Inside season two of ‘The Last of Us’: Newcomer Kaitlyn Dever on the return of the hugely successful video-game adaptation 

Inside season two of ‘The Last of Us’: Newcomer Kaitlyn Dever on the return of the hugely successful video-game adaptation 
For Kaitlyn Dever, stepping into the role of Abby in season two of HBO’s acclaimed adaptation of the post-apocalyptic video-game franchise “The Last of Us” was both a dream and a test. (Courtesy of OSN+)
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Updated 04 April 2025
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Inside season two of ‘The Last of Us’: Newcomer Kaitlyn Dever on the return of the hugely successful video-game adaptation 

Inside season two of ‘The Last of Us’: Newcomer Kaitlyn Dever on the return of the hugely successful video-game adaptation 
  • The HBO series will return for a second season on Apr. 14, streaming in the Middle East on OSN+

DUBAI: For Kaitlyn Dever, stepping into the role of Abby in season two of HBO’s acclaimed adaptation of the post-apocalyptic video-game franchise “The Last of Us” – returning for a second season to the Middle East on streaming platform OSN+ on Apr. 14 – was both a dream and a test. 

“Stepping into a role like this… I knew it was going to be challenging, but I was so up for that challenge,” the 28-year-old US actress tells Arab News. “She’s a woman who has gone through so much, and I consider her to be very, very strong and brave. She is someone who has suffered and gone through grief. I wanted to make sure that I got that right.” 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

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Abby is one of the most polarizing characters in the game’s universe — a complex and controversial figure who sparks a major emotional and physical shift in the story. Laura Bailey, who voiced Abby in the game, even received death threats. But Dever says she didn’t think twice about taking the role. 

“I hope that people are able to separate the person from the game or the show. We’re not these characters — we’re playing them,” she says. “The backlash was never going to stop me from playing Abby. It was such a great opportunity for me as an actor. I really do want to make the fans proud with my portrayal of Abby, but what is most important to me is tackling her emotional journey so that her arc really shines.” 

Dever says she also enjoyed the physical demands of the role — in the game Abby is a respected and feared fighter. “There was a lot of running, a lot of new stunts, a lot of wire work. That was a challenge because it was so new to me, but also very cool,” Dever says. 

In fact, joining “The Last of Us” has been a deeply rewarding experience all round for Dever. 

“It’s a really big deal to be a part of this show,” she says. “This franchise is so loved by so many people. I feel very fortunate to be a part of this group. The people that I get to work with and bond with are really something special. They’re truly such incredible artists all around and wonderful human beings.”

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

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Dever’s connection to the world of “The Last of Us” runs deep. She played both the first and second games and was immediately hooked. “I was kind of obsessed with the narrative,” she says of the first game. “I had never played a game that had such good storytelling… It was so beautiful to look at.” 

Playing the sequel with her dad made the experience even more personal. “That was what we really bonded over — just how beautiful it looked.” 

But when Abby’s character took center stage in the second game, it was a moment Dever never forgot. “It’s a very drastic shift — really jarring,” she says. “Almost like Abby and Ellie (Bella Ramsey’s character and the games’ main protagonist) are mirrors of each other.” 

She was also in the running to be cast in a mooted movie adaptation of “The Last of Us” almost a decade ago, she reveals. And while that version never materialized, she remained a fan, watching the TV version as soon as it premiered.  

Neil Druckmann — studio head of the game’s developer Naughty Dog, who co-runs the show with Craig Mazin — is as effusive about Dever as she is about the rest of the cast and crew.  

“Abby is a very complex character, as you’ll see throughout the season, and hopefully going forward. We felt fairly confident (Dever) could execute Abby extremely well, but it’s still like you’re taking some of it on faith. But the moment she stepped into the scene you didn’t see Kaitlyn anymore; you just saw Abby. It didn’t feel like a new actor or some junior actor coming in, it felt like a veteran acting with their peers,” he says. 

“I feel like I have very big shoes to fill. I put a lot of pressure on myself to get this role right and to do the story justice,” says Dever. “But the nerves went away, especially when I got on set and I got to play the scenes out with the cast. It was a very cool thing to be a part of.” 


REVIEW: Kuwaiti Palestinian author looks at women and disability in a transformative, speculative memoir

REVIEW: Kuwaiti Palestinian author looks at women and disability in a transformative, speculative memoir
Updated 49 sec ago
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REVIEW: Kuwaiti Palestinian author looks at women and disability in a transformative, speculative memoir

REVIEW: Kuwaiti Palestinian author looks at women and disability in a transformative, speculative memoir

JEDDAH: Kuwaiti Palestinian writer Shahd Alshammari’s new speculative memoir “Confetti and Ashes” is a bold departure from her previous work “Head Above Water,” which was longlisted for the Barbellion Prize in 2022.

Alshammari’s layered meditation on the disabled body as both a site of loss as well as endurance is propelled forward by sharp observations and a quiet brilliance that had me turning pages well into the night.

Her first memoir, “Head Above Water,” offered an unflinching look at navigating multiple sclerosis as an Arab woman teaching literature in Kuwait. Her latest, however, ventures into a realm where memory and personal narrative intersect with poetry, imagination, and otherworldly presences.

The voices of ghosts and Zari, her qareen — the jinn-companion assigned to each person in Islamic belief — transform Alshammari’s personal narrative. It becomes a dialogue, a captivating dance between the seen and unseen worlds.

This inclusion shakes up the conventional memoir structure to broaden the scope beyond Western frameworks of storytelling. It also offers readers a visceral look at the ways living with disability and chronic illness can disrupt and reshape an individual’s perspective and worldview.

The dreamlike and omniscient voice of the qareen also mirrors the disorientation and internal struggles that come with living with chronic illness and disability.

Alshammari astutely draws parallels between the disabled body and the female body in the social and cultural context of Kuwait. In a world of able-bodied norms, she reflects on their intersecting experiences of marginalization, scrutiny, and resistance.  

She rejects predictable storytelling, and not just in her writing, but also in life. Her body rebels, yet she defies societal stigmas — including concerns voiced from other women with MS.

She explores holistic wellness practices and eventually takes up squash, expanding her social circle and pushing her limits to build her mental and physical endurance.

In capturing her dual journeys of illness and wellness, the author invites readers to reflect on the disabled body not as a burden, but as a site of poetic possibility.

In “Confetti and Ashes,” Alshammari presents a profound reclamation of the self and cements herself as a vital voice in reimagining the female disabled experience.


Britain's Queen Camilla celebrates anniversary with Italian pizza and ice cream

Britain's Queen Camilla celebrates anniversary with Italian pizza and ice cream
Updated 09 April 2025
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Britain's Queen Camilla celebrates anniversary with Italian pizza and ice cream

Britain's Queen Camilla celebrates anniversary with Italian pizza and ice cream
  • Queen Camilla is marking the 20th anniversary of her wedding to King Charles III during a state visit to Italy on Wednesday

ROME: Italians offered pizza and ice cream to Britain’s Queen Camilla to help celebrate the 20th anniversary of her wedding to King Charles during a state visit to Italy on Wednesday.
Camilla and Charles walked to the renowned Giolitti cafe in central Rome where the queen sampled an ice cream from a paper cup after the king had made a historic speech to the nearby Italian parliament.
Camilla had earlier been presented with a boxed pizza after attending an event at a school in Rome.
More formal dining will be on the agenda on Wednesday evening when Italian President Sergio Mattarella hosts a banquet for the royal couple at the Quirinale Palace.
Charles told parliament that Britain had been heavily influenced by Italian cooking. “I can only hope you will forgive us for occasionally corrupting your wonderful cuisine. We do so with the greatest possible affection,” he said, to loud laughter.


Art Week Riyadh: 3 generations of Saudi abstract art on display

Art Week Riyadh: 3 generations of Saudi abstract art on display
Updated 09 April 2025
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Art Week Riyadh: 3 generations of Saudi abstract art on display

Art Week Riyadh: 3 generations of Saudi abstract art on display
  • The Saudi Research and Media Group unveiled a compelling collection at the inaugural art festival

RIYADH: The Saudi Research and Media Group unveiled a compelling collection at the inaugural Art Week Riyadh that traces the evolution of Saudi abstraction.

Titled “Abstract Horizons,” it highlights the pioneering contributions of artists like Mohammed Al-Saleem and Abdulhalim Radwi, whose work helped lay the groundwork for the Kingdom’s contemporary art movement.

Borrowing its name from Mohammed Al-Saleem’s seminal work, the collection takes a unique approach, emphasizing the shifting aesthetic and intellectual currents of the Kingdom through the abstract practices of three generations of Saudi artists. (AN Photo by Nada Alturki)

Borrowing its name from Al-Saleem’s seminal work, the collection takes a unique approach, emphasizing the shifting aesthetic and intellectual currents of the Kingdom through the abstract practices of three generations of Saudi artists.

The exhibition seamlessly flows from the early beginnings with artists born in the 1930s and 1940s, whose work predominantly emerged in the 1990s: Radwi was a foundational figure in Saudi modernism; Al-Saleem, who became notable for establishing the “horizonism” movement, characterized his work with a geometric depiction of the Saudi skyline and desertscape; Taha Al-Seban furthered the desert motif with his unique color compositions.

From there, it can be seen how abstraction has transformed into a crucial language in the cultural scene.

The exhibition seamlessly flows from the early beginnings with artists born in the 1930s and 1940s, whose work predominantly emerged in the 1990s. (AN Photo by Nada Alturki)

The exhibition continues to work from the early 2000s, engaging more with culture, identity and memory. There are artists like Abdulrahman Al-Soliman, also a critic, who infused architectural elements to bridge between heritage and contemporary expression; Abdullah Hamas, who reimagines the Saudi landscape through geometric compositions; Fahad Al-Hajailan, whose abstraction plays with color and movement; Raeda Ashour, one of the first female Saudi abstract artists, who adopts a minimalist yet evocative approach with a chromatic palette and fluid silhouettes. 

Then, at the turn of the 21st century, there is the work of artists born in the 1970s. Abstraction is now a conceptual tool.

Rashed Al-Shashai, known for his experimental approach, repurposes everyday materials to construct layered compositions that address the tension between tradition and modernity while, in contrast, Zaman Jassim’s abstraction interplays between the tangible and the elusive.

SRMG’s collection is on display as part of an exhibition titled “Collections in Dialogue,” featuring collected works by the King Abdulaziz Center for World Culture (Ithra) and Hayy Jameel.


Art Week Riyadh: Coollect on a mission to ‘make art collecting cool again’

Art Week Riyadh: Coollect on a mission to ‘make art collecting cool again’
Updated 09 April 2025
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Art Week Riyadh: Coollect on a mission to ‘make art collecting cool again’

Art Week Riyadh: Coollect on a mission to ‘make art collecting cool again’

RIYADH: Art Week Riyadh, running until April 13, aims to spark a passion for collecting art in the heart of the capital. The event carries the tagline “a local art-collecting experience — anonymous displays, pure discovery.”

At the center of the initiative is Coollect, a pop-up exhibition curated by Jeddah-based Sara Alourfi, whose background spans a bachelor’s degree in visual arts from Switzerland and a master’s in curatorial management from Italy. Known for her sharp curatorial sensibility across contemporary art and fashion, Alourfi brings together a standout selection of emerging and established talent for this Art Week Riyadh

Coollect is a a pop-up exhibition curated by Jeddah-based Sara Alourfi. (AN Photo by Huda Bashatah)

The initiative is produced by atrum, an art consultancy dedicated to both curating exhibitions and supporting artists through its dynamic online platform.

“This is an activation by a company called atrum — an art company that offers art consultancy. They create exhibitions and support local artists with an online platform,” Alourfi told Arab News.

“Coollect is about making collecting cool again,” she told Arab News. “It’s about introducing the idea of collecting to the younger generation in Saudi. We wanted to break the fear of collecting … so we asked artists to submit artworks without any signatures and with different styles than they usually create.”

The artworks — anonymous and untitled — encourage viewers to engage without preconceived notions. (AN Photo by Huda Bashatah)

The artworks — anonymous and untitled — encourage viewers to engage without preconceived notions. All the participating artists contributed using mediums that differ from their usual work. Artists were also encouraged to use local framers and printers, reinforcing the emphasis on supporting the local ecosystem.

More than 120 artists have participated in the initiative. Some created new pieces specifically for the show, while others submitted works that challenge or expand their typical practice. “It’s a mix between emerging and established artists, and a mix between local, regional and international,” Alourfi told Arab News. “The youngest artist we have is actually 13 years old — but you wouldn’t know. You’d be surprised.”

Sales begin on April 12 and end on April 13. Prices, ranging from $133 to $2,130, will be revealed on-site, and buyers will only discover the identity of the artist after purchase. The price point is not indicative of the artist who made the work.

More than 120 artists have participated in the initiative. Some created new pieces specifically for the show, while others submitted works that challenge or expand their typical practice.
(AN Photo by Huda Bashatah)

The concept began nearly a year ago, with a focused artist selection process starting during Ramadan. Atrum promoted the initiative through WASM Studio and social media, resulting in a dynamic pool of talent.

“At atrum, we aim to break boundaries and think beyond the conventional — striving to constantly create new concepts to support the art ecosystem and give back to Saudi Arabia’s vibrant and ever-growing creative community,” Princess Sara Sultan Fahad Al-Saud, co-founder of atrum, told Arab News.

Alongside her and co-founder Nayfa Rayed Al-Brahim, the team of organizers also included Saudi artist Ziyad Alrogi.

On opening night, spectators wandered in and tried to guess who might have created which piece. Many established artists were seen viewing the works but they could not confirm nor deny whether their works were even included. It created an immersive and interactive setting.

“It’s truly heartwarming to see so many from our creative community come together to support and help bring this concept to life — not because they stood to gain anything, but simply because they believed in it,” Al-Brahim told Arab News. “Their willingness to be part of something bigger speaks volumes about the spirit of our community.”

Coollect is open now at JAX, where visitors can experience and explore the works before the sale opens to the public as the AWR finale.


Shanina Shaik attends 2025 Fashion Trust US Awards

Shanina Shaik attends 2025 Fashion Trust US Awards
Updated 09 April 2025
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Shanina Shaik attends 2025 Fashion Trust US Awards

Shanina Shaik attends 2025 Fashion Trust US Awards

DUBAI: Model Shanina Shaik and actress Sofia Boutella attended the 2025 Fashion Trust US Awards in Los Angeles this week for a ceremony which brought together designers, celebrities and industry figures to support and celebrate emerging fashion talent.

Shaik, who traces her ancestry back to Saudi Arabia, Pakistan, Lithuania and Australia, arrived in a sleek white gown by Cult Gaia.

The silk dress featured a cowl neckline and a floor-length, form-fitting silhouette. Tulle ties at the shoulders extended down both front and back, detailed with petal-like appliques. The gown included an open back design, with the floral embellishments continuing down sheer strands to the hem. 

Shanina Shaik wore a sleek white gown by Cult Gaia. (Getty Images)

The look was completed with minimal accessories — gold hoop earrings, neutral platform sandals and a slicked-back hairstyle. 

Meanwhile, Boutella, who is French Algerian, wore a striking red floor-length gown with a high neckline and soft, gathered pleats along the bodice. The dress featured loose, elbow-length sleeves and a cinched waist that flowed into a flared skirt. She paired the outfit with a metallic silver clutch. 

The Fashion Trust US Awards, presented by Google Shopping, celebrates emerging designers working across various disciplines, including ready-to-wear, jewelry and accessories.

Sofia Boutella wore a striking red floor-length gown with a high neckline. (Getty Images)

This year’s event was hosted by actress and singer Keke Palmer. 

Anthony Vaccarello received the Honorary Award, while other winners included Rachel Scott of Diotima for ready-to-wear, Dani Griffiths of Clyde for accessories and Rebecca Zeijdel-Paz of Beck for jewelry. Nana Kwame Adusei scooped the Sustainability Award while the Graduate accolade went to Parsons student Patrick Taylor. 

Winners received grants of $100,000-$200,000, along with mentorship opportunities through Fashion Trust US and Google Shopping.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

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They were selected by the Fashion Trust US board and advisory panel, which included industry figures such as Jonathan Simkhai, Brandon Blackwood, Willy Chavarria, Jeremy Scott, Laurie Lynn Stark, Bob Mackie, Gaia Repossi, Francesco Risso, Chriselle Lim, Monique Lhuillier, Ugo Mozie, Bethann Hardison and Fernando Garcia.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

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Attending the ceremony were celebrities such as Lucy Hale, Becky G, Julia Fox, Maddie Ziegler, Kate Hudson, Heidi Klum, Hailey Bieber, Ciara, Julia Fox and Mandy Moore.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

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The evening also included a performance by singer Natasha Bedingfield.