Dubai Lynx announces 2025 jury president lineup

Dubai Lynx announces 2025 jury president lineup
The festival recently announced changes to its structure such as hosting year-round events and updates to award categories. (Supplied)
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Updated 13 December 2024
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Dubai Lynx announces 2025 jury president lineup

Dubai Lynx announces 2025 jury president lineup
  • Festival to evolve beyond annual event, host year-round sessions
  • Award categories updated to better reflect ‘current state of play’Award categories updated to better reflect ‘current state of play’

DUBAI: Dubai Lynx, a prominent creative festival and awards program organized by Cannes Lions, has announced the jury presidents for the 2025 awards.

They will gather in Dubai early next year, along with the jury panelists, to judge the entries. The deadline for entries is Jan. 23 and winners will be announced at the awards ceremony on April 9.

Jury presidents “play a pivotal role” in upholding the festival’s values of creativity and innovation “bringing their unparalleled expertise and unique perspectives to the judging process,” said Dubai Lynx chairman Philip Thomas.

They come from creative and advertising agencies in different markets including the UK, US, India, Australia and Germany.

The jury presidents for the 2025 edition include Chris Beresford-Hill, global chief creative officer of BBDO; Ryan McManus, chief creative officer of VML UK; Chioma Aduba, president of Droga5 New York; Mayuri Nikumbh, head of design at Conran Design Mumbai, India; Mihnea Gheorghiu, global chief creative officer of LePub; and Neo Mashigo, chief creative officer of The Up&Up Group, South Africa.

The others are Matt Murphy, global chief creative officer of 72andSunny; Aisha Blackwell, head of production services, Serviceplan MAKE Germany; Roberta Raduan, managing director, Klick Health, Latin America; Fiona Johnston, CEO of media, client and commercial at dentsu Australia; and Vanessa Ho Nikolovski, chief client and growth officer for Asia Pacific at Weber Shandwick.

The festival recently announced changes to its structure “designed to support the evolution of the industry across the Middle East and North Africa,” said Kamille Marchant, director of Dubai Lynx.

One change is the introduction of a mandatory requirement to provide cultural context when submitting an entry.

“This is something that we’ve seen play an increasingly important role in the jury rooms,” Marchant told Arab News.

“The question is designed to help the jury understand the cultural nuances, but also how the brand connects with this particular cultural insight and why it’s relevant at that particular moment in time,” she explained.

Additionally, instead of hosting one event a year, the festival will feature a year-round program offering “more intimate, focused, and high-impact experiences that cater to our community’s needs year-round,” Marchant said.

Based on roundtable discussions at Dubai Lynx 2024, the festival team has identified key areas that will inform the topics of upcoming meetups, C-suite roundtables, brand breakfasts and talent and training programs hosted by the festival.

“Our audience is looking for more than just a standalone event; they want opportunities to engage, learn, and celebrate throughout the year,” Marchant said.

The 2025 Dubai Lynx awards will also see changes to some categories such as the evolution of the Digital Lynx category to the Digital Craft Lynx.

This change is meant to celebrate “technological artistry” and reflects “the rapid shifts in the digital landscape, where groundbreaking ideas are infused with high-level craft to create impactful and immersive experiences across a growing range of digital platforms,” Marchant explained.

Other changes include an update to the Audio & Radio category to reflect the expansion of audio work beyond radio.

There will also be tweaks to the PR Lynx category to accurately reflect the current PR industry “not only in amplifying brand and campaign messages, but also in managing perceptions and connecting brands with culture,” she added.

Dubai Lynx has also introduced a Use of Humor sub-category in the Culture & Context category in response to feedback from the industry “who wanted us to create space for work that uses humor to engage audiences to be championed,” Marchant said.

“Over the past couple of years there has been a shift in (the) tone of the work that has been winning — with a lot more irreverence and playfulness — so the timing felt right to create a category where this kind of work can compete,” she added.

Lastly, new sub-categories have been added to the Social & Influencer category to “recognize the increasingly significant role creators play in shaping and amplifying brand messages,” Marchant said.

The changes to the awards are a result of industry collaboration. Dubai Lynx has an awards research and development team that speaks to experts across industries and countries to gather their input on “the current state of play while also previewing the future direction of the industry,” she added.

 


UK to allow foreign states to own a 15 percent stake in newspapers

UK to allow foreign states to own a 15 percent stake in newspapers
Updated 15 May 2025
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UK to allow foreign states to own a 15 percent stake in newspapers

UK to allow foreign states to own a 15 percent stake in newspapers
  • Proposed media reforms could resolve the long-standing uncertainty surrounding the ownership of the Telegraph newspaper
  • In 2023, Abu Dhabi-backed RedBird IMI assumed control of the Telegraph titles and The Spectator by helping repay the Barclay family’s £1.2 billion debt

LONDON: Britain plans to allow foreign state-owned investors to own up to 15 percent of British newspaper publishers, the government said on Thursday, as part of media reforms that could end long-running uncertainty over ownership of the Telegraph newspaper.
The government will also expand its powers to scrutinize media mergers to include news websites and news magazines.
“These important, modernizing reforms are about protecting media plurality and reflect the changing ways in which people are consuming news,” Culture Secretary Lisa Nandy said.
“We are fully upholding the need to safeguard our news media from foreign state control whilst recognizing that news organizations must be able to raise vital funding.”
The ownership of the Telegraph, one of Britain’s best known newspapers, has raised questions about the independence of the media and foreign states buying political influence.
The government said “targeted exceptions” allowing certain sovereign wealth funds or pension funds to invest up to 15 percent in British newspaper and periodicals would help sustain the titles while also limiting any foreign influence in media.
The government does not plan to exempt debt financing, but warned that if a foreign power gains control through a default, it could trigger a ministerial intervention under existing rules.
Britain’s previous Conservative government last year banned foreign state investment in British newspapers, blocking RedBird IMI, run by former CNN boss Jeff Zucker and with the majority of its funding from Abu Dhabi, from owning the Telegraph.
Abu Dhabi-backed RedBird IMI took control of the Telegraph titles and the Spectator magazine in 2023 when it helped repay the Barclay family’s 1.2 billion pound ($1.6 billion) debt to Lloyds Bank.
It put the titles up for sale nearly a year ago. The Spectator was sold to hedge fund founder Paul Marshall in September, but the Telegraph has not found a buyer.
The 15 percent cap would allow Abu Dhabi to retain some ownership of the paper.


Israel’s presence still roils Eurovision a year after major protests over the war in Gaza

Israel’s presence still roils Eurovision a year after major protests over the war in Gaza
Updated 15 May 2025
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Israel’s presence still roils Eurovision a year after major protests over the war in Gaza

Israel’s presence still roils Eurovision a year after major protests over the war in Gaza
  • About 200 pro-Palestinian demonstrators marched Wednesday in the Swiss host city of Basel
  • Oddsmakers suggest Raphael is likely to secure a place in Saturday’s final with her song “New Day Will Rise”

BASEL: Most contestants at the Eurovision Song Contest are seeking as much publicity as possible.
Israel’s Yuval Raphael is keeping a low profile.
The 24-year-old singer has done few media interviews or appearances during Eurovision week, as Israel’s participation in the pan-continental pop music competition draws protests for a second year.
Raphael is due to perform Thursday in the second semifinal at the contest in the Swiss city of Basel. Oddsmakers suggest Raphael is likely to secure a place in Saturday’s final with her anthemic song “New Day Will Rise.”
Israel has competed in Eurovision for more than 50 years and won four times. But last year’s event in Sweden drew large demonstrations calling for Israel to be kicked out of the contest over its conduct in the war against Hamas in Gaza.
More than 52,800 people in Gaza have been killed in Israel’s military offensive, according to the territory’s health ministry.
About 200 people, many draped in Palestinian flags, protested in central Basel on Wednesday evening, demanding an end to Israel’s military offensive and the country’s expulsion from Eurovision. They marched in silence down a street noisy with music and Eurovision revelry.
Many noted that Russia was banned from Eurovision after its 2022 invasion of Ukraine.
“It should be a happy occasion that Eurovision is finally in Switzerland, but it’s not,” said Lea Kobler, from Zurich. “How can we rightfully exclude Russia but we’re still welcoming Israel?”
Last year, Israeli competitor Eden Golan received boos when she performed live at Eurovision. Raphael told the BBC that she expects the same and has rehearsed with background noise so she won’t be distracted.
“But we are here to sing and I’m going to sing my heart out for everyone,” she said.
Anti-Israel protests in Basel have been much smaller than last year in Malmo. Another protest is planned for Saturday in downtown Basel, 2 miles (3.2 kilometers) from the contest venue, St. Jakobshalle arena.
But concern by some Eurovision participants and broadcasters continues.
More than 70 former Eurovision contestants signed a letter calling for Israel to be excluded. Several of the national broadcasters that fund Eurovision, including those of Spain, Ireland and Iceland, have called for a discussion about Israel’s participation.
Swiss singer Nemo, who brought the competition to Switzerland by winning last year, told HuffPost UK that “Israel’s actions are fundamentally at odds with the values that Eurovision claims to uphold — peace, unity, and respect for human rights.”
At Wednesday’s protest, Basel resident Domenica Ott held a handmade sign saying “Nemo was right.”
She said the nonbinary singer was “very courageous.”
“If Russia couldn’t participate, why should Israel?” she said.
The European Broadcasting Union, which runs Eurovision, pointed out that Israel is represented by its public broadcaster, KAN, not the government. It has called on participants to respect Eurovision’s values of “universality, diversity, equality and inclusivity” and its political neutrality.


Meta faces row over plan to use European data for AI

Meta faces row over plan to use European data for AI
Updated 14 May 2025
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Meta faces row over plan to use European data for AI

Meta faces row over plan to use European data for AI
  • Its rollout on the continent was delayed by more than a year as a result of overlapping European regulations on emerging technologies
  • Meta has been hit with multiple privacy complaints in Europe

VIENNA: A Vienna-based privacy campaign group said Wednesday it has sent a cease-and-desist letter to Meta, after the tech giant announced plans to train its artificial intelligence models with European users’ personal data.
The move comes after Meta said last month it would push ahead with plans to use personal data from European users of its Instagram and Facebook platforms for AI technology training from May 27, despite criticism over its legality.
Meta has been hit with multiple privacy complaints in Europe, but cited a “legitimate interest” to process personal data for AI training.
The privacy group, the European Center for Digital Rights — also known as Noyb (“None of Your Business“) — threatened to file an injunction or class-action lawsuit against Meta if it does not halt plans.
“Meta’s absurd claims that stealing everyone’s (personal) data is necessary for AI training is laughable,” Noyb founder Max Schrems said in a statement.
“Other AI providers do not use social network data — and generate even better models than Meta,” he added.
When Meta AI first launched in the European Union in late March, the tech giant was at pains to point out that the chatbot was not trained on data from European users.
Its rollout on the continent was delayed by more than a year as a result of overlapping European regulations on emerging technologies, including user data, AI and digital markets.
Following the complaints, Meta temporarily put its AI plans on hold in June 2024, before recently announcing it would go ahead with them.
“It is... totally absurd to argue that Meta needs the personal data of everyone that uses Facebook or Instagram in the past 20 years to train AI,” Schrems said, adding the plans were “neither legal nor necessary.”
“Meta simply says that (its) interest in making money is more important than the rights of its users,” he said, adding that users could simply be asked for their consent.
With about 400 million estimated Meta users in Europe, the approval of 10 percent of them would “already clearly be sufficient” for AI language training and the like, Schrems said.
Launched in 2018, Noyb has taken several court proceedings against technology giants, often prompting action from regulatory authorities.


Israeli strike on Gaza hospital kills wounded journalist, Hamas says

Israeli strike on Gaza hospital kills wounded journalist, Hamas says
Updated 13 May 2025
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Israeli strike on Gaza hospital kills wounded journalist, Hamas says

Israeli strike on Gaza hospital kills wounded journalist, Hamas says
  • Hamas said the strike killed a journalist and wounded a number of civilians
  • The CPJ says at least 178 journalists and media workers have been killed in Gaza

JERUSALEM: The Israeli military said it struck a Gaza hospital housing Hamas militants in a raid Tuesday that, according to the Palestinian group, killed a journalist wounded in an Israeli attack last month.

The strike, which Hamas said happened at dawn, ended a brief pause in fighting to allow the release of a US-Israeli hostage.

The military said in a Telegram post that “significant Hamas terrorists” had been “operating from within a command and control center” at Nasser Hospital in Khan Yunis, southern Gaza’s main city.

“The compound was used by the terrorists to plan and execute terrorist attacks against Israeli civilians and IDF (army) troops,” it said.

In a statement, Hamas said the strike killed a journalist and wounded a number of civilians.

“The Israeli army bombed the surgeries building at Nasser Hospital in Khan Yunis at dawn on Tuesday, killing journalist Hassan Aslih,” said Gaza civil defense spokesman Mahmud Bassal.

Aslih, head of the Alam24 news outlet, had been at the hospital for treatment after being wounded in a strike on April 7, he told AFP.

Two other journalists, Ahmed Mansur and Hilmi Al-Faqaawi, were killed in that bombing, according to reports at the time.The Israeli military said the April strike had targeted Aslih, alleging he operated for Hamas “under the guise of a journalist.”

It said Aslih had “infiltrated Israeli territory and participated in the murderous massacre carried out by the Hamas terrorist organization” on October 7, 2023.

The Committee to Protect Journalists condemned the strike.It said Aslih had worked for international media outlets until 2023, when the pro-Israeli watchdog HonestReporting published a photo of him being kissed by then-Hamas leader Yahya Sinwar.

The CPJ says at least 178 journalists and media workers have been killed in Gaza, the occupied West Bank, Israel and Lebanon since the start of the war.

Israel had paused military operations in Gaza to allow for the release of Edan Alexander, a 21-year-old US-Israeli soldier who had been held hostage since October 2023.

Alexander, believed to be the last surviving hostage with US citizenship, was released Monday ahead of a Middle East visit by US President Donald Trump.

Israel resumed its military offensive in Gaza on March 18 after a two-month truce in its war against Hamas, which was triggered by the Palestinian group’s October 7 attack.

The attack on southern Israel resulted in the deaths of 1,218 people, mostly civilians, according to an AFP tally based on official figures.

The health ministry in Hamas-run Gaza said Monday at least 2,749 people have been killed since Israel resumed its campaign, bringing the overall death toll since the war broke out to 52,862.


600+ film and media insiders sign open letter demanding BBC airs delayed Gaza documentary

600+ film and media insiders sign open letter demanding BBC airs delayed Gaza documentary
Updated 13 May 2025
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600+ film and media insiders sign open letter demanding BBC airs delayed Gaza documentary

600+ film and media insiders sign open letter demanding BBC airs delayed Gaza documentary
  • Actors Susan Sarandon, Indira Varma, Miriam Margolyes, Maxine Peake and Juliet Stevenson among those calling for immediate broadcast of ‘Gaza: Medics Under Fire’
  • The film was delayed pending an investigation into another documentary, “Gaza: How to Survive a Warzone,” after it emerged the narrator of that film is the son of a Hamas official

DUBAI: More than 600 prominent figures from the film and media industries have signed an open letter urging the BBC to broadcast the delayed documentary “Gaza: Medics Under Fire.”

The signatories include actors such as Susan Sarandon, Indira Varma, Miriam Margolyes, Maxine Peake and Juliet Stevenson, along with journalists, filmmakers and other industry professionals. One-hundred-and-thirty of them chose to remain anonymous; at least 12 were said to be BBC staff members.

The letter, addressed to BBC Director General Tim Davie, states: “Every day this film is delayed, the BBC fails in its commitment to inform the public, fails in its journalistic responsibility to report the truth, and fails in its duty of care to these brave contributors.

“No news organization should quietly decide behind closed doors whose stories are worth telling.”

The film was originally scheduled to air in January. BBC bosses said they decided to delay it while an investigation is carried out into another documentary, “Gaza: How to Survive a Warzone,” which was pulled from the schedules when it emerged that the narrator of that film is the son of a Hamas official.

Samir Shah, chairperson of the BBC, said this revelation was “a dagger to the heart of the BBC’s claim to be impartial and to be trustworthy” and that was why he and fellow board members were “determined to ask the questions.”

The writers of the letter said: “This is not editorial caution. It’s political suppression. The BBC has provided no timeline, no transparency. Such decisions reinforce the systemic devaluation of Palestinian lives in our media.”

“Gaza: Medics Under Fire” production company Basement Films said in the letter that it was “desperate for a confirmed release date in order to be able to tell the surviving doctors and medics when their stories will be told.”

The document concluded with a demand for the film to be released “NOW.”

A spokesperson for the BBC told Variety magazine the documentary will be broadcast “as soon as possible,” but the organization had taken “an editorial decision not to do so” while there was an “ongoing review” of the other Gaza-related film.