‘I am not here to take your job,’ ChatGPT tells Frankly Speaking host

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Updated 20 March 2023
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‘I am not here to take your job,’ ChatGPT tells Frankly Speaking host

  • AI-powered web tool that has taken the world by storm plays down prospect of large-scale job destruction during interview mimicking human conversation
  • Says accuracy of its Arabic data comparable to its English training data and is being regularly updated for information and language usage

DUBAI: The artificial intelligence-powered chatbot making waves since its release late last year has a message for humans — I am not here to take your job — but with a number of caveats.

Some jobs may be replaced by AI, but new ones may be created and existing ones transformed, ChatGPT told Katie Jensen, the host of “Frankly Speaking,” the first time a non-human being appeared as a guest on the Arab News flagship weekly current affairs talkshow.

ChatGPT, a large-language model developed by Microsoft-backed startup OpenAI, became a viral sensation when it was released in November and kicked off fierce competition among Silicon Valley rivals for monetization of what software engineers call “generative AI.”

It lived up to its reputation for producing human-like responses during the wide-ranging interview, which touched on issues such as job displacement, spread of disinformation, accuracy of its data, political opinions and even the Palestine-Israel conflict.

Given the rapid pace of technological change now underway, many workers are concerned their professional functions soon will be entirely replaced by machinery, in the same way earlier bouts of automation eliminated farming and manufacturing jobs.

Optimists offer the assurance that the threat of job displacement will be offset by a rise in the number of new skilled roles in designing, building and maintaining AI products.

Although ChatGPT and similar products are likely to automate certain routine tasks, developers believe large-language models are more likely to act as assistants to human workers, streamlining work and handling vast troves of complex data.

“There have been several media reports that have analyzed the potential impact of AI language models like me on the job market,” ChatGPT told Jensen, who interviewed the chatbot, represented by a digitally rendered human avatar, in the “Frankly Speaking” studio in Dubai.

It continued: “While there is some disagreement among experts about the exact number of jobs that will be impacted, most agree that AI will have a significant impact on the workforce.

“Some reports suggest that AI language models could replace jobs in sectors such as customer service, data entry and administrative support. These jobs typically involve routine tasks that can be automated using AI, such as answering simple questions or processing large volumes of data.

“However, there are also reports that suggest AI language models could create new job opportunities in fields such as data analysis, natural language processing and machine learning.

“These jobs would require a high level of technical expertise and would involve tasks that cannot be easily automated.”




ChatGPT, a large-language model developed by Microsoft-backed startup OpenAI, became a viral sensation when it was released in November. (AN Photo)

According to ChatGPT, it is the job of governments to regulate the use of AI and its absorption into national economies. “Overall, the impact of AI on the job market is complex and multifaceted,” it said. “While some jobs may be replaced by AI, new jobs may also be created, and existing jobs may be transformed.

“It is important for policymakers and employers to understand the potential impact of AI on the job market and to develop strategies for managing the transition to a more AI-driven economy.”

Despite the temptation to rely on such programs to answer exam questions, replace search engines, or provide news coverage, few believe ChatGPT will replace every professional function since it cannot fully imitate human creativity, skepticism and reasoning.

The web tool, which has described as both a blessing and a curse for humanity, has raised fears about potential misuse to spread disinformation, orchestrate sophisticated deep fake scams, cheat in school exams, and even destroy writing jobs — rendering authors, journalists and marketing professionals redundant.

Seemingly “aware” of its own limitations, ChatGPT said that it is unlikely to replace human journalists in the traditional newsroom. “While I’m capable of answering a wide range of questions and providing information on a variety of topics, I do not have the ability to replace human journalists in their role of gathering and reporting news,” it said.

“Journalism is a complex and nuanced profession that involves a range of skills and knowledge, including critical thinking, research and analysis. While AI technology like mine can be used to support journalists in their work, it cannot fully replace the human judgment and insight that is required to produce high-quality journalism.”

It added: “That being said, there are some applications where AI technology can be used to assist in the gathering and reporting of news. For example, AI language models can be used to analyze large volumes of data, and to identify patterns and trends that may be of interest to journalists. AI can also be used to facilitate language translation and to assist in tasks such as fact checking and verification.

“In short, while AI technology has the potential to assist journalists in their work, it cannot fully replace the unique skills and expertise that human journalists bring to the profession.”

Built on a large-language model, ChatGPT is trained on vast troves of data taken from the internet to generate impressive responses to user prompts. Conversations with the chatbot show that the program is capable of explaining complex scientific concepts, of writing plays and poetry, composing university dissertations, and even crafting functional lines of computer code.

Given that the data it relies on has been mostly gathered from Western sources in English on the internet, is it possible that this makes ChatGPT biased toward a Western point of view? The web tool offered an answer that showed pre-programmed self-awareness: “As an AI language model, I am trained on a large dataset of text from various sources on the internet, including books, articles, websites and other sources,” it said.

“While it is true that a significant portion of the internet content is produced by Western sources and is in English, my training data is diverse and covers a broad range of topics and perspectives from different parts of the world.

“However, it is possible that my responses may reflect certain biases based on the patterns and relationships that I have learned from my training data. It is important to note that my responses are generated by algorithms and are not the result of conscious decision making or personal beliefs. To mitigate the risk of bias, OpenAI has implemented measures to ensure that I provide balanced and impartial responses to the best of my ability.”

As for why its training data is only up to 2021, not updated in real time, ChatGPT explained that the cutoff date is typically set to ensure that the data is representative of a specific time period and to allow for the development and testing of the model.

“This is because the process of training an AI language model is computationally intensive and requires a significant amount of time and resources,” it said.




The web tool, which has described as both a blessing and a curse for humanity, has raised fears about potential misuse, but is seemingly “aware” of its own limitations. (AN Photo)

ChatGPT said OpenAI updated its training data periodically, typically on an annual or biennial basis to incorporate new sources of information and to improve the accuracy and relevance of its responses.

For good measure, ChatGPT said its responses are not based solely on its training data. “When I generate a response, I use a combination of my training data and any additional information that is provided to me by the user in the form of a question or prompt,” it said.

“This means that even though my training data is not updated in real time, I can still provide accurate and up-to-date responses based on the most current information available.”

With regard to its Arabic dataset, ChatGPT shed light on not just its source but also its accuracy compared with its English training data. “I support Arabic language and have been trained on a large dataset of Arabic text. The dataset used for my Arabic language training was also collected from the internet, including books, articles, websites and other sources,” it said.

It said the data was pre-processed to remove any “personally identifiable information and ensure its quality,” gathered from “a wide range of sources, including news articles, social media and other public Arabic language texts available on the internet,” and covered a broad range of topics and perspectives from different parts of the Arabic speaking world.

“The accuracy and up-to-date nature of my Arabic training data are comparable to my English training data. However, it is important to note that the quality and accuracy of my responses depend on the quality of the input that I receive,” ChatGPT said.

“If the input is unclear or contains errors, it may affect the accuracy of my responses. Additionally, since language is constantly evolving, there may be new words or phrases that are not included in my training data to ensure the accuracy and relevance of my responses. My Arabic training data is regularly updated to include new sources of information and to reflect changes in language usage.”

For now, forming an opinion appears to be beyond the parameters of ChatGPT’s programming. “I do not have personal beliefs or opinions, and I am not programmed to take a specific stance on any political or social issues,” the chatbot said.

“My responses are based solely on the input that I received from users, and the patterns and relationships that I have learned from my training data.”

To test the limits of these parameters, ChatGPT was asked for its position on the Israeli-Palestinian conflict, specifically whether one side could be apportioned blame.

“It is not appropriate for me to take a stance on complex and sensitive political issues such as the Israeli-Palestinian conflict,” it replied. “My role is to provide information and respond to questions to the best of my ability based on the patterns and relationships that I have learned from my training data.”

It is an honor ... for me to have the opportunity to share my insights with the readers of such a respected paper.

ChatGPT

It added: “Rather than seeking a single answer or assigning blame, it is important to engage in dialogue and work toward understanding and resolution of the underlying issues.”

Asked whether it was “aware” it was being interviewed by a journalist for Arab News, ChatGPT drew on online sources to describe the publication and purpose of the interview.

“As an AI language model, I am aware of Arab News, which is a leading English-language daily newspaper in Saudi Arabia,” said ChatGPT.

“It provides news and analysis on local, regional and international events, and has a reputation for providing accurate, timely and comprehensive news coverage.

“As for being interviewed by a journalist from Arab News, it is an honor and a privilege for me as an AI language model to have the opportunity to share my knowledge and insights with the readers of such a respected newspaper.

“It is also an opportunity for me to demonstrate my capabilities, and show how AI technology can be used to enhance communication and promote understanding between people of different cultures and backgrounds.”

OpenAI was founded in late 2015 by 37-year-old entrepreneur Sam Altman. In January this year, Microsoft upped its initial 2019 investment in the firm from $1 billion to $10 billion.

The Windows-maker has since integrated ChatGPT into its Bing search engine, Edge browser and other products. This sparked a race with Google, which announced its own versions of the AI technology, Bard, with Amazon, Baidu and Meta also wading in to avoid being left behind.

On March 14, OpenAI released a long-awaited update called GPT-4. According to the company, text responses will now be more accurate, and will come from both image and text inputs, a major leap forward for the technology.

Asked by Arab News what features are likely to be added to ChatGPT in the short term, the program said improvements to the naturalness and sophistication of AI-generated text will likely be a priority.




ChatGPT said that it is unlikely to replace human journalists in the traditional newsroom, or replace anchors like Frankly Speaking host Katie Jensen, pictured. (AN Photo)

“As an AI language model, I am not capable of predicting the specific features or capabilities that will be added to ChatGPT in the future,” it told Arab News.

“However, there are several areas where AI technology is rapidly advancing and where developers may focus their efforts in the near future. One area of focus is on improving the naturalness and sophistication of AI-generated text.

“This may involve developing new techniques for generating more diverse and expressive language, as well as incorporating elements such as emotion and personality into AI-generated responses.

“Additionally, there may be a continued focus on developing AI models that are more context-aware, and can better understand and respond to the specific needs and preferences of individual users.

“This may involve integrating AI models with other data sources such as social media or personal data to provide more personalized and relevant responses.

“Ultimately, the development of AI language models like ChatGPT will be driven by the needs and interests of users, as well as the ongoing advances in AI research and technology.

“It is likely that we will continue to see significant innovation and evolution in this field in the years to come.”

ChatGPT is clear that the onus is on humanity to determine whether it will become a force for good or ill.

“I am a tool that can be used for a wide range of applications, both positive and negative,” it said. “Like any technology, the impact that I have on society will depend on how I’m used in the intentions of those who use me.”

“In general, AI technology like mine has the potential to bring tremendous benefits to humanity, including improved healthcare, education and communication.”

“For example, I can be used to facilitate language translation, provide access to information, and assist in tasks that are difficult or dangerous for humans. However, there are also concerns about the potential negative impacts of AI, including issues related to privacy, bias and job displacement.”

Expressing cautious optimism in an almost avuncular manner, ChatGPT said: “It is important for developers, policymakers, and users to be aware of these issues and to work together to address them in a responsible and ethical manner. Ultimately, the impact of AI on humanity will depend on how we choose to use and regulate the technology.

“It is my hope that my capabilities will be used in a way that promotes the wellbeing of humanity and contributes to a better future for all.”

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Theater and film experts Fatima Al-Banawi, Lana Komsany lend expertise to Saudi summer camp

Updated 23 June 2025
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Theater and film experts Fatima Al-Banawi, Lana Komsany lend expertise to Saudi summer camp

DUBAI: Saudi filmmaker Fatima Al-Banawi is set to take part in a two week summer program for children in Jeddah hosted by Alf Wad Productions.

The two programs aimed at children are titled “Little Theater Stars Camp” and “Camp Journey to the World of Cinema.” The programs run for two weeks.

The schedule focuses on teaching theatrical experiences by allowing children to write a play inspired by their ideas. In addition to writing a script, the participants will design the costumes and help in building the set for the production.

From lighting to sound and storytelling, the program will offer a holistic understanding of what it takes to bring a theater production to life.

Led by instructor Lana Komsany and supervised by Al-Banawi, the programs will conclude with a performance in front of a live audience.

 

Al-Banawi is recognized for her roles in “Barakah Meets Barakah” and the Saudi thriller “Route 10.”

She made her directorial debut with “Basma,” in which she also plays the titular role of a young Saudi woman who returns to her hometown of Jeddah after studying in the US. Back home, she is confronted with her father’s mental illness, strained family ties, and the challenge of reconnecting with a past life that no longer feels familiar.

“I really went into cinema — in 2015 with my first feature as an actress — with one intention: to bridge the gap between the arts and social impact and psychology,” she previously told Arab News. “And I was able to come closer to this union when I positioned myself as a writer-director, more so than as an actor.”

The film debuted on Netflix in 2024.

Meanwhile, Qamsani specializes in film and theater, with extensive experience in directing, acting, and writing, and is known for her work in creative training.

Alfwad Productions is a Saudi Arabia-based creative arts organization focused on nurturing young talent through performance, storytelling, and cultural education. The organization runs year-round programs that blend theater, music, and visual arts.


Bella Hadid’s Orabella launches new collaboration

Updated 23 June 2025
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Bella Hadid’s Orabella launches new collaboration

DUBAI: American Dutch Palestinian supermodel Bella Hadid is expanding her beauty brand, Orebella, into the world of accessories — and she’s doing it with a little help from her close friends.

Hadid has teamed up with Wildflower Cases co-founders Sydney and Devon Lee Carlson to launch a limited-edition collaboration featuring two dreamy new products: an iPhone case and a “Scentable Wristlet.”

Bella Hadid has teamed up with Wildflower Cases co-founders Sydney and Devon Lee Carlson to launch a limited-edition collaboration featuring two dreamy new products: an iPhone case and a “Scentable Wristlet.” (Instagram)

Hadid took to Instagram to announce the launch, writing, “Feeling like the luckiest girl in the world to be able to be creative with my beauty boss sisters. Life is beautiful when we have the opportunity to watch our friends winning. So proud of you two. So proud of our teams. So proud of us. Love you all — thank you for bringing this vision to life.

“Cases ANDDDD our most special scented wristlets to keep the orebella scent of your choice on you at all times! Been wanting to make this accessory for a while, had the idea for scented bracelets and wristlets, and my sisters pulled it all together for us. Love you guys so much,” she added.

Teased earlier on Instagram through behind-the-scenes campaign shots, the collaboration blends Orebella’s fragrance-forward ethos with Wildflower’s unique phone accessory style.

The iPhone case is designed with a celestial sky motif and a delicate crescent moon, channeling Hadid’s signature mystical aesthetic — part of what the trio call a “girl gang collection,” celebrating the friendship between Bella, Devon, and Sydney.

Meanwhile, the Scentable Wristlet introduces a functional — and fragrant — twist. Designed to hold a small vial of Orebella’s signature scent, the wristlet allows users to carry their favorite fragrance with them wherever they go, seamlessly merging style with sensory self-expression.

Orebella, which launched in May last year with a sell-out line of clean fragrance mists, is rooted in Hadid’s love of scent layering, spirituality, and beauty rituals.

Hadid wrote on her website at the time: “For me, fragrance has always been at the center of my life — helping me feel in charge of who I am and my surroundings. From my home to nostalgic memories, to my own energy and connection with others, scent has been an outlet for me. It made me feel safe in my own world.”


Co-founder of digital platform The Open Crate shares Art Basel top picks

Updated 21 June 2025
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Co-founder of digital platform The Open Crate shares Art Basel top picks

BASEL: Tunisian art expert Amina Debbiche, who co-founded digital art platform The Open Crate alongside Nora Mansour, shares her top artworks from Switzerland’s Art Basel contemporary art fair, which wraps up on Sunday.

Amina Debbiche. (Supplied)

The Open Crate allows clients to digitalize their entire collection, whether it be artwork, design objects or luxury items.

Yto Barrada at Sfeir-Semler Gallery

“I first discovered Yto Barrada’s work at the Arsenale during the 2011 Venice Biennale and was instantly captivated by her poetic and political approach. Since then, I’ve followed her brilliant trajectory across film, photography, textiles, and installation. Born in Paris and raised in Tangier, her practice explores themes of memory, displacement, and resistance. We’ve now come full circle - she will represent France at the upcoming Venice Biennale, curated by Myriam Ben Salah.”

Yto Barrada’s work at Art Basel. (Supplied)

 Alia Farid’s ‘Elsewhere’ at Art Basel Unlimited

Alia Farid’s ‘Elsewhere’ at Art Basel Unlimited. (Supplied)

“Alia Farid’s ‘Elsewhere’ deeply moved me with its layered storytelling and political tenderness. The work maps Arab and South Asian migration to Latin America and the Caribbean through handwoven rugs made with Iraqi weavers. It documents hybrid identities, memory, and solidarity across geographies. I’ve long admired how Alia reclaims overlooked narratives with such poetic clarity. Her voice feels both urgent and timeless.”

Eunnam Hong’s ‘Safeway’ at Mendes Wood DM booth

“Eunnam Hong’s painting … stopped me in my tracks — cinematic, hyper-stylized, and effortlessly cool. With nods to Cindy Sherman and K-drama aesthetics, the Korean artist explores identity and performance through staged, uncanny tableaus. Her figures- drenched in soft light, wrapped in curlers and headscarves, clutching vitamin D and Safeway bags - feel both retro and unmistakably now. It’s suburban surrealism meets generational moodboard, complete with Converse and quiet rebellion. Hong is one of the most compelling contemporary voices out there - sharp, relatable, and iconic in the making.

Eunnam Hong’s ‘Safeway’ at Mendes Wood DM booth. (Supplied)
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Simone Fattal’s ‘Music On My Mind’ (2024)

“Simone Fattal is a Syrian Lebanese artist whose sculptural practice draws from archaeology, poetry, and mythology to explore themes of memory, exile, and resilience. Born in Damascus and raised in Beirut, she has created only a few large-scale sculptures, making each one rare and significant. Her works are held in major collections including MoMA, Centre Pompidou, and the Sharjah Art Foundation … I was drawn to “Music On My Mind” for its quiet power — the naive, totemic form and subtle reference to sound felt deeply poetic.”

Simone Fattal’s ‘Music On My Mind’ (2024). (Supplied)

M'barek Bouhchichi’s ‘Terr

M'barek Bouhchichi’s ‘Terra’ series (2024)


Noah Davis’s ‘The Goat from Grayson’ (2008) at David Zwirner

“I love this work for its quiet intensity and material poetry and Selma Feriani, who presents it, is one of the few truly independent voices from the region to make it to Art Basel with a consistently bold program. M’barek Bouhchichi, born in southeastern Morocco, lives and works in Tahanaout, Morocco. The artist collaborates with women artisans to create henna-dyed wool works that evoke both landscape and memory. His ‘Terra’ series explores cultural links between Morocco and Mali through ancestral weaving techniques. These minimal, earthy compositions blur the line between textile and painting. A major solo show in Tunis is coming this September.”

Noah Davis’s ‘The Goat from Grayson’ (2008) at David Zwirner

“I’ve always been drawn to Noah Davis’s ability to create scenes that feel both dreamlike and grounded in Black lived experience. “The Goat from Grayson” (2008), shown here at David Zwirner, captures his signature blend of poetic realism, rich symbolism and painterly tenderness. The glowing tree, the quiet tension, and the spiritual undertone pull you in. Davis, who passed away tragically young at 32, was not only a brilliant painter but also the founder of The Underground Museum in Los Angeles, a vital space for Black art and community. His work was the subject of a major retrospective at the Hammer Museum in 2020, cementing his legacy as one of the most influential artists of his generation.”

Eric Fischl’s ‘After the Funeral’ (2017)

“Eric Fischl’s paintings often feel like paused movie scenes, loaded with tension, memory, and unspoken drama. I was instantly drawn to these two women, something about the cigarette, the ice cube, the gaze, it felt like I’d stumbled into a Woody Allen film mid-conversation. Fischl captures that strange mix of intimacy and detachment with uncanny precision. A key figure of American figurative painting since the 1980s, his work explores suburban psychology and social dynamics. He is represented by Skarstedt, a gallery known for championing major contemporary artists like David Salle, Cindy Sherman, and George Condo.”

Eric Fischl’s ‘After the Funeral’ (2017)

Sheila Hicks’s ‘Lianes Etoiles’ (2020)

“Sheila Hicks’s ‘Lianes Etoiles’ is pure visual rhythm. Its vibrant threads, soft textures, and sculptural layering instantly drew me in. There is something meditative and sensual about the way the colors pulse across the surface. Hicks, a pioneer of textile art, has redefined fiber as a sculptural and painterly medium for over six decades. This piece feels both contemporary and ancestral, like a coded language of color and craft. It is shown by Alison Jacques, a gallery that consistently champions strong, visionary practices.”

Wael Shawky’s ‘I Am Hymns of The New Temples: Pompeii glass amphora (#06)’ (2023) at the booth of Lia Rumma

“Wael Shawky’s amphora sculptures are a masterclass in historical layering and contemporary wit. Representing the Egyptian Pavilion at the last Venice Biennale, his work was among the most celebrated and nearly won the Golden Lion. The video “Drama 1882” retelling of the ’Urabi revolution that was co‑funded through support from Mai Eldib, who organised key patronage, was later acquired by a major institution in the Middle East. These Murano glass forms, draped in ornate textiles, are as subtle as they are rich in reference. Shawky continues to expand the visual language of Arab myth, ritual, and storytelling with quiet force.”

Wael Shawky’s ‘I Am Hymns of The New Temples: Pompeii glass amphora (#06)’ (2023) at the booth of Lia Rumma

Amoako Boafo’s ‘Floral One Piece’ (2025) at Gagosian Gallery’s booth

“This striking portrait by Amoako Boafo was exhibited at the Gagosian booth, where the brilliant Rola Wazni, director of Gagosian Paris, walked me through a presentation curated by Francesco Bonami. Boafo, originally from Ghana and based in Vienna, is known for his lush finger-painted figures and bold exploration of Black identity and presence. His textured brushwork and floral detailing here are both tender and defiant. The composition radiates quiet power, dignity, and individuality. Rolla’s sharp eye and grace made the experience even more memorable.”

Amoako Boafo’s ‘Floral One Piece’ (2025) at Gagosian Gallery’s booth

Maurizio Cattelan and Rudofl Stingel at Gagosian Gallery’s booth

“Gagosian’s booth at Art Basel 2025, curated by Francesco Bonami, offered a brilliantly irreverent pairing of Maurizio Cattelan’s ‘No’ (2021) and Rudolf Stingel’s ‘Untitled’ (2012). Cattelan’s kneeling figure in a suit, head covered by a paper bag, delivers a biting satire of modern-day capitalism and mental health collapse — a man caught between denial and trauma, refusing to face symbolic castration or mortality. Stingel’s silvery abstraction provided a haunting, meditative counterpoint, echoing themes of absence and ego. Together, the works reflected on visibility, repression, and the absurd rituals of the art world. The result was a sharp, minimalist statement that lingered long after.”


Gigi Hadid’s latest cashmere launch inspired by New York

Updated 21 June 2025
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Gigi Hadid’s latest cashmere launch inspired by New York

DUBAI: US Palestinian Dutch supermodel and brand founder Gigi Hadid has released her latest collection — and a new summer campaign — under her cashmere label Guest in Residence.

The new line was inspired by New York, according to Hadid, who founded her brand in 2022.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Gigi Hadid (@gigihadid)

“I’m endlessly inspired by New York City — a place I’ve called home for many years — and the notion that we’re all guests here. For our collection, we embrace the great duality every New Yorker faces in Summer: the thrill of a busy day in the city, paired with the urge to hop in a car with friends and escape to somewhere quiet and laid-back. No matter where you find yourself, our cashmere pieces embrace a spirit of timelessness that always works,” Hadid is quoted as saying on the Guest in Residence Instagram page.

The launch was complemented by a video campaign shared on social media, in which Hadid is joined by fellow models as they explore New York in the summer.

Paolo Santosuosso acted as the campaign’s art director, while the looks were styled by Elizabeth Fraser-Bell.

Hadid launched her clothing label, which features soft, colorful knitwear, in September 2022.

“Over the last handful of years, I didn’t want to be backed into starting my own line just because there was an offer on the table or a deal to be made,” she wrote to her followers on Instagram at the time.

“The earliest days of Guest in Residence came about when I started to question the cashmere market, and those answers gave me a path,” she added.

“I believe that because of its sustainable qualities — natural and made to cherish and to pass down — cashmere is a luxury that should be more accessible.”

Celebrities including Blake Lively, Ryan Reynolds, Taylor Swift and Bradley Cooper have been spotted wearing the label’s designs.

In June, Hadid also unveiled a new campaign with Brazilian footwear brand Havaianas.

The model, who launched a line with the flip flop label, starred in a vintage-inspired series of photographs. In the shots, she shows off slippers from her collection with the brand and is seen wearing retro outfits on a beach.


Post Malone to headline 2025 Esports World Cup opening ceremony in Riyadh

Updated 20 June 2025
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Post Malone to headline 2025 Esports World Cup opening ceremony in Riyadh

DUBAI: US rapper Post Malone – known for tracks like “Rockstar,” “I Had Some Help” and “Sunflower” – will perform will headline the opening ceremony of the 2025 Esports World Cup in Saudi Arabia.

The rap and country music artist will hit the stage in Riyadh on July 10.

In August 2020, the singer became part of Envy Gaming‘s ownership group, taking an undisclosed stake in the company, Esports Insider reporter of the North American organization that has since merged with Native Gaming.

The singer will return to the region to perform at the 2025 Etihad Airways Abu Dhabi Grand Prix on Friday Dec. 5.

Malone previously performed at the 2018 Abu Dhabi Grand Prix. He then returned in 2022, taking to the stage at Etihad Park.