Sharjah Art Foundation … I was drawn to “Music On My Mind” for its quiet power — the naive, totemic form and subtle reference to sound felt deeply poetic.”
M'barek Bouhchichi’s ‘Terr
Noah Davis’s ‘The Goat from Grayson’ (2008) at David Zwirner
“I love this work for its quiet intensity and material poetry and Selma Feriani, who presents it, is one of the few truly independent voices from the region to make it to Art Basel with a consistently bold program. M’barek Bouhchichi, born in southeastern Morocco, lives and works in Tahanaout, Morocco. The artist collaborates with women artisans to create henna-dyed wool works that evoke both landscape and memory. His ‘Terra’ series explores cultural links between Morocco and Mali through ancestral weaving techniques. These minimal, earthy compositions blur the line between textile and painting. A major solo show in Tunis is coming this September.”
Noah Davis’s ‘The Goat from Grayson’ (2008) at David Zwirner
“I’ve always been drawn to Noah Davis’s ability to create scenes that feel both dreamlike and grounded in Black lived experience. “The Goat from Grayson” (2008), shown here at David Zwirner, captures his signature blend of poetic realism, rich symbolism and painterly tenderness. The glowing tree, the quiet tension, and the spiritual undertone pull you in. Davis, who passed away tragically young at 32, was not only a brilliant painter but also the founder of The Underground Museum in Los Angeles, a vital space for Black art and community. His work was the subject of a major retrospective at the Hammer Museum in 2020, cementing his legacy as one of the most influential artists of his generation.”
Eric Fischl’s ‘After the Funeral’ (2017)
“Eric Fischl’s paintings often feel like paused movie scenes, loaded with tension, memory, and unspoken drama. I was instantly drawn to these two women, something about the cigarette, the ice cube, the gaze, it felt like I’d stumbled into a Woody Allen film mid-conversation. Fischl captures that strange mix of intimacy and detachment with uncanny precision. A key figure of American figurative painting since the 1980s, his work explores suburban psychology and social dynamics. He is represented by Skarstedt, a gallery known for championing major contemporary artists like David Salle, Cindy Sherman, and George Condo.”
Sheila Hicks’s ‘Lianes Etoiles’ (2020)
“Sheila Hicks’s ‘Lianes Etoiles’ is pure visual rhythm. Its vibrant threads, soft textures, and sculptural layering instantly drew me in. There is something meditative and sensual about the way the colors pulse across the surface. Hicks, a pioneer of textile art, has redefined fiber as a sculptural and painterly medium for over six decades. This piece feels both contemporary and ancestral, like a coded language of color and craft. It is shown by Alison Jacques, a gallery that consistently champions strong, visionary practices.”
Wael Shawky’s ‘I Am Hymns of The New Temples: Pompeii glass amphora (#06)’ (2023) at the booth of Lia Rumma
“Wael Shawky’s amphora sculptures are a masterclass in historical layering and contemporary wit. Representing the Egyptian Pavilion at the last Venice Biennale, his work was among the most celebrated and nearly won the Golden Lion. The video “Drama 1882” retelling of the ’Urabi revolution that was co‑funded through support from Mai Eldib, who organised key patronage, was later acquired by a major institution in the Middle East. These Murano glass forms, draped in ornate textiles, are as subtle as they are rich in reference. Shawky continues to expand the visual language of Arab myth, ritual, and storytelling with quiet force.”
Amoako Boafo’s ‘Floral One Piece’ (2025) at Gagosian Gallery’s booth
“This striking portrait by Amoako Boafo was exhibited at the Gagosian booth, where the brilliant Rola Wazni, director of Gagosian Paris, walked me through a presentation curated by Francesco Bonami. Boafo, originally from Ghana and based in Vienna, is known for his lush finger-painted figures and bold exploration of Black identity and presence. His textured brushwork and floral detailing here are both tender and defiant. The composition radiates quiet power, dignity, and individuality. Rolla’s sharp eye and grace made the experience even more memorable.”
Maurizio Cattelan and Rudofl Stingel at Gagosian Gallery’s booth
“Gagosian’s booth at Art Basel 2025, curated by Francesco Bonami, offered a brilliantly irreverent pairing of Maurizio Cattelan’s ‘No’ (2021) and Rudolf Stingel’s ‘Untitled’ (2012). Cattelan’s kneeling figure in a suit, head covered by a paper bag, delivers a biting satire of modern-day capitalism and mental health collapse — a man caught between denial and trauma, refusing to face symbolic castration or mortality. Stingel’s silvery abstraction provided a haunting, meditative counterpoint, echoing themes of absence and ego. Together, the works reflected on visibility, repression, and the absurd rituals of the art world. The result was a sharp, minimalist statement that lingered long after.”
Gigi Hadid’s latest cashmere launch inspired by New York
DUBAI: US Palestinian Dutch supermodel and brand founder Gigi Hadid has released her latest collection — and a new summer campaign — under her cashmere label Guest in Residence.
The new line was inspired by New York, according to Hadid, who founded her brand in 2022.
“I’m endlessly inspired by New York City — a place I’ve called home for many years — and the notion that we’re all guests here. For our collection, we embrace the great duality every New Yorker faces in Summer: the thrill of a busy day in the city, paired with the urge to hop in a car with friends and escape to somewhere quiet and laid-back. No matter where you find yourself, our cashmere pieces embrace a spirit of timelessness that always works,” Hadid is quoted as saying on the Guest in Residence Instagram page.
The launch was complemented by a video campaign shared on social media, in which Hadid is joined by fellow models as they explore New York in the summer.
Paolo Santosuosso acted as the campaign’s art director, while the looks were styled by Elizabeth Fraser-Bell.
Hadid launched her clothing label, which features soft, colorful knitwear, in September 2022.
“Over the last handful of years, I didn’t want to be backed into starting my own line just because there was an offer on the table or a deal to be made,” she wrote to her followers on Instagram at the time.
“The earliest days of Guest in Residence came about when I started to question the cashmere market, and those answers gave me a path,” she added.
“I believe that because of its sustainable qualities — natural and made to cherish and to pass down — cashmere is a luxury that should be more accessible.”
Celebrities including Blake Lively, Ryan Reynolds, Taylor Swift and Bradley Cooper have been spotted wearing the label’s designs.
In June, Hadid also unveiled a new campaign with Brazilian footwear brand Havaianas.
The model, who launched a line with the flip flop label, starred in a vintage-inspired series of photographs. In the shots, she shows off slippers from her collection with the brand and is seen wearing retro outfits on a beach.
Post Malone to headline 2025 Esports World Cup opening ceremony in Riyadh
DUBAI: US rapper Post Malone – known for tracks like “Rockstar,” “I Had Some Help” and “Sunflower” – will perform will headline the opening ceremony of the 2025 Esports World Cup in Saudi Arabia.
The rap and country music artist will hit the stage in Riyadh on July 10.
In August 2020, the singer became part of Envy Gaming‘s ownership group, taking an undisclosed stake in the company, Esports Insider reporter of the North American organization that has since merged with Native Gaming.
The singer will return to the region to perform at the 2025 Etihad Airways Abu Dhabi Grand Prix on Friday Dec. 5.
Malone previously performed at the 2018 Abu Dhabi Grand Prix. He then returned in 2022, taking to the stage at Etihad Park.
